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  • Rudyard Kipling. How the leopard got his spots: Just so stories series / Pictured by F. Rojankovsky. — Garden City, NY: Garden City Publishing Company, 1942.

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  • Sarah E. Thompson, Harry D. Harootunian. Undercurrents in the Floating World: Censorship and Japanese Prints. — NY: The Asia Society Galleries, 1991.

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  • Muneshige Narazaki. Hokusai: Sketches and paintings [漫画肉筆画] (Manga nikuhitsuga) / English adaptation by John Bester (Masterworks of ukiyo-e, №7). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Muneshige Narazaki. Early paintings [初期 浮世絵] (Shoki Ukiyo-e) / English adaptation by Charles A. Pomeroy (Masterworks of ukiyo-e, №1). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • Seiichirō Takahashi. Harunobu [春信] / English adaptation by John Bester (Masterworks of ukiyo-e, №6). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.

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  • Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.

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  • Vladimir Nabokov. Ada or Ardor: A Family Chronicle. — NY, Toronto: McGraw Hill, 1969.

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  • O. Henry. The complete works / Foreword by William Lyon Phelps (Authentic edition). — Garden City, NY: Garden City Publishing Co., Inc., 1937.

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  • Muneshige Narazaki. Hiroshige: Famous views [広重] / English adaptation by Richard L. Gage (Masterworks of ukiyo-e, №5). — Tokyo; Palo-Alto, CA: Kodansha International, 1970.

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  • Muneshige Narazaki. Studies in Nature: Hokusai-Hiroshige [花鳥風月]/ Translated by John Bester (Masterworks of ukiyo-e, №11). — Tokyo; Palo-Alto, CA: Kodansha International, ©1970.

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  • Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Arthur L. Guptill. Rendering in pen and ink / Edited by Susan E. Meyer. — N.Y.: Watson- Guptill, 1976.

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  • Morphology of the Folktale by V. Propp.First edition translated by Lawrence Scott with an introduction by Svatava Pirkova-Jacobson. Second edition revised and edited with a preface by Louis A. Warner / New introduction by Alan Dundes. University of Texas Press, Austin and London. Seventh paperback printing 1979. American Folklore Society Bibliographical and Special Series; Vol. 9 / Revised edition / 1968. Indiana University Research Center in Anthropology, Folklore, and Linguistics; Publication 10 / Revised Edition / 1968.

    V. Propp. Morphology of the Folktale. — Austin: University of Texas Press, 1979.

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  • John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.

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  • The satyrical drawings of Martin van Maele / Foreword by Mel. L. Sokolow. —N.Y.: Cythera Press, 1970.

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  • June Kysilko Kraeft, Norman Kraeft. Armin Landeck: The catalogue raisonné of his prints / Second edition, revised and enlarged. — Carbondale: Southern Illinois University Press, 1994©.

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  • Gail Levin. Edward Hopper: The Complete Prints. — NY, London: W. W. Norton & Co., 1979©.

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  • Frank Cieciorka. With liberty and justice for all / c. 1967.

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  • Portrait of Audrey Hepburn | Breakfast at Tiffany’s, 1961.

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  • Portrait of Woody Allen | The Front, 1976 / Autograph

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  • Cesare Leonardi, Franca Stagi. The architecture of trees / Introduction by Andrea Cavani and Giulio Orsini. — New York: Princeton Architectural Press, 2019©.

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  • The world of Hogarth: Lichtenberg’s commentaries on Hogarth’s engravings / Translated by Innes and Gustav Herdan. — Boston: Houghton Mifflin Company, Cambridge: The Riverside Press, 1966.

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  • Richard J. Wolfe. Marbled Paper: Its history, techniques, and patterns. — Philadelphia: University of Pennsylvania Press, 1991.

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  • Andrew Loomis. Drawing the head and hands. — New York: The Viking Press, 1958.

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  • Andrew Loomis. Drawing the head and hands & Figure drawing for all it’s worth (box set). — London: Titan Books, 2011.

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  • W. S. Baker. American engravers and their works. — Philadelphia: Gebbie & Barrie Publishers, 1875.

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  • The colophon (new series): A quarterly for bookmen. — NY: Pynson Printers, 1935 – 1938.

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  • Fornicon by Tomi Ungerer. — NY: Grove Press, 1969©.

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  • Michel Carmona. Haussmann: his life and times, and the making of modern Paris. — Chicago: Ivan R. Dee, 2002.

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  • Pascin. Perls Galleries / Exhibition Catalogues: 1952, 1955, 1959, 1962.

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  • Preparatory manuscript and 27 original and unpublished gouaches by Marcel Vertės for Lady Chatterley’s lover by D. H. Lawrence.

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  • Владимир Набоков. Другие берега. — Нью-Йорк: Издательство имени Чехова, 1954.

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  • Владимир Набоков. Возвращение Чорба / Собрание рассказов и повестей, т. 1. — Анн-Арбор: Ардис, 1976.

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