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Seiichirō Takahashi. Harunobu [春信] / English adaptation by John Bester (Masterworks of ukiyo-e, №6). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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Utagawa Kunisada (Toyokuni III). Princess Sotoori, from the series ‘Chronicles of Elegant Women’ / Fan print, 1859.
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Owari tsuba with wild geese and dewdrops on pampas grass motif. Early Edo period, 17th century.
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Heianjo Tsuba with design of lobster and deer. Late Muromachi or Momoyama period
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Map of Kyoto at the end of Edo period
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Iron tsuba with spider motif by Yatsushiro Jingo, Higo school. Late Edo period, ca. 1840.
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Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.
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Ōnin tsuba with zōgan design of flowers and wild geese. Late Muromachi period (1514-1573).
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Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.
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Utagawa Hiroshige. Water, from the series The Pride of Edo Compared to the Five Elements / Fan print, c. 1844-46.
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Utagawa Kunisada (Toyokuni III). The Sun, from the series ‘Moon, Sun, Stars’ / Fan print, c. 1850.
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Utagawa Sadahide. Travellers admiring the view of the Tama River and Mt. Koya in Kii Province / Fan print, c. 1849.
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Utagawa Kunisada. Saiko, from the series ‘Chronicles of Elegant Women’ / Fan print, 1859.
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Ōnin ten-zōgan tsuba with design of paper lanterns. Mid Muromachi period.
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Shibayama Fan – Autumn
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Hazama tsuba with a squirrel and bamboo motif. Edo period, 18th century.
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Kamakura-bori tsuba with design of encircled paulownia (kiri-mon). Mid Muromachi period, ca. 1450.
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Kagamishi tsuba with design of fruits and leaves. Muromachi period or earlier.
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