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Seventeen drypoint prints in purple plus one original ink sketch by Marcel Vertés (French, 1895 – 1961) – illustrations to the book by Pierre Louÿs Trois filles de leur mère, in a paper folder. Front : DIX-SEPT POINTES SÈCHES | D'UN ARTISTE INCONNU | POUR | TROIS FILLES | DE | LEUR MÈRE | {space} | AUX DÉPENS D'UN AMATEUR | NON MIS DANS LE COMMERCE || Pencil manuscript Vertés under “ARTISTE”, autograph vignette above “AMATEUR”, erased dedication inscription above “DÉPENS” À L’AMI [erased] X. Back: JUSTIFICATION DU TIRAGE | 17 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTENANT | UNE SUITE DES DIX-SEPT POINTES SÈCHES EN | NOIR : UNE SUITE EN COULEURS COLORIÉE PAR | L’ARTISTE ; UN DESSIN ORIGINAL ET SA PLANCHE | DE CUIVRE ; DIX-SEPT CROQUIS ORIGINAUX | MARQUÉS A à Q. | 50 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTE- | NANT UNE SUITE DES DIX-SEPT POINTES | SÈCHES ET TROIS CROQUIS ORIGINAUX | NUMÉROTÉS DE 1 à 50. | {space} | EXEMPLAIRE № {by hand} H. C. || Size : folder 28 x 17.5 cm; sketch 26.6 x 17.6 cm; prints 27.5 x 19 cm. Printed on wove paper with MBM watermark (Arches MBM Paper). Bookplate pasted to the makeshift extra folder with title: “EX-LIBRIS | Jacques | Crepineau”. Provenance: Jacques Crepineau (French, 1932 – 2017). Description by seller: [CURIOSA - VERTÈS (Marcel)]. Dix-sept pointes sèches d'un artiste inconnu pour Trois filles de leur mère. S.l. : Aux dépens d'un amateur, [1927]. — In-8, en feuilles. Dutel 2517*. Rare suite de 17 pointes-sèches libres réalisées par Marcel VERTÈS, probablement publiée par Marcel Cotinaud. Elle était destinée à accompagner l'édition originale de Trois filles de leur mère de Pierre Louÿs publiée un an plus tôt. Tirage à 67 exemplaires sur vélin d'Arches. Les épreuves sont tirées en violet. Exemplaire sans le feuillet de titre, ni celui de la justification. Il comprend un croquis original de l'artiste, non signé, ayant servi d'étude pour l'une des planches. Selon les tirages, chaque exemplaire devrait comprendre 17 croquis pour les 17 premiers, ou 3 pour les 50 autres, non n'en avons ici qu'un seul. Envoi de Vertès sur la couverture, accompagné d'un dessin original. Le nom du destinataire a été effacé. Manque la chemise et l'étui. Description by DUTEL v.3, p. 389, № 2517: In-4 (28 x 19) de 2 ff., 17 pointes sèches, étui, chemise. … publiée en 1927 probablement par Marcel Cotinaud (SV : publisher of Vertés was Paul Cotinaud)… Les planches sont tirées en violet (SV : like this one). Tirage : 17 ex. …avec une suite coloriée par l’artiste, un dessin, un cuivre et 17 croquis. 50 ex. … avec 3 croquis. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Description: Original cream French flapped wrappers, 27.4 x 20 cm, in a white moiré double slipcase 28.5 x 21.5 cm; collated 4to, gatherings with double-page illustrations collated 6to; printed on thick wove paper watermarked “BFK RIVES”, outer and bottom margins untrimmed; paginated: [2 blanks] [1-8] 9-140 [4] [2 blanks], total 44 pages (besides the blanks in wrappers), illustrated with 12 full-page and 4 in-text drypoint plates by Georges Viglino after pencil drawings by Gaston de Sainte-Croix. Enriched with 16 leaves of plates printed in sepia on Arches teinté paper (watermarked). Title-page (in salmon and black): NOUS | DEUX | ILLUSTRE DE | SEIZE POINTES SÈCHES ORIGINALES | ÉDITIONS DU CYCLAMEN – M CM LVI || Limitation: A print run of 200 copies, of which 2 copies (A and B) on Japon Nacré + one suite of plates on Japon Impérial, 30 copies (№ 1-30) on Rives + one suite of plates on Arches, and 168 copies (№ 31-198) on Rives pur fil. This copy is № 29, on BFK Rives with a suite on Arches. Catalogue raisonné: Dutel (1920-1970) № 2055, p. 282. Contributors: Marcel Valotaire (French, 1889 – 1979) – author Gaston de Sainte-Croix (French, 1904 – 1977) – artist Georges Viglino – engraver/printer (attributed by Dutel). Jacques Vialetay – publisher (attributed by Dutel). -
Description: Three volumes 20.5 x 13 cm each, collated 8vo, uniformly bound in quarter calf over marbled boards, with raised bands, gilt in compartments and black and brown gilt-lettered labels to spine; bookplate “Ex libris Jacques Laget” pasted on to front pastedown. Printed on laid paper, with tall “s”. Title-page: L'AN | DEUX MILLE | QUATRE CENT QUARANTE. | Rêve s'il en fût jamais; | SUIVI DE | L'HOMME DE FER, | SONGE. | — | Le présent est gros l’avenir. / Leibnitz. (O utinam !; Le plaisir sans égal seroit de fonder la félicité publique.) | — | NOUVELLE ÉDITION | Avec Figures. | TOME PREMIER (SECOND; TROISIEME). | {device} | — | 1786. || Vol 1: fep a8 A-Z8 2A8; total 201 leaves plus engraved frontispiece by Ghendt after Marillier; pp: ff [i-v] vi-xvi, 1-380 [4]; total 402 pages. Vol. 2: fep π2, A-Z8 2A8 fep; total 196 leaves plus engraved frontispiece by Ghendt after Marillier; pp: [6] 1-381 [5]; total 392 pages. Vol. 3: fep π2, A-T8 V5 fep; total 161 leaves plus engraved frontispiece by Ghendt after Marillier; pp: [6] 1-312 [4]; total 322 pages. Catalogue raisonné: Cohen-DeRicci 701; Lewine 353 Provenance: Jacques Laget (French, 1821 – 1884). Contributors: Louis-Sébastien Mercier (French, 1740 – 1814) – author. Clément Pierre Marillier (French, 1740 – 1808) – artist Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738 – 1815) – engraver. See also: LIB-0979.2016 and LIB-2695.2021. -
Description: Hardcover, 19 x 13 cm, contemporary binding, ¾ carrot morocco with raised bands over patterned cloth, similarly patterned endpapers, original pink wrappers preserved, gilt lettering to spine, Japanese previous owner’s stamp フィリップ (Firippu or Philippe) to verso front endpaper. Title-page: EXAMEN | DE | FLORA | à l’effet d’obtenir | son diplôme de putain | PARIS || Collation/pagination: blank flyleaf, original front wrapper with vignette, [1] blank, original watercolour 13.5 x 11 cm bound in, [2] blank, [3] h.t. / frontispiece, [4] t.p., 5-45 [46] [2] limitation / blank, back wrapper, blank flyleaf, with 14 stencil-coloured photogravures (au pochoir), two of them full-page, incl. frontispiece, after Feodor Rojankovsky [Rojan]. Limitation: 15 copies on Japon and 300 copies on Vélin, this is copy № 7. Edition: 1st edition thus, illustrated with 14 coloured photogravures, 2 of them full-page after Feodor Rojankovsky [Rojan], enriched with an original watercolour by the same artist. Catalogue raisonné: Dutel (1920-1970): 1532, p. 160 (same copy); honesterotica.com Provenance: J.-P. Dutel Note: J.-P. Dutel dates the edition as “vers 1935”; however, based on the edition of Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932 [LIB-2816.2021] in this collection, which contains some of the same illustrations, we attribute it to 1932. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Louis Protat (French, 1819 – 1881) – author. Illustrations:
Le théâtre érotique / Original
Examen de Flora / Original
Le théâtre érotique / Original
Le théâtre érotique / Original
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
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NEWTwo volumes, 133 x 88 mm each, uniformly bound in full tree calf, bordered in gilt garland, board edges and flat spine tooled in gilt, gilt fleurons in compartments, two crimson morocco labels to spine lettered in gilt; marbled endpapers, bookplate “MK” to front pastedown, one binder’s flyleaf in the front and one in the rear. Title-page: MÉMOIRES | DE | SATURNIN, | ÉCRITS PAR LUI-MÊME, | Nouvelle édition, corrigée & augmentée, | avec Figures. | (in rules) PREMIERE PARTIE / SECONDE PATIE [sic]. | {fleuron} | A LONDRES. | — | M. DCCLXXXVII. || Collation 18mo: Vol. 1: π2 A-T6 V4 (i.e. 118 leaves); pp.: [4] 1-235 [236 blank], plus 13 plates, incl. frontispiece, extraneous to collation. Vol. 2: π2 A-M6 N4 (i.e. 76 leaves); pp.: [4] [1] 2-151 [152], plus 11 plates, extraneous to collation. Twenty-four plates were executed in etching and burin on copper plate by François-Rolland Elluin (French, 1745 – 1810) after Antoine Borel (French, 1743 – 1810). Catalogue raisonné: Cohen 431; Dutel I № A-523, p. 166/7 ; Nordmann I № 156 (large 185 x 125 mm) Author: Gervaise de La Touche, Jean-Charles (French, 1715 – 1782) Microphotographs:
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NEWTwo volumes, 132 x 85 mm, uniformly bound in mottled calf, panel bordered with gilt garland, flat spine richly tooled in gilt, gilt lettered black label, blue endpapers, “MK” bookplate to front pastedown, gilt-ruled edges and dentelle inside, all edges gilt, an etching on india paper laid in; text and plates printed on laid paper, with tall ‘s’. Vol. 1: Collation 18mo: A-C-E-G12 B-D-F-H6 I10(I10 blank) (i.e. 82 leaves); pp. [1-5] 6-161 [3], plus 9 plates with tissue guards, extr. to collation; and a flyleaf at the front and at the rear. Title-page: THÉRESE | PHILOSOPHE, | OU | MÉMOIRES | Pour servir à l'Histoire de D. DIRRAG, & | de Mademoiselle ERADICE. | Nouvelle édition, augmentée d'un plus | grand nombre de figures que toutes les | précédentes. | (in rules) TOME PREMIER. | {fleuron} | A LONDRES. | — | M.DCC.LXXXV. || Vol. 2: Collation 18mo: ffl, π2 A-C-E6 B-D12 (D11,12 blank) ffl (i.e. 44 leaves); pp.: [4] [1] 2-80 [4], plus 11 plates with tissue guards, extr. to collation; and a flyleaf at the front and at the rear. Title-page: THÉRESE | PHILOSOPHE, | AVEC | L'HISTOIRE | DE | MME BOIS-LAURIER. | Nouvelle édition, augmentée d'un plus | grand nombre de figures que toutes les | précédentes. | (in rules) TOME SECOND. | A LONDRES. | M.DCC.LXXXV. || Twenty plates were executed in stipple engraving by an unknown engraver after François-Rolland Elluin (French, 1745 – 1810) after Antoine Borel (French, 1743 – 1810). Elluin’s plates are executed in etching and burin, besides: pl. 2 mirror image, pl. 5 and 6 mixed up, pl. 9 here is pl. 19 in the original, pl. 12 here is pl. 9 in the original, pl. 11 is 10, pl. 10 is 11, pl. 13 is p. 12, pl. 16 is pl. 13, pl. 14 does not have clocks, p. 14 corrected by hand to 15 and it is 15 indeed, pl. 17 is pl. 16, pl. 18 is pl. 17, pl. 19 is pl. 18, woman has no hat. The edition is legitimate; however, the plates are pirated copies. Catalogue raisonné: Dutel № 1092, p. 235/6. Contributors: Boyer d'Argens, Jean-Baptiste (French, 1703 – 1771)] Borel, Antoine (French, 1743 – 1810) « Eradice » – Cadière, Marie-Catherine (French, 1709 – ?) « D. Dirrag » – Girard, Jean-Baptiste (French, 1680 – 1733) Laid in sheet — illustration to Thérèse philosopher by Félicien Rops.
Microphotographs of certain plates in this edition:
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Softcover volume, 19.5 x 14.3 cm, olive French flapped wrappers, glassine dust cover, printed on laid paper (Hollande), outer and bottom margins untrimmed, some pages uncut; pagination: [2] blank, [i-iv] h.t./limit., t.p./blank, v-viii, 1-196 [197] [5], total 212 pages plus frontispiece; head- and tailpieces and in-text stencil-coloured etchings after Chéripoulos. Title-page (olive and black): LE ROMAN | DE | VIOLETTE | {vignette} | A LA ROYNE DE CYTHÈRE | SODOME | 1920 || Limitation: Cet ouvrage, achevé d'imprimer le cinq Janvier Mil Neuf Cent Vingt à trois cents exemplaires dont vingt-cinq exemplaires sur Japon Impérial contenant chacun un dessin original de Chéripoulos, numérotés de un à vingt-cinq; deux cent soixante-quinze exemplaires sur papier de Hollande, numérotés de vingt-six à trois cents; en plus cinq exemplaires de collaborateurs marqués de A à E. Le présent exemplaire porte le numéro 72. Edition: Printed on the 5th of January 1920 in 305 copies (№№ 1-25 on Japon Impérial, №№ 26-300 on Hollande, A–E for collaborators). Catalogue raisonné: Dutel III № 2339, p. 350. Contributors: Henriette de Mannoury d'Ectot [Henriette Nicolas Le Blanc] (French 1815 – 1899) Charles Auguste Edelmann [Chéripoulos] (French, 1879 – 1950). -
Two volumes in-16o, 16.3 x 10.3 cm, uniformly bound in marbled calf with gilt triple-fillet border, flat spine with gilt lozenges in compartments, two crimson labels with gilt lettering, marbled endpapers, all edges gilt, with engraved title, 2 title vignettes, 11 copper plate engravings, incl. title/frontispiece in vol. 1, and 10 headpieces (two of them similar), printed on laid paper. Vol. 1: Livres 1 – 5. Engraved title-page: Cartouche with the title "Les | Amours de | THEAGENES | & | CHARICLÉE", with a Cupid holding a torch on top and a defeated winged dragon at the bottom; Cupid's quivers with bows and arrows beside. Collation: 8vo; a5 (t.p., preface), A-N8 O4 (O4 blank), total 113 leaves plus 6 unsigned engraved plates, incl. engraved title as frontispiece, unsigned; 5 different headpieces, unsigned. Pagination: [i, ii] iii-x, [1] 2-213 [3] (blank), total 226 pages, ils. Vol. 2: Livres 6 – 10. Collation: 8vo; π1 (t.p.), A-M8, total 97 leaves plus 6 unsigned plates, incl. the Conclusion, no frontispiece; 5 headpieces, the headpiece for Livre 7 similar to Livre 4. Pagination: [2] [1] 2-190 [2] (blank), total 194 pages, ils. Letterpress title-page (red and black) in each volume: AMOURS | DE | THEAGÉNES | ET | CHARICLÉE• | HISTOIRE ETHIOPIQUE. | PREMIERE (SECONDE) PARTIE. | {vignette} | A LONDRES, | — | M. DCC. XLIII. || According to Cohen-DeRicci, this is the first anonymous edition with 9 different headpieces; the second edition in the same 1743 was published by Antoine Urban Coustelier (French, 1714 – 1763) in Paris with less provocative headpiece vignettes. The original text belongs to Héliodore d'Emèse, i.e. Heliodorus [Ἡλιόδωρος] (Greek, 3rd – 4th century AD). The earliest translation into French was performed by Jacques Amyot (French, 1513 – 1593) and published by J. Longis in Paris in 1547. The new translation is credited by Lewine to Jean de Montlyard (French/Swiss, 17th century), first published in Paris in 1620. However, most scholars attribute it to Louis François de Fontenu (French, 1667 – 1759), Bernard Le Bovier de Fontenelle (French, 1657 – 1757) or Germain François Poullain de Saint-Foix (French, 1698 – 1776), first published in 1727 by Herman Uytwerf (Dutch, 1698 – 1754) in Amsterdam. Catalogue raisonné : J. Lewine, 236; Cohen-DeRicci, 478. Information about the story can be found here: Aethiopica. -
Description: softcover, 25.5 x 16.5 cm, pink French flapped wrappers with black lettering, printed on laid paper watermarked “ARCHES (France)”, with 10 plates (etchings) bound in and 1 plate (coloured etching) laid in, extraneous to collation, with tissue guards; pp.: ffl, [2] h.t., [2] t.p., 1- 151 [152] [4] colophon, blank, ffl; some pages uncut; margins untrimmed. Title-page: UN ÉTÉ A LA | CAMPAGNE | CORRESPONDANCE DE DEUX | JEUNES PARISIENNES RECUEILLIE | PAR UN AUTEUR A LA MODE | ILLUSTRÉE DE DIX EAUX-FORTES | ET D’UNE AQUARELLE ORIGINALE | {blank} | IMPRIMÉ SOUS LE MANTEAU | ET NE SE VEND NULLE PART | MCMXVIII || Limitation: a print run of 165 copies, of which this is № 129 on Arches à la forme paper. Cat. Raisonné: Dutel III № 2545, p. 397; Honesterotica. Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable) Frans de Geetere (Belgian, 1895 – 1968) – artist/engraver -
Softcover, 228 x 180 mm, tan French flapped wrappers with red lettering to front[1-4, owner’s glassine dustcover, top edge trimmed, printed on thick wove paper without a watermark; pp.: ffl [1-4 h.t., t.p.] 5-154 [2 blanks] colophon to back ffl recto, plus 12 plates with hand-coloured lithographs, extraneous to collation. Pencil and pigment drawing to h.t. signed “J. D’A” with gift manual inscription “A Monsieur et Madame Chalamel [sic] ce tardif mais sincère souvenir de sympathie”, signed “J et Y D’A.” Etching bookplate to front ffl recto: “EX LIBRIS PIERRE CHALLAMEL | JE FONCE DANS LE BROUILLARD”, signed “J A M” (Jean-Adrien Mercier). The signature J. D’A stands for Jean d’Angers, while Y D’A stands for Jean-Adrien’s wife Yvonne (1902—1999), nicknamed Zizi; they married in 1927. According to J.-P. Dutel, the stated illustrator of this edition, Jean d’Angers is indeed Jean-Adrien Mercier. The text belongs to Gustav Droz and, possibly, Auguste Poulet-Malassis. Limitation: the book was printed for subscribers in 30 copies on Japon Impériale paper (№№ 1-30) and 250 copies on vélin du Marais paper (№№ 31-280). This copy bears № 123 and was presented as a gift by the artist and his wife to Pierre Challamel. Title-page (red and black): POUR SERVIR | A L'HISTOIRE | DE NOS MŒURS | UN ÉTÉ | A LA CAMPAGNE | CORRESPONDANCE DE DEUX JEUNES PARISIENNES | RECUEILLIE PAR UN AUTEUR A LA MODE | MDCCCLXVIII || Catalogue raisonné: Dutel III № 2546; honesterotica. Provenance: Pierre Challamel (French, 20th century) Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable). Auguste Poulet-Malassis (French, 1825 – 1878) – author (presumable). Jean-Adrien Mercier (French, 1899 – 1995) – artist. Micro photo of the lithography:
Micro photo of the original drawing:
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Title page: Sheila Cousins | TO BEG | I AM ASHAMED | {publisher’s device} | THE OBELISK PRESS | 16, PLACE VENDOME | PARIS || Pagination: [2] – blanks (in wrapper), [4] – h.t. / blank, t.p. / publisher's note & copyright, [1] 2-270, [4] uncut (in wrapper), total 280 pages. Collation: 8vo; [A]8 B-Q8 R4 S8; total 140 leaves. Binding: Publisher’s yellow wrappers, lettering to spine:| TO BEG | I AM | ASHAMED |—| SHEILA | COUSINS | {publisher’s device} | THE | OBELISK PRESS | PARIS ||; lettered front wrapper in red and black: To beg | I am ashamed |—| by | Sheila Cousins |—| The autobiography | of a London prostitute | Only authorized edition | Complete and unexpurgated | {publisher’s device} | THE OBELISK PRESS ||, publisher’s device in red to back wrapper; margins untrimmed; in an owner slipcase. Edition: 1st edition, France, May (i.e. June) 1838; presumably the first impression. Size: 19 x 14.5 cm. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. The Obelisk Press – publisher. -
Cover: To beg | I am ashamed | by | Sheila Cousins | An autobiography | of a London prostitute | Only authorized edition | Complete and unexpurgated | PUBLISHED IN PARIS || Title page: SHEILA COUSINS | TO BEG | I AM ASHAMED || Pagination:[4] 1-252], total 256 pages. Binding: Original wrappers, black lettering to front, spine, and back: Price in France and Continent 75 Frs. | Price in America Two Dollars |—| OPERA PRESS || Size: 20.2 x 14.5 cm. Edition: Pirated edition. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. Opera Press (Paris) – publisher. -
Title page: Sheila Cousins | TO BEG | I AM ASHAMED | {publisher’s device} | THE OBELISK PRESS | 16, PLACE VENDOME | PARIS || Pagination: [2] – blanks (in wrapper), [4] – h.t. / blank, t.p. / publisher's note (to first impression) & copyright, [1] 2-270, [4] uncut (in wrapper) with imprint "Imprimerie Frère Tourcoing", total 280 pages. Collation: 8vo; [A]8 B-Q8 R4 S8; total 140 leaves. Binding: Publisher’s yellow wrappers, lettering to spine:| TO BEG | I AM | ASHAMED |—| SHEILA | COUSINS | 8th | IMPRESSION | {publisher’s device} | THE | OBELISK PRESS | PARIS ||; lettered front wrapper in red and black: To beg | I am ashamed |—| by | Sheila Cousins |—| The autobiography | of a London prostitute | Only authorized edition | Complete and unexpurgated | {publisher’s device} | THE OBELISK PRESS ||, publisher’s device in red to back wrapper; margins untrimmed; in an owner slipcase. Edition: 1st edition, 8th impression, France, (in or after August 1838). Size: 19 x 14.5 cm. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. The Obelisk Press (Paris) – publisher. Imprimerie Frère Tourcoing – printer. Compare to the presumably 1st impression of the same edition [LIB-2806.2021]. -
NEWA cardboard file 298 x 225 mm made of quarter red cloth over marbled paper, with laces, contains 18 loose chromolithographs approx.190 x 130 mm, 8 vertical and 10 horizontal) in a passepartout 275 x 220 mm (matted) of laid paper with an armorial watermark, with lewd humorous captions on glassine guard tissue attached to each sheet, upper and outer margins uncut. Images signed “–Santippa–36”.Label to front cover lettered Variations Amoureuses | avec 18 gravures en couleurs ||. No title page. It is quite likely that the set exists in only one copy. Description by seller: Album in-folio, 272 x 218 cm. En feuilles, sous chemise cartonnée à lacets de l'éditeur. Les lithographies sont respectivement intitulées : Branlade; Plaisir Champêtre; Justice; Entre Marins ; Cocher; Suce-moi bien ; Encore; Les Joies; Un Marin; On raconte ; Plaisir Divin ; Le Marin; Quand un Gendarme ; soixante et Neuf; Tous les Moyens ; Le Plus Cochon; Le Fantassin; Coup Double. Le peintre Gaston Hoffmann (1883-1977), consacra la majeure partie de son œuvre à l'érotisme et la caricature, en signant ses sujets trop libres sous le pseudonyme de Santippa. Contributor: Gaston Hoffmann [Santippa] (French, 1883 – 1977). Ref: Honesterotica.com provides only 8 images of 18. Catalogue raisonné: Dutel III: № 2581:
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NEWThree volumes, 124 x 80 mm each, uniformly bound in full marble calf, panels ruled in triple gilt fillet, board edges ruled in gilt, flat spine tooled in gilt with fleurons in compartments, burgundy calf labels lettered in gilt; marbled endpapers, text printed with tall ‘s’ on laid paper with letter “E” under fleur-de-lis watermark. Title-page: LE | MOYEN | DE | PARVENIR. | NOUVELLE ÉDITION, | Augmentée d'une Table sommaire | des Chapitres. | (in rules) Caritas inter jocosve regnat Moria. | TOME PREMIER / SECOND. | {fleuron} | A LONDRES. | — | M. DCC. LXXXI. || Collation 32mo, 1 flyleaf at the front and 1 at the rear in each vol. Vol. 1: πA6 b-e6 f2, A-Q6 R3 (i.e. 131 leaves); pp.: [i, ii] iii-lxiv, [1] 2-197 [198]. Vol. 2: π1 A-Y6, Z2 (i.e. 135 leaves); pp.: [2] [1] 2-267 [268]. Vol. 3: π1 A-Y6, Z2 2A1 (136); pp.: [2] [1] 2-270. Author: Béroalde de Verville, François (French, 1556 – 1626)
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Title: IDYLLE | PRINTANIÈRE || Verso: {Headpiece} | Justification du tirage | {7 lines of text} | Exemplaire № 56 (digits by hand) | HP (monogram by hand) | {tailpiece} || Album of 30 hand-coloured lithographs and frontispiece in a cardboard folder; each sheet mounted in a 32.5 x 25 cm passepartout with 19 x 13 cm window; published in Paris in 1938 by Henri Pasquinelli (attributed). No artist, no publisher name indicated. According to Justification du tirage, the print run of 516 copies on Arches laid tinted paper (vergé), copy A – control artist’s uncoloured, 15 copies B–P reserved for collaborators and friends, copies 1–500 – for bibliophiles. This copy № 56, autographed by the publisher's monogram: "HP". Catalogue Raisonné: J.-P. Dutel, vol 2 (1920–1970), #1726, p. 207-8. Provenance: J.-P. Dutel. -
Portfolio of 14 original watercolour illustrations for Vers Libres by Raymond Radiguet. Painted on wove paper of different sizes, each mounted in a passe-partout 39,5 x 33 cm and enclosed in a flapped portfolio with a white label to front cover lettered "14 études originales | pour | VERS LIBRES | de | Raymond Radiguet | par | ROJAN". For published versions, see:- [LIB-2830.2021] Raymond Radiguet. Vers libres / [Illustrés par Rojan]. — Champigny: Au Panier Fleuri [i.e. Paris, René Bonnel, c. 1935].
- [LIB-2827.2021] Raymond Radiguet. Vers libres / Illustrés par Rojan. — Nogent: Au Panier Fleuri [i.e. Paris, c. 1937].
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Hardcover volume, 20.7 x 13.5 cm, modern half morocco over marbled boards, gilt lettering and ornament to spine, pp.: [i-vii] viii-xvi [17] 18-255 [256], collated 8vo: 1-168, 128 leaves. Title-page: HIÉROLOGIES | OU | DISCOURS | HISTORIQUES ET DOGMATIQUES | Sur les Superfétations | APPORTÉES A LA RÉVÉLATION DU CHRIST, | PRONONCÉS AU TEMPLE DES CHRÉTIENS PRIMITIFS, | DEPUIS LE 15 AOUT JUSQU’AU 1er DÉCEMBRE 1833, ET DEPUIS LE 2 FÉVRIER | JUSQU’AU 25 MAI 1834, | SUIVIS DU DISCOURS | SUR LES TROIS VERSIONS DE LA BIBLE, | PRONONCÉ LE 20 JUILLET 1834 ; | Par M. le C. Marie de Venise, | VICAIRE PRIMATIAL DE L’EGLISE DE France. | {1 line citation} | — | Paris. | AU BUREAU CENTRAL D’IMPRIMERIE ET DE LIBRAIRE, | Rue Saint-Marc, No 21; | ET AU TEMPLE DES CHRÉTIENS PRIMITIFS, | RUE ET COUR DAMIETTE, PRÈS LA PLACE DU KAIRE. | — | 1834 || Contributors : Félix Ragon (French, 1795 – 1872) – author. Seller's description: [RAGON (Félix) : Hiérologies ou Discours historiques et dogmatiques sur les Superfétations apportées à la révélation du Christ suivis du Discours sur les trois versions de la Bible. Paris, au Bureau central et au Temple des Chrétiens Primitifs, 1834 ; in 8°, demi-basane brune à coins. Reliure pastiche moderne. Edition originale extrêmement rare, dont le tirage est estimé à 50 ex.
