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Torquato Tasso. La Gierusalemme liberata. — Genoa: Girolamo Bartoli, 1590.
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Polychrome maiolica salt cellars, Deruta, c. 1600.
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Geschichten aus Aretino / Mit fünfzehn Bildern von Choisi-Nérac. — Siena: Heinrich Conrad, 1907.
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Polychrome majolica cup with a lid, Deruta, c. 1600.
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Etruscan bucchero pottery kantharos. 6th century BCE.
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Montelupo maiolica charger with a gentleman in landscape holding a halberd (Italy, 17th century).
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Alexandre de Vesme. Le peintre-graveur italien; ouvrage faisant suite au “Peintre-graveur” de Bartsch. — Milan: U. Hoepli, 1906.
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8″ Brazilian horn Italian stiletto picklock Latama switchblade knife.
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Torquato Tasso. La Gerusalemme liberata. — Urbino: Girolamo Mainardi, 1735.
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Il Paradiso Perduto Poema inglese di Giovanni Milton tradotto dal sig. Paolo Rolli Con le Annotazioni di G. Addison E alcune Osservazioni critiche. — In Parigi [i.e. Verona/Venice]: Bartolomeo Occhi, 1758 / 2 vol. in one.
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Greek Apulian red-figure pelike. Ca. 330 BCE.
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Torquato Tasso. La Gerusalemme liberata. — Genoa: Giuseppe Pavoni, 1617
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Alexis Piron. Œuvres badines précédées d’une notice sur sa vie. Nouvelle édition, ornée de 20 figures en taille-douce [par Paul Sellier]. — Neuchatel: Imprimé par les presses de la société [i.e. Turin: Jules Gay], 1872.
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A portrait of Marcello Malpighi from his Opera Posthuma (1697).
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Torquato Tasso. Rime: Parte prima / Insieme con altri componimenti del medesimo. — Venice: [Aldus Manutius the Younger], 1581.
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Ioannis Baptistae Passeri. Pisauren. nob. Eugubini De tribus vasculis Etruscis encaustice pictis a Clemente XIV P.O.M. in museum Vaticanum inlatis dissertatio. — Florentiae: Typographia Moückiana, 1772.
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Maiolica dish, Venice, Italy, 17th century
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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.
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