European prints and drawings – Page 4

Félicien Rops. L’enter’acte de Minerve; photogravure, n.d.

Photogravure after a pastel drawing by F. Rops. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26 x 20 cm; Plate: 25 x 18 cm; Image: 21 x 14.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 543; Graphics irreverent and erotic (1968): 156.

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Félicien Rops. Hypocrisie; etching and drypoint, n.d.

Etching and drypoint on wove paper, depicting a woman with a face mask on her buttocks. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.

Dimensions: Papaer: 22.2 x 18.5 cm; Plate: 17.5 x 13.3 cm; Image: 15.5 x 12 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 448; Graphics irreverent and erotic (1968): 106; Rouir 648.

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Félicien Rops. L’ariette; etching, n.d. (two prints).

Two prints on laid paper, one in an earlier state, published under the name Niederkorn. Owner's stamp 'LvM' on verso.

Dimensions: Paper (1): 31 x 22.3 cm; Paper (2): 46 x 33.8 cm; Plate: 31 x 22 cm; Image: 25.5 x 17.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 318; Rouir 954:3 and 954:5?.

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Félicien Rops. Pallas; etching and drypoint, 1874.

Etching and drypoint on wove paper, depicting Athena with an awl on her helmet and holding a shield with Medusa head. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 38.7 x 26.5 cm; Plate: 31 x 18 cm; Image: 24.5 x 14.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 317; Graphics irreverent and erotic (1968): 41.

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Félicien Rops. La vieille à l’aiguille; etching, 1876.

Etching on wove paper, depicting an old woman trying to thread a needle. Signed in plate: "Felicien Rops, 76 Septembre". Owner's stamp LvM on verso.

Dimensions: Paper: 51.9 x 35 cm; Plate: 27.5 x 21 cm; Image: 23.5 x 16 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 358; Graphics irreverent and erotic (1968): 54.

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Félicien Rops. La Modernité; drypoint, 1883.

Drypoint on wove paper, depicting a woman in a hat with a ribbon lettered "ACADEMIE", carrying in her hand a male head in spectacles on a plate. Monogrammed "FR 83", inscribed: LA MODERNITÉ. — Imp. Eudes.; in pencil on verso."L'ARTISTE" – OCT. 1886 | (PRUD'HOMME ONTHOOFD) E 332-V". Owner's stamp 'LvM' on verso.

Dimensions: Paper: 27.2 x 17.8 cm; Plate: 19.7 x 14 cm; Image: 18.5 x 13 cm.

Catalogue raisonné: Rouir 767:5; Arthur Hubschmid (1977): 405; Graphics irreverent and erotic (1968): 72.

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Félicien Rops. Le dessous de cartes d’une partie de whist (Series: Les diaboliques – petites planches); soft-ground etching, 1886.

Soft-ground etching on laid paper. Inscribed on plate: "Le dessous de cartes d'une partie de whist" [The underside of a game of whist]. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26 x 20 cm; Image: 24 x 17.7 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 43; Graphics irreverent and erotic (1968): 273.

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Félicien Rops. Un groom a tout faire; etching, n.d.

Etching on laid paper, depicting a kneeling groom with his head between the spread legs of a bare-breasted woman in a veiled hat. Inscribed on plate: Un groom a tout faire. Owner's stamp LVM on verso.

Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm

Catalogue raisonné: Arthur Hubschmid (1977): 662.

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Félicien Rops. Médecine expérimentale; etching, 1854.

Sanguine print on toned China paper pasted on cream wove paper sheet, depicting a dressed-up man trying to copulate with a hanged sow. Inscription on top of the plate: "Ne faites pas aux truies ce que vous ne voudriez pas qu'on vous fit", and below: "Visection" (sic.). Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26.8 x 20.6 cm; India paper: 21.5 x 16.2 cm; Image: 19.3 x 14.2 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 661; Graphics irreverent and erotic (1968): 42.

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Félicien Rops. L’oliverade – Monaco; etching, 1876.

"In the olive grove", etching on laid paper. Signed on the plate and inscribed "L'olivierade Monaco, 76" (sic.). Owner's stamp LvM on verso.

Dimensions: Paper: 44 x 30.5 cm; Plate: 40 x 27 cm; Image: 35 x 24.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 323; Graphics irreverent and erotic (1968): 323.

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Félicien Rops. Anversoise ou servante; etching, n.d.

A woman from Antwerp or a servant, another title "Laitière anversoise"; 2nd state. Etching on wove paper. Owner's stamp LVM on verso.

Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm

Catalogue raisonné: Arthur Hubschmid (1977): 343.

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Félicien Rops. La dalécarlienne; etching, 1874.

Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.

Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.

Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.

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Bayros-mappe mit vorwort von Rudolf Hans Bartsch. — Wien: Ed. Strache, [1921].

An album 45 of 50 prints, 31 photogravures and 14 in raster chromotype after drawings and paintings by Franz von Bayros; most with tissue guards, some in passepartout; colour prints mounted on the same paper that is used for photogravures. Title-page: BAYROS | MAPPE | MIT VORWORT VON | RUDOLF HANS BARTSCH | VERLAG ED. STRACHE / WIEN • PRAG • LEIPZIG || Limited edition of 500 copies. This is copy № 286. Lacking 5 prints: (1) Abschied vom Paradies, (2) Weihnacht, and (3) Harmonie from Symphonie von der Gūte, die Schönheit ist; (4) Divina commedia from Florentiner Phantasien; and (5) Mozart from Varia. Contributors: Franz von Bayros (Austrian, 1866 – 1924) Rudolf Hans Bartsch (Austrian, 1873 – 1952)

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Im Garten der Aphrodite. 18 Bildgaben von Franz von Bayros. Privatdruck. — s.l.: s.n., s.a. [c. 1920].

Cover with title: Im Garten der Aphrodite | 18 Bildgaben | von | Franz von Bayros | {vignette} | Privatdruck || in a frame; table of contents and limitation to verso; 18 plates with the drawings of Bayros in collotype reproduction, each mounted on cardboard and protected with the remnants of tissue guards, some lacking. Of the publisher’s folder, only the front board with an oval title label is present. Some images signed “Choisy le Conin” – von Bayros’s pseudonym. Two prints are missing: (1) Das Füßchen and (2) Die Liebesschaukel, the other 16 prints present. The vignette on the cover is a photomechanical reproduction. Edition: limited to 350 copies of which this is № 253. According to Christie’s: a collotype reprint, about twenty years after their first publication. English equivalent: The Garden of Aphrodite. Portfolio with 18 photogravures. Catalogue raisonné: The amorous drawings of the Marquis von Bayros (1968): pp. 177-1877; Bayros Zeichningen (1987): pp. 143-152.

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Collection de vignettes pour les œuvres de J.-J. Rousseau gravées par MM. Forster, Laugier, Leroux, Muller, etc. d’après les dessins de Devéria. — Paris: Dalibon, 1825.

Pictorial album of 41 etchings, incl. two portraits, by various engravers after Achille Devéria, printed on India paper (after letters) and pasted on thick wove paper, bound with tissue guards in half calf over marbled boards bordered gilt, spine decorated gilt, marbled endpapers; base paper and tissue guards are substantially foxed, images mostly intact. The title page and the subscription page are bound-in at the beginning and at the end, respectively. Title page: (in ornamental frame): COLLECTION | DE VIGNETTES | POUR LES ŒUVRES | DE | J.-J. ROUSSEAU | GRAVÉES | PAR MM. FORSTER, LAUGIER, LEROUX, MULLER, ETC. | D'APRÈS LES DESSINS DE DEVÉRIA. | (pasted over) ÉPREUVES CHOISIES, SUR PAPIER DE CHINE. | {publisher’s device} | A PARIS, | CHEZ DALIBON, LIBRAIRE | DE S. A. R. M^GR LE DUC DE NEMOURS, | Palais-Royal, galerie de Nemours. | M DCCC XXV. | Under the frame: Le portrait de M^me de Warens étant terminé, nous y avons joint trois vignettes pour former la quatrième livraison. — Le portrait de | J.-J. Rousseau avec deux vignettes en formera une aussi ; de cette manière le nombre des livraisons reste le même. || This collection was published by Dalibon the same year as the 25-volume Rousseau's Œuvres completes. Related persons: Jean-Jacques Rousseau (French, 1712 – 1778). M^me de Warens: Françoise-Louise de Warens [Louise Éléonore de la Tour du Pil] Swiss, 1699 – 1762). S.A.R. M^gr Le Duc de Nemours: Prince Louis of Orléans, Duke of Nemours [Louis Charles Philippe Raphaël d'Orléans] (French, 1814 – 1896). Contributors: François-Denis Dalibon (French, 1794 – 1853) – publisher. L'Imprimerie de Rignoux (Paris); Thomas-François Rignoux (1781 – 1863?) – printer. Achille Devéria (French, 1800 – 1857) – artist. Engravers : François Forster (French, 1790 – 1872) Jean Nicolas Laugier (French, 1785 – 1875) Jean Marie Leroux (French, 1788 – 1871) Henri Charles Müller (French, 1784 – 1845) Herbert König (German, 1820 – 1876) Louis Jean Désiré Delaistre (French, 1800 – 1871) Jean Louis Toussaint Caron (French, 1790 – 1832) Pierre Michel Adam (French, 1799 – 1853) Ferdinand Sébastien Goulu (French, 1796 – 1848) Jean-François Pourvoyeur (French, 1784 – 1851) Jean Baptiste Touzé (French, fl. 1810 – 1830) Narcisse Lecomte (French, 1794 – 1882) Louis Hercule Sisco (French, 1778 – 1861) Edme Jean Ruhierre (French, 1789 – fl. 1826) Auguste Thomas Marie Blanchard (French, 1819 – 1898) François Manceau (French, 1768 – after 1837) Gabriel Louis Lacour-Lestudier (French, 1800 – 1849) Fulley [Frilley?] Jean Jacques Frilley (French, 1797 – after 1850) Philippe Joseph Augustin Vallot (French, 1796 – 1870) Etienne Devilliers (French, 1784 – after 1844) Jean Bosq (French, fl. c. 1801 – 1844) Zachée Prévost (French, 1797 – 1861) Jean Baptiste Guyard II (French, 1787 – 1831/32) Antoine François Gelée (French, 1796-1860) Constant Louis Antoine Lorichon (French, 1800-1856?) Antoine Joseph Chollet (French, 1793 – after 1848) Adrien Migneret (French, 1786 – 1840) Alfred Johannot (French, 1800 – 1837) Arnold Jéhotte (French, 1789 – 1836) Hippolyte Prudhomme (French, 1793 – 1853) Achille Lefèvre (French, 1798 – 1864) Pierre Pelée (French, 1801 – 1871) Antoine [Tony] Johannot (French, 1803 – 1852) Pierre Joseph Tavernier (French, 1787 – after 1845) Leclerc (?) Levasseur (?)

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Les Filles d’Eve – Album de Travestissements Plus ou Moins Historiques. — Paris: Le Journal Amusant et al., 1867.

Pictorial album of 20 hand-coloured wood engravings by Firmin Gillot after Alfred Grévin; numbered 1 to 20, bound with tissue guards in half-brown cloth over marbled boards, publisher's gilt-lettered blue wrappers preserved, purple-blueish endpapers. Front wrapper (gilt on blue): LES FILLES D'EVE | ALBUM | DE TRAVESTISSEMENTS | PLUS OU MOINS | HISTORIQUES | Par A. GRÉVIN | — | PARIS | AUX BUREAUX : DU JOURNAL AMUSANT, DES MODES PARISIENNES | DE LA TOILETTE DE PARIS ET DU PETIT JOURNAL POUR RIRE | 20. Rue Bergère. || ; Henri Plon's imprint to back wrapper. Contributors: Grevin, Alfred (French, 1827 – 1892) Gillot, Firmin (French, 1820 – 1872) Plon, Henri (French, 1806 – 1872) Ref.: Metropoliten Museum.

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Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.

Title: A HISTORY OF | ENGRAVING & ETCHING | FROM THE 15TH CENTURY TO THE YEAR 1914 | BEING THE THIRD AND FULLY REVISED EDITION OF | “A SHORT HISTORY OF ENGRAVING AND ETCHING” | BY | ARTHUR M. HIND | OF THE BRITISH MUSEUM | SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF OXFORD | WITH FRONTISPIECE IN PHOTOGRAVURE | AND 110 ILLUSTRATIONS IN THE TEXT | {publisher’s device} | BOSTON AND NEW YORK | HOUGHTON MIFFLIN COMPANY | 1923 || Pagination: [i-iv] v-xiii. [2] – blank / abbrev., [2] 3-487 [488], frontis. w/tissue guard, ills.; Appendices: I. Classified list of engravers (p. 343-392); II. General bibliography (p. 393-419); III. Index of engravers and individual bibliography (p. 420-487). Collation: π¹⁰ B-2H⁸ 2I⁴, frontispiece (extr.), 110 in-text illustrations. Binding: 25.8 x 20 cm, crimson cloth, blind triple-fillet to top and bottom of the front board, same in gilt to spine, gilt lettering to spine, top edge gilt, fore-edge untrimmed. Contributors: Arthur Mayger Hind (British, 1880 – 1957) – author. Houghton Mifflin Company (Boston, 1864) – publisher. R & R. Clark, Ltd. (Edinburgh, 1846) – printer. Note: It is marked as the 3rd edition of A short history of engraving and etching. Indeed, A short history of engraving & etching for the use of collectors and students with full bibliography, classified list and index of engravers was published by Constable in London and Houghton Mifflin Co. in Boston, in 1908 and then in 1911. However, it is hard to consider an almost completely new book "a 3rd edition".

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[André Collot]. Jeunesse. — [Paris], 1933.

12 hand-coloured soft-ground etchings by André Collot, unbound, in a paper folder with pink lettering and vignette engraved on wood, with a title-page in black: JEUNESSE | 12 VERNIS MOUS COLORIÉS | tires à exemplaires | réservés aux Amis de l’Artiste | 1933 ||, in a frame. Edition: 1st edition, limited to 60 copies. Catalogue raisonné: Dutel 1920-70: 1786. There is another copy of the same with the cardboard folder SVE-0528.2023.

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[Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].

Seventeen drypoint prints in purple plus one original ink sketch by Marcel Vertés (French, 1895 – 1961) – illustrations to the book by Pierre Louÿs Trois filles de leur mère, in a paper folder. Front : DIX-SEPT POINTES SÈCHES | D'UN ARTISTE INCONNU | POUR | TROIS FILLES | DE | LEUR MÈRE | {space} | AUX DÉPENS D'UN AMATEUR | NON MIS DANS LE COMMERCE || Pencil manuscript Vertés under “ARTISTE”, autograph vignette above “AMATEUR”, erased dedication inscription above “DÉPENS” À L’AMI [erased] X. Back: JUSTIFICATION DU TIRAGE | 17 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTENANT | UNE SUITE DES DIX-SEPT POINTES SÈCHES EN | NOIR : UNE SUITE EN COULEURS COLORIÉE PAR | L’ARTISTE ; UN DESSIN ORIGINAL ET SA PLANCHE | DE CUIVRE ; DIX-SEPT CROQUIS ORIGINAUX | MARQUÉS A à Q. | 50 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTE- | NANT UNE SUITE DES DIX-SEPT POINTES | SÈCHES ET TROIS CROQUIS ORIGINAUX | NUMÉROTÉS DE 1 à 50. | {space} | EXEMPLAIRE № {by hand} H. C. || Size : folder 28 x 17.5 cm; sketch 26.6 x 17.6 cm; prints 27.5 x 19 cm. Printed on wove paper with MBM watermark (Arches MBM Paper). Bookplate pasted to the makeshift extra folder with title: “EX-LIBRIS | Jacques | Crepineau”. Provenance: Jacques Crepineau (French, 1932 – 2017). Description by seller: [CURIOSA - VERTÈS (Marcel)]. Dix-sept pointes sèches d'un artiste inconnu pour Trois filles de leur mère. S.l. : Aux dépens d'un amateur, [1927]. — In-8, en feuilles. Dutel 2517*. Rare suite de 17 pointes-sèches libres réalisées par Marcel VERTÈS, probablement publiée par Marcel Cotinaud. Elle était destinée à accompagner l'édition originale de Trois filles de leur mère de Pierre Louÿs publiée un an plus tôt. Tirage à 67 exemplaires sur vélin d'Arches. Les épreuves sont tirées en violet. Exemplaire sans le feuillet de titre, ni celui de la justification. Il comprend un croquis original de l'artiste, non signé, ayant servi d'étude pour l'une des planches. Selon les tirages, chaque exemplaire devrait comprendre 17 croquis pour les 17 premiers, ou 3 pour les 50 autres, non n'en avons ici qu'un seul. Envoi de Vertès sur la couverture, accompagné d'un dessin original. Le nom du destinataire a été effacé. Manque la chemise et l'étui. Description by DUTEL v.3, p. 389, № 2517: In-4 (28 x 19) de 2 ff., 17 pointes sèches, étui, chemise. … publiée en 1927 probablement par Marcel Cotinaud (SV : publisher of Vertés was Paul Cotinaud)… Les planches sont tirées en violet (SV : like this one). Tirage : 17 ex. …avec une suite coloriée par l’artiste, un dessin, un cuivre et 17 croquis. 50 ex. … avec 3 croquis. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes

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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.

A set of 12 photomechanically reproduced illustrations after gouaches by Umberto Brunelleschi (Italian, 1879 – 1949), in colour; b/w photographs reproductions on verso, in a paper folder without the outer wrappers (b/w with birds, insects, and flowers). Text on the folder by French novelist Francis de Miomandre (French, 1880 – 1959); published by Grands Magasins Dufayel (1856 – 1930), a Parisian department store, run by Georges Dufayel (French, 1855 – 1916). Size: 29 x 24 cm. Images printed on cream paper within a beige frame, lettered above the frame in beige: "Societé Anonyme des Administrations et Grands Magasins DUFAYEL — Paris —", under the frame: "Palais de la Nouveauté ~ Palais du Mobilier | Entrée principale 7 Boul^d BARBES"; at the bottom of the frame lettered black on each image: Le Style Chinois, Le Style Empire, Le Style Japonais, Le Style Louis XIV, Le Style Louis XV, Le Style Louis XVI, Le Style Moderne (2), Le Style Moyen Age, Le Style Renaissance, Le Style Vénitien, Le Style Persian.

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Die Studentenkneipe “Le Trou” in Brüssel, Leo von Elliot (1863).

A woodcut illustration after drawing by Leo von Elliot, published at Illustrirte Zeitung, 17 January 1863. English translation: Student bar "The Hole" in Brussels.
The official name of this bar, located at Rue des Sols in Bussels, was "À la vue de l'Université" (In sight of the University). This was the place where the students of the Université libre de Bruxelles (Free University of Brussels), and especially the members of Société, ou Cercle, des Crocodiles (The Crocodile Society, or Circle), gathered in the 1860s.

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Spaddy [Johannes Gros]. Dévergondages / Illustr. Féodor Rojankowski. — Bruxelles [i.e. Nice]: Aux Dépens d’un Amateur, 1948.

Description: single volume 24.5 x 19 cm, collated 4to, bound by a previous owner in quarter red morocco over marbled boards, raised bands, with gilt lettering in compartments: "SPADDY | DÉVERGONDAGES", red marbled endpapers. Printed on wove paper with watermark “RIVES”. Title-page: SPADDY | DÉVERGONDAGES | BRUXELLES | Aux Dépens d'un Amateur | 1948 || Pagination: [4] – blank, [1, 2] – h.t. / limitation, [3, 4] – t.p. / blank, 5-151 [152] – blank, [4] – blank; uncut, illustrated with 16 hand-coloured lithographs extraneous to collation after watercolours by Féodor Rojankowski [Rojan]. Table of contents on p. 151. Limitation: 250 copies of which №№ I – XVI with original watercolour and b/w suite of plates and №№ 17-250 on Rives paper with coloured lithography; this copy is № 100 of 234 Rives paper copies. Catalogue Raisonné: J.-P. Dutel (1920–1970) № 1389 / p. 128.

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Miniature portrait of Fortunée Courtois at the age of 22 months. Attributed to Lié Louis Périn-Salbreux, ca. 1802.

Round portrait of a little girl (22-month-old) with bright black eyes and red hair, draped in a semi-transparent shirt which leaves her chest and stomach bare, keeping a red apple in her right hand and two others lying in the fold of her clothes, standing against a dark natural background: bushes, leaves, an apple tree, blue skies, clouds, etc. Oil on metal; in an ormolu frame, in a wooden frame. Diameter without frames 8 cm, with frames – 12.6 cm. Sitter: Courtois, Fortunée-Florentine Elisabeth (French, August 23, 1800 г. – after 1878). Inscription (handwriting, nut ink): Fortunée, Florentine Elisabeth | Courtois a 22 mois. | née 5e fructidor an 8 || Attributed to Lié Louis Périn-Salbreux (French, 1753 – 1817). Fortunée-Florentine Elisabeth Courtois is a mother of Maurice Joly (French, 1829 – 1878). See also in this collection: blog, LIB-0460, blog, LIB-1038.2016, and Une Épave de l’Ancien Bateau by Tout-Paris. A Lost Article by Proust? The portrait was sold at Drouot (Paris) in 2020 with the following description: "École FRANÇAISE de la fin du XVIIIe siècle Fortunée Florentine Courtois enfant en chemise, en pied dans la nature, tenant trois pommes. Miniature sur ivoire, identifiée au revers : « Florentine Fortunée Elisabeth / Courtois à 22 mois / le 5e ( ?) Fructidor an VIII » [août 1800]; Diam. à vue : 7 cm; Cadre rond en bois tourné et noirci. Florentine Courtois, fille d’André et d’Elisabeth Corbara, épousa vers 1818 Lambert Philippe Joly, conseiller général du Jura, avocat ; leur fils Maurice Joly, avocat, fut ministre de la Justice du gouvernement provisoire en 1870 et grand maître du Grand Orient de France". Maurice Joly was a lawyer, but nothing else in his description given by Drouot is true. From this inscription, we learned that Fortunée-Florentine Elisabeth Courtois was born on August 23, 1800. We were unable to verify this from any other source. From Morice Joly autobiography (Maurice Joly, son passé, son programme par lui-même. — Paris, Lacroix, Verbœckoven et C^e, 1870) we know that she was born in Bastia and that her father, Laurent Courtois (in some sources André François Désiré Courtois, born c. 1771), was a treasurer of Corsican troops under Napoleon Bonapart. Her mother was Elisabeth Marie-Grâcieuse Corbara (born c. 1750).

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Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787.

Four-volume edition with 6+4+5+5 = 20 plates. Vol. 1 : Title page, in double-border, within rules; accents as per original, with tall «s»: Les | Parisiennes, | ou | XL caractères generaux | Pris dans les Mœurs actuelles, | Propres à servir à l'instruction | des personnes-du-sexe : | Tirés des memoires du nouveau Lycée-des-mœurs. | I Volume : Les jeunes-filles, | & les filles-à-marier. | A Neufchâtel , | Et se trouve à Paris. | Chéz Guillot, libraire de Monsieur, rue | S.-Jacques, vis-à-vis celle des Mathurins. | 1787. Pagination : [1-5] 6-300, plus 6 etched/engraved plates w/guard tissue after Louis Binet (French, 1744 – about 1800). Collation: 12mo; A¹⁴ B-M¹² N⁴; first 6 leaves in gatherings B to M signed, with exceptions: A_1,2 unsigned, A_3-8 signed, A_9-14, D₅, N_3,4 unsigned. Vol. 2: Title page: Text above the first rule similar; below: II Volume : Les N.^lles–mariées : | Les Mariées depuis 3 ans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination : [1-3] 4-388, plus 4 plates. Collation: 12mo; A⁸ B-Q¹² R⁶; A₁,_5-8, R_4-6 unsigned. Vol. 3: Title page: Text above the first rule similar; below: III Volume : Les epouses | à imiter : à— suir | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-392, plus 5 plates. Collation: 12mo, A⁴ B-R¹²; A_1,3,4, G₄, N_4,6, O₅ unsigned. Vol 4: Title page: Text above the first rule similar; below: IV Volume : Les J.^nes-Mères, | &—de grands-enfans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-380 [4], plus 5 plates. Collation: A-Q¹²; A₁ unsigned. Binding: later (c. 1875 – 1885) uniform binding of all four volumes in motley 'percaline anglaise' (buckram) with black gilt-lettered labels to spine, marbled endpapers; printed on laid paper; armorial bookplate of Masséna engraved by Stern to front pastedown. Provenance: Library of Masséna; Victor Masséna, duc de Rivoli, prince d'Essling (French, 1836 – 1910) [photo]. Catalogue Raisonné: P.-L. Jacob, 1875: № XXXII, pp. 247-250. P. L. Jacob. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875. [LIB-2634.2021]. Contributors: Nicolas Edmé Restif de la Bretonne (French, 1734 – 1806) – text. Louis Binet (French, 1744 – c. 1800) – illustrations. Sources: MFA: ACCESSION NUMBER 37.1667a-b lacking one plate in vol. 4. Collation: 12mo, 4 vols. in 2; [v. 1] 150 leaves, plus 6 plates; [v. 2] 194 ll., plus 4 pls.; [v. 3] 196 ll., plus 5 pls.; [v. 4] 192 ll., plus 4 [of 5] pls. BNF Identifier ark:/12148/bpt6k1050366b. Collation: 4 vol. (300; 388; 392; 380 p., XX f. de pl.) : ill. ; in-12

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La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.

Coloured etching by E. Charreyre (French, fl. 1880 – ?) after a watercolour by Juan Antonio González, (Spanish, 1842 – 1914). A book illustration for 'Son Altesse La Femme' by Octave Uzanne (1851 – 1931), chapter: 'La Caillette' (Le lever d’une petite-maitresse au XVIII^e siècle). Published by Albert Quantin (French, 1850 – 1930) in 1885.

Size: print 17.5 x 12 cm, pasted to leaf 27.7 x 19.5 cm.

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[Feodor Rojankovsky]. Idylle printanière. — [Paris: Henri Pasquinelli, 1938].

Title: IDYLLE | PRINTANIÈRE || Verso: {Headpiece} | Justification du tirage | {7 lines of text} | Exemplaire № 56 (digits by hand) | HP (monogram by hand) | {tailpiece} || Album of 30 hand-coloured lithographs and frontispiece in a cardboard folder; each sheet mounted in a 32.5 x 25 cm passepartout with 19 x 13 cm window; published in Paris in 1938 by Henri Pasquinelli (attributed). No artist, no publisher name indicated. According to Justification du tirage, the print run of 516 copies on Arches laid tinted paper (vergé), copy A – control artist’s uncoloured, 15 copies B–P reserved for collaborators and friends, copies 1–500 – for bibliophiles. This copy № 56, autographed by the publisher's monogram: "HP". Catalogue Raisonné: J.-P. Dutel, vol 2 (1920–1970), #1726, p. 207-8. Provenance: J.-P. Dutel.

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Thomas Bewick. History of British birds with the supplements and addenda / Vol. 1 & 2. — Newcastle: T. Bewick and E. Charley; London: Longman & Co., 1821.

Volume 1: Land birds – 7th edition; Supplement: 1st edition. Title: A | HISTORY | OF | BRITISH BIRDS. | THE FIGURES ENGRAVED ON WOOD BY T. BEWICK. | VOL. I. | CONTAINING THE | HISTORY AND DESCRIPTION OF LAND BIRDS | — | AND | A SUPPLEMENT, WITH ADDITIONAL FIGURES. | — | NEWCASTLE: | PRINTED BY EDWARD WALKER, PILGRIM STREET, | FOR T. BEWICK : SOLD BY HIM, AND E. CHARNLEY, NEWCASTLE ; | AND LONGMAN AND CO. LONDON. | 1821. || Pagination: [2 blanks], [i, ii] – t.p. / blank, [iii] iv-xl, [43] 44-330, [2] – suppl. t.p. / blank, [1] 2-46 [47] – contents, [48] – advert., [2 blanks]. Collation: 8vo in fours; π¹ A-C⁴ E³ F-2S⁴ π¹ B-G⁴; I₂, N₂, and 2A₂ unsigned. Woodcuts: 157 descriptions of birds, 140 figures of birds, 127 vignettes, tail-pieces, figures in text, etc. Volume 2: Water birds – 5th edition; Supplement: 1st edition. Title: A | HISTORY | OF | BRITISH BIRDS. | THE FIGURES ENGRAVED ON WOOD BY T. BEWICK. | VOL. II. | CONTAINING THE | HISTORY AND DESCRIPTION OF WATER BIRDS | — | AND | A SUPPLEMENT, WITH ADDITIONAL FIGURES. | — | NEWCASTLE: | PRINTED BY EDWARD WALKER, PILGRIM STREET, | FOR T. BEWICK : SOLD BY HIM, AND E. CHARNLEY, NEWCASTLE ; | AND LONGMAN AND CO. LONDON. | 1821. || Pagination: [2 blanks], [i, ii] – t.p. / blank, [iii] iv-xxii, [19] 20-360, [2] – suppl. t.p. / blank, [1] 2-43 [44] – contents, [1] 2-7 – addenda., [8] – imprint, [2 blanks]. Collation: 8vo in fours; π¹ A-B⁴ *B² C-2X⁴ 2Y³ π¹ B-F⁴ G² [H]⁴; E₂, F₂, G₂, 2G₂, 2T₂ and Suppl. G₂ and Addenda unsigned. Woodcuts: 162 descriptions of birds, 125 figures of birds, 137 vignettes, tail-pieces, figures in text, etc. Both volumes: Size: 21.3 x 14 cm; page: 20.7 x 13.1 cm, demy. Binding: Green half-calf over marbled boards, blind-ruled raised bands with gilt ornament, crimson gilt-ruled and lettered labels to spine. For the first edition see: LIB-2614.2021 Catalogue raisonné: Hugo (1866): № (99) 94 –120 (108) / pp. 40-58; Roscoe (1953): № 24 a-c, 25 a-c, 26 a-c, 27 a-c, 28 / pp. 104 - 114.

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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.

Title: A COMPLETE | COURSE OF LITHOGRAPHY: | CONTAINING | Clear and Explicit Instructions | IN ALL THE | DIFFERENT BRANCHES AND MANNERS OF THAT ART | ACCOMPANIED BY | ILLUSTRATIVE SPECIMENS OF DRAWINGS. | TO WHICH IS PREFIXED A | HISTORY OF LITHOGRAPHY, | FROM ITS ORIGIN TO THE PRESENT TIME. | By ALOIS SENEFELDER, | INVENTOR OF THE ART OF LITHOGRAPHY AND CHEMICAL PRINTING. | WITH | A PREFACE | By FREDERIC VON SCHLICHTEGROLL, |Director of the Royal Academy of Sciences at Munich. | TRANSLATED FROM THE ORIGINAL GERMAN, BY A.S. | London: | PRINTED FOR R. ACKERMANN, 101 STRAND. | 1819. || Pagination: [i-iii] iv-xxviii, [4] [1] 2-342. Collation: 4to; [a]-d⁴, B-2U⁴ 2X², +14 lithographed plates by Ackermann (incl. 1 folding, 1 colour frontispiece and 1 portrait of A. Senefelder); plates opposite to pp. [i], [1], 193, 198, 203, 228, 232 (fold.), 256, 258, 264, 269, 290, 302, and 305. Binding: By Anne Krawitz (Philadelphia, PA), 27.5 x 21 cm, modern full mottled calf, boards ruled in gilt, flat spine, compartments ruled in gilt, crimson label with gilt lettering to spine, printed on wove paper; round book-plate to front paste-down “TWM, The Whitehead Library”. Edition: 1st in English. Ref.: MET: Accession Number: Ref.20; RCT: RCIN 1195886; Contributors: Alois Senefelder (German, 1771 – 1834) – author of the original and translator. Friedrich Schlichtegroll (German, 1765 – 1822) – author of preface. William Clowes (British, 1779 – 1847) – printer. Rudolph Ackermann (German-British, 1764 – 1834) – publisher and lithographer. Samuel Prout (British, 1783 – 1852) Maximilian Joseph, King of Bavaria (German, 1756 –1825) – dedicatee.

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Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]

Title: L'ART | D'AIMER, | ET | POÉSIES DIVERSES | DE M. BERNARD. Pagination: [2] – t.p. / stanza by Voltaire; engraved t. p., frontispiece, [1] 2-170; pp. 1-61 – L'art d'aimer; pp. 62-111 – Phrosine et Mélidore; pp. 112-170 – Poésies diverses; illustrations. Collation: 8vo; π¹ (letterpress t.p.), A-K⁸ L⁵; + 8 plates: (1)* engraved title page facing the stanza by Ch. Baquoy; (2) plate as a frontispiece by Ponce after Ch. Eisen, inscribed Chant I above the image, dated 1772, facing p. [1], chant 1^er of l’art; (3)* Ch. Baquoy after P. Martini, inscribed Chant II below the image, facing p. 22, chant 2^nd of l’art; (4) Ch. Baquoy after Eisen, inscribed Chant III above the image, facing p. 44, chant 3^rd of l’art; (5)* Patas after P. Martini, inscribed Chant I^er below the image, dated 1775, facing p. 62, chant 1^er of Phrosine; (6) Ch. Baquoy after Eisen, inscribed Chant II above the image, facing p. 74, chant 2^nd of Phrosine; (7)* C. Gaucher after P. Martini, facing p. 84, chant 3^rd of Phrosine; (8) Ch. Baquoy after Eisen, inscribed Chant IV above the image, facing p. 97, chant 4^th of Phrosine; * – images additional to 1772 edition by Le Jay [LIB-2706.2021] (i.e. plates 1, 3, 5, and 7 are new). A counterfeit edition by an anonymous publisher. Binding: brown pebbled morocco, triple fillet gilt-ruled boards, raised bands, gilt in compartments, gilt label lettering to spine, marbled endpapers, AMG; printed on laid paper, with tall 's'. Catalogue raisonné: Cohen, De Richi (1912): p. 132: describes a counterfeit edition with 170 pages and 3 additional plates plus an engraved title. This seems to be a combination of Lejan [sic] Paris 1775 edition, which normally has 134 pages, 8vo, title engraved by Baquoy and three plates after Martini by Patas, Baquoy and Gaucher. Contributors: Nicolas Ponce (French, 1746 – 1831) – engraver. Jean Charles Baquoy (French, 1721 – 1777) – engraver. Jean-Baptiste Patas (French, 1748 – 1817) – engraver. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Charles-Dominique-Joseph Eisen (French, 1720 – 1778) – artist. Pietro Antonio Martini (Italian, 1738 – 1797) – artist. Pierre-Joseph Bernard [Gentil-Bernard] (French, 1708 – 1775) – author of the text.

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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Vol. 1: Pagination: 2 blank end-leaves, [2] – Two-volumes h.t. / blank ; [2] – 1^st vol. t.p. in black and red with vignette engraved by Pieter Clouwet (Flemish, 1629–1670) after Abraham van Diepenbeeck (Dutch, 1596 - 1675), book-label 'I. A. Aubert' pasted / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – noms politiques / blank (A₁), 3(A₂)-416, 2 blank end-leaves; laking 8 last pages 417-424 if compared to Paris 2 in 1 vol. edition LIB-2676.2021, and lacking 4 last pages if compared with another Amsterdam edition LIB-2239.2019. These last 4 pages contain portraits and eulogies of François Primatici and Jacques Barozzi de Vignole. Collation: 4to; [*]⁶, **⁸, A⁶ B-Fff⁴, lacking Ggg⁴, 118 plates (instead of 120) within a collation. Vol. 2: Pagination: 2 blank end-leaves, [2] – tome second h.t. / blank ; [2] – 2^nd vol. t.p. in black and red with vignette similar to vol. 1, with book-label 'I. A. Aubert' / blank; [4] – advertissement; [2] – f.t. Theologiens / blank; [2] – noms theologiens / blank 1-501 [3] – table eloges, 1 blank end-leaf. Collation: 4to; [*]⁴, **², A-Sss⁴, 159 plates within a collation. Binding: both volumes uniformly bound in full contemporary cream vellum with blind double fillet over boards, raised bands, compartments tooled in black, brown calf labels with gilt lettering to spine. Printed on laid paper, with tall "s", all margins sprinkled red; the size of each vol.: 32.2 x 20.5 x 4.7 cm. A full description of plates, as well as their images, presented in LIB-2676.2021.

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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.

Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A PARIS, | Se vendent chez Loüis Bilane, Marchand Libraire à la ruë S. Jaques, | & au Palais, M. DC. LXXXII. || Pagination : [2] – h.t. / blank ; [2] – 1^st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – noms politiques / blank (A₁ before f.t.), [2] – f.t. livre premiere, illustres politiques / blank, 3(A₂)-421, [422-424] – table eloges; [2] – f.t. tome second / blank, [2] – 2^nd vol. t.p. in black and red with vignette…, [4] – advertisement, [2] – livre premier f.t. / blank, [2] – noms theologiens / blank, 1-501, [3] – table eloges. Collation : vol.1: [*]⁶, **⁶, A⁶ B-Ggg⁴; vol. 2: *⁴, **², A-Sss⁴. (12 prelim. leaves, while in LIB-2239.2019 and in LIB-2675.2021 there is 14 prelim. leaves). Binding: contemporary full calf, size: 34 x 23 x 7.2 cm; crimson label with gilt lettering separated. Provenance: Bookplate of Sir Philip Crampton Smyly to the front pastedown; Stephen White Collection. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Pieter Clouwet (Flemish, 1629–1670). The volume illustrated throughout with 279 portraits of important scientists, artists, thinkers, explorers, printers, and others of the period by a variety of artists. Tome 1: 120 plates of which 30 engraved by Esme de Boulonois (French, 1645 – 1681), 87 by Nicolas de Larmessin I (French, 1632 – 1694), and 3 unsigned. Portrait of Raphael engraved by Lamerssin after Titian; Portrait of Titian’ daughter Lavinia Vecellio (Italian, 1530 – 1575) engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier (French, 1574 – 1646). Tome 2: 159 plates of which 63 by Esme de Boulonois, 79 by Nicolas de Larmessin, 15 unsigned, 1 by Pieter Clouwet, and 1 by Wenceslaus Hollar (Bohemian, 1607 – 1677). Portraits of Knelme Digby, Juste Lipse, Nicolas Claude Fabri de Peiresc, Michel Mirevelt, Jacques Calot, Martin Richart, Pierre Paul Rubens, Venceslas Coberghe, Theodore Rombouts, Adrien Brouwer, Simon Vouet, Gerard Segers, Gaspar de Crayer, Antoine Van Dyck himself, and his wife Mary Ruthven – after Anthony Van Dyck. Young Man with a Skull engraved by Esme de Boulonois after Lucas van Leyden (Dutch, c. 1494 – 1533). Portrait of Louis Arioste engraved by Nicolas de Larmessin after Titian. Portrait of Balthasar de Castillon engraved by Nicolas de Larmessin after Raffaello Sanzio da Urbino (Italian, 1483 – 1520). Petrarch's Laura – by Larmessin after Palma Vecchio (Italian, c. 1480 – 1528). Vittoria Colonne – by Larmessin after Sebastiano del Piombo (Italian, c. 1485 – 1547). The portrait of Albert Durer is engraved by Esme de Boulonois after Tommaso Vincidor (Flemish, 1493 – 1536). Vol. 1, Book 1. Politicians

Portrait	№	Bullart name	Full name
	I	Gille Albornoz, Cardinal	Gil Carrillo de Albornoz [Egidio Carillo Albornozio] (Spanish, 1579 – 1649)
	II	Bessarion, Cardinal	Bessarion (Greek, 1403 – 1472)
	III	George d’Amboise, Cardinal	Georges d'Amboise (French, 1460 – 1510)
	IV	François Ximenes, Cardinal	Francisco Jiménez [ Ximenes ] de Cisneros (Spanish, 1436 – 1517)
	V	Guillaume de Croy	William [Guillaume] II de Croÿ, Lord of Chièvres (1458 – 1521)
	VI	Jean de Selve	Jean de Selve (Grench, 1475 – 1529)
	VII	Thomas Wolsey, Cardinal	Thomas Wolsey (British, 1473 – 1530)
	VIII	Thomas Morus	Sir Thomas More (British, 1478 – 1535)
	IX	Renaud Pole, Cardinal	Reginald Pole (British, 1500 – 1558)
	X	Michel de l’Hospital	Michel de l'Hôpital [l'Hospital] (French, 1507 – 1573)
	XI	Stanislas Hosius, Cardinal	Stanislaus Hosius [Stanisław Hozjusz] (Polish, 1504 – 1579)
	XII	Guy du Faur de Pybrac	Guy Du Faur, Seigneur de Pibrac [Pybrac; Guido Faurus] (French, 1529 – 1584)
	XIII	Antoine Perrenot, Cardinal	Antoine Perrenot de Granvelle (Bisontin, 1517 – 1586)
	XIV	Auger Busbeque	Ogier Ghiselin [Augier Ghislain] de Busbecq [ Augerius Gislenius Busbequius] (Flemish, 1522 – 1592)
	XV	Arnaud d’Ossat, Cardinal;	Arnaud d'Ossat (French, 1537 – 1604)
	XVI	Jean Zamoski	Jan Sariusz Zamoyski (Ioannes Zamoyski de Zamoscie] (Polish, 1542 – 1605)
	XVII	Jacques Auguste de Thou	Jacques Auguste de Thou [Thuanus (French, 1553 – 1617)
	XVIII	Jean de Barnevelt	Johan van Oldenbarnevelt (Dutch, 1547 – 1619)
	XIX	Armand Jean du Plessis, Cardinal	Cardinal Richelieu , Armand Jean du Plessis, (French, 1585 – 1642)
	XX	Jule Mazarin, Cardinal	Cardinal Jules Mazarin [Giulio Raimondo Mazzarino; Mazarini] (Itaian-French, 1602 – 1661)

Vol. 1, Book 2. Historians

Portrait	№	Bullart name	Full name
	I	Regino Abbé de Prumy	Réginon de Prüm (German, 842 – 915)
	II	Jean Froissard	Jean Froissart (French: c. 1337 – c. 1405)
	III	Enguerand de Monstrelet	Enguerrand de Monstrelet (French, c. 1400 – 1453)
	IV	Jean Baptiste Platina	Bartolomeo Sacchi [Baptista Platina] (Italian, 1421 – 1481)
	V	Olivier de la Marche	Olivier de la Marche (Burgundian, 1425 – 1502)
	VI	Robert Gaguin	Robert Gaguin [Robert Guaguin] (French, 1433/34 – 1501)
	VII	Philippe de Commines	Philippe de Commines [Philippus Cominaeus] (Burgundian, 1447 – 1511)
	VIII	Pandolphe Collenuce	Pandolfo Collenuccio (Italian, fl. 1584)
	IX	Jean Aventin	Johann Georg Turmair [Aventin; Johannes Aventinus] (Bavarian, 1477 – 1534)
	X	François Guicciardin	Francesco Guicciardini (Italian, 1483 – 1540)
	XI	Paul Jove	Paolo Giovio [Paulus Jovius] (Italian, 1483 – 1552)
	XII	Wolfgang Lazius	Wolfgang Laz (Austrian, 1514 – 1565)
	XIII	Onuphre Panuinius	Onofrio Panvinio [Onuphrius Panvinius] (Italian, 1529 – 1568)
	XIV	Hubert Goltzius	Hubert Goltz [Goltzius] (Dutch, 1526 – 1583)
	XV	Bertrand d’Argentré	Bertrand d'Argentré [Argentraeus] (Breton, 1519 – 1590)
	XVI	Jacques Amiot	Jacques Amyot (French, 1513 – 1593)
	XVII	Fulve Ursin	Fulvio Orsini (Italian, 1529 – 1600)
	XVIII	Pontus Heuterus	Pontus de Huyter (Flemish, 1535 – 1602)
	XIX	Florimond de Remond	Florimond de Raemond (French, 1540 – 1601)
	XX	Cæsar Baronius, Cardinal	Cesare Baronio (Italian, 1538 – 1607)
	XXI	Henry Catherine d’Avila	Enrico Caterino Davila (Italian, 1576 – 1631)
	XXII	Jean Papirius Masson;	Jean Papire Masson [Papirius] (French, 1544 – 1611)
	XXIII	Emanuel de Meteren	Emanuel van Meteren [Meteeren] (Flemish, 1535 – 1612)
	XXIV	Nicolas le Febure	Nicasius le Febure [Nicolas le Fèvre (French, 1615 – 1669)
	XXV	Jean Barclay	John Barclay (Scottish, 1582 – 1621)
	XXVI	Guillaume Camden	William Camden (English, 1551 – 1623)

Vol. 1, Book 3. Jurists

Portrait	№	Bullart name	Full name
	I	Alexandre de Tartagnis	Alexander de Tartagnis (Italian, c. 1424 – 1477)
	II	Jason Mainus	Jason of Mayno [Giasone de Mayno] (Italian, 1435 – 1519)
	III	Philippe Dece	Filippo Decio or Decius (Italian, 1454 – c. 1535)
	IV	André Alciat	Andrea Alciato [Alciati; Andreas Alciatus] (1492 – 1550)
	V	André Tiraqueau	André Tiraqueau [Andreas Tiraquellus] (French, 1488–1558)
	VI	Gabriel Mudée	Gabriel Mudaeus [Gabriël van der Muyden] (Flemish, c. 1500 – 1560)
	VII	Charles du Moulin	Charles Dumoulin (French, 1500–1566)
	VIII	François Bauduin	François Baudouin [Balduinus] (French, 1520 – 1573)
	IX	Viglius de Zuichem	Viglius Zuichemus ab Aytta [Wigle Aytta van Zwichem] (Dutch, 1507 – 1577)
	X	Tibere Decian	Tiberio Deciani [Decianus] (Itaian, 1509 – 1582)
	XI	Antoine Augustin	Antonio Agustín y Albanell (Spanish, 1516 – 1586)
	XII	Mathieu Wesenbec	Matthew Wesenbeck [Mattheus van Wesenbeek] (Belgian, 1531 – 1586)
	XIII	Pierre Peckius	Petrus Peckius the Elder [Pieter Peck; Pierre Peckius] (Netherlandish, 1529 – 1589)
	XIV	Jacques Cuias	Jacques Cujas [Cujacius] (French, 1522 – 1590)
	XV	Jean Wamese	Jan Wames [Johannes Wamesius] (Netherlandish, 1524 – 1590)
	XVI	Pierre Pithou	Pierre Pithou [Petrus Pithoeus] (French, 1539 – 1596)
	XVII	Boece Epo	Boetius Epo (Netherlandish, 1529 – 1599)
	XVIII	Antoine le Febvre	Antoine Favre [Lefebvre] (French, 1557 – 1624)

Vol. 1, Book 4. Writes and Linguists

Portrait	№	Bullart name	Full name
	I	Jean Bocace	Giovanni Boccaccio (Italian, 1313 – 1375)
	II	Emanuel Chrysoloras	Manuel [Emmanuel] Chrysoloras (Greek, c. 1355 – 1415)
	III	Jean Argyropilus	John Argyropoulos [Giovanni Argiropulo] (Greek, c. 1415 – 1487)
	IV	François Philelphe	Francesco Filelfo [Franciscus Philelphus] (Italian, 1398 – 1481)
	V	Theodore Gaza	Theodorus Gaza [Theodore Gazis; Thessalonicensis] (Greek, c. 1398 – c. 1475)
	VI	Rudolphe Agricola	Rodolphus Agricola [Rudolphus Agricola Phrisius] (Netherlandish, 1443/1444 – 1485)
	VII	Ange Politian	Agnolo [Angelo] Ambrogini [Poliziano; Politianus] (Italian, 1454 – 1494)
	VIII	Demetrius Chalcondyles	Demetrios Chalkokondyles [Demetrius Chalcocondyles; Demetricocondyles (Greek, 1423 – 1511)
	IX	Jean Lascaris	Janus Lascaris [Ianos Laskaris] (Greek, c. 1445 – 1535)
	X	Nicolas Clenard	Nicolas Cleynaerts [Clenardus; Clenard] (Flemish, 1495 – 1542)
	XI	Jean Pierius Valerianus	Pierio Valeriano Bolzani [Giovanni Pietro dalle Fosse] (Italian, 1477 – 1558)
	XII	Jeanne Gray de Suffolck	Lady Jane Grey [Lady Guildford Dudley] (English, c. 1537 – 1554)
	XIII	Pierre Nannius	Petrus Nannius [Pieter Nanninck] (Dutch, 1496 – 1557)
	XIV	Guillaume Postel	Guillaume Postel (French, 1510 – 1581)
	XV	François Raphelenge	Frans van Ravelingen [Franciscus Raphelengius] (Flemish, 1539 – 1597)
	XVI	Jean Passerat	Jean Passerat (French, 1534 – 1602)

Vol. 1, Book 5. Italian Artists

Portrait	№	Bullart name	Full name
	I	Jean Cimabue	Cimabue [Cenni di Pepi; Pepo] (Italian, c. 1240 – 1302)
	II	André Tafi	Andrea Tafi (Italian, 1213 – 1294)
	III	Arnoud di Lappo	Arnolfo di Cambio (Italian, c. 1240 – 1300/1310)
	IV	Giotto	Giotto di Bondone (Italian, c. 1267 – 1337)
	V	Simon Memmi	Simone Martini (Italian, c. 1284 – 1344)
	VI	Taddée Gaddi	Taddeo Gaddi (Italian, c. 1290 – 1366)
	VII	Donato	Donatello [Donato di Niccolò di Betto Bardi] (Italian, c. 1386 – 1466)
	VIII	André Organa	Orcagna [Andrea di Cione di Arcangelo] (Italian, c. 1308 – 1368)
	IX	Masaccio	Masaccio [Tommaso di Ser Giovanni di Simone] (Italian, 1401 – 1428)
	X	Philippe Bruneleschi	Filippo Brunelleschi [Pippo] (Italian, 1377 – 1446)
	XI	Antoine de Messine	Antonello da Messina [Antonello di Giovanni di Antonio] (Italian, c. 1430 – February 1479)
	XII	André Verrochio	Andrea del Verrocchio [Andrea di Michele di Francesco de' Cioni] (Italian, c. 1435 – 1488)
	XIII	Frere Philippe Lippi	Fra' Filippo Lippi (Italian, c. 1406 – 1469)
	XIV	Giorgion de Castel-Franco	Giorgione [Giorgio Barbarelli da Castelfranco] (Italian, 1473/78 – 1510)
	XV	Antoine de Correge	Correggio [Antonio Allegri da Correggio] (Italian, 1489 – 1534)
	XVI	Bramante d’Urbin	Donato Bramante [Donato di Pascuccio d'Antonio; Bramante Lazzari] (Italian, 1444 – 1514)
	XVII	Sandro Boticelli	Sandro Botticelli [Alessandro di Mariano di Vanni Filipepi] (Italian, c. 1445 – 1510)
	XVIII	André Mantegna	Andrea Mantegna (Italian, c. 1431 – 1506)
	XIX	Philippe Lippi	Filippino Lippi (Italian, 1457 – 1504)
	XX	Raphael Sanzio d’Urbin	Raphael [Raffaello Sanzio da Urbino] (Italian, 1483 – 1520)
	XXI	André del Sarto	Andrea del Sarto (Italian, 1486 – 1530)
	XXII	Leonard de Vinci	Leonardo da Vinci (Italian, 1452 – 1519)
	XXIII	Jean François Rustici	Giovan [Giovanni] Francesco Rustici (Italian, 1475 – 1554)
	XXIV	Balthazar Perusi	Baldassare Tommaso Peruzzi (Italian, 1481 – 1536)
	XXV	Propertia de Rossi	Properzia de' Rossi (Italian, c. 1490 – 1530)
	XXVI	François Mazzuoli	Parmigianino [Girolamo Francesco Maria Mazzola; Francesco Mazzola] (Italian, 1503 – 1540)
	XXVII	Le Rosso	Rosso Fiorentino [Il Rosso; Giovanni Battista de' Rossi] (Italian, 1494/5 – 1540)
	XXVIII	Jean Antoine Licinio de Pordenone	Pordenone [Giovanni Antonio Licinio; Giovanni Antonio de’ Sacchis (Italian, c. 1484 – 1539)
	XXIX	Polidore de Caravage	Polidoro da Caravaggio [Polidoro Caldara] (Italian, c. 1499 – 1543)
	XXX	Jule Romain	Giulio Romano [Giulio Pippi] (Italian, c. 1499 – 1546)
	XXXI	Perin del Vaga	Perino [Perin] del Vaga; Piero Bonaccorsi] (Italian, 1501 – 1547)
	XXXII	Dominique Beccafumi	Domenico di Pace Beccafumi (Italian, 1486 – 1551)
	XXXIII	Baccio Bandinel	Bartolommeo [Baccio Bandinelli; Bartolommeo Brandini] (Italian, 1493 – 1560)
	XXXIV	Jean d’Udine	Giovanni Nanni [Giovanni de' Ricamatori; Giovanni da Udine] (Italian, 1487 – 1564)
	XXXV	Michel-Ange Buonarotti	Michelangelo [Michelangelo di Lodovico Buonarroti Simoni] (Italian, 1475 – 1564)
	XXXVI	Daniel Ricciarelli	Daniele Ricciarelli [Daniele da Volterra] (Italian, c. 1509 – 1566)
	XXXVII	Titian Uccello	Titian [Tiziano Vecelli; Vecellio (Italian, c. 1488/90 – 1576)
	BN	Jeanne Ucello	Lavinia Vecellio, (Italian, 1530 - 1575). Daughter of Titian
	XXXVIII	François Primatici	Francesco Primaticcio (Italian, 1504 – 1570)
	XXXIX	Jacques Barozzi de Vignole	Vignola [Giacomo Barozzi da Vignola] (Italian, 1507 – 1573)

Vol. 2, Book 1. Theologians

Portrait	№	Bullart name	Full name
	I	Thomas à Kempis	Thomas à Kempis (German-Dutch, c. 1380 – 1471)
	II	Hierosme Savanarole	Girolamo Savonarola (Italian, 1452 – 1498)
	III	Jean Fischer, Cardinal	John Fisher (English, 1469 – 1535)
	IV	Louis Vives	Juan Luis Vives March [Ioannes Lodovicus Vives] (Spanish, 1493 – 1540)
	V	Albert Pighius	Albert Pighius [Pigghe] (Dutch, 1490 – 1542)
	VI	Ruart Tapper	Ruward Tapper van Enkhuizen (Dutch, 1487 – 1559)
	VII	Cornille Musso	Cornelis Musius (Dutch, 1500 – 1572)
	VIII	François Richardot	François Richardot [Franciscus] (French, 1507 – 1574)
	IX	François Sonnius	Franciscus Sonnius (Belgian, 1506 – 1576)
	X	Alphonce Salmeron	Alfonso [Alphonsus] Salmerón (Spanish, 1515 – 1585)
	XI	Martin Azpilcueta	Martín de Azpilcueta [Doctor Navarrus] (Spanish, 1491 – 1586)
	XII	Louys de Grenade	Luis [Louis] de Granada (Spanish, 1504 – 1588)
	XIII	Guillaume Alan, Cardinal	William Allen [Guilielmus Alanus] (English, 1532 – 1594)
	XIV	François Panigarole	Francesco Panigarola (Italian, 1548 – 1594)
	XV	Benoist Arias Montan	Benito Arias Montano [Benedictus Arias Montanus (Spanish, 1527 – 1598)
	XVI	Jacques Davy, Cardinal du Perron	Jacques Davy Duperron (French, 1556 – 1618)
	XVII	Robert Bellarmin, Cardincal	Robert Bellarmine [Roberto Francesco Romolo Bellarmino] (Italian, 1542 – 1621)
	XVIII	Leonard Lessius	Leonardus Lessius [Lenaert Leys] (Flemish, 1554 – 1623)

Vol. 2, Book 2. Philosophers, Mathematicians, Astronomers, and Physicians

Portrait	№	Bullart name	Full name
	I	Arnoud de Villeneuve	Arnaldus de Villa Nova [Arnaldus Villanovanus] (Spanish, c. 1240 – 1311)
	II	George de Trebisonde	George of Trebizond [Γεώργιος Τραπεζούντιος] (Greek, 1395 – 1486)
	III	Marsil Ficin	Marsilio Ficino [Marsilius Ficinus] (Italian, 1433 – 1499)
	IV	Jacques le Febure d’Estaples	Jacques Lefèvre d'Étaples [Jacobus Faber Stapulensis] (French, c. 1455 – c. 1536)
	V	Nicolas Copernic	Nicolaus Copernicus [Mikołaj Kopernik; Niclas Koppernigk, Nikolaus Kopernikus] (Prussian-Polish, 1473 – 1543)
	VI	Jerosme Fracastor	Girolamo Fracastoro [Hieronymus Fracastorius] (Italian, c. 1476/8 – 1553)
	VII	Gemma Frisius	Gemma Frisius [Jemme Reinerszoon] (Dutch, 1508 – 1555)
	VIII	Jule Cæsar de l’Escale	Julius Caesar Scaliger [Giulio Cesare della Scala] (Italian-French, 1484 – 1558)
	IX	Jean Fernel	Jean François Fernel[Ioannes Fernelius] (French, 1497 – 1558)
	X	André Vesal	Andreas Vesalius (Flemish, 1514 – 1564)
	XI	Jean Baptiste Gellio	Giovanni Battista Gelli [Giambattista Gelli] (Italian, 1498 – 1563)
	XII	Pierre André Mathiole	Pietro Andrea Gregorio Mattioli (Italian, 1501 – c. 1577)
	XIII	Alexaner Picolomini	Alessandro Piccolomini (Italian, 1508 – 1579)
	XIV	Jean Stadius	Johannes Stadius [Estadius; Jan Van Ostaeyen; Jean Stade) (Flemish, 1527 – 1579)
	XV	Rembert Dodonée	Rembert Dodoens [Rembert Van Joenckema; Rembertus Dodonaeus] (Flemish, 1517 – 1585)
	XVI	Ambroise Paré	Ambroise Paré (French, c. 1510 – 1590)
	XVII	Pierre Forest	Pieter van Foreest [Petrus Forestus] Dutch, 1521 – 1597)
	XVII	Ticho Brahe	Tycho Brahe [Tyge Ottesen Brahe] (Danish, 1546 – 1601)
	XIX	Ulisse Aldrovand	Ulisse Aldrovandi (Italian, 1522 – 1605)
	XX	Jerosme Mercurial	Girolamo Mercuriale [Geronimo Mercuriali; Hieronymus Mercurialis] (Italian, 1530 – 1606)
	XXI	Charles de l’Escluse	Charles de l'Écluse [L'Escluse; Carolus Clusius] Flemish, 1526 – 1609)
	XXII	Christophle Clavius	Christopher Clavius (German, 1538 – 1612)
	XXIII	Jean Baptiste de la Porte	Giambattista [Giovanni Battista] della Porta (Italian, 1535? – 1615)
	XXIV	Louis Septal	Ludovico Settala [Ludovicus Septalius] (Italian, 1552 – 1633)
	XXV	Thomas Campanella	Tommaso Campanella [Giovanni Domenico Campanella] (Italian, 1568 – 1639)
	XXVI	Julienne Morelle	Juliana Morell [Juliana Morella] (Spanish, 1594 – 1653)
	XXVII	Galilee Galilei	Galileo Galilei [Galileo di Vincenzo Bonaiuti de' Galilei] (Italian, 1564 – 1642)
	XXVIII	René Des Cartes	René Descartes [Renatus Cartesius] (French, 1596 – 1650)
	XXIX	Knelme Digby	Sir Kenelm Digby (English, 1603 – 1665)

Vol. 2, Book 3. Scientists

Portrait	№	Bullart name	Full name
	I	Albert le Grand	Albertus Magnus [Saint Albert the Great; Albert of Cologne] (German, c. 1200 – 1280)
	II	Raimond Lulle	Ramon Llull (Spanish, c. 1232 – c. 1315/16)
	III	Christophle de Longueil	Christophe de Longueil [Christophorus Longolius] (Brabantian, 1490 – 1522)
	IV	Erasme de Rotterdam	Desiderius Erasmus Roterodamus [Erasmus of Rotterdam] (Dutch, 1466 – 1536)
	V	Guillaume Budé	Guillaume Budé [Guilielmus Budaeus] (French, 1467 – 1540)
	VI	Pierre Bembe, Cardinal	Pietro Bembo [Petrus Bembus] (Italian, 1470 – 1547)
	VII	Beatus Rhenanus	Beatus Rhenanus [Beatus Bild] (German, 1485 – 1547)
	VIII	Cornille Sgryver	Cornelius Grapheus [Cornelis De Schrijver] (Dutch, 1482 – 1558)
	IX	Jean Gorop Becan	Johannes Goropius Becanus [Jan Gerartsen] (Dutch, 1519 – 1573)
	X	Adrien Junius	Hadrianus Junius [Adriaen de Jonghe] (Dutch, 1511 – 1575)
	XI	Jean Sambuc	Johannes Sambucus [János Zsámboky] (Hungarian, 1531 – 1584)
	XII	Pierre Victor	Piero [Pietro] Vettori [Petrus Victorius] (Italian, 1499 – 1585)
	XIII	Marc Antoine de Muret	Muretus [Marc Antoine Muret] (French, 1526 – 1585)
	XIV	Juste Lipse	Justus Lipsius [Joest Lips; Joost Lips] (Flemish, 1547 – 1606)
	XV	Joseph de L’Escale	Joseph Justus Scaliger (French, 1540 – 1609)
	XVI	Pierre de Bert	Petrus Bertius [Peter Bertius; Pieter de Bert] (Dutch, 1565 – 1629)
	XVII	Nicolas Claude Fabri de Peiresc	Nicolas-Claude Fabri de Peiresc (French, 1580 – 1637)
	XVIII	Hugue de Groot	Hugo Grotius [Hugo de Groot] (Dutch, 1583 – 1645)
	XIX	Daniel Heinsius	Daniel Heinsius [Heins] (Dutch, 1580 – 1655)
	XX	Erice Putean	Erycius Puteanus (Netherlandish, 1574 – 1646)
	XXI	Nicolas Caussin	Nicolas Caussin (French, 1583– 1651)
	XXII	Claude de Saumaise	Claude Saumaise [Claudius Salmasius] (French, 1588 – 1653)
	XXIII	Anne Marie Schurmans	Anna Maria van Schurman (Dutch, 1607 – 1678)
	XXIII	Anne Marie Schurmans	Anna Maria van Schurman (Dutch, 1607 – 1678)

Vol. 2, Book 4. Inventors and Explorers

Portrait	№	Bullart name	Full name
	I	Berthold Schuvarts	Berthold Schwarz [Schwartz] (German, Late 14th century)
	II	Jean Guttemberg	Johannes Gutenberg [Johannes Gensfleisch zur Laden zum Gutenberg (German, c. 1400 – 1468)
	III	Laurent Coster	Laurens Janszoon Coster [Laurens Jansz Koster] (Netherlandish, c. 1370 – c. 1440)
	IV	Christophle Plantin	Christophe Plantin [Christoffel Plantijn] (Dutch, c. 1520 – 1589)
	V	Paul Manuce	Paulus Manutius [Paolo Manuzio] (Italian, 1512 – 1574)
	VI	Balthasar Moret	Balthasar Moretus (Flemish, 1574 – 1641)
	VII	Christophle Colomb	Christopher Columbus [Cristobal Colon; (Cristoforo Colombo] (Italian, 1451 – 1506)
	VIII	Americ Vespuce	Amerigo Vespucci (Italian, 1451 – 1512)
	IX	Ferdinand Magellan	Ferdinand Magellan [Fernão de Magalhães; Fernando de Magallanes] (Portugese, 1480 – 1521)
	X	Hernand Cortez	Hernán Cortés de Monroy y Pizarro Altamirano (Spanish, 1485 – 1547)
	XI	François Drack	Sir Francis Drake (English, c. 1540 – 1596)
	XII	Thomas Candisch	Sir Thomas Cavendish (English, 1560 – 1592)
	XIII	Gerard Mercator	Gerardus Mercator (Flemish, 1512 – 1594)
	XIV	Jean Taisnier	Jean Taisner [Taisnier; Johannes Taisnerius] (Flemish, 1508 – 1562)
	XV	Abraham Ortelius	Abraham Ortelius [Ortels; Orthellius; Wortels] (Brabantian, 1527 – 1598)
	XVI	Nicolas Tartaglia	Niccolò Fontana Tartaglia (Italian, 1499/1500 – 1557)
	XVII	Orlande de Lassus	Orlande de Lassus [Roland de Lassus; Orlando di Lasso; Orlandus Lassus; Orlande de Lattre or Roland de Lattre] (Belgian, 1530/32 – 1594)
	XVIII	Philippe de Mons	Philippe de Monte [Philippus de Monte] (Flemish, 1521 – 1603)

Vol. 2, Book 5. Poets

Portrait	№	Bullart name	Full name
	I	Dante d’Aligere	Dante Alighieri (Italian, c. 1265 – 1321)
	II	François Petrarque	Francesco Petrarca [Petrarch] (Italian, 1304 – 1374)
	III	Laure de Sado	Laura de Noves [Petrarch's Laura; Madame de Sade] (Italian, 1310 – 1348)
	IV	Michel Marulle	Michael Tarchaniota Marullus [Michele Marullo Tarcaniota] (Greek, c. 1458 – 1500)
	V	Balthasar de Castillon	Baldassare Castiglione (Italian, 1478 – 1529)
	VI	Marc Musure	Marcus Musurus [Markos Mousouros; Marco Musuro (Greek-Italian, c. 1470 – 1517)
	VII	Pierre Aretin	Pietro Aretino (Italian, 1492 – 1556)
	VIII	Jacques Sannazar	Jacopo Sannazaro (Italian, 1458 – 1530)
	IX	Louis Arioste	Ludovico Ariosto (Italian, 1474 – 1533)
	X	Jean Second	Johannes Secundus[Janus Secundus] (Dutch, 1511 – 1536)
	XI	Victoire Colonne	Vittoria Colonna (Italian, 1492 – 1547)
	XII	Corneille Musius	Cornelis Musius (Dutch, 1500 – 1572)
	XIII	Pierre de Ronsard	Pierre de Ronsard French, 1524 – 1585)
	XIV	Guillaume de Saluste du Bartas	Guillaume de Salluste Du Bartas (French, 1544 – 1590)
	XV	Torquato Tasso	Torquato Tasso (Italian, 1544 – 1595)
	XVI	Jean Dorat	Jean Daurat [Joan Dorat; Auratus] (French, 1508 – 1588)
	XVII	Philippe Desportes	Philippe Desportes [Desports] (French, 1546 – 1606)
	XVIII	Janus Douza	Janus Dousa, Lord of Noordwyck [Jan van der Does] (Dutch, 1545 – 1604)
	XIX	Scevole de Sainte Marthe	Scévole de Sainte-Marthe (French, 1536 – 1623)
	XX	François de Malherbe	François de Malherbe (French, 1555 – 1628)

Vol. 2, Book 6. Netherlandish painters

Portrait	№	Bullart name	Full name
	I-1	Hubert van Eyck	Hubert van Eyck (Flemish, c. 1385/90 – 1426)
	I-2	Jean van Eyck	Jan van Eyck (Flemish, c. 1390 – 1441)
	II	Theodore de Harlem	Bernard van Orley [Barend; Barent van Orley; Bernaert van Orley; Barend van Brussel] (Dutch-Flemish, 1487/1491 – 1541)
	III	Albert Durer	Albrecht Dürer (German, 1471 – 1528)
	IV	Roger vander Weyde	Rogier van der Weyden [Rogero Buxellensus] (Flemish, c. 1400 – 1464)
	V	Quentin Matsys	Quentin Matsys [Quinten Matsijs] (Flemish, 1466 – 1530)
	VI	Jerosme du Bois	Hieronymus Bosch [Jheronimus van Aken] (Dutch, c. 1450 – 1516)
	VII	Lucas de Leyde	Lucas van Leyden (Dutch, 1494 – 1533)
	BN-1	Lucas de Leyde	Young Man with a Skull
	VIII	Joachim Patinier	Joachim Patinir [Patenier; Ioachimo Dionatensi] (Flemish, c. 1480 –1524),
	IX	Henry de Bles	Herri met de Bles [Henri Blès, Herri de Dinant; Henrico Blesio Bovinati] (Flemish, c. 1490 – after 1566),
	X	Bernard de Bruxelles	Dirk Bouts [Dieric Bouts; Thierry Van Haarlem] (Flemish, c. 1415 – 1475)
	XI	Jean de Maubeuge	Jan Gossaert [Jan Mabuse] (Flemish, c. 1478 – 1532)
	XII	Pierre Coeck	Pieter Coecke van Aelst [Pieter Coecke van Aelst the Elder (Flemish, 1502 – 1550)
	XIII	Jean Holbein	Hans Holbein the Younger [Ioannes Holbenius] (German, c. 1497 – 1543)
	XIV	Henry Aldegraef	Heinrich Aldegrever (German, 1501/2 – 1555/61)
	XV	Jean Mayo	Jan Cornelisz Vermeyen [Jan Mayo; Ioanni Maio; Barbalonga] (Flemish, c. 1504 – 1559)
	XVI	Lucas Gassel	Lucas Gassel [Lucas van Gassel] (Flemish, c. 1480 – Brussels, 1568/69)
	XVII	Jean Schoorel	Jan van Scorel [Johannes Schoreel] (Dutch, 1495 – 1562)
	XVIII	Antoine Moro	Sir Anthonis Mor [Anthonis Mor van Dashorst; Antonio Moro] (Dutch, c. 1517 — 1577)
	XIX	Lambert Lombard	Lambert Lombard (Flemish, c. 1505 – 1566)
	XX	Pierre Breugel	Pieter Bruegel [Brueghel; Breughel] the Elder (Flemish, 1525/30 – 1569)
	XXI	Guillaume Cayo	Willem Adriaensz Key (Flemish, 1516 – 1568)
	XXII	François Floris	Frans Floris [Frans Floris the Elder; Frans Floris de Vriendt] (Flemish, 1519 – 1570)
	XXIII	Martin Hemskerke	Maerten van Heemskerck [Marten Jacobsz Heemskerk van Veen] (Dutch, 1498 – 1574)
	XXIV	Antoine de Monfort Bloclant	Anthonie Blocklandt van Montfoort [Anthonie van Blocklandt; Anthonie van Montfoort] (Dutch, 1533/34 – 1583)
	XXV	Michel Coxie	Michiel Coxie the Elder [Michiel Coxcie the Elder; Michiel van Coxcie; Coxius (Flemish, 1499 – 1592)
	XXVI	Arnoud Mytens	Aert Mijtens (Flemish, c. 1541 – 1602)
	XXVII	Henry Goltzius	Hendrick Goltzius, or Hendrik, (German-Dutch, 1558 – 1617)
	XXVIII	Martin de Vos	Maerten de Vos [Maerten de Vos the Elder; Marten de Vos] (Flemish, 1532 – 1603)
	XXIX	Paul Bril	Paul Bril (Flemish, 1554 – 1626)
	XXX	Michel Mirevelt	Michiel Janszoon van Mierevelt [Michiel Jansz.; Miereveld; Miereveldt] (Dutch, 1566 – 1641)
	XXXI	Bartholomé Spranger	Bartholomeus Spranger [Bartholomaeus Spranger] (Flemish, 1546 – 1611
	XXXII	Henry Cornille Vroom	Hendrik Cornelisz Vroom (Dutch, c. 1562 – 1640)
	XXXIII	Abraham Blommart	Abraham Bloemaert (Dutch, 1566 – 1651)
	XXXIV	Octave Venius	Otto van Veen [Otto Venius; Octavius Vaenius] (Flemish, 1556 – 1629)
	XXXV	Jacques Calot	Jacques Callot (French, c. 1592 – 1635)
	XXXVI	Martin Richart	Marten Ryckaert [Maerten Ryckaert] (Flemish, 1587, Antwerp – 1631)
	XXXVII	Pierre Paul Rubens	Peter Paul Rubens (Dutch, 1577 – 1640)
	XXXVIII	Antoine Van Dyck	Anthony van Dyck (Dutch, 1599 – 1641)
	BN-2	Mary Ruthven	Mary Ruthven, Lady van Dyck (Scottish-Dutch, c.1622 – 1645)
	XXXIX	Venceslas Coberghe	Wenceslas Cobergher [Wenzel Coebergher] (Flemish, 1560 – 1634)
	XL	Jacques Francquart	Jacob Franquart (Flemish, 1582/83 – 1651)
	XLI	Theodore Rombouts	Theodoor Rombouts (Flemish, 1597 – 1637)
	XLII	Adrien Brouwer	Adriaen Brouwer (Flemish, c. 1605 – 1638)
	XLIII	Simon Vouet	Simon Vouet (French, 1590 – 1649)
	XLIV	Gerard Segers	Gerard Seghers (Flemish, 1591 – 1651)
	XLV	Gaspar de Crayer	Gaspar de Crayer [Jasper de Crayer] (Flemish, 1584 – 1669)
	XLVI	Thomas Willeborts	Thomas Willeboirts Bosschaert (Dutch, 1613 – 1654)
	XLVII	Daniel Segers	Daniël Seghers [Daniel Seghers] (Flemish, 1590 – 1661)

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Ovid’s Metamorphoses in Fifteen Books / Translated by the Most Eminent Hands. — London: Jacob Tonson, 1717.

Title: OVID'S | METAMORPHOSES | IN | FIFTEEN BOOKS. | Translated by the most Eminent Hands. | Adorn’d with Sculptures | London: | Printed for Jacob Tonson at Shakespeare’s–Head | over-against Katharine-Street in the Strand. | M DCC XVII. || Physical description: Folio, laid paper, engraved title as frontispiece, letterpress title-page, portrait of the dedicatee, the Princess of Wales, engraved by George Vertue (British, 1684 – 1756) after Sir Godfrey Kneller (German, 1646 – 1723), [4] – dedication with headpiece vignette engraved by Elisha Kirkall (British, 1682 – 1742) after Peter Berchet (French, 1659 – 1720 London), [i]-xx – preface, [4] – contents, 1-548; collation: π³ a-f², B-Zzzzzz², +15 full-paged engravings, one heading each book; bound in full contemporary tan English calf blind-tooled with a darker panel, raised bands, crimson label with gilt lettering, sprinkled compartments with blind tooling, rebacked, later endpapers, 15 1/4 x 9 1/2 in (39.5 x 26 x 5 cm). Contributors: Author: Ovid (Roman, 43 B.C. – A.D. 17) Translator: Sir Samuel Garth (British, 1661 – 1719) Translator: John Dryden (British, 1631 – 1700) Translator: Joseph Addison (British, 1672 – 1719) Translator: John Gay (British, 1685 – 1732) Dedicatee / Sitter: Caroline Wilhelmina of Brandenburg-Ansbach, Princess of Wales, Queen of England (German-British, 1683 – 1737) Engraver: Elisha Kirkall (British, 1682 – 1742) Artist: Peter Berchet (French-British, 1659 – 1720) Artist: Sir Godfrey Kneller (German, 1646 – 1723) Engraver: George Vertue (British, 1684 – 1756) Engraver: Louis Du Guernier, the younger (French, 1677 – 1716) Engraver: Michael Vandergucht (Flemish, 1660 – 1725) Engraver: Elisha Kirkall (British, 1682 – 1742) Engraver: R. Smith (British, fl. early 18th century) Engraver: Matthys Pool (Dutch, 1670 – c. 1732) Publisher: Jacob Tonson, the Elder (British, 1655 – 1736)

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Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.
Engraved title page:
- In an oval cartouche at the centre, flanked by female personifications of Painting and Poetry, surmounted by an eagle, Mars and Envy chained by Cupid below: HET GULDEN CABINET | VANDE EDEL VRY SCHILDER, CONST | INHOUDENDE | DEN LOF VANDE VERMARSTE | SCHILDERS, | ARCHITECTE, BELDTHOWERS | ENDE PLAETSNYDERS | VAN DESE EEVW | DOOR | CORN: DE BIE NOTS. | TOT | LIER | 1661. ||
- In lower margin below the image frame: t’Antwerpen gedruckt by Ian Meyssens Constvercooper op de Eyermert inden goude Rexdalder | Abrah. a Diepenbeck delin. — Cornelis Meyssens sculpsit. || Handwritten inscription below: Frederik Verachter
Letterpress title: HET GULDEN CABINET | VANDE EDEL VRY | SCHILDER – CONST | ontsloten door den lanck ghevvenschten | Vrede tusschen de tvee mach- | tighe Croonen van SPAIGNIEN | EN | VRANCRYCK, | Waer-inne begrepen is den ontstersse- | lijcken loss vande vermaerste | Constminnende Geesten | ENDE | SCHILDERS | Van dese Eeuvv, hier inne meest near het | leven as-gebeldt , verciert met veel ver- | makelijcke Rijmen ende Spreucken. | DOOR | Cornelis de Bie Notaris binnen Lyer. || Pagination: 2 binder’s blank leaves, engraved t.p.,[1, 2] letterpress t.p., 3-585 [586] – approbatie, [2] – colophon / blank, 1 binder’s blank leaf. Collation: Engr. t.p., A-Aaaa⁴ Bbbb², plates within a collation.
Cornelis de Bie. Het Gulden Cabinet. — Antwerp: [J. van Montfort for] Jan Meyssens, 1661 [colophon: 1662]. First edition, quarto, with engraved title, added portrait of De Bie dated 1708 mounted and inserted*, illustrated with 97 full-page engravings of artists, and an engraving of a personification of the city of Rome repeated five times; bound in full contemporary Dutch parchment over boards, tooled in blind, titled on spine; ex libris Frederik Verachter (Dutch, 1797 – 1870), archivist of the Antwerp city library, with pages of notes in his hand, signature to title, and inserted leaf with extra biographical information about one of the 280 artists of the Low Countries profiled and illustrated in this volume; contents good; ex libris Gustave Van Havre (Dutch, 1817 – 1892), with his armorial bookplate inside the front board, 24 x 19.5 x 4.5 cm.
Catalogue raisonné: J. F. Van Someren (1888) pp. 200-202. * CORNELIUS DE BIE. ÆT. 81. 1708. | Dat Ick op D'aard Niet Anders Ben | Als Stof En Assen Ick Beken: | En Alle Mijnen Arrebeijd | Noch Van Veel Minder Weerdigheijt. || J. C. de Cock delin: — H. F. diamaer Sculpsit Antv: Ref.: Royal Collection Trust. Backer, Jacob de (Flemish, c. 1555 – c. 1585) (artist) Balen, Jan van (Flemish, 1611 – 1654) (artist) Bally, David (Dutch, 1584 – 1657) (artist) Beck, David [Beek] (Dutch, 1621 – 1656) (artist) Bie, Cornelis de (Flemish, 1627 – 1711) (author) Bloemaert, Abraham (Dutch, 1565 – 1658) (artist) Borcht I, Hendrik van der, the Elder (Flemish, 1583 – 1651) (artist) Borcht II, Hendrik van der, the Younger (German 1614 – 1676) (artist) Bouttats, Frederik, the Elder (Flemish, 1590 – 1661) (attributed to) (engraver) Bramer, Leonard [Leendert] (Dutch, 1596 – 1674) (artist) Bronckhorst, Jan Gerritsz van (Dutch, 1603-1661) (artist) Bylert, Jan van (Dutch, 1603 – 1671) (artist) Caukercken, Cornelis van (Flemish, 1626 – 1680) (engraver) Collin, Richard (Luxembourgish, 1627 – 1698) (engraver) Coques, Gonzales (Flemish, 1614 – 1684) (artist) Cossiers, Joannes (Flemish, 1600 – 1671) (artist) Danckerts de Rij, Peter (Dutch, 1605-1660) (artist) Dipenbeeck, Abraham van (Dutch, 1596 – 1675) (artist) Does, Antony van der (Flemish, 1609 –1680) (engraver) Dyck, Anthony van (Flemish, 1599 – 1641) (artist) François, Pierre (fl. 1643) (artist) Hecke, Jan van den, the Elder (Flemish, 1620 – 1684) (engraver) Heil, Daniel van (Flemish, 1604 – 1664) (artist) Heil, Jan Baptiste van (Flemish, 1609 – 1685) (artist) Heil, Leo van (Flemish, 1605 – c. 1664) (artist) Helt Stockade, Nicolaes van (Dutch, 1614 – 1669) (artist) Hollar, Wenceslaus [Hollar, Václav; Wenzel] ( Bohemian, 1607 – 1677) (artist) Hondius I, Hendrick [de Hondt] (Flemish-Dutch, 1573 – 1650) (artist) Janssens, Cornelis van Ceulen [Johnson, Cornelius] (Flemish-Dutch, 1593-1664) (artist) Jode I, Pieter de, the Elder (1570 – 1634) (engraver) Jordaens, Jacob (Flemish, 1593 – 1678) (artist) Lint, Peter van (Flemish, 1609 – 1690) (artist) Meyssens, Cornelis (Flemish, 1639 – fl.1673) (engraver) Meyssens, Joannes [Johannes, Jan, Jean] (Flemish, 1612 – 1670) Mola, Pier Francesco (Italian, 1612 – 1666) (artist) Monte, Deodat del [Mont, Deodat van der; Delmont, Deodatus] (Flemish, 1582 – 1644) (artist) Montfort, Jan van (fl. c. 1595 – 1644) (printer) Padoanino, Francisco (Italian, 1660) (artist) Poelenburgh, Cornelis van [Poelenburch] (Dutch, 1594 – 1667) (artist) Pontius, Paulus (Flemish, 1603 – 1658) (engraver) Quellinus, Erasmus, the Younger (Flemish, 1607 – 1678) (artist) Reni, Guido (Italian, 1575 – 1642) (artist) Sadeler II, Egidius (Flemish, c.1570 – 1629) (artist) Saftleven, Herman, the Younger (Dutch, 1609 – 1685) (artist) Seghers, Gerard (Flemish, 1591 - 1651) (artist) Snyers, Hendrik (Flemish, 1611 – 1644) (engraver) Soutman, Pieter Claesz (Dutch, 1593/1601 – 1657) (artist) Steen, Franciscus van der (Flemish, 1625 – 1672) (engraver) Teniers, David, the Younger (Flemish, 1610 – 1690) (artist) Venne, Adriaen van de [Adriaen Pietersz] (Dutch, 1589 – 1662) (artist) Voet, Alexander, the Elder (Flemish, 16-8/1613 – 1689) (engraver) Vorsterman, Lucas, the Elder (Flemish, 1595-1675) (engraver) Waumans, Conraed (Flemish, 1619 – 1675) (engraver) Willaerts, Adam (Dutch, 1577 – 1664) (artist)
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[Pierre-Joseph Bernard]. Phrosine et Mélidore : poème en quatre chants. — Messine et Paris: Le Jay, 1772.

Title page: PHROSINE | ET | MELIDORE, | POËME | EN QUATRE CHANTS. | A MESSINE, | Et se trouve A Paris, | Chez Le Jay, Libraire, au Grand Corneille, | rue S. Jacques. | M. DCC. LXXII. || Pagination : ffl, [2] – h.t. / blank, [2] t.p. / blank, [1] 2-55 [56 blank], bfl ; 4 copperplate engravings by Nicolas Ponce (French, 1746 – 1831) after Charles Eisen (French, 1720 – 1778), one before each chant. Collation: 8vo; π² (h.t., t.p. ) A-C⁸ D⁴. Binding: 20.5 x 14 cm, full mottled calf, gilt-ruled with triple fillet, flat spine, gilt in compartments, black label with gilt lettering, printed on laid paper, all edges red. Catalogue raisonné: Cohen de Ricci p. 132; J. Lewine: p. 53. Contributors: Nicolas Ponce (French, 1746 – 1831) Jean Charles Baquoy (French, 1721–1777) Charles-Dominique-Joseph Eisen (French, 1720 – 1778) Pierre-Joseph Bernard [Gentil-Bernard] (French, 1708 – 1775).

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Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.

Title: COSTUMES ET MODES | D’AUTREFOIS | HORACE VERNET | Incroyables | et | Merveilleuses | Paris | 1810–1818 | TEXTE PAR | ROGER–ARMAND WEIGERT | Conservateur au Cabinet des Estampes | de la Bibliothèque Nationale | ÉDITIONS ROMBALDI | PARIS || Content: 24 photomechanical reproductions of the images from Bibliothèque nationale de France, printed on vélin paper from Papeteries Aussedat by Papeteries de la Moselle printing presses and stencil-coloured by Edmond Vairel. Text printed by Imprimerie Kapp on October 20, 1955. A print run of 4,000 copies, of which this is №122. Exterior: Pink lettered dust jacket over wrappers. Pagination: loose double leaves, [4 blanks] [4 h.t. and t.p.], i-xi [xii], 24 unnumbered plates, [4 blanks].
Weigert, Roger-Armand (French, 1907-1986).
Émile Jean-Horace Vernet [Horace Vernet] (French, 1789 – 1863). Gatine, Georges Jacques (French, 1773 – after 1841).

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Crébillon fils. Le sopha, conte moral / Illustrations de Carlègle. — Paris: Éditions Mornay, 1933.

Title: LES BEAUX LIVRES | — | LE SOPHA | de | CRÉBILLON FILS |{vignette}| ILLUSTRATIONS DE CARLÈGLE | — | Éditions Mornay | au 8 de la rue de l’Arrivée, Paris | 1933 || Series: Les beaux livres Binding: Original pictorial wrappers, margins untrimmed, uncut; printed on BFK Rives paper (watermark); the number of copy blacked out. Justification of the print run on p. [329].Pagination: [1-8] 9-326 [327-331], ill., woodcuts in text. Size: 20.2 x 15.5 cm

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