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Ioannis Baptistae Passeri. Pisauren. nob. Eugubini De tribus vasculis Etruscis encaustice pictis a Clemente XIV P.O.M. in museum Vaticanum inlatis dissertatio. — Florentiae: Typographia Moückiana, 1772.
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Maiolica dish, Venice, Italy, 17th century
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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.
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Maiolica vase, Palermo, Italy, 17th century
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Torquato Tasso. Apologia in difesa della sua Gierusalemme liberata. — Mantua: Francesco Osanna, 1585/6.
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Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.
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Delle novelle italiane in prosa: Bibliografia di Bartolommeo Gamba Bassanese / Edizione seconda con correzioni ed aggiunte. — Firenze: Tipografia all’insegna di Dante, 1835.
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Venetian Album: 12 lithographs by Lessore after Wyld. — Venice: Charles Hopfner, 1834; (2) Veduta della casa di Loreto: 5 etchings by Filippo Jaffei. – Loreto: Jaffei, 1828; 2 more etchings.
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Italian maiolica lustre plate with a running deer in relief, mid-16th century.
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Il bombardamento di Venezia nell’Agosto del 1849. [Venice]: M. Fontana, [1849-50?].
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Montelupo polychrome maiolica plate with John the Baptist, 17th century.
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Torquato Tasso. La Gierusalemme liberata. — Genoa: Girolamo Bartoli, 1590.
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Polychrome maiolica salt cellars, Deruta, c. 1600.
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Geschichten aus Aretino / Mit fünfzehn Bildern von Choisi-Nérac. — Siena: Heinrich Conrad, 1907.
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Polychrome majolica cup with a lid, Deruta, c. 1600.
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Etruscan bucchero pottery kantharos. 6th century BCE.
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Montelupo maiolica charger with a gentleman in landscape holding a halberd (Italy, 17th century).
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Alexandre de Vesme. Le peintre-graveur italien; ouvrage faisant suite au “Peintre-graveur” de Bartsch. — Milan: U. Hoepli, 1906.
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