• Description: Hardcover, 19 x 13 cm, contemporary binding, ¾ carrot morocco with raised bands over patterned cloth, similarly patterned endpapers, original pink wrappers preserved, gilt lettering to spine, Japanese previous owner’s stamp フィリップ (Firippu or Philippe) to verso front endpaper. Title-page: EXAMEN | DE | FLORA | à l’effet d’obtenir | son diplôme de putain | PARIS || Collation/pagination: blank flyleaf, original front wrapper with vignette, [1] blank, original watercolour 13.5 x 11 cm bound in, [2] blank, [3] h.t. / frontispiece, [4] t.p., 5-45 [46] [2] limitation / blank, back wrapper, blank flyleaf, with 14 stencil-coloured photogravures (au pochoir), two of them full-page, incl. frontispiece, after Feodor Rojankovsky [Rojan]. Limitation: 15 copies on Japon and 300 copies on Vélin, this is copy № 7. Edition: 1st edition thus, illustrated with 14 coloured photogravures, 2 of them full-page after Feodor Rojankovsky [Rojan], enriched with an original watercolour by the same artist. Catalogue raisonné: Dutel (1920-1970): 1532, p. 160 (same copy); honesterotica.com Provenance: J.-P. Dutel Note: J.-P. Dutel dates the edition as “vers 1935”; however, based on the edition of Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932 [LIB-2816.2021] in this collection, which contains some of the same illustrations, we attribute it to 1932. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Louis Protat (French, 1819 – 1881) – author. Illustrations:

    Le théâtre érotique / Original

    Examen de Flora / Original

    Le théâtre érotique / Original

    Le théâtre érotique / Original

    Examen de Flora / Print

    Examen de Flora / Print

    Examen de Flora / Print

    Examen de Flora / Print

  • DJ: Graham Greene | THE COMEDIANS || Title page: THE COMEDIANS | Graham Greene | {four lines citation from Thomas Hardy} | {publisher’s device} | THE BODLEY HEAD| LONDON || Edition: 1st edition, 1st printing. Binding: bound in green cloth, 20.5 x 13.5 cm, with gilt lettering to spine, in green pictorial dust jacket with white lettering, price clipped; gift autograph to fep: “To. | Richard | From: gig | Xmas 1964.” (sic., the book was published in 1966!) Pagination: [1-4] 5-313 [314 blank] [6] blanks (total 320 pages). Collation: 16mo; [A]4 B-K16 L12 (total 160 leaves).
  • Description: Hardcover, 24.5 x 16.5 cm, collated 8vo, bound in quarter green marbled sheepskin over buckram boards, publisher’s wrappers preserved. Front wrapper and title-page (red and black): LIANE DELORYS | JOUJOU | OU | LES LIBERTINAGES DU TRAVESTI | Orné de 16 héliogravures | PARIS | AUX GALANTS PASSE-TEMPS | 79, Rue de Vaugirard, 79 || Collation: [1]8 (2 blanks, h.t./advert., t.p./limit., text), 2-178 on laid paper (total 136 leaves) plus 16 photomechanical b/w plates, incl. frontispiece on thick wove paper. Pagination: [1-9] 10-269 [3], total 272 pages, ils. Limitation: a print run of 2,050 copies on vergé antique Hollande reserved for subscribers, of which this is copy № 379. Contributors: Author: Liane Delorys – pen name; the real name is unknown; according to various sources other pseudonyms of this author are: Liane Lauré, Liane de Lorys, Liane de Lauris, Lucette de Chata, and G. Donville. The latter may be a real name, though there is no information even about the gender of this person. Publisher: Aux Galants Passe-temps, i.e. Jean Fort or Jean-Marie Fort (French, fl. c. 1907 – 1839), also published under the name of ‘Collection des Orties Blanches’, ‘Bon Vieux temps’, ‘Au Cabinet du Livre’. Artist: Chéri Hérouard (French, 1881 – 1961). Printer: Darantiere (Dijon), i.e. Maurice Darantiere (French, 1882 – 1962).
  • Hardcover, 20.5 x 13.5 cm, quarter cloth, pictorial boards, pp.: [2] 3-253 [3], ils., collated in-8vo: 1-188, total 128 leaves plus 2 leaves of colour plates. Title-page: В. САБУНАЕВ | ЗАНИМАТЕЛЬНАЯ | ИХТИОЛОГИЯ | {vignette} | ИЗДАТЕЛЬСТВО | “ДЕТСКАЯ ЛИТЕРАТУРА” | 1967. Print rub: 50,000 copies. Сабунаев, Виктор Борисович (Russian, 20th century) – author. Бианки, Елена Витальевна (Russian, 1922 – 2009) – artist.  
  • Single volume, 16.8 x 11.3 cm, bound in full dark olive crushed morocco by Brany (signed), gilt triple-fillet border to boards, spine with raised bands, gilt in compartments, gilt-lettered label, gilt dentelle inside, marbled endpapers, all margins gilt, gilt double fillet to boards margin; text printed on laid paper. Bookplate of Maurice Lebarbier de Tinan to fep 45 x 35 mm representing standing satyr with erected penis holding monogram ‘MT’ in his hands with a motto below on a ribbon ‘FAIRE SANS DIRE’. Maurice Lebarbier de Tinan book collection was dispersed via l’hôtel Drouot (Paris) on a sale from March 9 to 12, 1885; a catalogue was published: Catalogue d’un joli choix de livres anciens et modernes, en très belle condition de reliure, composant la bibliothèque de M. L. de T*** [Lebarbier de Tinan] (Paris, Ch. Porquet, 1885, in-8, VIII-140 p., 481 lots).  Collation: π2 (h.t., t.p.) a6 b2 1-1112, total 82 leaves plus 18 engraved plates on wove paper; illustrations include engraved frontispiece and six etchings printed in two versions each, black and red, and one etching (at p. 103) in two states, two colour versions for each state, frontispiece and 3 or 4 plates after Félicien Rops, the others after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition (re-print of 1926 LIB-3135.2023). Pagination: [4] [i] ii-xvi, [3] 4-141 [3], total 164 pages, ils. Title-page (red and black): GAMIANI | OU | DEUX NUITS D’EXCES | PAR | A D M | AVEC UN EPISODE DE LA VIE DE L’AUTEUR | Extrait des mémoires de la | COMTESSE DE C******** | – | « Hippolyte, cher cœur, que dis-tu ces choses ? » | Femmes damnées, Fleurs du Mal. | — | LESBOS | INSTITUTION MERY — PAVILLON BAUDELAIRE. || Catalogue raisonné: Dutel I: A-464; Bory: 596-605; Pia: 516/7. According to Pia, the print run is limited to 150 copies on laid paper. Ref.: BNF Enfer 419. Fekete (Christie's): 135. Provenance: Maurice Lebarbier de Tinan (French, 1842 – 1918). Contributors: Alfred de Musset (French, 1810 – 1857) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Auguste Poulet-Malassis (French, 1825 – 1878) – publisher. Catalogue Poulet-Malassis & ses amis description: № 5. [Alfred de MUSSET] A D M. Gamiani ou Deux nuits d’excès, avec un épisode de la vie de l’auteur, extrait des mémoires de la comtesse de C********. Lesbos, Institution Méry, Pavillon Baudelaire [A. Poulet-Malassis, 1864]. Illustré de 8 gravures, dont l’une en frontispice, en double état (et quatre états pour la gravure « au singe » de la page 103) de Félicien Rops. Là où Baudelaire soutient Poulet-Malassis quand l’éditeur soutient l’attribution à Musset. Perfectionniste ? Trop cher ? Trop sollicité ? Pas toujours inspiré ? Rops réalisera rarement des suites complètes, ne répondant le plus souvent à la demande de ses commanditaires que par la conception de frontispices. Au verso du faux-titre, Launay voit une justification de 150 exemplaires sur papier vergé, paraphés et numérotés, qui ne figure pas ici. Très bel exemplaire relié par Brany. Provenance : Bibliothèque de Lebarbier de Tinan de Lebarbier de Tinan dont la collection fut dispersée en 1885, justifié par son ex-libris représentant un satyre en érection, portant la devise “Faire sans dire”. Bibliographie : Pia 558, Per 16-8, PC 1299, Lau 285, Enfer 419, Dutel A-464." [LIB-3118.2022]
  • Hardcover volume, 22 x 15.5 cm, pictorial paper boards with black and white lettering to front and spine, a blurb in black on orange to back, pp.: [2] 3-437 [3], 3 ils. Title-page: ПОСЛЕДНИЙ | ПРИЮТ | МАРКО | ВОВЧОК | device {ИЗДАТЕЛЬСТВО | М. И В. КОТЛЯРОВЫХ} | Нальчик 2021 || Print run: 400 copies. Contributors: Марко Вовчок [Марія Олександрівна Вілінська, Marko Vovtchok] (Ukrainian, 1833 – 1907). Лобач-Жученко, Борис Борисович (Russian, 1899 – 1995). Collective: Мария и Виктор Котляровы, Александр Шепелев, Оксана Иваненко, Евгения Тютюнина, Наталья Смирнова, С. Л. Ращенко, Марина Лобач-Жученко.  
  • Hardcover volume, 20.4 x 13.1 cm, quarter contemporary calf over modern brown marbled board, printed on laid paper, pp.: [i-v] vi-xii, [13] 14-259 [260] blank; collated 8vo: 1-168 172; total 130 leaves. Title-page: DES | SOCIÉTÉS SECRÈTES | EN ALLEMAGNE, | ET EN D'AUTRES CONTREES; | DE LA SECTE DES ILLUMINÉS DU TRIBUNAL | SECRET, DE L'ASSASSINAT DE KOTZEBUE, ETC. | {two lines in rules} | PARIS, | LIBRAIRIE DE GIDE, FILS, | RUE SAINT–MARC–FEYDEAU, No. 20. | 1819. || Contributors: Vincent Lombard de Langres (French, 1765 – 1830)  – author. Théophile-Étienne Gide (French, 1767 – 1837) – publisher. Seller's description: [LOMBARD DE LANGRES (Vincent)]. Des Sociétés secrètes en Allemagne, et en d'autres contrées. Paris, Gide fils, 1819 ; in 8°, demi basane fauve, dos lisse orné. Reliure de l'époque. Edition originale rare. L'auteur, révolutionnaire, fut ami de Danton et de Barras. Dans son ouvrage anti maçonnique, il dévoile les doctrines des sociétés secrètes, leurs principes, leur influence dans la société. Caillet 6770.  
  • Hardcover volume 28.5 x 20.8 cm, quarter brown morocco over marbled boards, ruled in gilt, spine with raised bands, gilt in compartments, gilt lettering, marbled endpapers, top margin gilt, original lithographic wrappers designed by A. Willette preserved; pp.: [4] h.t., t.p., [1] 2-350 [2], 300 b/w ils in-text and 12 coloured photomechanical reproductions extraneous to collation; collated in-4o: π2 1-444; Title-page: L'ART DU RIRE | ET DE | LA CARICATURE | PAR ARSÈNE ALEXANDRE | 300 FAC-SIMILÉS EN NOIR ET 12 PLANCHES EN COULEURS | D’APRÈS LES ORIGINAUX | {vignette} | PARIS | ANCIENNE MAISON QUANIN | LIBRAIRIES-IMPRIMERIES RÉUNIES | 7, RUE ST-BENOIT | MAY & MOTTEROZ, DIRECTEURS || Contributors : Librairie-Imprimerie réunies (Paris, 1880-1908) – publisher. Arsène Alexandre (French, 1859 – 1937) – author. Adolphe Willette (French, 1857 – 1926) – artist (wrapper)
  • Hardcover volume, 17 x 12.5 cm, bound in lilac cardboard, lettering to covers and spine, vignette by Boris Rybchenkov to front board; pp.: [1-4] 5-188 [4]. Pencil ms to h.t. "Самалюк | Рай Кунцевское | Зав. роно" (Самалюк, зав. кунцевским районным отделом народного образования)ю Title-page: И. Г. МАЛЕЕВ | ГОРОЖАНЕ | МОСКОВСКОЕ | ТОВАРИЩЕСТВО | ПИСАТЕЛЕЙ || Print run: 5,200 copies. Contributors: Малеев, Игорь Александрович (Russian, 1904 – 1936?) – author. [Igor Maleyev] Рыбченков, Борис Федорович (Russian, 1899 – 1994) – artist. [Boris Rybchenkov]  
  • Amoris Divini Emblemata, Studio Et Aere Othonis Vaeni Concinata. — Antverpiae: Ex Officina Plantiniana Balthasaris Moreti, MDCLX [1660]. — pp.: [1] (Van Veen port.), [1] title, [2] (Isabella port.), 3-127 [1], 60 illustr. — 2nd impression. Octavius Vaenius, a.k.a. Otto Vaenius or Otto Van Veen (c. 1556-1629) was Rubens's last and most influential teacher. The Amoris divini emblemata was first published in 1615 by Nutius & Meursius in Antwerp. Vaenius’s book was to influence Herman Hugo's Pia desideria (LIB-1657.2018). Book structure: On frontispiece, trimmed and mounted portrait of Octavius Vaenius painted by his daughter Gertruida van Veen (signed Gertrudis filia) and engraved by Nicolas de Larmessin. Trimmed portrait of the Infanta Isabella Clara of Austria (1566 – 1633) pained by Peter Paul Rubens and engraved by Jan de Leeuw mounted to title verso.  60 engraved plates with emblems are on recto pages with facing texts: Latin quotations from Bible and Fathers, Spanish verses by Alphonso de Ledesma, Dutch by Vaenius and French by Carolus Philippus Hattron (d. 1632). Rebound in the mid-19th century in brown quarter Morocco with blind marbled boards and gilt lettering to spine. Inscription in ink on verso to van Veen portrait: "I bought this volume with the portraits inserted at the sale of the library of my uncle Samuel Rogers, Esq." Signed: "Frederick Sharpe, 1856". Frederick Sharpe (born was a son of Samuel Sharpe (1799–1881), the nephew of Samuel Rogers (1763–1855), a celebrated English poet. Size: 23.3 x 17.9 cm. Ref.: Emblem Project Utrecht (with an explanation of all the emblems); PETER BOOTHUYGENS: Similar or Dissimilar Loves?    
  • Pictorial album 55.5 x 41.0 cm, publisher’s quarter sheepskin over cloth, upper cover and flat spine lettered in gilt. Title: MONUMENTS et RUES de PARIS | Dessinés et lithographiés par William Wyld, | et publiés par Rittner & Goupil, 15 Boulevard Montmartre, | et Susse Frères, Place de la Bourse. | 1839. Collation: Title plate + 20 plates numbered from 1 to 20, printed by Godefroy Engelmann (French, 1788 – 1839) in tone lithography after drawings by William Wyld (British, 1806 – 1889). Published in Paris by Rittner & Goupil and Susse Frères in 1839. Plates: 54.8 x 39.8 cm. Contents:

    Title page: Tombeau d'Heloïse et d'Abélard

    1. Le Pont Neuf
    2. L'église de la Madeleine
    3. La Porte St. Martin
    4. Palais des Tuileries
    5. Pont des Saints-Pères
    6. Hôtel de Ville
    7. Marché des Innocents
    8. Palais Royal
    9. Boulevard des Italiens
    10. Rue de la Paix
    11. Bourse et Tribunal de Commerce
    12. Porte St. Denis
    13. Pont Royal
    14. Place de la Concorde
    15. Paris from Père Lachaise
    16. Notre-Dame
    17. Jardin des Tuileries with Arc de Triomphe in the Distance
    18. Panthéon
    19. Chambre des députés
    20. Arc de Triomphe de l'Étoile
    Description of Shapero Rare Books, London: A very rare pictorial record of Paris before the French capital was drastically remodelled by Haussmann during Napoleon III’s Second Empire. William Wyld (1806-1889), an English painter and lithographer, set up his studio in Paris in 1834, becoming friends with the French painters Ary Scheffer and Paul Delaroche. His first subjects were fashionable orientalist scenes, however, he soon turned to classical architectural, winning a gold medal at the Paris Salon for his two-meter wide canvas ‘Venice at Sunrise’ in the same year in which he published Monuments et rues de Paris. This series is a compilation of twenty fine views of Paris, showing both architectural features, street scenes and views over the river Seine, as well as a panorama of the city from the cemetery of Père Lachaise. Some of the views, such as the representations of the Palais des Tuileries, the Marché des Innocents or the Pont des Sts Pères, testify to the beauty of these structures that no longer exist.
  • Title: В. Я. АДАРЮКОВЪ. | ДОБАВЛЕНIЯ И ИСПРАВЛЕНIЯ КЪ ПОДРОБНОМУ СЛОВАРЮ | РУССКИХЪ | ГРАВИРОВАННЫХЪ ПОРТРЕТОВЪ Д. А. РОВИНСКАГО | СПБ. 1889 г. | ИЗДАНИЕ ЖУРНАЛА «СТАРЫЕ ГОДЫ» | 1911. Pagination: [1-4] – incl. orig. wrappers with engraved vignette, 5-89 [90 blank], illustr. Size: 27 x 18.7 cm. Binding: Hardcover; owner's half brown buckram over cloth, original wrappers bound in. Printed on laid paper. Edition: 1st edition, limited: №91 of 150. Inscription to t.p.: Крамарев, 27.5.39. Errata inserts on p. 29 and 77
  • Front publisher’s yellow wrapper, in a double frame: SEMPRONIUS | HISTOIRE | DE LA | COMMUNE DE PARIS | EN 1871 | La période impériale. – La Révolution du 4 Septembre. – Le | gouvernement de la Défense nationale. – Le Parti républicain | et le Parti socialiste. – L'Association internationale des | travailleurs. – Menées du parti socialiste. – La Commune en 1793. – Le 31 octobre et le 22 janvier. – La Capitulation de | Paris. – Le 18 mars. – L'Assassinat des généraux Clément | Thomas et Lecomte. – Le Comité central de la Garde nationale. | – La Commune ; – Ses Agissement. – Son Budget. – La | Terreur. – Insolence des Fédérés. – Les journaux. – Les Otages. | – Les Opérations militaires. – Les Fusillades. – Les Vols. – Les | Barricades. – Les Incendies. – Documents officiels de la Commune. | TROISIÈME ÉDITION | PARIS, DECEMBRE - ALONNIER, LIBRAIRE-ÉDITEUR | 20 RUE SEGUR, 20 | PRÉS DE LA PLACE SAINT-ANDR -DES-ARTS || Title page: similar to the cover with no frame. Pagination: front wrapper, [2] – h.t. / imprint., [2] – t.p. / blank, [i] – table de matières, vi (i.e. ii), vii (i.e. iii), iii (i.e. iv), [1] 2-267 [268 blank], [1] 2-12 – publisher's advert., back wrapper. Collation : 18mo ; π4, 1-1518, ß6. Binding: 18.5 x 12 cm; softcover; original yellow wrappers, black lettering to covers and spine; almost disbound. Réferences: Le Quillec (1997): 2324; University of Sussex > Paris Commune Collection. Author of the book: "SEMPRONIUS" was in reality two men: Moget, Charles Octave [Féré, Octave] (French, 1815 – 1875) and Décembre, Joseph [Décembre-Allonier] (French, 1836 – 1906).
  • Title in black and red: LIFE IN ENGLAND | in Aquatint and Lithography | 1770—1860 | ARCHITECTURE • DRAWING BOOKS | ART COLLECTIONS • MAGAZINES | NAVY AND ARMY • PANORAMAS ETC. | FROM THE LIBRARY OF J. R. ABBEY | — | A BIBLIOGRAPHICAL | CATALOGUE | — | LONDON | PRIVATELY PRINTED | AT THE CURWEN PRESS | 1953 || Pagination: 2 blank leaves, [2] – limited edition 114 of 400 / blank, [i, ii] – h.t. / blank, [2] blank / frontis., [iii, iv] – t.p. / printer, v – contents, [vi] –blank, vii-ix – list of plates, [x] – blank, xi-xiii – list of ill., [xiv] – blank, xv-xxi – preface, xxii – blank; [1, 2] f.t. / blank, 3-427 [428], 2 blank leaves. Binding: Hardcover, 32 x 25.5 x 6.5 cm; brown cloth, red label with gilt lettering to spine, tan DJ with lettering to front and spine.
  • Title: НАУЧНО-ПОПУЛЯРНАЯ БИБЛИОТЕКА СОЛДАТА | [—] | ЛАУРЕАТ СТАЛИНСКОЙ ПРЕМИИ, ДЕЙСТВИТЕЛЬНЫЙ ЧЛЕН АКАДЕМИИ МЕДИЦИНСКИХ НАУК СССР О. Б. Лепешинская. | ПРОИСХОЖДЕНИЕ КЛЕТОК | ИЗ ЖИВОГО ВЕЩЕСТВА | [—•—] | ВОЕННОЕ ИЗДАТЕЛЬСТВО | ВОЕННОГО МИНИСТЕРСТВА СОЮЗА ССР | Москва — 1952 || Pagination: original pictorial wrappers with portrait in a frame, [1-4] – t.p. / contents, b/w portrait /blank, 5-75 [76] ; in-text illustrations.
  • Cover: Publisher's wrappers, to front cover with black and red lettering: DEUXIÈME ÉDITION |—| AUGUSTE LEPAGE | Les Diners | ARTISTIQUES ET LITTÉRAIRES | de Paris | {publisher's device} | PARIS | BIBLIOTHÈQUE DES DEAUX MONDES| FRINZINE, KLEIN et Cie, ÉDIREURS | 1, RUE BONAPARTE, 1 | 1884 | Tous droits réservés || Title page: Similar lettering t.p. in black only, with "DEUXIÈME ÉDITION" below "de Paris". Pagination: front wrapper with a pasted leaf, [iii-vii] viii-xi [xii] [1-3] 4-360, back wrapper with a pasted 3/4 leaf, black lattering to spine. Collation: 18mo; π5, 1-1918-206.
  • Title: LA | BELLE ASSEMBLÉE | OR, | BELL'S | COURT AND FASHIONABLE | MAGAZINE, | ADDRESSED PARTICULARLY TO | THE LADIES. | VOL. XI.—NEW SERIES. | FROM JANUARY 1, TO JUNE 30, 1815. | LONDON: | Printed for J. BELL, GALLERY OF FINE ARTS, | Clare-Court, Drury-Lane. | 1815. || Pagination: [2] – 11th volume wood-engraved pictorial title page, [1, 2] – January faux-title and table of content, [3] 4-284 [2] – index to 11th vol. Notes: February f.t. not paginated, but within the collation; the last page of the index at the very end paginated [iii]/iv, so pages i/ii missing (the gathering Nn lacking one sheet) Collation: 4to; π1 A-Mm4 Nn3, 28 plates extraneous to collation (lacking 2 plates). Binding: Half brown morocco over marbled boards, flat spine, compartments gilt-ruled with double-fillet and gilt-lettered. Contents: Jan: pp. 1-48, 5 plates. Feb: pp. 51-96, 5 plates. Mar: pp. 97-144, 5 plates. Apr: pp. 145-192, 5 plates. May: pp. 193-240, 5 plates. Jun: pp. 241-284, 3 plates (lacking 2 colour prints). Fashion plates, two per issue, are hand-coloured copperplate engravings, unsigned. Stipple engraved portraits, one per issue as frontispiece: (1) Actress Catherine Stephens, Countess of Essex (British, 1794 – 1882) by James Hopwood the Elder [James Hopwood Senior] (British, c. 1740s/50s – 1819) after Sir George Hayter (British, 1792 – 1871); (2) Madame de Talleyrand, Princesse De Bénévent (Danish-French, 1761– 1834), unsigned, but can be attributed to François Gérard (French, 1770 – 1837); (3) Actress Miss Sarah Booth (1793 – 30 December 1867), unsigned; (4) Group portrait of the French Royal family (Louis XVI, Louis XVII, Marie Antoinette, Madam Elizabeth, Louis Antoine de Bourbon, Duke d'Enghien, and Marie Thérèse Louise of Savoy, Princesse de Lamballe), unsigned, (5) Actress, Miss Sarah Blanche Matthews (b.1794) by Thomas Burke (Irish, 1749 – 1815) after George Hayter. The sixth print, in the March issue, is a lithographic portrait of Napoléon Bonaparte (French, 1769 – 1821), unsigned.  
  • Vol. 1. Title : VOYAGES | ET MÉMOIRES | DE | MAURICE-AUGUSTE, | COMTE DE BENYOWSKY, | Magnat des Royaumes d’Hongrie et de | Pologne, etc. etc. | Contenant ses Opérations militaires en | Pologne, son exil au Kamtchatka, son Evasion | et son Voyage à travers l’Océan pacifique, au | Japon, à Formose, à Canton en Chine, et | les détails de l’Etablissement qu’il fut chargé | par le Ministère François de former à Mada- | gascar. | TOME PREMIER. | A PARIS, Chez F. Buisson, Imprimeur-Libraire, rue | Hautefeuille, no 20. | (1791.) Pagination : [2] – h.t. / blank, [2] – t.p. / blank, [i] ii-viii, [1] 2-466. Collation: 8vo; [π]2 a4, A-Ff8 Gg1. Vol. 2. Title: Similar, but TOME SECOND. Pagination: [2] – h.t. / blank, [2] – t.p. / blank, [1] 2-486. Collation: 8vo; [π]2 A-Gg8 Hh3, Hh3 unsigned. Binding: both volumes uniformly bound in half brown calf over speckled beige boards, crimson label with gilt lettering to flat spine, volume number in garland, florets in compartments. Bookplate to front pastedown: "C. De Oetting." Ink stamp to t.p.: "Oettingen-Wallersteinsche Bibliothek". Provenance:  Oettingen-Wallerstein library (Oettingen-Wallersteinsche Bibliothek) is the former library of the princes of Oettingen-Wallerstein, now part of the collection of Augsburg University library.