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Home/Collection/Great Britain
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  • Gordon Norton Ray. The Illustrator and the Book in England from 1790 to 1914 / Bibl. descript. Thomas V. Lange, photo. by Charles V. Passela. The Pierpont Morgan Library, Oxford University Press. — Oxford : Oxford Univ. Pr., 1976. — pp.: [i-viii] ix-xxxiii [1], [1-2] 3-336 [4], illustr.

    Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.

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  • A Square [Edwin A. Abbott]. Flatland: A romance of many dimensions / New and revised edition. — London: Seeley and Co., 1884.

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  • E. Neurdenburg, B. Rackham. Old Dutch pottery and tiles. — London: Benn Brothers Ltd., 1923.

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  • Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.

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  • Gian Carlo Calza, Stefania Piotti. Poem of the pillow and other stories by Utamaro, Hokusai, Kuniyoshi and other artists of the floating world. — London; New York: Phaidon Press, 2010.

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  • Joseph Conrad. The secret agent: A drama in three acts. — London, T. Werner Laurie, 1923.

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  • Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.

    Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth, corrected and revised by G. Gregory, illustrated by Thomas Stothard; 2 volumes. — London: C. and G. Kearsley, 1795.

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  • Leitch Ritchie. A Journey to St. Petersburg and Moscow through Courland and Livonia (Heath’s Picturesque Annual for 1836) / Drawings by A.G. Vickers. — London: Longman, Rees, Brown, Green, and Longman, 1836.

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  • COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.

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  • Oliver Hill. Pan’s garden. — London: Philip Allan & Co. Ltd., 1928.

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  • Antiquitates Christianæ: or, the History of the Life and Death of the Holy Jesus: as Also the Lives, Acts and Martyrdoms of His Apostles, in 2 parts / The 8th edition. — London: Luke Meredith, 1694.

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  • S. T. Prideaux. An Historical Sketch of Bookbinding. — London: Lawrence & Bullen, 1893.

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  • P. M. Handover. Printing in London : from Caxton to modern times. — Cambridge, MA: Harvard University Press, 1960.

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  • Thomas J. Wise. A bibliography of the writings of Joseph Conrad (1895-1920). — London: R. Clay & Sons, 1920.

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  • Eastern and western divisions of Paris, containing the quartiers. — London: c. 1840.

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  • Printing and the mind of man: assembled at the British Museum and at Earls Court, London, 16-27 July 1963. — [London]: F. W. Bridges & Sons Ltd., Association of British Manufacturers of Printers’ Machinery Ltd., [1963].

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  • George Cruikshank. George Cruikshank's Fairy Library. Hop-O'-My Thumb. Jack and the Bean-Stalk. Cinderella. Puss in Boots. — London: George Bell and Sons, 1885. — pp.: [2] blank, [2] first half-title with blank verso, [i-ii] second half-title with blank verso, [2] frontispiece plate with blank recto, [iii-viii] title, colophone, editor's note, list of illustr. [2] title with blank verso, [1] 2-101 [3] blank, 24 plates with protective tissue, unpag. — Colophon: This edition is limited to 500 copies, with India paper impressions. The former editions have been from lithographic transfers. The plates were retouched under Mr. Cruikshank's direction shortly before his death, and have not been used since until now.

    George Cruikshank’s Fairy Library. — London: George Bell and Sons, 1885.

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  • The life and adventures of George Augustus Sala / 2 Vol. — London: Cassel and Co., 1895.

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  • Algernon Charles Swinburne. Lucretia Borgia: The chronicle of Tebaldeo Tebaldei; Renaissance Period / Commentary and notes by R. Hughes; Engravings by R. Stone. — London: The Golden Cockerel Press, 1942.

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  • Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.

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  • Rosina Buckland. Shunga: Erotic art in Japan. — London: The British Museum Press, 2010.

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  • Willet Weeks. The Man Who Made Paris Paris: The Illustrated Biography of Georges-Eugene Haussmann. — London: London House, 1999©.

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  • Pierce Egan. Life in London / I. R. & G. Cruikshank (illustrators). — London: Sherwood, Neely, and Jones, 1821.

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  • Arthur Freeman. Bibliotheca Fictiva: a Collection of Books and Manuscripts Relating to Literary Forgery 400 BC – AD 2000. — London: Bernard Quaritch Ltd, 2014.

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  • Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]

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  • A bird’s-eye view of Paris, 1867.

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  • Konrad Lorenz. On aggression / translated by Marjorie Latzke, foreword by Sir Julian Huxley. — London: Methuen, 1966.

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  • John Locke. An essay concerning human understanding, in four books / The 3rd Edition. — London: Awnsham and John Churchil, Samuel Manship, 1695.

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  • Arthur M. Hind. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue / 3 volumes. — Cambridge: The University Press, 1952, 1954, 1964.

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  • Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.

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  • Leitch Ritchie. Schinderhannes, the robber of the Rhine (The library of romance). — London: Smith, Elder, and Co., 1833.

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  • Plan of Paris and suburbs with all the cross streets before the revolution, c. 1800.

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  • The most excellent Hugo Grotius his three books treating of the rights of war & peace… with the annotations digested into the body of every chapter / translated into English by William Evats, B.D. — London: Margaret White for Thomas Basset and Ralph Smith, 1682.

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  • Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927]. — pp.: [1-13] 14-251 [252: printer's imprint] [253-256: blank], note: [note: first and last leaves used as front and rear paste-downs].

    Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927].

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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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  • [Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.

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  • Graham Greene. A burnt out case. — London: Heinemann, 1961.

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  • Julia Hutt, Hélène Alexander. Ōgi: A history of the Japanese fan. — London: Dauphin, ©1992.

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  • John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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  • David Carey. Life in Paris / George Cruikshank (illustrator). — London: John Fairburn, 1822.

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  • The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 2, Nos. 7-12 (July–December) 1816. — London: Rudolph Ackermann, 1816.

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  • Edmund Burke. Reflections on the revolution in France and on the proceedings of certain societies in London relative to that event / 3rd edition. — London: J. Dodsley, 1790.

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  • Mons the Capital City of Hainault in ye Low Countries; engraving, 1744.

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  • B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.

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  • John Whitehead. This solemn mockery: The art of literary forgery. Arlington Books, London, 1973. ISBN-10: 0851402127

    John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.

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  • Curiosa: An exhibition of illustrated erotic books 1987 — London: Hobart & Maclean, 1987.

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  • Blue and white porcelain charger, Dutch or English, 18th century.

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  • Jack Kahane. Memoirs of a booklegger. — London: Michael Joseph Ltd., 1939.

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  • The Environs of Paris. — London: Charles Knight & Co., 1844.

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  • Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.

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  • [Barham, Richard Harris]. The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, esquire / First, Second and Third Series - 3 volumes; Illustr.: George Cruikshank and John Leech. — London: Richard Bentley, 1840-1847. — Vol. 1: Printed by London: Samuel Bentley, 1840. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-v [vi blank] [contents, list of ill.] [blank, etching on verso] [1] 2-338 [339] [7, incl. orig. FC and Sp.] bf, 6 plates: 1 by Buss, 3 by Leech, 2 by Cruikshank. — Vol. 2: Printed by London: S. & J. Bentley, Wilson, and Fley, 1842. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [v] vi-vii [viii blank] [contents, verso blank] [blank, etching on verso] [1] 2-288 [6, incl. orig. FC and Sp.] bf, 7 plates: 3 by Leech, 4 by Cruikshank. — Vol. 3: Printed by London: S. & J. Bentley, Wilson, and Fley, 1847. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-vi [contents, list of ill.] [blank, portrait on verso] [1] 2-364 [6, incl. orig. FC and Sp.] bf, 6 plates: 2 portraits, 2 by Leech, 2 by Cruikshank.

    [Richard Barham]. The Ingoldsby Legends or Mirth and Marvels / 3 vol., George Cruikshank and John Leech (illustrators). — London: Richard Bentley, 1840-1847.

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • The sleeping beauty / Told by C. S. Evans, illustrated by Arthur Rackham. — London: William Heinemann; Philadelphia : J. B. Lippincott Co., [1920].

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