Published to accompany the recent successful exhibition at the Museu Picasso, Barcelona, this book sheds new light on Picasso's work - his connection with Japanese art. It is illustrated with images
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Hardcover, 30 x 26 cm, publisher's pictorial boards, pp.: [1-5] 6-168, il. -
Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation. -
![[Charles Octave Moget, Joseph Décembre]. Sempronius. Histoire de la Commune de Paris en 1871. Paris, Décembre-Alonnier, [1871]. – pp: [i, ii - ht, imprim.] iii, iv - t.p., blank] [v - table] vi-viii (viii numbered iii), [1] 2 [3] 4-267 [268 blank] [1] 2-12 advert. [Pseudonym of Charles Octave Moget and Joseph Décembre]. Charles Octave Moget, dit Octave Féré (1815-1875); Joseph Décembre, dit Décembre-Allonier (1836 – 1906).](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2445.2020-a-1-500x500.jpeg)
Front publisher’s yellow wrapper, in a double frame: SEMPRONIUS | HISTOIRE | DE LA | COMMUNE DE PARIS | EN 1871 | La période impériale. – La Révolution du 4 Septembre. – Le | gouvernement de la Défense nationale. – Le Parti républicain | et le Parti socialiste. – L'Association internationale des | travailleurs. – Menées du parti socialiste. – La Commune en 1793. – Le 31 octobre et le 22 janvier. – La Capitulation de | Paris. – Le 18 mars. – L'Assassinat des généraux Clément | Thomas et Lecomte. – Le Comité central de la Garde nationale. | – La Commune ; – Ses Agissement. – Son Budget. – La | Terreur. – Insolence des Fédérés. – Les journaux. – Les Otages. | – Les Opérations militaires. – Les Fusillades. – Les Vols. – Les | Barricades. – Les Incendies. – Documents officiels de la Commune. | TROISIÈME ÉDITION | PARIS, DECEMBRE - ALONNIER, LIBRAIRE-ÉDITEUR | 20 RUE SEGUR, 20 | PRÉS DE LA PLACE SAINT-ANDR -DES-ARTS || Title page: similar to the cover with no frame. Pagination: front wrapper, [2] – h.t. / imprint., [2] – t.p. / blank, [i] – table de matières, vi (i.e. ii), vii (i.e. iii), iii (i.e. iv), [1] 2-267 [268 blank], [1] 2-12 – publisher's advert., back wrapper. Collation : 18mo ; π4, 1-1518, ß6. Binding: 18.5 x 12 cm; softcover; original yellow wrappers, black lettering to covers and spine; almost disbound. Réferences: Le Quillec (1997): 2324; University of Sussex > Paris Commune Collection. Author of the book: "SEMPRONIUS" was in reality two men: Moget, Charles Octave [Féré, Octave] (French, 1815 – 1875) and Décembre, Joseph [Décembre-Allonier] (French, 1836 – 1906). -
Book title: Kabuki fan-prints from Edo: Genroku to Enkyō periods (1688-1748) [江戸歌舞伎団扇絵] (Edo kabuki uchiwa-e: Genroku - Enkyō hen). Author: Shigeo Miyao [宮尾しげを] (Japanese, 1902 – 1982). Comments by: Sutezō Kimura [木村仙集] (Japanese, 20th century). Publisher: Inoue Shobō [井上書房] (Tokyo). Oblong volume bound in black washi paper with silver kabuki face design to front and silver lettering to spine and silver publisher’s name to back; three-colour title, folding frontispiece, second frontispiece, pp.: [6] foreword, contents, [2] f.t.p./blank, 3-134 [2], 43 full-page black & white illustrations, colophon slip pasted, bookstore label to back pastedown, in a pink slipcase with black lettering. Primitive fan prints from the Kaga collection, from 1691 to 1747. Edition: 1st edition, limited to 500 copies. -
Hardcover volume, 29.6 x 25 x 4 cm, in red cloth with black lettering to spine, in pictorial dust jacket, profusely illustrated in colour; pp.: [1-6] 7-536, total 268 leaves and 2 folding plates extraneous to collation. Title-page: {Hotei's device} Hotei Publishing | Shunga | sex and pleasure in Japanese art | Edited by | Timothy Clark | C. Andrew Gerstle | Aki Ishigami | Akiki Yano || Contents: The Cultural Historical Significance and Importance of Japanese Shunga / Kobayashi Tadashi. Introduction: What Was Shunga? / C. Andrew Gerstle; Who Were the Audiences for Shunga? / Hayakawa Monta. (1) Early Shunga before 1765: Shunga Paintings before the `Floating World' / Akiko Yano; Chinese Chunhua and Japanese Shunga / Ishigami Aki; Shunga and the Rise of Print Culture / Asano Shugo. (2) Masterpieces of Shunga 1765-1850: The Essence of Ukiyo-e Shunga / Kobayashi Tadashi; Erotic Books as Luxury Goods / Ellis Tinios; Listening to the Voices in Shunga / Hayakawa Monta; The Tale of Genji in Shunga / Sato Satoru. (3) Censorship: Timeline of Censorship; Shunga and Censorship in the Edo Period (1600-1868) / Jennifer Preston; Graph of approximate output of shunga print series and books; The Censorship of Shunga in the Modern Era / Ishigami Aki; Shunga Studies in the Showa Era (1926-89) / Shirakura Yoshihiko. (4) Contexts for Shunga: Traditional Uses of Shunga / Yamamoto Yukari; The Distribution and Circulation of Erotic Prints and Books in the Edo Period Laura Moretti; Shunga and Parody / C. Andrew Gerstle; Popular Cults of Sex Organs in Japan / Suzuki Kenko; Grotesque Shunga / Ishigami Aki; Violence in Shunga / Higuchi Kazutaka; Foreign Connections in Shunga / Timon Screech; Children in Shunga / Akiko Yano; Shunga and the Floating World / Matsuba Ryoko. (5) Shunga in the Meiji Era: Erotic Art of the Meiji Era (1868-1912) / Rosina Buckland; The Modern West's Discovery of Shunga / Ricard Bru. Published to accompany the exhibition Shunga: sex and pleasure in Japanese art at the British Museum from 3 October 2013 to 5 January 2014. Abstract: This catalogue aims to answer some key questions about what is shunga and why it was produced. In particular, the social and cultural contexts for sex art in Japan are explored. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural 'modernisation' that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this landmark book places erotic Japanese art in its historical and cultural context for the first time. This book looks at painted and printed erotic images produced in Japan during the Edo period (1600-1868) and early Meiji era (1868-1912). These are related to the wider contexts of literature, theatre, the culture of the pleasure quarters, and urban consumerism; and interpreted in terms of their sensuality, reverence, humour and parody. Contributors: Timothy Clark (British, b. 1959) Timothy Clark (British, b. 1959) C. Andrew Gerstle (American, 1951) Aki Ishigami [石上阿希] (Japanese) Akiki Yano -
Pictorial paper hardcover, 29 x 22.5 cm, pp. [i-vi] vii-xiv, [2] 3-319 [3], total 336 pp. ISBN: 1442263393. ISBN/EAN: 9781442263390. Title-page: The Dictionary of the Book | A Glossary for Book Collectors, Booksellers, | Librarians, and Others | Sidney E. Berger | […] | Rowman & Littlefield | Lanham • Boulder • New York • London || -
Title: SONGS, | NAVAL AND NATIONAL, | OF THE LATE | CHARLES DIBDIN; | WITH A MEMOIR | AND | ADDENDA. | COLLECTED AND ARRANGED BY | THOMAS DIBDIN, | AUTHOR OF “THE ENGLISH FLEET,” CABINET,” &c. &c. | WITH CHARACTERISTIC SKETCHES BY | GEORGE CRUIKSHANK. | LONDON: | JOHN MURRAY, ALBEMARLE STREET. | (PUBLISHED TO THE ADMIRALTY) | 1841.|| Pagination: [4 binder's blanks] [i-vi] vii-xv [xvi advert.], [1] 2-336 [4 binder's blanks], engraved frontispiece and 11 plates by George Cruikshank. Collation: 8vo; [A] – Y8. Binding: brown ¾ morocco, ruled in gilt over marbled boards, marbled endpapers, raised bands, gilt in compartments, top margin gilt, title lettering and year to spine, by V. Krafft. Bookplate to front pastedown “Ex Libris Robert Hoe”. Provenance: HOE, Robert III (American, 1839-1909) – American businessman and producer of printing press equipment. Catalogue raisonné: Albert M. Cohn (1924): № 231, p. 75. Makers: Charles Dibdin the younger (British, 1768—1833) – author. Thomas John Dibdin (British, 1771—1841) – author. William Clowes (British, 1779—1847), printer. John Murray III (British, 1808—1892), publisher. George Cruikshank (British, 1792—1878), artist, emgraver. -
Two paperback volumes, 29.6 x 22.8 cm, pictorial softcover in full dust jacket with letering (see below); One the back DJ of both volumes lettered: “Sotheby’s | EST. 1744 (vertical) | GALERIE CHARPENTIER 76 RUE DE FAUBOURG SAINT-HONORÉ 75008 PARIS WWW. SOTHEBYS.COM”. Vol. 1: DJ lettered in olive green: Sotheby’s | EST. 1744 (vertical) | COLLECTION HUGUETTE BERES | ESTAMPES, DESSINS ET LIVRES ILLUSTRES JAPONAIS | {HB monogram in red} | PARIS MERCREDI 27 NOVEMBRE 2002 ||. Pagination: 2 ffl, [1-5] (h.t., t.p., Sommaire), 6-340, 2 ffl; 229 lots with ils.; sale PF2021 Vol. 2: DJ lettered in olive green: “Sotheby’s | EST. 1744 (vertical) | COLLECTION HUGUETTE BERES | ESTAMPES, DESSINS ET LIVRES ILLUSTRES JAPONAIS (SECONDE VENTE) | {HB monogram in red} | PARIS MARDI 25 novembre 2003 ||. Pagination: 2 ffl, [1-7] (h.t., t.p., Sommaire, f.t.) 8-287 [288 blank], 2 ffl; 252 lots with ils.; sale PF3018. Contributors: Huguette Berès (French, 1913 – 1999) -
NEWSoftcover, 228 x 155 mm, embossed geometrical diaper pink French flapped wrappers with black and orange lettering to front; collated 8vo: 1-108, i.e. 80 leaves, pp.: [4] [1-4] 5-152 [4], plus 12 colour plates; woodcut t.p. vignette, head- and tailpieces in sanguine. Text printed on wove paper watermarked Marais, untrimmed, some leaves uncut; colour illustrations produced by half-tone relief photo reproduction technique and printed on thinner paper without a watermark. Colouring is most probably made by hand. Besides the presence of the platemarks, micro-photo reveals clear signs of the half-tone relief photomechanical reproduction method:
Title-page (red and black): SPADDY | COLETTE | OU | LES AMUSEMENTS DE BON TON | ROMAN | {vignette} | A SAINT – CLOUD | AU TEMPLE DE CYTHÈRE ||
Limitation: CE ROMAN, EDITÉ POUR DES AMATEURS ET | NON MIS DANS LE COMMERCE, A ETÉ TIRÉ | A 250 EXEMPLAIRES, SUR VELIN PUR FIL | DU MARAIS, NUMÉROTÉS A LA PRESSE. | Cet exemplaire porte le No 49
Catalogue Raisonné: Dutel III № 1254: second edition with reproduction plates, published in 1939. The 1st edition with the original plates after Bécat was published in c. 1938.
Honesterotica.com:
Colette, ou les amusements de bon ton (Colette, Good Time Amusements) was an important early commission from Bécat by the master clandestine publisher Maurice Duflou, to complement a text bordering on the outrageous by Johannès Gros…
Contributors: Spaddy [Johannès Gros] (French, 18.. – 1937) – author Maurice Duflou (French, 1885 – 1947) – publisher Paul-Émile Bécat (French, 1885 – 1960) – artist -
Title: AN ESSAY | ON THE | PRINCIPLE OF POPULATION; | OR, | A VIEW OF ITS PAST AND PRESENT EFFECTS | ON | HUMAN HAPPINESS; | WITH | AN INQUIRY INTO OUR PROSPECTS RESPECTING THE FUTURE | REMOVAL OR MITIGATION OF THE EVILS WHICH | IT OCCASIONS | BY T. R. MALTHUS, A. M. | Late Fellow of Jesus College, Cambridge, and Professor of History and Political Economy in the East-India College, Hertfordshire. | IN THREE VOLUMES. | VOL. I. [or II. or III.] | THE FIFTH EDITION, | WITH IMPORTANT ADDITIONS. | LONDON: | JOHN MURRAY, ALBEMARLE-STREET. | 1817. || Pagination and collation: Vol. 1: ffl, [i, ii] – t. p. / imprint., [iii] iv-xvi, [1] 2-496, bfl; A-Z8 2A-2I8. Vol. 2: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-507 [508], bfl; [A]2 B-Z8 2A-2I8 2K6. Vol. 3: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-500, bfl; [A]2 B-Z8 2A-2I8 2K2. Binding: Three volumes printed on wove paper, uniformly bound in quarter brown polished calf, blind-ruled, black label, ruled and lettered in gilt to spine, green buckram boards; 22.2 x 13.5 cm. Edition: 5th edition, corrected with a new preface, an updated appendix of Malthus’ responses to his critics, and addition of several chapters to the whole: on France, England, and on the poor laws. Lifetime edition. Ref.: Einaudi 3670; Goldsmiths’ 21761; Kress B.6974; Mattioli 2210. Printed by W. Clowes: William Clowes Ltd. (London). Clowes, William (British, 1779 – 1847). Malthus, Thomas Robert (British, 1766 – 1834). Murray, John (British, 1737 – 1793) Murray, John II (British, 1778 – 1843) John Murray (publishing house) -
Title-page (in red and black): TALES AND NOVELS | OF | J. DE LA FONTAINE | WITH 12 ORIGINAL ETCHINGS | BY | CLARA TICE | VOLUME ONE (TWO) | {arabesque} | PRIVATELY PRINTED | AT THE PRINTING HOUSE OF G. J. THIEME | NIJMEGEN ~ HOLLAND | 1929 || Collation: 8vo. Vol. 1: π8 (2 blanks, h.t. / limitation №103 of 990, frontispiece etched portrait of La Fontaine w/ tissue guard, 4 leaves uncut with table and preface), 1—138, incl. 2 final blanks, paginated: xvi, 204 [4], plus 5 etchings besides frontis., all with tissue guards, by Clara Tice, in sepia. Vol. 2: π8, 1-188, paginated: xvi, 270 [271] epitaph, [272] blank, plus 6 etchings w/ tissue guards, by Clara Tice. Binding: 25.3 x 16.8 cm, quarter faux parchment over light blue publisher's boards, gilt lettering to spine. Ticket to front pastedown in each volume: “FROM THE COLLECTION | OF PRINCETON ANTIQUES BOOKFINDERS”, etc. Etchings printed on wove paper, text – on laid paper; untrimmed, uncut. Edition: limited, privately printed run of 990 copies of which this is №103. -
![[ROSCOE, Thomas, translator]. Tales of Humour, Gallantry, & Romance, selected and translated from the Italian. With sixteen illustrative Drawings by George Cruikshank. London, Printed for Charles Baldwyn, 1827.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1079-2-scaled-500x500.jpg)
Title: TALES | OF | Humour, Gallantry, & Romance, | SELECTED AND TRANSLATED | FROM THE ITALIAN. | Vignette "The Elopement, p. 183" | With sixteen illustrative Drawings by George Cruikshank. | — | LONDON : | PRINTED FOR CHARLES BALDWYN, | NEWGATE STREET. | MDCCCXXVII. Pagination: [2], [v]-vi [2] – Contents (Cohn's collation calls for this at the end) 3-253, [1]; title-page a cancel with vignette 'The Elopment', sixteen other plates by Cruikshank; as per HathiTrust: vi, 253, [3] p. (last p. blank), [16] leaves of plates: ill. Binding: 8vo, 20 x 13 cm, later polished calf, gilt, t.e.g. others untrimmed, by Rivière for H. Sotheran. Note: 1st edition, very rare 3rd issue, with a cancel title-page replacing that of 1824 issue when there were two issues and the work was entitled Italian Tales. Cohn notes the rarity of the 1827 edition, which restores one of the plates 'The Dead Rider', suppressed in the second issue, and also includes the plate done to replace it. "The rarest edition of this work is that published in 1827 in green paper boards [...]. This issue has no edition stated on the title. It has seventeen woodcuts, inclusive of the "Elopement" vignette upon the title. The suppressed plate "The Dear Rider" is restored, and the plate done to replace it is also included. The woodcut in other editions upon the title page is "The Pomegranate Seed". Probably compiled and translated by Thomas Roscoe (cf. National union catalog) from a variety of authors 'out of materials not generally accessible', but also ascribed to J. Y. Akerman and to one "Southern". Two or three tales that furnished plots for Shakespeare. Catalogue Raisonné: Cohn 444; this issue not found in OCLC or COPAC. -
Hardcover volume, 22.5 x 15 cm, bound in red cloth with gilt lettering to spine, pictorial dust jacket; pp.: [i-v] vi-xiv, [1-5] 6-251 [252], total 268 pages. Title-page: Alleged sex and threatened violence | Doctor Russel, Bishop Vladimir, and the Russians in | San Francisco, 1887-1892 | TERENCE EMMONS | — | Stanford University Press | Stanford, California | 1977 || ISBN: 9780804727679, 9780804727686, 0804727678, 0804727686. OCLC Number / Unique Identifier: 35159156. Doctor Nikolai Sudzilovsky [Nicholas Russel] (Belarusian, 1850 – 1930). Bishop Vladimir (Sokolovsky-Avtonomov, Vasily Grigorievich) Архиепископ Владимир (Соколовский-Автономов, Василий Григорьевич) (Russian, 1852 – 1931) – Archbishop of the Aleutians and Alaska. -
Softcover, 22.5 x 16.5 cm, pictorial paperback, pp.: [i-xi] xii-xix [xx blank] [2] [1] 2-179 [180] [6 advert.], total 206 pp plus cardstock Portable Stanford form. Nicholas Russel [Николай Константинович Судзиловский] (Russian-American, 1850 – 1930) -
Title: The amorous drawings | {vignette} | of the | Marquis von Bayros | Part I | BRANDON HOUSE | NORTH HOLLYWOOD || Title page verso: A BRANDON HOUSE BOOK | PUBLISHED BY ARRANGEMENT WITH | CYTHERA PRESS | COPYRIGHT 1968 BY CYTHERA PRESS | ALL RIGHTS RESERVED. | MANUFACTURED IN THE UNITED STATES OF AMERICA || Pagination: [1-3] 4-238 [2], 292 illustrations within pagination. Content: Preface by Wilhelm M. Busch, biography of Von Bayros by Johann Pilz, two essays by Von Bayros; 292 illustrations by Marquis Franz von Bayros; Part I and II in one volume. Exterior: 28 x 22 cm, publisher's green wrappers with yellow lettering and fac-simile drawing of von Bayros to cover, lettering to spine. A re-print softcover edition of the original Cythera Press 1st edition, see: LIB-2246.2019 -
Title: The amorous drawings | of the | Marquis von Bayros | Part I | THE CYTHERA PRESS | NEW YORK Pagination: [1-3] 4-238 [2], 292 illustrations within pagination. Content: Preface by Wilhelm M. Busch, biography of Von Bayros by Johann Pilz, two essays by Von Bayros; 292 illustrations by Marquis Franz von Bayros; Part I and II in one volume. Exterior: 33 x 26 cm, publisher's black cloth with white lettering and fac-simile drawing of von Bayros to cover, white lettering to spine, similarly designed DJ. The original Cythera Press hardcover edition of 1968. -
Two volumes, each bound in red cloth with gilt lettering to spine, black endpapers, TEG, and matching red cloth slipcases with black lettering to front. Vol. 1: The Clarence Buckingham collection of Japanese prints: The Primitives / Catalogue by Helen C. Gunsaulus. — [Chicago]: Art Institute of Chicago, 1955. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”, 1-284 [285] colophon, limitation: 500 numbered copies, this is № 476. Title-page: THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | The Primitives | CATALOGUE BY HELEN C. GUNSAULUS | THE ART INSTITUTE OF CHICAGO || Vol. 2: The Clarence Buckingham collection of Japanese prints: Volume 2 / Catalogue by Margaret O. Gentles. — [Chicago]: Art Institute of Chicago, 1965. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”,1-307 [2] blank/ colophon, limitation: 1000 copies (unnumbered). Title-page: VOLUME II | THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | Harunobu, Koryūsai, Shigemasa, their followers and contemporaries | Catalogue by Margaret O. Gentles | THE ART INSTITUTE OF CHICAGO 1965 || Contributors: Clarence Buckingham (American, 1854 – 1913) Helen C. Gunsaulus (American, 1886 – 1954) Margaret O. Gentles (American, 1905 – 1969) -
The Colophon, A Book Collectors' Quarterly
- The colophon (new series): A quarterly for bookmen / Summer 1935, № 1, vol. 1. — NY: Pynson Printers, 1935. Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 7-159 [160] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1935 | VOLUME I • NEW SERIES • NUMBER 1 | NEW YORK, N. Y. ||
- The colophon (new series): A quarterly for bookmen / Autumn 1935, № 2, vol. 1. — NY: Pynson Printers, 1935. (2 copies). Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 167-315 [315] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1935 | VOLUME I • NEW SERIES • NUMBER 2 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1936, № 1, vol. 2. — NY: Pynson Printers, 1936. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 7-157 [158] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1936 | VOLUME II • NEW SERIES • NUMBER 1 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Winter 1936, № 3, vol. 1. — NY: Pynson Printers, 1936. (2 copies) Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 323-480 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | WINTER 1936 | VOLUME I • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1937, № 4, vol. 2. — NY: Pynson Printers, 1937. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 487-628 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1937 | VOLUME II • NEW SERIES • NUMBER 4 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Summer 1938, № 3, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 335-476 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1938 | VOLUME III • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1938, № 4, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 483-632 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1938 | VOLUME III • NEW SERIES • NUMBER 4 | NEW YORK ||
