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European prints and drawings
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[Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].
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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
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Die Studentenkneipe “Le Trou” in Brüssel, Leo von Elliot (1863).
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Spaddy [Johannes Gros]. Dévergondages / Illustr. Féodor Rojankowski. — Bruxelles [i.e. Nice]: Aux Dépens d’un Amateur, 1948.
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Miniature portrait of Fortunée Courtois at the age of 22 months. Attributed to Lié Louis Périn-Salbreux, ca. 1802.
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Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787.
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La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.
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[Feodor Rojankovsky]. Idylle printanière. — [Paris: Henri Pasquinelli, 1938].
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Thomas Bewick. History of British birds with the supplements and addenda / Vol. 1 & 2. — Newcastle: T. Bewick and E. Charley; London: Longman & Co., 1821.
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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.
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Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]
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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.
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Ovid’s Metamorphoses in Fifteen Books / Translated by the Most Eminent Hands. — London: Jacob Tonson, 1717.
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Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.
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[Pierre-Joseph Bernard]. Phrosine et Mélidore : poème en quatre chants. — Messine et Paris: Le Jay, 1772.
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Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.
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Crébillon fils. Le sopha, conte moral / Illustrations de Carlègle. — Paris: Éditions Mornay, 1933.
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