//Netherlands
  • Three priests: Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest. Three priests with navigational instruments. Image taken from Description geographique, historique, chronologique et physique de l'Empire de la Chine et de la Tartarie Chinoise. Enrichies des cartes generales et particulieres de ces pays, etc. by Jean-Baptiste Du Halde (1674–1743), vol. 3, page 78. Originally published/produced in La Haye [The Hague], 1736. J.v.Solingen fecit

    Jean-Baptiste Du Halde (Chinese: 杜赫德; 1 February 1674 – 18 August 1743) was a French Jesuit historian specializing in China. He did not travel to China, but collected seventeen Jesuit missionaries' reports and provided an encyclopedic survey of the history, culture and society of China and "Chinese Tartary," that is, Manchuria. Voltaire said of Du Halde's work: "Although it is developed out of Paris, and he hath not known the Chinese, [he] gave on the basis of the memoirs of his colleagues, the widest and the best description the empire of China has had worldwide." Le Pere Matthieu Ricci, a.k.a. Matteo Ricci, S.J. (Italian pronunciation: [matˈtɛːo ˈrittʃi]; Latin: Mattheus Riccius Maceratensis; 6 October 1552 – 11 May 1610), was an Italian Jesuit priest and one of the founding figures of the Jesuit China missions. His 1602 map of the world in Chinese characters introduced the findings of European exploration to East Asia. He is considered a Servant of God by the Roman Catholic Church. Ricci arrived at the Portuguese settlement of Macau in 1582 where he began his missionary work in China. He became the first European to enter the Forbidden City of Beijing in 1601 when invited by the Wanli Emperor, who sought his services in matters such as court astronomy and calendrical science. He converted several prominent Chinese officials to Catholicism, such as Xu Guangqi, who aided in translating Euclid's Elements into Chinese as well as the Confucian classics into Latin for the first time. Le Pere Adam Schaal, a.k.a. Johann Adam Schall von Bell (1 May 1591 – 15 August 1666) was a German Jesuit and astronomer. He spent most of his life as a missionary in China (where he is remembered as "Tang Ruowang") and became an adviser to the Shunzhi Emperor of the Qing dynasty. Le Pere Ferdinand Verbiest, a.k.a. Father Ferdinand Verbiest (9 October 1623 – 28 January 1688) was a Flemish Jesuit missionary in China during the Qing dynasty. He was born in Pittem near Tielt in the County of Flanders (now part of Belgium). He is known as Nan Huairen (南懷仁) in Chinese. He was an accomplished mathematician and astronomer and proved to the court of the Kangxi Emperor that European astronomy was more accurate than Chinese astronomy. He then corrected the Chinese calendar and was later asked to rebuild and re-equip the Beijing Ancient Observatory, being given the role of Head of the Mathematical Board and Director of the Observatory. He became close friends with the Kangxi Emperor, who frequently requested his teaching, in geometry, philosophy and music. Verbiest worked as a diplomat and cartographer, and also as a translator because he spoke Latin, German, Dutch, Spanish, Hebrew, and Italian. He wrote more than thirty books. During the 1670s, Verbiest designed what some claim to be the first ever self-propelled vehicle – many claims this as the world's first automobile, in spite of its small size and the lack of evidence that it was actually built.

    Joshua Van Solingen was an engraver and publisher from Holland, working, besides other places, in Scotland. Information about him can be found at Catastrophic Bliss (The Griot Project Book Series) by Myronn Hardy;  Accounting in Scotland (RLE Accounting): A Historical Bibliography edited by Janet E. Pryce-Jones, Robert H. Parker; History of the Scottish Metrical Psalms: With an Account of the Paraphrases ... by John West MacMeeken;  The History of Edinburgh, from the Earliest Accounts to the Present Time ... by Hugh Arnot;  History of the Bassandyne Bible, the First Printed in Scotland: With Notices ... by William T. Dobson.

  • Title-page (in red and black): TALES AND NOVELS | OF | J. DE LA FONTAINE | WITH 12 ORIGINAL ETCHINGS | BY | CLARA TICE | VOLUME ONE (TWO) | {arabesque} | PRIVATELY PRINTED | AT THE PRINTING HOUSE OF G. J. THIEME | NIJMEGEN ~ HOLLAND | 1929 || Collation: 8vo. Vol. 1: π8 (2 blanks, h.t. / limitation №103 of 990, frontispiece etched portrait of La Fontaine w/ tissue guard, 4 leaves uncut with table and preface), 1—138, incl. 2 final blanks, paginated: xvi, 204 [4], plus 5 etchings besides frontis., all with tissue guards, by Clara Tice, in sepia. Vol. 2: π8, 1-188, paginated: xvi, 270 [271] epitaph, [272] blank, plus 6 etchings w/ tissue guards, by Clara Tice. Binding: 25.3 x 16.8 cm, quarter faux parchment over light blue publisher's boards, gilt lettering to spine. Ticket to front pastedown in each volume: “FROM THE COLLECTION | OF PRINCETON ANTIQUES BOOKFINDERS”, etc.  Etchings printed on wove paper, text – on laid paper; untrimmed, uncut. Edition: limited, privately printed run of 990 copies of which this is №103.
  • Description: Two volumes, 16.5 x 11 cm, collated 8vo, uniformly bound in the mid-19th century by H. Stamper (stamp to verso free endpaper) in red Morocco, ornated with gilt fillets and dentelles to boards and turn-ins, spine with raised bands and gilt decorations and lettering in compartments, marbled endpapers, all edges gilt; printed on laid paper; bookplate to front pastedown “EX LIBRIS | DANIEL | BERDITCHEVSKY”. Title-page (red and black, tall ‘s’): LES CENT | NOUVELLES | NOUVELLES. | SUIVENT LES CENT NOUVELLES | CONTENANT | Les Cent Histoires Nouveaux, | Qui sont moult plaisans a raconter, | En toutes bonnes Compagnies, | Par MANIERE DE JOYEUSETÉ. | Avec d'excellentes Figures en Taille-douce, | Gravées sur les desseins du fameux Mr. | ROMAIN DE HOOGE | & retouchées par feu | B. PICART LE ROMAIN | TOME PREMIER (TOME SECOND) |{device} | A COLOGNE | Chez Pierre Gaillard. | M.DCCXXXVI. || Vol. 1: Collation: [1] flyleaf torn out, [1] frontispiece, [1] title-page, [3] preface (*2-4), [1] Auertissement, [10] table (2+**-**8), A-Bb8 (Bb8 blank); 45 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 215 leaves plus ffl and frontispiece by Gilliam van der Gouwen after Romain de Hooge. Pagination (starting from t.p.): [30] 1-397 [398] [2], total 430 pages. Vol. 2: Collation: ffl, [*1] t.p., [11] table (*2-8, **-4), A-Aa8 Bb4 (Bb4 blank); 55 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 208 leaves plus ffl. Pagination: [24] 1-389 [390] [2], total 416 pages. Catalogue raisonné: Landwehr (1970) № 94, p. 203; Lewine (1898) p. 326; Cohen-DeRicci (1912) p. 658. Landwehr cites two editions after the 1st of 1701: Amsterdam 1732 and Cologne 1786 [i.e. 1736]. Both Lewine and Cohen-DeRicci attribute the text to Louis XI and mention the 1736 reprint (though not 1786). The first edition of “Les cent nouvelles nouvelles” appeared in 1486 by commission of Duke of Burgundy Philippe le Bon; the text is attributed to Philippe Pot (1428 – 1493), Antoine de La Sale (c. 1385 – c. 1460) or King Louis XI (1423 – 1483). Contributors: Artists: Romain de Hooge (Dutch, 1645 – 1708) Bernard Picart (French, 1673 – 1733) Engravers: Gilliam van der Gouwen (Dutch, c. 1657 – 1716) (frontispiece) Laurens Scherm (Dutch, fl. 1689 – 1701) (nouvelles XXIX, XXX, LXXVII) Jan Van Vianen (Dutch, c.1660 – 1726?) (nouvelles L, LII, LVII-LX, LXIV-LXVII, LXX) Binder: Henry Stamper (British, 1802? – 1887) Commissioner: Philippe le Bon [Philip III] (French, 1396 – 1467) Publisher: Pierre Gaillard (French, fl. 1715 – 1737)
  • Amoris Divini Emblemata, Studio Et Aere Othonis Vaeni Concinata. — Antverpiae: Ex Officina Plantiniana Balthasaris Moreti, MDCLX [1660]. — pp.: [1] (Van Veen port.), [1] title, [2] (Isabella port.), 3-127 [1], 60 illustr. — 2nd impression. Octavius Vaenius, a.k.a. Otto Vaenius or Otto Van Veen (c. 1556-1629) was Rubens's last and most influential teacher. The Amoris divini emblemata was first published in 1615 by Nutius & Meursius in Antwerp. Vaenius’s book was to influence Herman Hugo's Pia desideria (LIB-1657.2018). Book structure: On frontispiece, trimmed and mounted portrait of Octavius Vaenius painted by his daughter Gertruida van Veen (signed Gertrudis filia) and engraved by Nicolas de Larmessin. Trimmed portrait of the Infanta Isabella Clara of Austria (1566 – 1633) pained by Peter Paul Rubens and engraved by Jan de Leeuw mounted to title verso.  60 engraved plates with emblems are on recto pages with facing texts: Latin quotations from Bible and Fathers, Spanish verses by Alphonso de Ledesma, Dutch by Vaenius and French by Carolus Philippus Hattron (d. 1632). Rebound in the mid-19th century in brown quarter Morocco with blind marbled boards and gilt lettering to spine. Inscription in ink on verso to van Veen portrait: "I bought this volume with the portraits inserted at the sale of the library of my uncle Samuel Rogers, Esq." Signed: "Frederick Sharpe, 1856". Frederick Sharpe (born was a son of Samuel Sharpe (1799–1881), the nephew of Samuel Rogers (1763–1855), a celebrated English poet. Size: 23.3 x 17.9 cm. Ref.: Emblem Project Utrecht (with an explanation of all the emblems); PETER BOOTHUYGENS: Similar or Dissimilar Loves?    
  • Title-page: LUKAS ROTGANS | POËZY, | VAN VERSCHEIDE | MENGELSTOFFEN; | MET KONSTPLAATEN VERSIERT. | Tweede Druk | {vignette} | TE AMSTERDAM; | By ANTONI SCHOONENBURG, 1735. || Collation: 4to; fep, 1st blank, engraved t.p. by M. Pool, t.p., *3,4; 2*-9*4, 10*1, *LII2, *LII, 10*2 —> *-10*4 (40 leaves);  A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Q4, last blank, fep; (340 leaves), 2 plates extraneous to collation. Pagination: [2] [1-5] 6-14 [15-80] [1-3] 4-680 [2], 2 unsigned plates not included in pagination after pp. 634 and 652, 50 headpieces by Jacob Folkema after Arnold Houbraken, and 2 tailpieces by Jan de Ruijter. Marks: Armorial bookplate: “Ex Libris J. J. Mak | {coat of arms} | Inveni Intermanere Melius”. Oval ink stamp: “HOOGERE BURGERSCHOOL. | DELFT” Provenance: Johannes Jacobus Mak (Dutch, 1908 – 1975). Edition: 2nd, 1st edition published in 1715 in Leeuwarden by François Halma. Contributors: Lukas Rotgans (Dutch, 1653 – 1710) – author. Arnold Houbraken (Dutch, 1660 – 1719) – artist. Jacob Folkema (Dutch, 1692 – 1767) – engraver. Matthijs Pool (Dutch, 1676 – 1740) – engraver. Jan de Ruijter (Dutch, 1688 – 1744) – engraver. Antoni Schoonenburg (Dutch, 1682 – 1754) – publisher.
  • One volume, collated 8vo, 19.5 x 13 cm, later bound in brown full morocco by Pouillet, gilt-bordered covers, raised bands to spine, gilt in compartments, gilt-lettered, double-fillet on cover edges, gilt dentelle inside, signed, all edges gilt, marbled endpapers. Title-page: ŒUVRES | PHILOSOPHIQUES | DE MR. D ***. | — | LES BIJOUX INDISCRETS | — | TOME CINQUIEME | {vignette} | A AMSTERDAM, | Chez Marc-Michel Rey. | — | M. DCC. LXXII. || Pagination: [8] [1] 2-389 [390], total 398 pages, frontis., vignette, plates. Collation: 3 blank leaves at front and rear, π2 a2 A-Aa8 Bb3, total 199 leaves plus 7 unsigned engraved plates incl. frontispiece, and engraved vignette to t.p. Catalogue raisonné: Cohen-DeRicci 303; Lewine 145-6: …with the plates which have been copied and reduced in the undated Cazin edition (1771 and 1785). Contributors: Marc-Michel Rey (Dutch, 1720 – 1780) – publisher. Denis Diderot (French, 1713 – 1784) – author.
  • Les Aventures de Télémaque, fils d'Ulysse, Par feu Messire François de Salignac de la Mothe-Fénelon, Précepteur de Messeigneurs les Enfants de France, & depuis Archevêque - Duc de Chabray, Prince du Saint-Empire Romain, &c. / Nouvelle édition enrichie de figures en taille-douce. – À Maestricht, Chez J. E. Dufour & Ph. Roux, Imprimeurs-Libraires associés. M. DCC. LXXXII. Pagination: ffl, [i, ii - ht, explication] [2 - blank, frontis. portrait] [iii, iv - t.p., blank] [v - discours] vi-xxviii, [1] 2-484, bfl; 1 folding map and 24 plates engraved by Jean-Baptiste-Pierre Tardieu. Size: 8vo, 21 x 13 cm. Binding: full contemporary mottled calf, marbled end-papers, all margins red, raised bands, floral gilt elements in compartments, red title label, head- and tail-band absent. Point of issue: the vignette in Liv. 1 is upsidedown. Liv. 1 & 8 plates signed: Gravé par Tardieu résident à Malines. Jean Baptiste Pierre Tardieu (French, 1746 – 1816) - engraver and cartographer from a large family of artists and engravers. For English translation of this book see № LIB-2683-2021 in this collection.  
  • Plan de la ville et citadelle de Cambray : place forte du pays bas capitalle du Comté Cambresis situé sur la riviere de l'Escaut a trois lieues de Bouchain, a cinq du Quesnoy, a six et demy de Landrecy, a six de Valenciene, a cinq de Douay, a huit d'Arras, et a six de Perone, l'Archeveque de Cambray est Duc de Cambray, Comté du Cambresis et Prince du S. Empire, elle fut prix sur les espagnoles par Louis XIV, le 5.me d'April 1677; A AMSTERDAM Chez Covens & Mortier, Avec Privilege.

    Date of publication: [between 1721 and 1778].

    Dimensions: Sheet: 48 x 58.3 cm; Image: 38.2 x 47.7 cm. Earlier editions of the same were by Pierre Husson in the Hague (ca. 1715) and by Eugene Henry Fricx in Brussels (1710).
  • Description: two volumes, 38.3 x 25.5 cm each, uniformly bound in red morocco, boards decorated in gilt in the style of Luc-Antoine Boyet, with gilt dentelle inside out; spine with raised bands, gilt lettering, gilt in compartments; all edges gilt; marbled endpapers; printed on laid paper, text in the floral frame, engraved frontispiece (after Hyacinthe Rigaud), plates, t.p. vignette with the portrait of Desiderius Erasmus (after Quentin Metsys), head- and tailpieces (total of 40, some repeating) and 2 initials by Bernard Picart, folded portrait of dedicatee Guillelmine Charlotte Princesse de Galles &c &c &c by van Gunst after Kneller. Title-page (red and black, tall ‘s’): OEUVRES | DE | NICOLAS BOILEAU | DESPRÉAUX. | AVEC DES | ÉCLAIRCISSEMENTS | HISTORIQUES, | DONNEZ PAR LUI-MEME. | Nouvelle Edition revuë, corrigée & augmentée de diverses Remarques. | Enrichie de figures gravées par Bernard Picart le Romain. | TOME PREMIER (SECOND). | {vignette} | A AMSTERDAM, | Chez DAVID MORTIER. | — | M DCCXVIII. | AVEC PRIVILEGE. || Vol. 1. Collation: 4to; 1 ffl, a-c4 d1 A-3K4, 3L2, 1ffl; (K3 marked I3). Plates: t.p. vignette, frontispiece, 24 head- and tailpieces, f.t. in a grotesque frame and 6 full-page for ‘Le Lutrin’ in the same frame by Bernard Picart; folded portrait of Guillelmine Charlotte, Princess of Wales by van Gunst after Kneller. Pagination: [4] [i-v] vi-xviii [4] [1] 2-450 [2]. Vol. 2. Collation: 4to; 2 ffl, π2 A-3C4 3D3 2 ffl; (V3 marked T3, 2L4 marked A). Plates: t.p. vignette (same as vol.1) and 7 head- and tailpieces by Bernard Picart. Pagination: [4] [i-iii] iv-vii [viii] [1] 2-370 [2] [20]. Catalogue raisonné: Lewine 72-3; Cohen-De Ricci 165-6. Contributors: Luc-Antoine Boyet (French, fl. 1684 – 1733) – bookbinder. Claude Brossette (French, 1671 – 1743) – author, remarks. André Dacier (French, 1651 – 1722) – author, preface. Nicolas Boileau Despréaux (French, 1636 – 1711) – author. Pieter Stevens van Gunst (Dutch, 1659-1724) – engraver. Sir Godfrey Kneller (British, 1646-1723) – artist. David Mortier (Dutch-British, 1673 – 1728) – publisher. Bernard Picard (French, 1673 – 1733) – artist, engraver. Quentin Massijs [Metsys, Matsys] (Flemish, 1466 – 1530) – artist. Hyacinthe Rigaud [Jacint Rigau-Ros i Serra] (French, 1659 - 1743) – artist. Guillelmine Charlotte, Princess of Wales (Wilhelmina Charlotte Caroline of Brandenburg-Ansbach) (1683 – 1737) – dedicatee
  • Pliny's Historia Naturalis. Engraved Title: C. PLINIUS S. Vande Menfchen, Beeften, Vogelen en Viffchen. [Pliny the Elder. Of Men, Beasts, Birds, and Fish]. Title: C. PLINII | SECUNDI | Des wijd-vermaerden Na- | tuur-kondigers vijf boecken handelende van de nature. | Handelende van de Nature | I. Vande Manfchen. | II. Vande viervoetige en kruypende Dieren. | III. Vande Vogelen. | IV. Vande kleyne Beeftjes of Ongedierten. | V. Vande Viffchen, Oefters, Kreeften, &c. | Hier zijn by ghevoeght / de Schriften | van verscheyden andere oude autheuren / de | natuer der dieren aengaende; | En nu in defen leften Druck wel het vierde part | vermeerdert , uyt verscheyden nieuwe Schrijvers | en eyghen ondervindinge : en met veel | kopere Plaeten verciert. {Device} | t' AMSTELREDAM , | By Iooft Hartgers, Boeck-verkooper op den Dam | bezijden het Stadthuys, 1650. Pagination: [1, 2] - engraved t.p. / blank, [3, 4] - text t.p. / Aen den nauw-keuringem Lefer..., 5-802, 52 engraved plates; colophon on p. 802 bottom: "Gedruckt by Chiftoffel Cunradus, ..." Collation: A-Z1-12, Aa-Kk1-12 Size: 12mo, 14 x 9 cm Binding: Vellum The first Dutch version, consisting of extracts from books 7-11 from Pliny's "Natural History" was published in Arnheim by Jans Janzen in quarto in 1610. Our copy is one of the Amsterdam editions and the only one in duodecimo. According to WorldCat, there is not a single copy of this edition in the US libraries. Printed by Christoffel Cunradus ( Freiberg , c. 1615 - Amsterdam , 1684) for publisher Joost Hartgers (Dutch, fl. 1650). See Gudger, E. W. "Pliny's Historia Naturalis. The Most Popular Natural History Ever Published." Isis 6, no. 3 (1924): 269-81. Accessed September 23, 2020. http://www.jstor.org/stable/224311.
  • Two volumes, 168 x 106 mm each, uniformly bound in faux mottled calf ruled in gilt, marbled endpapers. Vol. 1: 3 blank leaves of wove paper, 3 blank leaves of laid paper, half-title/blank, blank/frontispiece, ‘engraved’ t.p./blank, both printed on laid paper watermarked “ARCHES A LA | MAIN”; ‘letterpress’ t.p.,/blank, pp.: [1] 2-115 [116 blank], 3 blank leaves of laid paper, 3 blank leaves of wove paper; collated 12mo: π2 A-I6 K4; total 60 leaves plus 16 ‘engraved’ plates, incl. t.p. and frontis. Vol. 2: 3 blank leaves of wove paper, 3 blank leaves of laid paper, half-title/blank, blank/frontispiece, ‘engraved’ t.p./blank, no watermark, ‘letterpress’ t.p.,/blank, pp.: 1-77 [78 blank], 2 blank leaves of laid paper, 3 blank leaves of wove paper; collated 12mo: π2 A-F6 G3; total 41 leaves plus 24 ‘engraved’ plates, incl. t.p. and frontis. Dutel (I): A-1089, p. 325: in-8 (probably by size only, no formula suggested), pagination 115 and 77 as here, 2 frontispieces, 2 engraved titles dated 1873, “et 36 belles gravures de Binet”. Cohen-DeRicci: p. 734 bottom: in-12, no pagination, no formula. "Thérèse" was offered by a French seller user-75d14f4 on the online auction platform CATAWIKI in December 2021. The seller's description of this two-volume set was: "Re-edition, the date of which I was unable to determine. (London, no name, 1782) 2 duodecimo volumes of 115 and 77 pp., very lovely marbled sheepskin pastiche bindings, gilded triple fillets, adorned spines, black title labels. This classic of 18th-century clandestine erotica was written in 1748 by an author who has remained anonymous, attributed at the time to Montigny, which led to his internment in the Bastille. It is now attributed to the Jean-Baptiste de Boyer, Marquis d'Argens. Edition illustrated with 37 very unrestrained figures, engraved in intaglio after Borel, unsigned." I should have paid more attention to the first phase, about the re-edition, but I didn't. After a few bidding rounds, I won the book when the hammer price was 2,200 Euros. On the 28th of December, 2021, I paid for this little beauty $2,760. The book arrived a few days later.  The paper's quality and texture, the watermark, the absence of the platemark, and the lack of embossing on the back (text and plates) made me suspect it was a fake. The pages were absolutely flat to the touch!  I established clear evidence of a high-resolution 'xerox' copy using Celestron Micro Capture Pro micro-photography.  I wrote to the seller and the auction platform, explaining my doubts regarding its authenticity. To prove my point, I include a few micro photos of the "Thérèse" and some books printed at the end of the 18th century. I explained why I considered it a fake and requested a return/refund. After two months of email exchanges, the seller and the platform refused to pay me back. Today is the 2nd anniversary of the purchase. I still have the book. To celebrate my carelessness, I included it in my library to warn fellow book collectors about buying from an unknown dealer via certain online auction platforms. Ref.: Bamber Gascoigne. How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink. — Thames and Hudson, 1995.

    Thérèse philosophe, 1783.

    Late 18th century books

    Books used for comparison: [LIB-2743.2021] Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787. [LIB-3027.2022] [Héliodore d’Emèse]. Amours de Théagènes et Chariclée: Histoire Éthiopique / 2 vol. — Londres [i.e. Paris]: [s.n.], 1743. [LIB-3252.2023] [Nicolas Chorier.] Le Meursius françois, ou entretiens galans d’Aloysia, orné de figures. — Cythere [i.e. Paris: Cazin], 1782. Below is a Xerox copy for comparison.