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Japanese prints and drawings
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Utagawa Toyokuni I. Ninth lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.
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Utagawa Toyokuni I. Seventh lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.
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Utagawa Toyokuni I. Fourth lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.
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Utagawa Toyokuni I. Third lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.
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Utagawa Kunisada (Toyokuni III). Beauty playing the shamisen beneath a mosquito net / Fan print, c. 1832.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Ichikawa Danjūrō VII wipes his face in front of a makeup mirror, from the series ‘Six choice modern flowers’ / Fan print, 1833-4.
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Utagawa Kuniyoshi. Crab, fish, and quadruped, from the series Brother pictures for comparison / Fan print, c. 1840.
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Utagawa Kunisada (Toyokuni III). Decorated sake cups, from the series ‘The pride of Edo’ / Fan print, 1827.
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Utagawa Hiroshige. The Bay of Kuroto in Kazusa province, from the series ‘Views of famous places in the provinces’ / Fan print, 1855.
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Utagawa Hiroshige. Kominato in Awa province, from the series ‘Famous places in the Bōsō peninsula’ / Fan print, 1852.
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Rupert Faulkner. Hiroshige fan prints / Victoria and Albert museum, Far Eastern Series. — London: V&A Publications; NY: Harry N. Abrams, Inc., 2001.
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Utagawa Hiroshige. Water, from the series The Pride of Edo Compared to the Five Elements / Fan print, c. 1844-46.
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Utagawa Yoshikazu. Customers queueing outside a sake-selling shop / Fan print, 1861.
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Utagawa Kunisada (Toyokuni III). On the banks of the Kamo River, from the series ‘A Parody of Sugawara’ / Fan print, 1851.
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Utagawa Kuniyasu. Kabuki actors Iwai Kumesaburō II as Shirai Gonpachi and Ichikawa Danjūrō VII as Banzui Chōbei / Fan print, 1826.
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Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.
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Utagawa Kunisada (Toyokuni III). Courtesan playing a kokyū, from the series ‘Assortments of Beauties Accomplishments’, 1829.
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Utagawa Kunisada (Toyokuni III). Gathering of the young herbs on the Day of the Rat, from the series ‘Three elegant sources of light’ / Fan print, 1853.
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Utagawa Toyohiro. Young man arranging flowering iris, c. 1795.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Nakamura Shikan II as Gotobei / Fan print, 1830.
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Utagawa Sadahide. Two beautiful women and their accessories / Fan print, 1830.
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Utagawa Kunisada (Toyokuni III). Sawamura Gennosuke II as Ushiwakamaru and Ichikawa Danjuro VII as Benkei in the ‘Grand finale dance play’ at Soga Festival / Fan print, 1831.
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Utagawa Kunisada. Time at Fukagawa, Iyo Province / Fan print, 1855.
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Utagawa Sadahide. Five festivals, ninth month, full moon celebration / Fan print, 1835.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Nakamura Shikan II as Gotobei / Fan print, 1830.
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Utagawa Kunisada. Tamagiku, from the series ‘Chronicles of Elegant Women’ / Fan print, 1859.
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Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]
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The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013
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Matthew Welch, Yuiko Kimura-Tilford. Worldly pleasures, earthly delights: Japanese prints from the Minneapolis Institute of Arts. — Minneapolis: Minneapolis Institute of Arts, 2011.
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Secret images: Picasso and the Japanese erotic print — NY: Thames & Hudson, 2010.
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Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.
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Hokusai: One hundred Views of Mt. Fuji / Introduction and commentaries on the plates by Henry D. Smith II. — NY: George Braziller, Inc., 2001.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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Utagawa Kunisada. Fuji and Tsukuba sharing an umbrella against the snow / Fan print, c. 1832.
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Utagawa Kunisada. Fuji and Tsukuba sharing an umbrella against the wind / Fan print, c. 1832.
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Utagawa Kunisada. Five types of haiku in shōfū style / Fan print, 1842-46.
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