European prints and drawings – Page 3 – Varshavsky Collection

[André Collot]. Jeunesse. — [Paris], 1933.

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Mons the Capital City of Hainault in ye Low Countries; engraving, 1744.

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Das erotische Werk des Félicien Rops. — Privatdruk, 1905.

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S. A. Le Prince Impérial / Image d’Épinal, c. 1870.

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Herni Cohen, Seymour de Ricci. Guide de l’amateur de livres à gravures du XVIIIe siècle (6e édition) / 2 Vol. – Paris: A. Rouquette, 1912.

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Torquato Tasso. La Gierusalemme liberata. — Genoa: Girolamo Bartoli, 1590.

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Félicien Rops. Le dessous de cartes d’une partie de whist (Series: Les diaboliques – petites planches); soft-ground etching, 1886.

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Eastern and western divisions of Paris, containing the quartiers. — London: Chapman and Hall, 1834.

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Emilie Mediz-Pelikan. Pine Grove / Chromolithography, 1905.

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Baptême de S. A. le Prince Impérial. 14 Juin 1856 / Image d’Épinal.

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George Cruikshank. Illustrations of Time. — London: by the artist, 1827.

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Dorat. Les Baisers, précédés du mois de Mai, poëme. — Haye et Paris: Lambert et Delalain, 1770.

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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.

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Scipio Africanus auf den Ruinen von Carthago. German anonyme, hand-coloured etching, c. 1815.

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[Achille Deveria]. La bibliothèque des romans: Une veillée de jeune fille, 1840 [i.e. c. 1842].

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Général de division / Image d’Épinal, c. 1870.

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Martin van Maële. Set of 21 two-colour etchings for the Charles Carrington edition of ‘Thais’ by Anatole France, 1901.

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Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.

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[Rudolf Erich Raspe]. The travels and surprising adventures of baron Munchausen / George Cruikshank (illustrator). — London: William Tegg, 1869.

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Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.

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Valenciennes: Valencena, quondam cygnorum vallis, urbs han: perelegãs et valde magnifica; engraving, 1612.

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Peter Fendi. Vierzig Erotische Aquarelle in Faksimilereproduktion. — [Vienna: C. W. Stern , 1910].

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Napoléon III / Lithography, 1852.

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Versailles soldiers firing upon the communists from roofs and windows in Paris. Harper’s Weekly: July 1, 1871

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Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

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[Voltaire]. La Pucelle d’Orléans, Poëme héroï-comique en dix-huit chants. — Genève: [Cazin], 1788.

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Félicien Rops. La Modernité; drypoint, 1883.

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Eastern and western divisions of Paris, containing the quartiers. — London: Baldwin & Cradock, 1834.

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Emilie Mediz-Pelikan. Roman Pines Grove / Chromolithography, c. 1905.

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Napoléon III, Empereur des français / Chromolithography, 1852

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Adelbert von Chamisso. Peter Schlemihl / Sir John Bowring (translator), George Cruikshank (illustrator) — London: G. and W. B. Whittaker, 1824.

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Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.

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Thomas Bewick. History of British birds with the supplements and addenda / Vol. 1 & 2. — Newcastle: T. Bewick and E. Charley; London: Longman & Co., 1821.

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Losing my seat. [Anonyme] A. Sharpshooter, 1829.

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[Feodor Rojankovsky, dit Rojan]. Quatorze études originales pour Vers Libres de Raymond Radiguet, c. 1935.

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Amiral / Image d’Épinal, c. 1870.

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