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Robert Schaap. Kunisada: Imaging, drama and beauty / Introduction by Sebastian Izzard, contributions by Paul Griffith and Henk. J. Herwig. — Leiden: Hotei Publishing, ©2016.
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C. Варшавский, Б. Рест. Над Берлином // Библиотека «Огонек», №7. — М.: Правда, 1942.
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Poulet-Malassis & ses amis. — [Paris:] Les Larmes d’Éros, [2022].
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Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.
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The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013
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Норман Кон. Благословение на геноцид: Миф о всемирном заговоре евреев и “Протоколах сионских мудрецов”. — М.: Прогресс, 1990.
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Paul Verlaine. Parallèlement / illustrations de Vertès. — Paris: Éditions de Cluny, 1934.
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Charles-Antoine Jombert. Catalogue de l’œuvre de Charles Nicolas Cochin fils. — Paris: Prault, 1770.
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Japanese sword fittings from the Alexander G. Moslé collection / Catalogue 9, Exhibition September 21-30, 2004. — NY: Sebastian Izzard, LLC, 2004.
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Pierre Vésinier. Comment a péri la Commune. — Paris: Albert Savine, 1892.
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И. С. Тургенев. Казнь Тропмана: Из литературных и житейских воспоминаний / Рисунки Марселя Слодкого. — Берлин: Геликон, 1922.
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Н. Л. Фран-масонство и государственная измена. — СПб.: Издание В. П., 1906.
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Auguste Lepage. Les dîners artistiques et littéraires de Paris / 2e édition; (Bibliothèque des deux mondes). — Paris: Frinzine, Klein et Cie., 1884.
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Vingt contes de Boccace / Traduits par Antoine Le Maçon, illustrations de Brunelleschi. — Paris: Gibert Jeune, Librairie d’Amateurs, 1941.
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Complexes: 40 dessins de Vertès, préface de Pierre Mac-Orlan. — Monte-Carlo: André Sauret, 1948.
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Alfred Machard. Printemps sexuels… L’épopée au faubourg / Lithographies de Jean Auscher. — Paris : Éditions M.-P. Trémois, 1928.
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Israel Goldman. Japanese prints, paintings and books / Recent acquisitions; Catalogue 26, 2020.
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Pierre Louÿs. Œuvres choisies: Aphrodite. Les chansons de Bilitis. La femme et le pantin. Les aventures du roi Pausole. Poëmes / 5 volumes. — Paris: Albin Michel, 1949.
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