• Title: LUCRETIA BORGIA | THE CHRONICLE OF TEBALDEO TEBALDEI | – RENAISSANCE PERIOD – | BY ALGERNON CHARLES SWINBURNE | Commentary and Notes by | RANDOLPH HUGHES | Engravings by | REYNOLDS STONE | {vignette} | Printed and Published for the first time, by | The Golden Cockerel Press | 1942 || Pagination: ffl, [1, 2] – blank, [3, 4] – t.p. / dedication, [5, 6] – contents / stanza; 7-191 [192] – blank, [4], bfl. Collation: 4to in eights; [A]-M4 [L]2; 6 woodcut headpieces before each chapter, one repeated (7 total); two leaves in each sig., [A1] unsigned, M1 one leaf, the following two leaves signed M2, then follows signed M3 and the last two leaves (L2) unsigned. Edition (as per colophon): Numbered limited edition of 350, of which this is copy № 33. Binding: cream canvas, gilt-stamped with portrait in an oval ornamental frame to cover, gilt lettering and publisher’s device to spine, top edge gilt, fore and bottom edges untrimmed; by Sangorski and Sutcliffe (marked). Description: Printed and Published for the first time, by The Golden Cockerel Press, 1942, Numbered Limited Edition in full cream cloth binding bound by S. & S. [Sangorski and Sutcliffe] London, with gilt decoration to the centre of the front board. Copy No. 33. Commentary and notes by Randolph Hughes. Engravings by Reynolds Stone. Text partially in double columns, untrimmed edges. Printed by Christopher Sandford and Owen Rutter in Poliphilus Type (Based on the type used for the text of the 'Hypnerotomachia Poliphili' published in 1499 by Aldus Manutius) on specially water-marked Golden Cockerel paper made by Arnold & Foster. Preparation of the Edition was begun in January 1940 and finished in October 1942. 350 copies have been printed and the type has been distributed. Nos 1-30 are bound in full-bound white morocco and include a facsimile reproduction of the manuscript of one chapter of the text. Nos 31-350 are bound in canvas. Contributors: Swinburne, Algernon Charles (British, 1837 – 1909) – author Hughes, Randolph William (Australian, 1889 – 1955) – author Stone, Alan Reynolds (British, 1909 – 1979) – engraver The Golden Cockerel Press (Company, London, 1920 – 1961) – publisher/printer. Rutter, Edward Owen (British, 1889 – 1944) – printer. Sandford, Christopher (British, 1902 – 1983) – printer. Taylor, Harold (Hal) Midgley (1893 – 1925) – publisher/printer. Tebaldeo, Antonio (Italian, 1463–1537) – prototype. Borgia, Lucrezia (Spanish-Italian, 1480 – 1519) – heroine. Wilson, Sir Arnold Talbot (1884 – 1940) – dedicatee. Sangorski & Sutcliffe (Company, London, est. 1901) Sangorski, Francis (British, 1875 – 1912) Sutcliffe, George (British, 1878 – 1943).
  • Description: One volume, 27 x 21 cm, collated 4to, bound in ¾ red morocco over marbled boards, raised bands, gilt in compartments, gilt lettering to spine, marbled endpapers, publisher’s wrappers and spine preserved, T.E.G. Title-page: ALFRED MACHARD | – | PRINTEMPS | SEXUELS… | L'EPOPEE AU FAUBOURG‎ | Des anges ? Non. | Des petit d’hommes… | LITHOGRAPHIES DE | JEAN AUSCHER | PARIS | ‎ÉDITIONS M.-P. TRÉMOIS | 43, AVENUE RAPP | – | 1928 || Collation: 1st blank, front wrapper, 3 blanks, π5 (h.t./limitation, t.p./copyright, dedication, Freud, Rimbaud), 1-214, 2 blanks, back wrapper, spine, last blank; total 94 leaves between the wrappers, and 10 plates extraneous to collation, incl. frontispiece – chromolithographs by Jean Auscher. Pagination: [6 blanks] [1-10] 11-175 [176] [2 colophon] [4 blanks], total 178 pages, ils. Limitation: Print run limited to 352 copies, one № 0 unique on Japon paper, enriched; one № 00 on Japon paper, enriched; 15 copies marked A-O on Japon paper, enriched; 35 copies on Hollande Van Gelder, enriched with one suite in black, № I-XXXV; 300 copies on vélin d’Arches, № 1-300, of which this copy is № 127. Colophon: Printed on April 20, 1928; text by Coulouma (Argenteuil), plates by Mourlot Frères (Paris). Contributors: Alfred Machard (French, 1887 – 1962) –author. Jean Auscher (French, 1896 – c. 1950) – artist.
  • Collation: Prelims (pp.1-6): Blank leaf, front wrapper (ornamental, gilt and colour): LA NUIT VENITIENNE | FANTASIO | LES CAPRICES DE | MARIANNE | ALFRED DE MUSSET ||, blank leaf, [2] – h.t.: LA | NUIT VENITIENNE ||, [2] – t.p. (ornamental frame, marigold and reseda green): ALFRED DE MUSSET | LA NUIT | VENITIENNE | FANTASIA | LES CAPRICES | DE MARIANNE | ILLUSTRATIONS | DE | U. BRUNELLESCHI | L’EDITION D’ART H.PIAZZA | PARIS ||, [2] – ornamental divisional title: LA NUIT VENITIENNE ||, 7-138 [139/40] – contents / list of ills., [141-2] – limitation / colophon, blank leaf, back wrapper, blank leaf; plus 20 stencil-coloured (au pochoir) plates after gouaches by Umberto Brunelleschi, incl. frontispiece with red-lettered tissue guards; two more divisional titles, three headpieces in black; text printed on heavy wove paper, in an ornamental frame. Edition: 1st; limited to 500 copies on laid paper (papier du Japon) signed by the artist; this copy on wove paper without signatures, without limitation. Printed in Paris on the 10th of November 1913. Binding: 30 x 24 cm, owner’s green bead-grain buckram with a gilt-lettered black label to spine LA NUIT | VENITIENNE, publisher’s wrappers bound in, green and gilt endpapers. Alfred de Musset (French, 1810 – 1857) – author. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. L’Edition d’art H. Piazza; Henri Jules Piazza (Italian, 1861 – 1929) – publisher, printer.
  • Description: one volume in French flapped wrappers 25.3 x 19 cm, lettered “MUSSET” to front, 5 gatherings of 4 and one of 6 leaves, 26 leaves total, pp.: [4] [2] 3-43 [44] [4], total 52 pages, incl. those in wrappers, unbound; plus coloured and uncoloured suites of 12 lithographs, in a paper folder; in a cardboard tan slipcase 2.8 x 19.3 cm. Artist unknown, publisher unknown, published at the end of 1940s (per J.-P. Dutel). Illustrations are a loose interpretation of original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition ((1926 re-print LIB-3135.2023). Limitation: Edition limited to 250 copies printed on Vélin Chiffon numbered 1 -250 and 24 copies marked by letters A to Z. This is copy № 246, with two suites of plates, one coloured and one b/w. Catalogue raisonné: Dutel (1920-1970) № 1657, p. 189. Alfred de Musset (French, 1810 – 1857) – author.
  • A German translation of de Musset’s “Gamiani ou deux nuits d’excès” illustrated with a reprint title-page and 11 (instead of 16) hand-coloured photogravures after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for 1833 edition, though from the re-drawn stones. Large volume, 40.5 x 31 cm, collated 4to, in black calf with lettering and elaborate gilt border to front and blind border to back, outer and bottom margins uncut, marbled endpapers, text and plates printed on wove paper. The reprint t.p. is different from the original one; in the 1833 edition, the line deux nuits d’excès is waving while here it is straight. Letterpress title-page: ALFRED DE MUSSET | GAMIANI | ODER | ZWEI NÄCHTE DER AUSSCHWEIFUNG || Reprint title-page: Gamiani | OU | DEUX NUITS D’EXCÈS. | {vignette} | Bruxelles | 1833 || Collation: π2 1-74 82, total 32 leaves plus reprint t.p. and 11 plates. Pagination: [4] [1] 2-59 [60], total 64 pages, ils. Limitation: Edition limited to 300 numbered copies, of which this is copy № 32. Contributors: Alfred de Musset (French, 1810 – 1857) – author. Karl Spieler (German, 19th/20th century) – author of the foreword and translator. Achille Devéria (French, 1800 – 1857) – artist (attributed). Pierre Louis Henri Grévedon (French, 1776 – 1860) – artist (attributed). Octave Tassaert (French, 1800 – 1874) – artist (attributed). Catalogue raisonné: Dutel (1650-1880) № A-460, p. 149; Eros invaincu № 68, p. 171-3.
  • Single volume, 17.1 x 11.2 cm, quarter black sheepskin over faux chagrin, gilt lettering to spine, marbled endpapers, bottom and outer margin untrimmed, pp.: [i-v] vi- xxxvi, [1] 2-218 [2], collated 4to: π2, a-d4, 1-274 282, total 256 pages or 128 leaves, plus 20 engraved plates by Paul Sellier, including frontispiece portrait of Alexis Piron after bust by Caffieri. Vol. 8 of Bibliothèque Libre, Œuvres badines de Piron, printed on February 15, 1872. Text printed on dense wove paper watermarked P or M, plates printed on India wove paper. A reprint of an edition published in 1796 plus illustrations. Title-page: ŒUVRES | BADINES | D’ALEXIS PIRON | PRÉCÉDÉES | D’UNE NOTICE SUR SA VIE | Nouvelle édition, ornée de 20 figures en taille-douce | {vignette} | IMPRIMÉ PAR LES PRESSES DE LA SOCIÉTÉ | A NEUCHATEL | – | 1872 || Limitation: 100 numbered copies, of which this is № 75. Catalogue raisonné: Dutel I: A-788; Pia: 953-6; Kearney 377 (Patrick J. Kearney. A Catalogue of the publications of Jules Gay, Jean-Jules Gay & Gay et Doucé, revised & expanded. — Santa Rosa, CA Scissors & Paste Bibliographies, 2019) Catalogue Poulet-Malassis & ses amis description: № 81. Alexis PIRON. Œuvres badines précédées d’une notice sur sa vie. Nouvelle édition ornée de 20 figures en taille-douce. [ Jules Gay] Imprimé par les presses de la société, à Neufchatel, 1872. In-8, xxxvi, 218 pages et un feuillet d’achevé d’imprimer de table, demi-basane noire, dos à faux nerfs, tête et tranches naturelles. Illustré d’un portrait et de 20 figures par Paul Sellier. Tirage limité à 100 ex. numérotés. De la « Bibliothèque libre ou collection choisie d’ouvrages du genre libre, imprimés ou réimprimés par les soins de la Société des Bibliophiles Cosmopolites et pour les membres de cette société, à cent exemplaires numérotés ». Bibliographie : Pia 1030, Enfer 1274, Lem 3-454, Gay 5-339, PC 353, G* 38, Pey 203, Dutel A-788." Contributors: Alexis Piron (French, 1689 – 1773) – author. Paul Sellier (French, 1842 – 19..?) – artist. Jules Léopold Gay (French, 1807 – 1887) – publisher.
  • Catalogue raisonné of Pascin's erotic drawings. Softcover, 21 x 15 cm, burgundy gloss pictorial paperback with lettering and vignettes, pp.: [1-3] 4-102 [2], illustrated throughout. Limited edition of 1,000 copies. Title-page: Pascin érotique | {round vignette} | éditions Astarté - Paris || Contributors: Alexandre Dupouy (French) Pascin, Jules [Pincas, Julius Mordecai] (French-Jewish, 1885 – 1930)
  • Two volumes, one with text, another with plates, 31.9 x 24.2 cm each, uniformly bound in bead-grain grey cloth, silver lettering to spine, black label with gilt lettering. Title-page: STEFANO DELLA BELLA | Catalogue Raisonné | Alexandre De Vesme | with | Introduction and Additions | by | Phyllis Dearborn Massar | — | TEXT (PLATES) | — | {publisher’s device} |Collectors Editions || Text: [i-vi] vii-viii [1-2] 3-230 [2], ils. Plates: [6] [1-3] 4-241 [242]. Contributors: Stefano Della Bella (Italian, 1610 – 1664) Alessandro Baudi di Vesme [Alexandre de Vesme] (Italian, 1854 – 1923) Phyllis Dearborn Massar (American, 1916 – 2011)
  • Description: 4to, 26 x 21 cm, hardcover ¾ brown percaline over marbled boards, gilt lettering to spine, marbled endpapers, publisher’s original wrappers preserved (bound-in), engraved bookplate “EX LIBRIS | Rodolfo …“ to verso of the 1st blank leaf. Printed in 1905 by Imprimerie Humbert Allegretti (Milan). Collation: 4to; front wrapper, π3 (blank, h.t., t.p.), 1-684, back wrapper; total 275 leaves within the wrappers. Pagination: [6] [1] 2-542 [2], total 550 pages. Contributors: Alessandro Baudi di Vesme [Alexandre de Vesme] (Italian, 1854 – 1923) Adam Bartsch (Austrian, 1757 – 1821) Ulrico Hoepli [Johannes Ulrich Höpli] (Swiss-Italian, 1846 – 1935) U. Hoepli (Milan)
  • Volume bound by Boichot (signed on front pastedown), 25.3 x 20.2 cm in a 25.9 x 20.3 slipcase, the book and the case uniformly in beige, brown, and blue diaper paper with a navy blue label with gilt lettering to book's spine, top edge gilt, J.-P. Dutel’s bookplate to fep, portfolio cover preserved. Pp.: [1-4] 5-37 [38 blank]; collated 4to, 13 2-54; total 19 leaves (38 pages), plus 12 plates coloured in stencil technique (pochoir), produced after watercolours by Gerda Wegener in c. 1917 on Arches or Whatman laid paper, watermarked. Each illustration bears a small masquerade mask at the bottom as a signature. Text printed on laid paper without a watermark; starting from 2nd gathering, the text printed on recto only; minor traces of water stain to some pages. Title-page (red and black): ALEXANDRE DE VÉRINEAU | Douze Sonnets lascifs | pour accompagner la suite d’aquarelles intitulée | Les Délassements d’Éros | {vignette medallion} | ÉROTOPOLIS | A L’ENSEIGNE DU FAUNE | 1925 || First edition, first printing (incl. plates); clandestine. Catalogue raisonné: Dutel 1356, 1434; Pia 363/4; Noedmann I 310; Fekete 221. Contributors: Louis Perceau (French, 1883 – 1942) – author (see LIB-2633.2021: Guillaume Apollinaire, Fernand Fleuret, Louis Perceau. L'enfer de la Bibliothèque Nationale. — Paris: Mercure de France, 1913). Gerda Wegener (Danish, 1886 – 1940) – artist. Maurice Duflou (French, 1885 – 1951) – publisher. Boichot – bookbinder.
  • Front wrapper: Comité politique plébiscitaire | 17, rue de Surène, PARIS, VIIIe | {Napoleon III portrait} | NAPOLÉON III, EMPEREUR | LES BIENFAITS DE L'EMPIRE || Title page: in a double-fillet frame with years in corners: 1848, 1851, 1852, 1870 || LES | BIENFAITS DE L'EMPIRE | PAR | ALEXANDRE BRADIER | {quotation from Napoléon Ier} | {quotation from Napoléon III} | {quotation from Prince Napoléon} | HUITIÈME EDITION | IMPRIMERIES BELLEVILLE | 29 — Rue du Moulin-Vert — 29 | PARIS (XIVe) | Tous Droits réservés || Pagination: [1-3] 4-62 [2 table] 15.5 x 12 cm brochure in publisher’s original lavender wrappers, front cover discoloured to grey, with publisher’s advert to back wrapper. Printed by Imprimeries Bellville. Published by Comité politique plébiscitaire.
  • Half-title: STANDARD NOVELS. | № XLIII. | {6 lines of citation} | THE BETROTHED | COMPLETE IN ONE VOLUME. | LONDON: RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN) : | BELL & BRADFUTE, EDINBURGH; | CUMMING, DUBLIN. | 1834 || Illustrated title page: THE BETROTHED, | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | {vignette by S. Smith after F. Pickering} | LONDON: | RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN.) | CUMMING, DUBLIN, – BELL & BRADFUTE, EDINBURGH, | GALIGNANI, PARIS. |1834. || Title page: THE | BETROTHED. | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | LONDON: RICHARD BENTLEY, 8 NEW BURLINGTON STREET | (SUCCESSOR TO HENRY COLBURN): | BELL & BRADFUTE, EDINBURGH; | AND CUMMING, DUBLIN. | 1834 || Frontispiece: vignette by S. Smith after F. Pickering. Pagination: [i-v] 6-xii, [1] 2-452 [2 blank] + 2 plates. Collation: [A]6 B-Z8 AA-FF8 GG2  + 2 leaves of plates; Note: A1, A2, A4, GG2 – unsigned; both frontispiece and illustrated title are extraneous to collation. Binding: 2/3 black calf over marbled boards, raised bands w/gilt elements, gilt lettering in compartments and gilt title on a crimson label to spine; contemporary, but not the original publisher's binding; size: 16.5 x 10.5 cm Bookplates: Yellow sticker to front pastedown “J. K. Higgins, Northampton” (unknown); Ex libris to the front flyleaf: “Hilda Moore” (probably Hilda Mary Moore (British, 1886 – 1929) – a British stage and film actress. Series: Bentley's Standard Novels, № 43, first series. Catalogue raisonné: Michael Sadleir (1951): p. 101. Original title: ALESSANDRO MANZONI : I PROMESSI SPOSI Contributors: Manzoni, Alessandro (Italian, 1785 – 1873) Pickering, Ferdinand (British, 1810 – 1889) – artist. Smith, Samuel S. (British, 1810 – 1879) – engraver. A. Spottiswoode (London); Spottiswoode, Andrew (British, 1787 – 1866) – printer. Bentley, Richard (British, 1794 – 1871) – publisher. For the Russian edition see [LIB-1333.2017]: Алессандро Манцони. Обрученные. Повесть из истории Милана XVII века / Перевод И. И. Шитца. (Итальянская литература). — М.-Л.: Academia, 1936.
  • GEORGE CRUIKSHANK | A CATALOGUE RAISONNÉ | OF THE WORK EXECUTED | DURING THE YEARS 1806-1877 | WITH COLLATIONS, NOTES, APPROXIMATE VALUES, | FACSIMILES, AND ILLUSTRATIONS | BY | ALBERT M. COHN | Author of A Bibliographical Catalogue of the Printed | Works Illustrated By George Cruikshank, etc. | LONDON |FROM THE OFFICE OF "THE BOOKMAN'S JOURNAL" | 7 HENRIETTA STREET, STRAND, W.C.2 | 1924. Pagination: ffl, [i, ii] – h.t. / Limited edition (122 of 500), [2] – blank / frontis. lith. portrait of G. Cruikshank w/guard, [iii, iv] – t.p. / printed in G.B., [v, vi] – dedicat. / blank, vii-xvi; [1, 2] – f.t. / blank, 3-375, [376] – Imprint., bfl; 31 leaves of plates, some mounted. Binding: size 30 x 24 x 5.5 cm, hardcover, bevelled boards, original brown cloth with gilded lettering to spine. Top edge gilt, other untrimmed; printed on laid paper. To front pastedown: "Ex libris – Fred Robison Heryer" (round, 55 mm, resembles a coin, printed on heavy gold-coloured foil with embossed lettering and an image of a seated man lettered ALEXANDROY in Greek. To back pastedown: Seller's sticker "From the book of J.W.Robinson Co., Seventh & Grand, Los Angeles." J. W. Robinson Co. – a chain of department stores, established by Joseph Winchester Robinson (American, 1846 – 1891). Some Fred Robison Heryer (American, 1907 – 1992) died in Kansas.
  • Description: 12mo, 17 x 11 cm, quarter brown morocco over marbled boards, marbled end-papers, raised bands and gilt lettering to spine, embossed stamp to t.p. “COLPORTAGE CHEMIN DE FER”. Title-page: AFFAIRE | PIERRE BONAPARTE | OU | LE MEURTRE D'AUTEUIL | AVEC PORTRAITS | DU PRINCE PIERRE BONAPARTE & DE VICTOR NOIR | Et nombreuses Gravures, telles que : | SCÈNE DU MEURTRE DANS LE SALON D'AUTEUIL. | LA CHAMBRE DE VICTOR NOIR, | VICTOR NOIR SUR SON LIT DE MORT, | LE PRINCE PIERRE A LA CONCIERGERIE, ETC. | — | Prix : 1 fr. 10 c., franco. | — | PARIS | A. CHEVALIER, EDITEUR | 61, RUE DE RENNES, 61 | 1870. Collation: 18mo; odd [1]-918; 5 x 18 = 90 leaves total. Pagination: [2] [3] 4-177 [178]; total 180 pages. Contributors: Armand Le Chevalier (French, 1802 – 1873) – publisher. Prince Pierre-Napoléon Bonaparte (French, 1815 – 1881) – character. Victor Noir [b. Yvan Salmon] (French-Jewish, 1848 – 1870) – character.  
  • Hardcover, 28 x 20 cm, quarter sheepskin over marbled boards, marbled endpapers, gilt lettering to flat spine with gilt fillet bands, clipping pasted to front fep verso. Title-page: GRANIER DE CASSAGNAC — PAUL DE CASSAGNAC | ~ | HISTOIRE POPULAIRE | ILLUSTRÉE | DE | L'EMPEREUR NAPOLEON III | TOME I (II) | {publisher’s device} | PARIS | E. LACHAUD ET Cie, LIBRAIRES-ÉDITEURS | 4, PLACE DU THÉATRE-FRANÇAIS, 4 | – | Tous droits réservés || Collation: (v.1) π2 [1]-504, (v.2) π2 1-494; total 400 leaves plus albumen photograph pasted to frontispiece and 96 full-page woodcuts within collation. Pagination: [4] [1] 2-398 [2], [4] [1] 2-390 [2], ils.; total 800 pp. Contributors: Bernard Adolphe Granier de Cassagnac (French, 1806 – 1880) – father. Paul Adolphe Marie Prosper Granier de Cassagnac (French, 1843 – 1904) – son.
  • Title (Gothic typeset): Peter Schlemihls | wundersame Geschichte | Mitgeteilt | von | Adelbert von Chamisso | {publisher’s device} | — | Im Insel-Verlag zu Leipzig || Series: Insel-Bücherei, Nr. 194. Pagination: 8vo; [1, 2] 3-79 [80]; 4 photomechanical reproductions of woodcuts by Adolf Schrödter [1838] within collation. Binding: 18.5 x 12.5 cm, hardcover, original patterned paper over cardboard, title label in yellow and black pasted to cover, label to spine. According to Herbert Kästner Die Insel-Bücherei: Bibliographie, 1912 - 1999: 4 illustrations by Adolf Schrödter, produced for 1838 edition as wood engravings here reproduced by photogravure. There were four print runs of this edition:  1916: 1.-10. Tsd;  1923: 35. Tsd; 1940: 55. Tsd. There is currently no way to tell which one is this. Contributors: Chamisso, Adelbert von (German, 1781–1838) – author. Schrödter, Adolf (German, 1805 – 1875) – artist.  
  • Title page (in Gothic script): Peter Schlemihl's | wundersame Geschichte | mitgetheilt | von | Adelbert von Chamisso. | {vignette} | Nach des Dichters Tode neu herausgegeben | von Julius Eduard Hitzig. | Stereotypausgabe mit Holzschnitten. | Nürnberg, | Johann Leonhard Schrag. || Pagination: [i-iii] iv-xvi, [1] 2-82 [2], 15 woodcut vignettes by Unzelmann after Menzel. Collation: 8vo; π8 1-58 62. Binding: 21.5 x 13.5 cm, blind olive wrappers. Year of publication inferred from the foreword. This is the first posthumous edition of Chamisso's novel. Personae: Chamisso, Adelbert von (German, 1781 – 1838). — Author of the text. Hitzig, Julius Eduard [Itzig, Isaac Elias] (German-Jewish, 1780 – 1849). — Author of the foreword. Menzel, Adolph Friedrich Erdmann von (German, 1815 – 1905). — Artist of the vignettes. Unzelmann, Friedrich Ludwig (German, 1797 – 1854). — Engraver of the woodcuts. Schrag, Johann Leonhard (Germany, 1783 – 1858). — Publisher.
  • Title: PETER SCHLEMIHL: | FROM THE GERMAN | OF LAMOTTE FOUQUÉ | WITH PLATES BY GEORGE CRUICKSHANK. | "There are more things in heaven and earth, Horatio, | "Than are dreamt of in your philosophy." | SHAKESPEARE. | — | LONDON: | G. AND W. B. WHITTAKER, | AVE MARIA LANE. | 1824.|| Pagination: xii, 165 p. : ill. No Adelbert von Chamisso (German, 1781 – 1838) name on the title page. George Cruikshank's name printed with a typo 'Cruickshank'. The attribution on the title-page to Friedrich de La Motte-Fouqué (German, 1777 – 1843) is erroneous. The original German was edited by La Motte Fouqué. The translation was performed by Sir John Bowring (British, 1792 – 1872) First edition in English, third issue with no hyphen between "Ave" and 'Maria" in publisher's imprint.

    In a cover box of red cloth over cardboard. Box: 21 x 13 x 2.3 cm; book: 19.3 x 11.8 x 1.7 cm; Crown 8vo. Red cardboard binding. Printed spine labels mounted on spine of the box and the book. Untrimmed edges.

    Reference: Cohn 475.