Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865)
Signed: Toyokuni ga (豊國画) in a red toshidama cartouche
Publisher: Iseya Ichiemon [伊勢屋市右衛門] (Japanese, fl. c. 1820s – 1860s); seal Tsuji (辻)
Censor seal: Mura (村) for Murata Sahei
村田佐右衛; from 6/1842 to V/1846
Media: Aiban yoko-e uchiwa-e (団扇絵), color woodblock print, 223 x 284 mm
Title: Comparison of hand games at Shinto shrines (Jinja mitate ken, 神社見立拳; furigana: じんじゃ みたて けん)
Half-length, three-quarter view of a woman hanging a folded paper offering (
gohei, 御幣) or votive paper strip onto a sacred lattice (
kekkai, 結界) at a Shintō shrine. The lattice is covered with multiple paper knots (
shide, 紙垂) and locks of hair, signifying prayers or personal vows. Also hanging from the trellis are framed pictures with inscriptions bearing the names of Utagawa school artists—votive pictures (
ema, 絵馬) left as shrine offerings.
She wears a blue outer kimono with a wavy water pattern (
seigaiha, 青海波) adorned with white and dark blue peonies. Underneath, a red under-kimono is visible at the collar and sleeve openings. Her obi is brown with cherry blossoms and tortoiseshell roundels (
kikkōmon, 亀甲文). A folded fan (
sensu, 扇子) is tucked into the back of her obi.
Her elaborate shimada-style hairdo (
shimada-mage, 島田髷) is decorated with a gilded comb (
kushi, 櫛), a hairpin (
kanzashi, 簪), and red and brown ribbons.
To the left, a ritual water basin (
chōzubachi, 手水鉢) stands in front of the shrine entrance, accompanied by bamboo ladles (
hishaku, 柄杓) for purification rites. In the foreground, a closed umbrella rests upright, its ribs gathered in a neat taper.
The scene evokes a moment of religious devotion, combined with an element of playful allusion suggested by the title, which likens the act of tying votive papers to a hand game (
ken, 拳).
The seller commented on the series as Jinja mitate ken (A Parody of Shrine Votive Pictures).