Japanese prints and drawings – Varshavsky Collection

Utagawa Kunisada (Toyokuni III). Beauty surrounded by decorative seals in archaic Chinese style / Fan print, 1828.

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Katsukawa Shun’ei. The sumo bout between Yotsuguruma and Yamaoroshi

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Utagawa Toyokuni I. Eleventh lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.

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The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013

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Utagawa Kunisada (Toyokuni III). Poem by Ariwara no Narihira Ason: Actor Ichikawa Danjūrō VIII as the ghost of Seigen, 1852.

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Toyohara Chikanobu. Nakamura Shikan IV as Kisen Hōshi and Iwai Kumesaburō IV as Ono no Komachi / Fan print, c. 1885.

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Katsukawa Shunshō. Ichikawa Danjūrō V in a Shibaraku role. Circa 1770’s.

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Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.

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Utagawa Kuniyoshi. Prince Hanzoku terrorized by a nine-tailed fox, from the series ‘Japanese and Chinese parallels to Genji’, 1855.

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Utagawa Kunisada (Toyokuni III). Courtesan playing a kokyū, from the series ‘Assortments of Beauties Accomplishments’, 1829.

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Utagawa Kunisada (Toyokuni III). Actor Bandō Takesaburō I as clerk Seijūrō and actor Ichikawa Kodanji IV as Kenkaya Gorōkichi / Fan print, 1852.

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Utagawa Kunimori. Returning palanquin (Modori Kago) / Fan print, 1842-3.

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Ippitsusai Bunchō. Lovers and a literate octopus crossing a stream on a giant shrimp.

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Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. A geisha eating edamame aboard the boat of the Atari-ya teahouse, from the series ‘Three summer women’ / Fan print, 1860.

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Utagawa Kunisada (Toyokuni III). Kabuki actor Nakamura Shikan II, from the series ‘Catching fireflies in the floating world’ / Fan print, 1831.

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Utagawa Kunisada (Toyokuni III). Beauty playing the shamisen beneath a mosquito net / Fan print, c. 1832.

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Utagawa Yoshitsuya. Waves off Shinagawa / Fan print, 1849.

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Utagawa Kunisada (Toyokuni III). Princess Sotoori, from the series ‘Chronicles of Elegant Women’ / Fan print, 1859.

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