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Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Pagination : [2] – h.t. / blank ; [2] – 1st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] vinette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – f.t. livre premiere, illustres politiques / blank; [2] – noms politiques / blank (A1, after f.t.), 3(A2)-421, [422-424] – table eloges. Collation: [*]6, **8, A6 B-Ggg4. (14 prelim. leaves, as in LIB-2675.2021; the LIB-2676.2021 copy has 12) Binding: 34.5 x 22 x 4.3 cm.34.5 x 22 x 4.3 cm, hardbound; full calf, raised bands. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Peeter Clouwet (Flemish, 1629–1670). The first volume of a two-volume set contains 119 copperplate burin-engraved portraits of selected politicians, historians, jurists, writers, and Italian artists. 26 portraits engraved by Esme de Boulonois (French,1645 – 1681), 3 unsigned, and the rest engraved by Nicolas de Larmessin I (French, 1632 – 1694)Lavinia Vecellio, (Italian, 1530 – 1575), Titian' daughter, engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier. Politicians: Antoine Perrenot, Cardinal de Granvelle; Arnaud d'Ossat, Cardinal; Auger Busbeque; Bessarion, Cardinal; François Ximenes, Cardinal; George d'Amboise, Cardinal; Gille Albornoz, Cardinal; Guillaume de Croy; Guy du Faur de Pybrac; Jacques Auguste de Thou; Jean de Selve; Jean Zamoski; Jean de Barnevelt; Jean Armand du Plessis, Cardinal de Richelieu; Jule Mazarin, Cardinal; Michel de l'Hospital; Renaud Pole, Cardinal; Stanislas Hosius, Cardinal; Thomas Morus; Thomas Wolsey, Cardinal. Historians: Bertrand d'Argentré; Cæsar Baronius, Cardinal; Emanuel de Meteren; Enguerand de Monstrelet; Florimond de Remond; François Guicciardin; Fulve Ursin; Guillaume Camden; Henry Catherine d'Avila; Hubert Goltzius; Jacques Amiot; Jean Aventin; Jean Baptiste Platina; Jean Barclay; Jean Froissard; Jean Papirius Masson; Nicolas le Febure; Olivier de la Marche; Onuphre Panuinius; Pandolphe Collenuce; Paul Jove; Philippe de Commines; Pontus Heuterus; Regino Abbé de Prumy; Robert Gaguin; Wolfgang Lazius. Jurists: Alexandre de Tartagnis; André Alciat; André Tiraqueau; Antoine Augustin; Antoine le Febvre; Boece Epo; Charles du Moulin; François Bauduin; Gabriel Mudée; Jacques Cuias; Jason Mainus; Jean Wamese; Mathieu Wesenbec; Philippe Dece; Pierre Peckius; Pierre Pithou; Tibere Decian; Viglius de Zuichem. Writers/Linguists: Ange Politian; Demetrius Chalcondyles; Emanuel Chrysoloras; François Philelphe; François Raphelenge; Guillaume Postel; Jean Argyropilus; Jean Bocace; Jean Lascaris; Jean Passerat; Jean Pierius Valerianus; Jeanne Gray; Nicolas Clenard; Pierre Nannius; Rudolphe Agricola; Theodore Gaza. Italian painters, architects, and sculptors: André Mantegna; André Organa; André del Sarto; André Tafi; André Verrochio; Antoine de Correge; Antoine de Messine; Arnoud di Lappo; Baccio Bandinel; Balthazar Perusi; Bramante d'Urbin; Daniel Ricciarelli; Dominique Beccafumi; Donato; François Mazzuoli; François Primatici; Frere Philippe Lippi; Giorgion; Giotto; Jacques Barozzi de Vignole; Jean Antoine Licinio de Pordenone; Jean Cimabue; Jean d'Udine; Jean François Rustici; Jule Romain; Le Rosso; Leonard de Vinci; Masaccio; Michel-Ange Buonarotti; Perin del Vaga; Philippe Bruneleschi; Philippe Lippi; Polidore de Caravage; Propertia de Rossi; Raphael Sanzio d'Urbin; Sandro Boticelli; Simon Memmi; Taddée Gaddi; Titian Uccello. -
Title: PETER SCHLEMIHL: | FROM THE GERMAN | OF LAMOTTE FOUQUÉ | WITH PLATES BY GEORGE CRUICKSHANK. | "There are more things in heaven and earth, Horatio, | "Than are dreamt of in your philosophy." | SHAKESPEARE. | — | LONDON: | G. AND W. B. WHITTAKER, | AVE MARIA LANE. | 1824.|| Pagination: xii, 165 p. : ill. No Adelbert von Chamisso (German, 1781 – 1838) name on the title page. George Cruikshank's name printed with a typo 'Cruickshank'. The attribution on the title-page to Friedrich de La Motte-Fouqué (German, 1777 – 1843) is erroneous. The original German was edited by La Motte Fouqué. The translation was performed by Sir John Bowring (British, 1792 – 1872) First edition in English, third issue with no hyphen between "Ave" and 'Maria" in publisher's imprint.In a cover box of red cloth over cardboard. Box: 21 x 13 x 2.3 cm; book: 19.3 x 11.8 x 1.7 cm; Crown 8vo. Red cardboard binding. Printed spine labels mounted on spine of the box and the book. Untrimmed edges.
Reference: Cohn 475. -
Engraved title page: ILLUSTRATION | OF | TIME. | GEORGE CRUIKSHANK. | "THERE IS A TIME FOR ALL THINGS". | TEMPUS EDAX RERUM. | LONDON | Published May 1st 1827 by the Artist - 22 Myddelton Terrace Pentonville. - Sold by Js. Robins & Co. Ivy Lane Paternoster Row.
Oblong folio, 33.5 x 44 cm. Engraved vignette title page and six not-coloured engraved plates with multiple images showing thirty-five humorous scenes.
First edition, first issue. Uncoloured. Pristine condition.
Half-leather bound in marbled cardboard and red morocco and gild lettering and arabesque. Frontispiece and 6 plates with protective tissues.
Content:1. Time-Called & Time-Come (five sketches)
2. Behind Time (seven sketches)
3. Time Thrown Away (six sketches)
4. Hard Times [&] Term Time (five sketches)
5. Time Badly Employed (five sketches)
6. Christmas Time (seven sketches)
British Museum № 1978,U.3026.1. BM description: "Frontispiece, the title on a background of symmetrical but dilapidated and grass-grown masonry. On the summit stands a little laughing gnome, with a wide hat and a body formed of an hour-glass; Inset is an oval bordered by a serpent with its tail in its mouth (emblem of eternity), in which is an aged and all-devouring Time (bald except for a forelock), seated behind a table whose surface is the base of the design. He puts to his mouth a fork on which is speared an elephant with a castle on its back containing tiny figures with spears. In his r. hand is a spoon containing a country church. His table is covered with dishes, and at his r. hand is a sickle. The central and biggest dish is heaped with a jumble of tiny objects: crown, table, chair, wheelbarrow, picture; round the room sit little figures: a soldier, parson, lady and child, &c. The ten other dishes contain: an antique glass coach with horses and footmen; an overladen camel beside a palm-tree; ruins of a castle; a farmhouse; a shepherd and sheep; a dismantled cannon and balls, cattle, a man-of-war in full sail; a ruinous Gothic cathedral; a clump of trees (the last two are dominated by a large decanter). Below Time are two (Egyptian) pyramids. Above: 'There Is A Time For All Things'; below: 'Tempus Edax Rerum'. 1 May 1827. Etching."Bibliography:- Reid, G W, A descriptive catalogue of the works of George Cruikshank, London, 1871.
- Stephens, Frederic George; George, Mary Dorothy, Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, 11 vols, London, BMP, 1870.
- Cohn, A M, George Cruikshank, catalogue raisonné, London, 1924.
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Hardcover, white lettered boards, pictorial DJ, pp.: [1-8] 9-359 [360 blank].ISBN: 9789004191464.
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Hardcover, green cloth stamped with title to front cover and spine, pictorial DJ, pp.: [10] 1-206.
Introduction / Andreas Marks -- An artistic collaboration: travelling the Tōkaidō with Kuniyoshi, Hiroshige, and Kunisada / Laura W. Allen Folklore and legend in the fifty-three pairings along the Tōkaidō / Ann Wehmeyer The plates. Tōkaidō gojūsan tsui / transcription and translation by Ann Wehmeyer ; notes by Ann Wehmeyer and Andreas Marks.ISBN: 9780813060217
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Hardcover volume 20.7 x 13.4 cm, bound in black buckram with blind and grey lettering to front and grey lettering to spine, in a pictorial dust jacket, yellow pictorial endpapers, pp.: [2] 3-287 [1], collated in 16mo, 1-916, 144 leaves, 288 pages. Title-page: ПИСЬМА АЗЕФА | — | 1893 – 1917 | — | [blank] | {publisher’s device} | МОСКВА | «ТЕРРА» — «TERRA» | 1994 || Print run: 10,000 copies. Азеф, Евгений Филиппович [Евно Фишелевич], [Azef, Yevno] (Jewish-Russian-German, 1869 – 1918) Павлов, Дмитрий Борисович (Russian, b. 1954) Перегудова, Зинаида Ивановна (Russian, b. 1934)ISBN: 5-85255-395-6. Azef Letters (Rus).
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NAPOLEON IN CARICATURE 1795-1821. By A. M. Broadley with an introductory essay on pictorial satire as a factor in napoleonic history by J. Holland Rose, Litt. D. Cantab. with nearly 250 illustrations, 24 in colour. Published by in London: John Lane, the Bodley Head, and New York: John Lane Company, 1911 in Two Volumes. Vol. I with 391 pages, 13 color plates and 99 full page illustrations. Vol. II with 441 pages, 11 color plates and 108 full page illustrations.
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Конфуциева летопись. Чунь-Цю. (Весна и осень) Перевод Н. Монастырева. (С литографированными примечаниями). С.-Петербург, Тип. бр. Пантелеевых, 1876. 107 с. Тир. 600 экз.
Примечания отсутствуют. Не разрезана.
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Кристофер Марло. Сочинения. Вступительная статья и комментарии А. Парфенова. Редакция переводов А. Смирнова. Оформление художника В. Носкова. - М.: Государственное издательство художественной литературы, 1961. 664 с.
А. Парфенов. Кристофер Марло.
Тамерлан Великий. Часть 1 - перевод Э. Линецкой; Часть 2 - перевод Е. Полонской.
Трагическая история доктора Фауста. Перевод Е. Бируковой.
Мальтийский еврей. Перевод В. Рождественского.
Эдуард II. Перевод А. Радловой.
Парижская резня. Перевод Ю. Корнева.
Геро и Леандр. Перевод Ю. Корнева.
Страстный пастух - своей возлюбленной. Перевод И. Жданова.
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Title (black and red): ШИЦЗИН | [device} | ИЗДАНИЕ ПОДГОТОВИЛИ | А.А. ШТУКИН И Н.Т. ФЕДОРЕНКО | ИЗДАТЕЛЬСТВО АКАДЕМИИ НАУК СССР | МОСКВА | 1957 Title page verso: РЕДАКЦИОННАЯ КОЛЛЕГИЯ СЕРИИ «ЛИТЕРАТУРНЫЕ ПАМЯТНИКИ» (names) Ответственный редактор доктор филологических наук Н. Т. ФЕДОРЕНКО Поэтическая редакция А. Е. АДАЛИС Pagination: [1, 2] – serial h.t / title in Chinese 诗经, [3, 4] – t.p. / editorial board, [5, 6] – editorial / blank, [7, 8] – f.t. / blank, 9-610 [611] [612 colophon]; print run 3,500 copies. Collation: [1]8 2-398. Binding: 23 x 17.5 cm; serial green cloth blind-stamped with a scroll adorned with gold lettering to board and spine. Содержание: От редакции. — С. 5; Шицзин / Пер. A.A. Штукина: Нравы царств. — С. 7-193; Малые оды. — С. 195-325; Великие оды. — С. 327-409; Гимны. — С. 411-466. Приложения: Федоренко Н.Т. «Книга песен». — С. 469-530; Комментарии / Сост. A.A. Штукин, ред. В.А. Кривцов. — С. 531-600.(Shijing)
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Title (black and red): ДЖЕЙМС МАКФЕРСОН | ПОЭМЫ ОССИАНА | {device} | ИЗДАНИЕ ПОДГОТОВИЛ | Ю. Д. ЛЕВИН | ИЗДАТЕЛЬСТВО «НАУКА» | ЛЕНИНГРАДСКОЕ ОТДЕЛЕНИЕ | ЛЕНИНГРАД | 1983 || Title verso: РЕДАКЦИОННАЯ КОЛЛЕГИЯ СЕРИИ | «ЛИТЕРАТУРНЫЕ ПАМЯТНИКИ» | (list of names) | Ответственный редактор | академик М. П. АЛЕКСЕЕВ (in frame) | Редактор перевода | Э. Л. ЛИНЕЦКАЯ. Frontispiece (black and red): JAMES MACPHERSON | THE POEMS OF OSSIAN | {device} || Print run: 30,000 copies. Collation: 8vo; [1]8 2-378. Pagination: [1, 2] – serial h.t. / frontis.] [3, 4] – t.p. / editorial board] [portrait / blank] [5, 6] – original t.p. fac-simile / text, 7–589 [590] – imprint, [2] – advert.; 3 leaves of plates. Binding: serial green buckram blind-stamped with a scroll adorned with gold lettering to board and spine. Джеймс Макферсон. Поэмы Оссиана. Ю. Д. Левин. Э. Л. Линецкая. -
Европейская поэзия XVII века. Библиотека всемирной литературы. Серия первая. М.: Художественная литература, 1977. 928 с. Вступительная статья Ю. Виппера. Тир. 303 000.
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Комедии итальянского возрождения. Пер. с итал. - М.: Искусство, 1965. Составление и вступительная статья Г. Бояджиева. Редакция переводов и примечания Н. Томашевского. Серия: "Библиотека драматурга".
Лодовико Ариосто: Комедия о сундуке. Подмененные. Перевод Н. Георгиевской.
Бернардо Довици: Коландрия. Перевод А. Габричевского.
Никколо Макиавелли: Мандрагора. Перевод Н. Ракинта.
Пьетро Аретино: Комедия о придворных нравах. Философ. Перевод А. Габричевского.
Джордано Бруно: Неаполитанская улица. Перевод Я. Емельянова.
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Title page [in black and blue]: ЭРАЗМ | РОТТЕРДАМСКИЙ | ПОХВАЛЬНОЕ СЛОВО | ГЛУПОСТИ | ПЕРЕВОД И КОММЕНТАРИИ | П. К. ГУБЕРА | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И. СМИЛГИ | {vignette} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Pagination: [1-7] 8-236 [4], in-text illustrations after Hans Holbein the Younger, title page, DJ, cloth by Л. С. Хижинский, photo reproduction of the portrait of Erasmus by Hans Holbein the Younger from The Louvre museum w/guard paper.
Collation: 8vo; [1]8 2-158, + 1 plate extraneous to collation (portrait).
Binding: 18 x 13 cm; Pictorial stamped cloth, pictorial DJ, pictorial endpapers, back board blind-stamped.
Print run: 5,300 copies.
Catalogue raisonné: Крылов-Кичатова (2004), №477, p. 221. (in 1930 section). Contributors: Desiderius Erasmus Roterodamus (Dutch, c. 1469 – 1536) – author of the original text in Latin. Hans Holbein the Younger (German, 1497/8 – 1543) – artist. Губер, Пётр Константинович (Russian, 1886 – 1941) – translator from Latin into Russian (died in GULAG) Смилга, Ивар Тенисович (Latvian-Russian, 1892 – 1937) – author, foreword (shot by a firing squad). Хижинский, Леонид Семёнович (Russian, 1896 – 1972) – artist (title page, DJ, cloth). -
Two volumes, 32 x 24 cm each, uniformly bound in grey cloth with crimson morocco labels with gilt lettering to spine “Н. Обольяниновъ | КАТАЛОГЪ | иллюстриров. изданiй | 1725-1860 гг. | I (II)”, original wrappers preserved. To t.p. verso ink stamps “Latvijas PSR Zinātn̦u akadēmija Fundamentālā bibliotēka”, “1964”, “KATALOGS”, and “Z.A.B. Inv. № 80274”. Printed on laid paper, pagination throughout. 3,038 items with bibliographical descriptions. Title-page: КАТАЛОГЪ | РУССКИХЪ ИЛЛЮСТРИРОВАННЫХЪ | ИЗДАНIЙ | 1725—1860 гг. | — | СОСТАВИЛЪ | Н. Обольяниновъ. | Въ двухъ томахъ | Т. I (II). | ~ | МОСКВА – 1914 (1915). | Товарищество ТИПОГРАФIИ А. И. МАМОНТОВА, | Арбатская пл., Филипповский пер., д. № 11. || Vol. I: Collation: π6 1-424, total 174 leaves; pp.: [i-v] vi-xii, [1] 2-335 [336 errata] (total 348 pages); within green publisher’s wrappers. Vol. II: π2 1-444, total 178 leaves; pp.: [4] [337] 338-686 [687 errata], [688 blank] (total 356 pages); within green publisher’s wrappers. Provenance: Fundamental library of the Latvian Academy of Sciences. Contributors: Николай Александрович Обольянинов (Russian, 1868 – 1916) – author. Анатолий Иванович Ма́монтов (Russian, 1839 – 1905) – publisher. -
Библиотека А.С.Пушкина. Библиографическое описание.
Пушкин и его современники. Материалы и изследования. Вып. IX- X. Повременное изданiе Коммиссiи для изданiя сочиненiй Пушкина при Отдѣленiи Русскаго языка и словесности Императорской Академiи Наукъ.
СПб.: Тип.Императорской Академiи Наук, 1910. - 461 стр.
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Title page: УТОПИЧЕСКИЙ РОМАН XVI – XVII ВЕКОВ | ТОМАС МОР | УТОПИЯ |•| КАМПАНЕЛЛА | ГОРОД СОЛНЦА |•| ФРЭНСИС БЭКОН | НОВАЯ АТЛАНТИДА |•| СИРАНО ДЕ БЕРЖЕРАК | ГОСУДАРСТВА ЛУНЫ |•| ДЕНИ ВЕРАС | ИСТОРИЯ СЕВАРАМБОВ | {PUBLISHER’S DEVICE} | ИЗДАТЕЛЬСТВО | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | МОСКВА • 1971 || Pagination: [1-4] 5-493 [494] [2], 10 plates extraneous to collation. Collation: 16mo; [1]16 2-1516 168. Binding: 20.5 x 15 cm, burgundy cloth, gilt serial device to cover, gilt lettering to spine, pictorial DJ. Colophon: БИБЛИОТЕКА ВСЕМИРНОЙ ЛИТЕРАТУРЫ | СЕРИЯ ПЕРВАЯ | Том 34 || Print run 300,000 copiesВступительная статья: Л. Воробьев
Томас Мор: Утопия. Перевод А. Малеина и Ф. Петровского.
Томмазо Кампанелла: Город Солнца. Перевод Ф. Петровского.
Фрэнсис Бэкон: Новая Атлантида. Перевод З. Александровой.
Сирано де Бержерак: Государства Луны. Перевод Е. Гунста.
Дени Верас: История Севарамбов. Перевод Е. Дмитриевой.
Примечания А. Малеина, Ф. Петровского, Ф. Коган-Бернштейн, Ф. Шуваевой.
Художник: Селиверстов, Юрий Иванович (Russian, b. 1940) Authors, translators:More, Sir Thomas (British, 1478 –1535)
Campanella, Tommaso (Italian, 1568 – 1639) Bacon, Francis (British, 1561 –1626) Cyrano de Bergerac, Savinien de (French, 1619 – 1655) Vairasse d' Allais, Denis (French, c. 1630 – 1672) Малеин, Александр Иустинович (Russian, 1869 – 1938) Петровский, Фёдор Александрович (Russian, 1890 – 1978) Елизавета Ивановна Дмитриева [Васильева; Черубина де Габриак] (Russian, 1887 – 1928) Александрова, Зинаида Николаевна (Russian, 1907—1983) Гунст, Евгений Анатольевич (Russian, 1901 – 1983) Коган-Бернштейн, Фаина Абрамовна [Аронгауз] (Russian, 1899 – 1976)
