-
Title-page: IDYLLES | DE BION | ET | DE MOSCHUS, | TRADUITES EN FRANÇAIS | Par J. B. Gail, Professeur de littéra- | ture grecque au collège de France. | Ouvrage orné de Figures dessinées par le Barbier. | DE L’IMPRIMERIE DE DIDOT JEUNE. | A PARIS, | Chez Gail, au Collège de France, place | Cambrai. | L’AN TROISIEME. || Small volume in-12mo, 14.7 x 10 cm, bound in tree calf with gilt ornamental border, flat spine with gilt lozenges in compartments, lacking upper label and half of the lower label, gilt dentelle inside, marbled endpapers, all edges gilt. Collation: 1st and last leaves blank, [1]-96, total 54 leaves and 9 engraved plates, incl. frontispiece. Pagination: [1-5] 6-106 [2] (notice), total 108 pages, ils. Illustrations: (1) Frontispiece bust portrait of Jean-Baptiste Gail in two states, one proof before letters signed Le Barbier del., — C. S. Gaucher inc. a. ƒ., the other in finished state lettered « J. B. Gail | Professeur de littérature grecque | au collège de France » signed Le Barbier del. — C. S. Gaucher incid. (2) Le tombeau d’Adonis in two states, the first unsigned, the second signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγραφε — Γαυχερ εχαλχενε, with tissue guard. (3) Enlèvement d’Europe in two states, the first signed Baquoy fecit., the second Le Barbier inv. — Delignon Sculp. (4) Amour du fleuve Alphée pour la fontaine Aréthuse in two states, the first unsigned, the second signed Le Barbier inv. — Dambrun. (5) Daphnis et Naïs only in final state signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγρφε — Γαυχερ εχαλχενε. (sic.) Catalogue raisonné: Cohen-DeRicci 151-2, attributes to 1895, in-18, Daphnis et Naïs without the proof state; Lewine 64, "very scarce, particularly that of the portrait, a fancy price". Contributors: Bion [Βίων] (fl. late 2nd century BCE, Phlossa near Smyrna) – author. Moschus [Μόσχος] (fl. mid 2nd century BCE, Syracuse) – author. Jean-Baptiste Gail (French, 1755 – 1829) – translator. Jean-Jacques-François Le Barbier (French, 1738 – 1826) – artist. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Jean-Louis Delignon (French, 1755 – 1820) – engraver. Jean Dambrun (1741 – 1808/14) – engraver. Pierre François Didot, Le Jeune (French, 1732 – 1795) – publisher. -
Title-page: E. CRESSON |—| CENT JOURS DE SIÈGE | A LA | PRÉFECTURE DE POLICE | 2 NOVEMBRE 1870 — 11 FÉVRIER 1871 | {publisher’s device} | PARIS | LIBRAIRIE PLON | PLON-NOURRIT ET Cie, IMPRIMEURS-ÉDITEURS | RUE GARANCIÈRE, 8 | 1901 | Tous droits réservés || Description: 8vo, 22 x 14.5 cm, quarter brown calf over marbled boards, flat spine with gilt fillets, gilt lettering, marbled endpapers; inscriptions to t.p.: 2117 A | Ba V –1 1bis 3; ink stamps to t.p.: (1) « LÉGION DE LA GARDE REPUBLICAINE | BIBLIOTÈQUE | des Sous-Officiers | Brigadiers et Gardes | DE L’INFANTERIA | NAPOLEON » ; (2) « LÉGION DE LA GARDE REPUBLICAINE | BIBLIOTÈQUE | DE LA CASERNE | DU | PRINCE-EUGÈNE | (hand) XIII | XX—86 » Collation: 8vo; π6 1-248 252, total 200 leaves. Pagination: [2] [i-v] vi-x, [1] 2-385 [3], total 400 pages. BNF: ark:/12148/bpt6k4936n Author: Ernest Cresson (French, 1824 – 1902) -
Exterior: 4to, 27.3 x 18 cm, quarter black morocco over marbled boards, double gilt fillet border, spine with raised bands, compartments framed in gilt with gilt fleurons, black label lettered in gilt; marbled endpapers. Inscription to half-title in the bottom: no 411. Bookplate to front pastedown. Title-page: LES | PRISONS DE PARIS | HISTOIRE, TYPES, MŒURS, MYSTÈRES | PAR | MAURICE ALHOY ET LOUIS LURINE | ÉDITION ILLUSTRÉE. | {vignette} | PARIS — 1846 | PUBLIÉ PAR GUSTAVE HAVARD | 24, RUE DES MATHURINS-SAINT-JACQUES. || Printer: Lacrampe et Comp. Collation: 4to; π2 a4 1-684 χ2; total 280 leaves and 34 leaves of plates. Pagination: first and last leaves blank; [2 -h.t./imprint.] [2 - t.p./blank] [2 dedication/blank] [i intro] ii-vi, [1] 2-544 [2 - list of plates/advert.] [2 - contents/blank]; total 560 pages, plus 34 wood-engraved plates, incl. a frontispiece by Laisne after Bertall, and numerous in-text woodcuts. Provenance: Bookplate of Selim Hippolyte Ansart (French, 1829 – 1897), commissar of police in the Second Empire and shortly after (chef de la police municipaie ; chevalier du 13 août 1867; vingt-trois ans de service effectif). Authors: Philadelphe-Maurice Alhoy (French, 1802 – 1856) Louis Lurine (French, 1812 – 1860) Artists: Bertall [ Bertal; Charles Albert d’Arnoux (French, 1820 – 1882) Jules [Jean-Baptiste] David (French, 1808–1892) Charles-François Pinot (French, 1817 – 1879) Eustache Lorsay [French, Eugène Lampsonius] (1822 – 1871) Pierre Édouard Frère (French, 1819 – 1886) Charles-Édouard de Beaumont (French, 1819 – 1888) Engravers Laisné Adèle / Aglaé / Alfred (French, fl. 1835 – 1868) Louis Dujardin (French, 1808 – 1859) François Rouget (Belgian, c. 1825 – ?) Janet-Lange [Ange-Louis Janet] (French, 1815 – 1872) Jacques Adrien Lavieille (French, 1818 – 1862) Timms (French, fl. c. 1839 – 1865) Félix Leblanc (French, 1823 – ?) Émile Montigneul (French, fl. 1840 – 1850) -
Gustave Macé. La Police parisienne. Le vilain monde. Les dépeceurs de cadavres. Gibier de Saint-Lazare — Paris: Librairie illustrée, [1889]. Title-page: LA | POLICE PARISIENNE |—| LE VILAIN MONDE |—| LES DEPECEURS DE CADAVRES |—| GIBIER DE SAINT-LAZARE |—| Par | G. MACE | ANCIEN CHEF DE LA POLICE DE SURETÉ | {publisher’s device} | PARIS | LIBRAIRIE ILLUSTRÉE | 8, RUE SAINT-JOSEPH, 8 || Description: Hardcover, 4to, 28 x 20 cm, quarter green calf over green marbled boards, raised bands, gilt lettering and gilt fillets to spine, marbled endpapers. Collation:1st bank, [π2 h.t., t.p.], [1]-1074 [108]2 table, last blank; total 432 leaves; 107 woodcuts by Puyplat after E. Mas (on the recto of the first leaf of each complete gathering). Pagination: [4] [1-3] 4-859 [860]; total 864 pp. Edition: Later edition, probably 1889; the 1st edition was published in 1885. Contributors: Gustave Macé (French, 1835 – 1904) – author. Émile Mas (French, 1866 – 1950) – artist. Jules Jacques Puyplat (French, fl. c. 1877 – 1893) – engraver. -
Title-page (text in frame): FRANCIS CARCO | RIEN QU'UNE | FEMME | {vignette} | EAUX-FORTES DE | CHAS LABORDE | — | PARIS — M.CM.XXV || Description: 4to, 24.5 x 20 cm, owner’s red cloth, yellow leather label with gilt lettering to spine, original wrappers bound in, woodcut bookplate “ИЗ КНИГ Ф.РОЖАНКОВСКАГО” to front pastedown; chapter titles and initials printed in pink. Collation: fep, 2 blanks before front wrapper, front wrapper with a black lettered pink label, 2 blanks, h.t., t.p., dedication, 1-204 212,2 blanks, rear wrapper, 2 blanks, rep; total 89 leaves within wrappers, plus 15 plates with tissue guards, incl. frontispiece – hand-coloured etchings by Chas [Charles] Laborde, extraneous to collation. In some copies, there are two additional plates. Pagination: [10] [1] 2-162 [2 colophon/blank] [4], total 178 pages. Limitation: Date of printing: September 15, 1925. Printer: Imprimeur Coulouma (Argenteuil) Print run: 267 copies of which 1 copy on Japon Ancien (№1), 15 on Japon Impérial (№№ 2-16), 60 on Hollande (№№ 17-76), and 200 copies on Vélin de Rives (№№ 77-276) ; this is copy № 82. Etchings printed on BFK Rives paper (embossed). Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970). Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Roger Lacourière (French, 1892 – 1966) – engraver. -
Description: One volume, collated 4to, 26.2 x 18.5 x 8 cm, ¾ calf over marbled boards, gilt decorated flat spine with gilt lettering, marbled endpapers, publisher’s wrappers preserved. Title-page (red and black): LE TRÉSOR | DU | BIBLIOPHILE | ÉPOQUE ROMANTIQUE | 1801–1875 | PAR | L. CARTERET | Libraire de plusieurs Sociétés de Bibliophiles | LIVRES ILLUSTRÉS DU XIXe SIÈCLE | PARIS | L. CARTERET, ÉDITEUR | ANCIENNE LIBRAIRIE CONQUET | 5, RUE DROUOT, 5 | Novembre 1927 || Publisher's wrapper similar, in a frame Collation: front wrapper, π4 (2 blanks, h.t./limit., t.p./copyright], [1] – 894, χ2 (colophon, 1 blank), back wrapper, orig. spine, ils. within collation; total 362 leaves within wrappers; 2 leaves of modern inset bound-in between pp. 106 and 107. Pagination: [8][1-3] 4-712 [4], total 724 pages plus 4 pp inset, ils. Content: pp. 1-25 – propos; 29-600 – bibliographie; 601-603 – table ills; 605-639 – table des ouvrages cités; 641-712 – table des artistes. Printed by Imp. Lahure on November 30, 1927. Contributors: Léopold Carteret (French, 1873 – 1948) Imprimerie Générale de A. Lahure (Paris) Alexis Lahure (French, 1849 – 1928) -
Description: Two parts in one volume, collated 4to, 26.3 x 18 cm, bound in quarter green pebbled morocco over green percaline panelled boards, spine with raised bands, gilt in compartments, lettered in gilt, signed in the bottom “L. Curmer”; marbled endpapers, all edges gilt. Part 1 is illustrated with a hand-coloured wood-engraved title-page by Porret and Blanadet and 28 hand-coloured steel engravings by Charles Geoffroy after J.-J. Grandville; part 2 is illustrated with a hand-coloured wood-engraved title-page by Quichon and 22 steel engravings by Charles Geoffroy after J.-J. Grandville, and two uncoloured botanical plates, unsigned. Title-page: LES | FLEURS ANIMÉES | PAR | J.-J. GRANDVILLE | INTRODUCTIONS | Par ALPH. KARR | TEXTE | Par TAXILE DELORD | — | PREMIÈRE (DEUXIÈME) PARTIE | — | PARIS | GABRIEL DE GONET, ÉDITEUR | 6, RUE DES BEAUX-ARTS, 6 || Collation: part 1: blank, [1] h.t./imprint (PARIS WALDER), hand-coloured engraved t.p., [1] t.p./blank, 1-324, [1] contents/blank, 28 hand-coloured plates; part 2: [1] h.t./imprint (PARIS WALDER), hand-coloured engraved t.p., [1] t.p./blank, [2] intro., [1]-294, 302, blank, 22 hand-coloured plates and 2 uncoloured plates. Pagination: part 1: [1-5] 6-260 [2] (total 262 pages), ils; part 2: [4] [i] ii-iv [1] 2-102, [2] [i] ii-iv, [105] 106-234 [2] (total 248 pages), ils. Coloured steel-engraved plates: Part 1: Bleuet et Coquelicot. Lis. Pensée. Tabac. Tulipe. Rose. Narcisse. Violette. Nenuphar. Laurier. Myrte. Marguerite. Camelia. Immortelle. Chèvre-feuille. Belle-de-nuit. Oeillet. Ciguë. Soleil. Fleur de grenadier. Lin. Eglantine. Pavot. Chardon. Fleur d'oranger. Capucine. Guimauve. Primevère – Perce-neige. Part 2: Pois de senteur. Cactus. Dahlia. Sensitive. Fleur de pêcher. Aubépine. Vigne. Myosotis. Jasmin. Scabieuse & Souci. Traite des fleurs. Flèche-d'eau. Hortensia, couronne impériale. Verveine. Giroflée. Thé et Café. Lilas. Tubéreuse Jonquille. Bal. Retour des fleurs. Erratum. Pervenche desséchée. Plates signed "Grandville del. – Ch. Geoffroy sc. – G. de Gonet, editeur" but some signed "Imp. Delamain et Sarazin rue Git le Cœur 8 Paris." Plates accompanied by tissue guards. Gordon N. Ray: "Most of the plates show an elegant lady in a garden, her dress covered with an extraordinary pattern of flowers. She is sometimes accompanied by respectful creatures, animals and insects, even fish and reptiles". Edition: 2nd edition of 1847, each part has separate pagination; imprint: "Paris. — Typographie Walder, rue Bonaparte, 44". Second "tirage", the volumes being paged separately; the first "tirage", issued also in 1847, is paged continuously. Point of issue: Table des Matières has "Imprimerte Walder." Originally appeared in 83 separate parts in pictorial yellow wrappers. Contributors: J.-J. Grandville [Gèrard, Isidore-Adolphe] (French, 1803 – 1847) – artist. Taxile Delord (French, 1815 – 1877) – author. Comte Foelix [Louis-François Raban] (French, 1795 – 1870) – author. Jean-Baptiste Alphonse Karr (French, 1808 – 1890) – author. Charles Michel Geoffroy (French, 1819 – 1882) – engraver (on steel). Gabriel de Gonet (French, fl. 1847 – 1862) – publisher. Typographie Walder (Paris) – printer. Plon Freres (Paris) – printer. Delamain et Sarrazin (Paris) – printer. Henri Désiré Porret (French, 1800 – 1867) – engraver (on wood). Jules Blanadet (French, 1824 – ?) – engraver (on wood). Quichon (French, fl. c. 1850s) – engraver (on wood). Catalogue raisonné: L. Carteret (Le trésor): p. 286; Ray (French): 198, pp. 278-9; Vicaire (Manuel): D III, p. 133-4; Brivois (Guide): pp. 147-150. In collections: MET 1970.565.423.1–.2; Vanderbilt University; V&A L.755-1943. Provenance: Léon Curmer (French, ). -
Description: 12mo, 17 x 11 cm, quarter brown morocco over marbled boards, marbled end-papers, raised bands and gilt lettering to spine, embossed stamp to t.p. “COLPORTAGE CHEMIN DE FER”. Title-page: AFFAIRE | PIERRE BONAPARTE | OU | LE MEURTRE D'AUTEUIL | AVEC PORTRAITS | DU PRINCE PIERRE BONAPARTE & DE VICTOR NOIR | Et nombreuses Gravures, telles que : | SCÈNE DU MEURTRE DANS LE SALON D'AUTEUIL. | LA CHAMBRE DE VICTOR NOIR, | VICTOR NOIR SUR SON LIT DE MORT, | LE PRINCE PIERRE A LA CONCIERGERIE, ETC. | — | Prix : 1 fr. 10 c., franco. | — | PARIS | A. CHEVALIER, EDITEUR | 61, RUE DE RENNES, 61 | 1870. Collation: 18mo; odd [1]-918; 5 x 18 = 90 leaves total. Pagination: [2] [3] 4-177 [178]; total 180 pages. Contributors: Armand Le Chevalier (French, 1802 – 1873) – publisher. Prince Pierre-Napoléon Bonaparte (French, 1815 – 1881) – character. Victor Noir [b. Yvan Salmon] (French-Jewish, 1848 – 1870) – character. -
Portfolio of 14 original watercolour illustrations for Vers Libres by Raymond Radiguet. Painted on wove paper of different sizes, each mounted in a passe-partout 39,5 x 33 cm and enclosed in a flapped portfolio with a white label to front cover lettered "14 études originales | pour | VERS LIBRES | de | Raymond Radiguet | par | ROJAN". For published versions, see:- [LIB-2830.2021] Raymond Radiguet. Vers libres / [Illustrés par Rojan]. — Champigny: Au Panier Fleuri [i.e. Paris, René Bonnel, c. 1935].
- [LIB-2827.2021] Raymond Radiguet. Vers libres / Illustrés par Rojan. — Nogent: Au Panier Fleuri [i.e. Paris, c. 1937].
-
Description: Original pictorial wrappers, folio, unbound, in a double slipcase with gilt lettering to spine; pp. [4] [1-12] 13-204 [4], 53 folded leaves, 47 dry-point illustrations after Marcel Vertès. Limitation: Edition of 140 copies on Arches paper of which 20 copies (№ 1-20) enriched with one original drawing, one suite of plates incl. 5 cancels and 5 full-page prints; 105 copies (№ 21-125); 15 copies (№ I-XV) for collaborators of witch 5 enriched with an original drawing and a complete suite of plates. This is copy № 45, enriched with an A.L. signed by Claude Roger-Marx (Jewish- French, 1888 – 1977). Colophon: Printed on January 15, 1954 in Paris on a press of madame J.-G. Daragnès by Éditions Manuel Bruker. Catalogue raisonné: Vokaer № 57. Other titles: Daphnis and Chloe (en), Daphnis et Chloé (fr), Daphnis und Chloe (de), Dafnis y Cloe (es), Gli amori pastorali di Dafni e Cloe (it). Other editions in this collection: LIB-2870.2021 and LIB-1926.2019. Contributors: Longus [Λόγγος] (Greek, 2nd century AD) – author Jacques Amyot (French, 1513 – 1593) – translator Paul Louis Courier (French, 1772 – 1825) – editor Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist/illustrator Jean-Gabriel Daragnès (French, 1886 – 1950) – printer Manuel Bruker [Mendel Brucker] (Jewish-Hungarian-French, 1891 – 1979) – publisher Portrait of Jacques Amyot engraved by Nicolas de Larmessin I (French, 1632 – 1694) in this collection: Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682. [LIB-2676.2021]:
-
Description: Publisher’s wrappers 24 x 17 cm, pp. [1-6] 7-125 [3], total 64 leaves, edition limited to 150 copies. Includes “Errata & Addenda”, published in 2022. Cover and title-page: JEAN-PIERRE DUTEL | – | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1650 ET 1970 (SUPPLÉMENT) | {publisher’s device} | J-P DUTEL, LIBRAIRE-ÉDITEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMXXI || -
Description: Pictorial album 29.7 x 24 cm, bound in ¾ red morocco over marbled boards with gilt lettering “LA BIBLIOTHÈQUE DES ROMANS” and raised bands to spine; marbled endpapers, two flyleaves, tan original wrapper lettered “La Bibliothèque des Romans. (gothic, arch) | {colour vignette} | UNE VEILLÉE DE JEUNE FILLE. | 1840. || Six hand-coloured lithographs, each in a double-rule border with the series title above it and image title below. Sequential numbers are hand-inscribed within the border in the upper-right corner. Frame 23.5 x 18.3 cm, image 21.5 x 16.5 cm. Three flyleaves at the end. A bookplate to front pastedown: “GERARD NORDMANN EX-LIBRIS”. Content:- Front wrapper (title-page)
- SŒUR ANNE (Sister Anne)
- LA GRISETTE (The grisette)
- LÉONIDE OU LA VIEILLE DE SURÊNE (Léonide or the old lady of Surêne)
- LA PUCELLE DE BELLEVILLE (The maid of Belleville)
- MON VOISIN RAYMOND (My neighbor Raymond)
- LE COCU (The cuckold)
-
Description: Hardbound 24 x 16 x 5 cm, green cloth with gilt lettering to spine, in pictorial dust jacket. A revised re-print of L'Œuvre de Gavarni par J. Armelhault et E. Bocher. — Paris: Librairie des bibliophiles, 1873, with essays in English. Title-page: GAVARNI | CATALOGUE RAISONNÉ | OF THE GRAPHIC WORK | BY | J. ARMELHAULT & E. BOCHER | A REVISION OF THE 1873 EDITION | WITH ESSAYS IN ENGLISH | BY GORDON N. RAY | AND ROBERT J. WICKENDEN | AND SIXTY-ONE NEW PLATES | SAN FRANCISCO | ALAN WOFSY FINE ARTS | – | 2004 || Pagination: [1-4] 5-104, [i-v] vi-xiii [3] 1-627 [628]; total 374 leaves. Contributors: Paul Gavarni [Sulpice Guillaume Chevalier] (French, 1804 – 1866) Marie Joseph François Mahérault [J. Armelhault] (French, 1795 – 1879) Emmanuel Bocher (French, 1835 – 1919) Gordon Norton Ray (American, 1915 – 1986) Robert John Wickenden (British-American, 1861 – 1931) -
Pictorial album 31 x 22.8 cm, bound in quarter red calf over marbled boards with gilt lettering “SCÈNES | DE | LA VIE | PRIVÉE” and gilt ornament to spine; marbled endpapers, flyleaf, blue original wrapper (title-page) lettered SCÈNES | DE LA VIE PRIVÉE. | {vignette} | SIX DESSINS || «Six dessins» struck out, ms inscription beneath “Douze”. Twelve hand-coloured lithographs, some inscribed with letters and/or numbers in reverse, each in a double-rule frame 22 x 16.5 cm, images 18 x 14.5 cm (approx.); series title “Scènes de la vie intime” printed above the frame, image title printed in the lower compartment; ms numbers above the upper-right corner of the frame (state before sequential numbers, ms numbers do not correspond with artist numbering). Flyleaf at the end. Two bookplates to front pastedown: “EX-LIBRIS PAUL GAVAULT” and armorial “IN ROBORE ROBUR | Ex Libris Bourlon de Rouvre”. Content (Roman numerals in parenthesis are publisher's numbers; numerals in italic are Armelhault-Bocher reference numbers):- Titre de la couverture (Title-page) – 2001
- (III) Un nid dans les blés (A nest in the wheat) – 2004
- (II) Amitié de pension (Friendship in the pension) – 2003
- (XI) Bras dessus, bras dessous (Arm up, arm down) – 2012
- (I) Causerie (Chat) – 2002
- (VI) Prélude (Prelude) – 2007
- (IX) Le guet-apens (Ambush) – 2010
- (V) Le cabinet noir (The dark chamber) – 2006
- (IV) Distraction (Entertainment) – 2005
- (X) Leçon de paysage (Landscape lesson) – 2011
- (VII) Avant le péché (Before sin) – 2008
- (VIII) Après le péché (After sin) – 2009
- (XII) La femme du peintre (The painter's wife) – 2013
-
Description: Softcover, 22 x 17 cm, in a blue-grey double slipcase 23.3 x 17.8 cm, publisher’s French flapped wrappers with a pink burning heart pierced with arrow diaper pattern, 15 unbound gatherings in 4to, and a suite of 12 stencil-coloured photogravures (au pochoir) after Shem, printed on wove pur fil paper; numerous tailpieces and in-text vignettes in blue. Half-title: Petites Cousines || Title-page: Alice • Simonne | Marcelle • Andrée | — | Souvenirs érotiques d’un homme | de qualité touchant les petites | cousines... les femmes du monde | et les belles filles de province | AUX DÉPENS D'UN AMATEUR ET | ~~ POUR SES AMIS ~~ || Pagination: [4] [1-4] 5-111 [112] [4], total 120 pages, incl. those in wrappers; 12 unnumbered suite of plates laid-in. Limitation: An edition of 255 copies of which 5 copies on Arches paper, enriched with one suite in b/w and one coloured plus one original drawing and two sketches (№№ 1-5); 15 copies on Arches paper, enriched with one suite in b/w plus one original drawing and one sketch (№№ 6-20); 235 copies on Pur Fil paper (№№ 21-255). This copy is № 85, with a suite of plates in colour. Catalogue raisonné: Dutel № 965, pp. 31-2. Note: Title-page per Dutel ALICE • SIMONNE | MARCELLE • ANDRÉE | — | Souvenirs érotiques d’un homme | de qualité touchant les petites | cousines... les femmes du monde | et les belles filles de Province | AUX DÉPENS D'UN AMATEUR ET | ~~ POUR SES AMIS ~~ || Contributors: Pierre Mac Orlan (born Pierre Dumarchey] (French, 1882 – 1970) – author. Schem [real name Raoul Serres] (French, 1881– 1971) – artist. -
Description: An unbound softcover volume 23.5 x 18 cm collated in 4to, text in fac-simile manuscript printed on Japon Nacre wove paper with untrimmed outer and bottom margins, with 12 laid-in hand-coloured etchings, including the title-page, after André Collot; in red quarter morocco over marbled boards folder with gilt lettering to spine “P. L. | ~ | PETITES | SCÈNES | AMOUREUSES”, in a red faux ostrich leather clamshell box 26.7 x 21 cm. A copy without the limitation page. Title-page: {vignette in colour} | Douze douzains de Dialogues | ou | Petites scènes amoureuses | * || (text in fac-simile ms). Content: (97 dialogues, not 144), similar to Pia: Premier douzain : Dialogues des Filles nues (1, 3, 4, 5, 6) – 5 dialogues; Deuxième douzain : Dialogue[s] des Masturbées (13, 14, 15, 16, 17, 18, 19, 20, [21]) – 9 dialogues; Troisième douzain : Dialogues des Masturbées (25, 26, 27, [28], 29, 30, 31, 32, 33) – 9 dialogues; Quatrième douzain : Dialogues des Lécheuses (37, 38, 39, 40, 41, 42, 44) – 7 dialogues; Cinquième douzain : Dialogues des Phallophores (49, 50, 51, 52, 53, 54) – 6 dialogues; Sixième douzain : Dialogues des Goules (61, 62, 63, 64, 65, 65 (i.e. 66), 67, 68, 69, 70, 71) – 11 dialogues; Septième douzain : Dialogues des Amoureuses (73, 74, 75, 76, 77, 78, 79, [80]) – 8 dialogues; Huitième douzain : Dialogues des Enculées (85, 86, 87, 88, 89, 90, 91, 92, 93, 94, [95]) – 11 dialogues; Neuvième douzain : Dialogues des Chieuses (97, 98, 99, 100, 101, 102, 104) – 7 dialogues; Dixième douzain : Dialogues des Pisseuses (109, 110, 111, 112, 114) – 5 dialogues; Onzième douzain : Dialogues des Mères (121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132) – 12 dialogues; Douzième douzain : Dialogues des Enfants (134, 135, 136, 137, 138, 139, [140]) – 7 dialogues. Collation: unpaginated, unbound [1]2 [16]4; total 66 leaves plus 12 plates, incl. t.p. In reality, when compared with another copy of the same book [LIB-3144.2023], the first gathering should have consisted of four leaves: 11 blanks, 12 engraved t.p. / blank, 13 blank / limitation, 14 faux t.p. Premier Douzain Dialogues des Filles nues. Edition: This copy of "calligraphié" Douze douzains de dialogues ou petites scènes amoureuses was most probably published in Paris by Libraire Robert Télin in 1927, 100 copies on Japon Nacre as per Dutel (1920-1970) № 1427. However, per Dutel (1) the title-page lettering is all in capital letters, (2) the illustration printed on p. 545 differs from the one in my copy, (3) the number of leaves is 68, while in my copy it is 66. Another "calligraphié" edition published in c. 1940 (Dutel 1429) is bound and has 80 leaves. Dutel unequivocally attributes the drawings to André Collot. Plates in this copy are similar to the ones in a pirated copy of Scènes de péripatéticiennes / Douze douzains de dialogues [LIB-2961.2022] (Dutel № 2366). According to Pia (1978) № 358, this is a 1927 edition published in Paris by libraire Robert Télin: « 1 f. blanc, 1 f. (justification), 1 f. (titre) et 65 ff. n. ch., plus 11 gravures à l’eau-forte rehaussées de couleurs ». Pia describes the folder and the box (chemise et étui) with lettering to spine almost as in my case: “P. L. | – | Petites | scènes | amoureuses” (lower case). Per Pia, illustrations are after André Collot (French, 1897 – 1976) or Louis Berthomme Saint-André (French, 1905 – 1977). Edition limited to 100 copies numbered I – C. There is no limitation statement in my copy, which may explain why my copy has fewer leaves than per Dutel and Pia. Catalogue raisonné: Dutel (1920-1970) №№ 1427 and 1429, p. 137 and № 2366, p. 356 ; Pia (1978) 358-9, p. 199-200. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. André Collot (French, 1897 – 1976) – artist. -
Description: Softcover, 23 x 14.5 cm, original flapped wrappers, spine and front cover lettered in blue «WANDA DE S…. | FRANÇOISE | OU | LES PLAISIRS DU MARIAGE | AUX ALLÉES DES ROSES», leaves untrimmed. Title-page: WANDA DE S…. | FRANÇOISE | OU | LES PLAISIRS DU MARIAGE | {vignette} | AUX ALLÉES DES ROSES || Collation: [1]8 (1 blank in wrapper, 1 blank, h.t., t.p., f.t.p., 3 leaves of text), 2-148 154 (uncut), 116 leaves total plus 10 hand-coloured photogravures by anonymous, extraneous to collation. Pagination: [1-10] 11-224 [8], ils.; 232 pages total. Limitation: edition under subscription, limited to 600 copies of which 100 copies (№ 1-100) on pur fil and 500 copies (№ 101-600) on Vélin, this is № 142. Edition: 1st edition thus, printed by Maurice Darantiere, illustrated with 10 full-page coloured photogravures after an anonymous artist, attributed by some to Feodor Rojankovsky [Rojan] and by some to Louis Berthomme Saint-André. According to J.-P. Dutel, the original watercolours in his collection signed Véronique. Catalogue raisonné: Dutel (1920-1970): 1605, p. 176; honesterotica.com. -
Description: Hardcover, 19 x 13 cm, contemporary binding, ¾ carrot morocco with raised bands over patterned cloth, similarly patterned endpapers, original pink wrappers preserved, gilt lettering to spine, Japanese previous owner’s stamp フィリップ (Firippu or Philippe) to verso front endpaper. Title-page: EXAMEN | DE | FLORA | à l’effet d’obtenir | son diplôme de putain | PARIS || Collation/pagination: blank flyleaf, original front wrapper with vignette, [1] blank, original watercolour 13.5 x 11 cm bound in, [2] blank, [3] h.t. / frontispiece, [4] t.p., 5-45 [46] [2] limitation / blank, back wrapper, blank flyleaf, with 14 stencil-coloured photogravures (au pochoir), two of them full-page, incl. frontispiece, after Feodor Rojankovsky [Rojan]. Limitation: 15 copies on Japon and 300 copies on Vélin, this is copy № 7. Edition: 1st edition thus, illustrated with 14 coloured photogravures, 2 of them full-page after Feodor Rojankovsky [Rojan], enriched with an original watercolour by the same artist. Catalogue raisonné: Dutel (1920-1970): 1532, p. 160 (same copy); honesterotica.com Provenance: J.-P. Dutel Note: J.-P. Dutel dates the edition as “vers 1935”; however, based on the edition of Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932 [LIB-2816.2021] in this collection, which contains some of the same illustrations, we attribute it to 1932. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Louis Protat (French, 1819 – 1881) – author. Illustrations:
Le théâtre érotique / Original
Examen de Flora / Original
Le théâtre érotique / Original
Le théâtre érotique / Original
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
