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Suzuki Harunobu or Isoda Koryūsai. Falcon on a pine-branch, with rising sun behind. Ca. 1775.
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Nishigaki tsuba with design of bamboo by Kanshiro I. Edo period, late 17th century.
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Utagawa Kunisada (Toyokuni III). Eight prints from the series Twelve hours of a modern clock (Imayo tokei jūniji), 1820-22.
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Kanayama tsuba with design of utensils. Momoyama period, late 16th century.
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Utagawa Kunisada (Toyokuni III). Matsumoto Kōshirō V as Nikki Danjō Saemon Naonori, 1863.
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Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.
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Utagawa Kuniyoshi. Beauty shaving her forelock from the untitled series of women before a mirror / Fan print, 1844-45.
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Utagawa Toyokuni I. Ichikawa Ebizō V (Danjūrō VII) in a Shibaraku role. Surimono.
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Akasaka tsuba with bamboo and sparrow motif by Tadamasa II. Early Edo period, 17th century.
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Gomoku-zōgan tsuba. Early Edo period, 17th century.
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Kitagawa Utamaro. Series of horizontal o-hosoban shunga prints, c. 1803.
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Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).
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Utagawa Kunisada. Actor Bandō Shūka I as Shirai Gonpachi, from the series ‘A Parody of the Five Chivalrous Commoners: a Cup of Sake From Their Fans’ / Fan print, 1852.
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Utagawa Sadahide. The God of Wind and The God of Thunder / Fan print, 1831.
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Utagawa Kunisada (Toyokuni III). Courtesan playing a kokyū, from the series ‘Assortments of Beauties Accomplishments’, 1829.
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Utagawa Kunisada (Toyokuni III). Narihira, from the series ‘A parody of six immortal poets’ / Fan print, 1844.
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A shakudō kozuka decoraded with equestrian tack by Goto Joshin (c. 1550).
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Old kutani (Japanese ceramics 11) [古九谷 日本の陶磁 (11) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.
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