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© Aurora Art Publishers, Leningrad, 1985. Printed and bound in Finland. Title-page (in red on the pictorial background): SAVED FOR | HUMANITY | THE HERMITAGE DURING | THE SIEGE OF LENINGRAD | 1941-1944 | AURORA ART PUBLISHERS • LENINGRAD || Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and red to front cover and spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with 388 b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. Design by Valery Ivanov. A twin edition to [LIB-3042.2022] S. Varshavsky, B. Rest. The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
© Aurora Art Publishers: ISBN 0-8109-1406-9. Printed and bound in Finland. A pictorial album about the history and collections of The Hermitage museum in St. Petersburg during World War II. Title-page: in frame: THE ORDEAL | OF THE | THE SIEGE OF | LENINGRAD• | 1941 – 1944 | HERMITAGE; under the frame: Text by Sergei Varshavsky and Boris Rest | — | AURORA ART PUBLISHERS, LENINGRAD• | HARRY N. ABRAMS, INC., PUBLISHERS, NEW YORK || Description: Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and purple lettering to spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. A twin edition to [LIB-3043.2022] S. Varshavsky, B. Rest. Saved for humanity: the Hermitage during the siege of Leningrad, 1941-1944. — Leningrad: Aurora Art Publishers, 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
Title-page (text in frame): FRANCIS CARCO | RIEN QU'UNE | FEMME | {vignette} | EAUX-FORTES DE | CHAS LABORDE | — | PARIS — M.CM.XXV || Description: 4to, 24.5 x 20 cm, owner’s red cloth, yellow leather label with gilt lettering to spine, original wrappers bound in, woodcut bookplate “ИЗ КНИГ Ф.РОЖАНКОВСКАГО” to front pastedown; chapter titles and initials printed in pink. Collation: fep, 2 blanks before front wrapper, front wrapper with a black lettered pink label, 2 blanks, h.t., t.p., dedication, 1-204 212,2 blanks, rear wrapper, 2 blanks, rep; total 89 leaves within wrappers, plus 15 plates with tissue guards, incl. frontispiece – hand-coloured etchings by Chas [Charles] Laborde, extraneous to collation. In some copies, there are two additional plates. Pagination: [10] [1] 2-162 [2 colophon/blank] [4], total 178 pages. Limitation: Date of printing: September 15, 1925. Printer: Imprimeur Coulouma (Argenteuil) Print run: 267 copies of which 1 copy on Japon Ancien (№1), 15 on Japon Impérial (№№ 2-16), 60 on Hollande (№№ 17-76), and 200 copies on Vélin de Rives (№№ 77-276) ; this is copy № 82. Etchings printed on BFK Rives paper (embossed). Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970). Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Roger Lacourière (French, 1892 – 1966) – engraver. -
Description: One volume, 8vo, 22 x 14.5 cm, in brown paper boards with orange and black lettering to spine, pictorial dust jacket, unclipped “PRICE | 30s net | IN U.K. ONLY”, collated [A]-S8, pp.: [i-vi] vii-xiii [xiv blank], 1-273 [274 blank], 144 leaves total. Edition: 1st English edition. Original title: Das Sogenannte Böse: zur Naturgeschichte der Aggression. — Wien : Dr. G. Borotha-Schoeler, 1963. Contributors: Konrad Zacharias Lorenz (Austrian, 1903 – 1989) – author. Sir Julian Sorell Huxley (British, 1887 – 1975) – author of the foreword. Marjorie Latzke [Kerr Wilson] (American, 20th century) – translator from German. Methuen & Co Ltd. (London) – publisher. Cox & Wyman Ltd. (Fakenham, Norfolk) – printer. -
Description: one volume, 20.7 x 13.3 cm, bound in cream cloth with red and black lettering to front cover and spine, author’s photographic portrait frontispiece. Title-page (black and red): ИЗБРАННОЕ (vertical, red) | И. БАБЕЛЬ | {publisher’s device “ИХЛ”} | Издательство | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | Москва | 1966 || Contents: Конармия; Одесские рассказы; Рассказы; Воспоминания; Пьесы; Статьи, выступления; Письма; Комментарии. Imprint: Вступительная статья | Л. ПОЛЯК | Комментарии | Е. КРАСНОЩЕКОВОЙ | Оформление художника | Ю. БОЯРСКОГО | 7–3–2 / 57–66 || Pagination :[2] 3-493 [494] [2]; total 496 pages, ils. Collation: 8vo; [1]-318; total 248 leaves plus author’s photographic portrait frontispiece. Contributors: Исаак Эммануилович Бабель [Isaac Babel] (Russian-Jewish, 1894 – 1940) – author. Лидия Моисеевна Поляк (Russian-Jewish, 1899 – 1992) – author, foreword. Елена Александровна Краснощекова (Russian-Jewish, b. 1934) (see Александр Михайлович Краснощёков) – author, commentary. Юлий Александрович Боярский (Russian, 1924 – 2009) – artist. -
Description: One volume, 20.2 x 14 cm, bound in tan cloth, lettered in red and embossing “И. БАБЕЛЬ | РАССКАЗЫ | {vignette} | ГОСЛИТИЗДАТ | 1934”, red lettering to spine. Title-page: И. БАБЕЛЬ | РАССКАЗЫ | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | 1934 || Contents: Конармия; Одесские рассказы; Рассказы. Pagination: [1-4] 5-282 [283] [284 blank] [2 contents] [2]; total 288 pages, +3 ils. Collation: [1]-188; total 144 leaves, plus 3 wood-engraved plates by Boris Gutentog extraneous to collation. Print run: 15.000 copies. Edition: 1st edition thus. Contributors: Исаак Эммануилович Бабель [Isaac Babel] (Russian-Jewish, 1894 – 1940) – author. Борис Наумович Гутентог [Boris Gutentog] (Russian-Jewish, 1902 – 1980) – artist. -
Description: Volume 2 of 3, 16 x 12.5 cm, publisher’s grey wrappers, lettered in black and white to front cover, black to spine. Half-title: publisher’s device «ЗиФ» to recto, to verso: ГЮИ ДЕ-МОПАССАН | СОБРАНИЕ СОЧИНЕНИЙ | ТОМ II | — | «ЗЕМЛЯ и ФАБРИКА» | МОСКВА – ЛЕНИНГРАД || Title-page: ГЮИ ДЕ-МОПАССАН | НАГРАЖДЕН | ОРДЕНОМ | ПЕРЕВОД С ФРАНЦУЗСКОГО | ПОД РЕДАКЦИЕЙ | И. БАБЕЛЯ | ЧЕТВЕРТАЯ ТЫСЯЧА | — | «ЗЕМЛЯ и ФАБРИКА» | МОСКВА – ЛЕНИНГРАД || Imprint: Обложка худ. Н. Альтман | Отпечатано в типогр. рабоч. | Изд-ва «Прибой» им. Евг. | Соколовой, Пр. Красн. | Командиров, 29, в ко- | личестве 4.000 экз. | Главлит № 61.389. | 10 и. лист. | Ленинград | 1926 || Collation: 8vo; 1-108 111, total 81 leaves. Pagination: [1-5] 6-161 [162 contents], total 162 pages. Edition: 1st thus. Print run: 4,000 copies. Contents: Награжден орденом (пер. Александры Чеботаревской); Порт (пер. И. Смидович); Верхом (пер. Валентины Дынник); Ночь под Рождество (пер. Александры Чеботаревской); Пьерро (пер. Валентины Дынник); Болезнь Андрэ (пер. И. Бабеля); Ожерелье (пер. Александра Элиасберга); Мститель (пер. Александры Чеботаревской); Шкаф (пер. Александры Чеботаревской); Заместитель (пер. Александры Чеботаревской); Дождевой зантик; Покинутый (пер. А. Мирэ). Contributors: Guy de Maupassant (French, 1850 – 1893) – author. Исаак Эммануилович Бабель [Isaac Babel] (Russian-Jewish, 1894 – 1940) – translation editor. Натан Исаевич Альтман [Nathan Altman] (Russian-Jewish, 1889 – 1970) – artist. Александра Николаевна Чеботаревская (Russian, 1869 – 1925) – translator. Инна Гермогеновна Смидович (Russian, 1870 – 1940/42) – translator. Валентина Александровна Дынник-Соколова (Russian, 1898 – 1979) – translator. Александр Самойлович Элиасберг [Alexander Eliasberg] (Russian-Jewish, 1878 – 1924) – translator. Александра Михайловна Моисеева [А. Мирэ] (Russian, 1874 – 1913) – translator. -
Description: Original pictorial wrappers, folio, unbound, in a double slipcase with gilt lettering to spine; pp. [4] [1-12] 13-204 [4], 53 folded leaves, 47 dry-point illustrations after Marcel Vertès. Limitation: Edition of 140 copies on Arches paper of which 20 copies (№ 1-20) enriched with one original drawing, one suite of plates incl. 5 cancels and 5 full-page prints; 105 copies (№ 21-125); 15 copies (№ I-XV) for collaborators of witch 5 enriched with an original drawing and a complete suite of plates. This is copy № 45, enriched with an A.L. signed by Claude Roger-Marx (Jewish- French, 1888 – 1977). Colophon: Printed on January 15, 1954 in Paris on a press of madame J.-G. Daragnès by Éditions Manuel Bruker. Catalogue raisonné: Vokaer № 57. Other titles: Daphnis and Chloe (en), Daphnis et Chloé (fr), Daphnis und Chloe (de), Dafnis y Cloe (es), Gli amori pastorali di Dafni e Cloe (it). Other editions in this collection: LIB-2870.2021 and LIB-1926.2019. Contributors: Longus [Λόγγος] (Greek, 2nd century AD) – author Jacques Amyot (French, 1513 – 1593) – translator Paul Louis Courier (French, 1772 – 1825) – editor Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist/illustrator Jean-Gabriel Daragnès (French, 1886 – 1950) – printer Manuel Bruker [Mendel Brucker] (Jewish-Hungarian-French, 1891 – 1979) – publisher Portrait of Jacques Amyot engraved by Nicolas de Larmessin I (French, 1632 – 1694) in this collection: Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682. [LIB-2676.2021]:
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Description: Softcover, 22 x 17 cm, in a blue-grey double slipcase 23.3 x 17.8 cm, publisher’s French flapped wrappers with a pink burning heart pierced with arrow diaper pattern, 15 unbound gatherings in 4to, and a suite of 12 stencil-coloured photogravures (au pochoir) after Shem, printed on wove pur fil paper; numerous tailpieces and in-text vignettes in blue. Half-title: Petites Cousines || Title-page: Alice • Simonne | Marcelle • Andrée | — | Souvenirs érotiques d’un homme | de qualité touchant les petites | cousines... les femmes du monde | et les belles filles de province | AUX DÉPENS D'UN AMATEUR ET | ~~ POUR SES AMIS ~~ || Pagination: [4] [1-4] 5-111 [112] [4], total 120 pages, incl. those in wrappers; 12 unnumbered suite of plates laid-in. Limitation: An edition of 255 copies of which 5 copies on Arches paper, enriched with one suite in b/w and one coloured plus one original drawing and two sketches (№№ 1-5); 15 copies on Arches paper, enriched with one suite in b/w plus one original drawing and one sketch (№№ 6-20); 235 copies on Pur Fil paper (№№ 21-255). This copy is № 85, with a suite of plates in colour. Catalogue raisonné: Dutel № 965, pp. 31-2. Note: Title-page per Dutel ALICE • SIMONNE | MARCELLE • ANDRÉE | — | Souvenirs érotiques d’un homme | de qualité touchant les petites | cousines... les femmes du monde | et les belles filles de Province | AUX DÉPENS D'UN AMATEUR ET | ~~ POUR SES AMIS ~~ || Contributors: Pierre Mac Orlan (born Pierre Dumarchey] (French, 1882 – 1970) – author. Schem [real name Raoul Serres] (French, 1881– 1971) – artist. -
Description: An unbound softcover volume 23.5 x 18 cm collated in 4to, text in fac-simile manuscript printed on Japon Nacre wove paper with untrimmed outer and bottom margins, with 12 laid-in hand-coloured etchings, including the title-page, after André Collot; in red quarter morocco over marbled boards folder with gilt lettering to spine “P. L. | ~ | PETITES | SCÈNES | AMOUREUSES”, in a red faux ostrich leather clamshell box 26.7 x 21 cm. A copy without the limitation page. Title-page: {vignette in colour} | Douze douzains de Dialogues | ou | Petites scènes amoureuses | * || (text in fac-simile ms). Content: (97 dialogues, not 144), similar to Pia: Premier douzain : Dialogues des Filles nues (1, 3, 4, 5, 6) – 5 dialogues; Deuxième douzain : Dialogue[s] des Masturbées (13, 14, 15, 16, 17, 18, 19, 20, [21]) – 9 dialogues; Troisième douzain : Dialogues des Masturbées (25, 26, 27, [28], 29, 30, 31, 32, 33) – 9 dialogues; Quatrième douzain : Dialogues des Lécheuses (37, 38, 39, 40, 41, 42, 44) – 7 dialogues; Cinquième douzain : Dialogues des Phallophores (49, 50, 51, 52, 53, 54) – 6 dialogues; Sixième douzain : Dialogues des Goules (61, 62, 63, 64, 65, 65 (i.e. 66), 67, 68, 69, 70, 71) – 11 dialogues; Septième douzain : Dialogues des Amoureuses (73, 74, 75, 76, 77, 78, 79, [80]) – 8 dialogues; Huitième douzain : Dialogues des Enculées (85, 86, 87, 88, 89, 90, 91, 92, 93, 94, [95]) – 11 dialogues; Neuvième douzain : Dialogues des Chieuses (97, 98, 99, 100, 101, 102, 104) – 7 dialogues; Dixième douzain : Dialogues des Pisseuses (109, 110, 111, 112, 114) – 5 dialogues; Onzième douzain : Dialogues des Mères (121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132) – 12 dialogues; Douzième douzain : Dialogues des Enfants (134, 135, 136, 137, 138, 139, [140]) – 7 dialogues. Collation: unpaginated, unbound [1]2 [16]4; total 66 leaves plus 12 plates, incl. t.p. In reality, when compared with another copy of the same book [LIB-3144.2023], the first gathering should have consisted of four leaves: 11 blanks, 12 engraved t.p. / blank, 13 blank / limitation, 14 faux t.p. Premier Douzain Dialogues des Filles nues. Edition: This copy of "calligraphié" Douze douzains de dialogues ou petites scènes amoureuses was most probably published in Paris by Libraire Robert Télin in 1927, 100 copies on Japon Nacre as per Dutel (1920-1970) № 1427. However, per Dutel (1) the title-page lettering is all in capital letters, (2) the illustration printed on p. 545 differs from the one in my copy, (3) the number of leaves is 68, while in my copy it is 66. Another "calligraphié" edition published in c. 1940 (Dutel 1429) is bound and has 80 leaves. Dutel unequivocally attributes the drawings to André Collot. Plates in this copy are similar to the ones in a pirated copy of Scènes de péripatéticiennes / Douze douzains de dialogues [LIB-2961.2022] (Dutel № 2366). According to Pia (1978) № 358, this is a 1927 edition published in Paris by libraire Robert Télin: « 1 f. blanc, 1 f. (justification), 1 f. (titre) et 65 ff. n. ch., plus 11 gravures à l’eau-forte rehaussées de couleurs ». Pia describes the folder and the box (chemise et étui) with lettering to spine almost as in my case: “P. L. | – | Petites | scènes | amoureuses” (lower case). Per Pia, illustrations are after André Collot (French, 1897 – 1976) or Louis Berthomme Saint-André (French, 1905 – 1977). Edition limited to 100 copies numbered I – C. There is no limitation statement in my copy, which may explain why my copy has fewer leaves than per Dutel and Pia. Catalogue raisonné: Dutel (1920-1970) №№ 1427 and 1429, p. 137 and № 2366, p. 356 ; Pia (1978) 358-9, p. 199-200. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. André Collot (French, 1897 – 1976) – artist. -
Description: Softcover, 23 x 14.5 cm, original flapped wrappers, spine and front cover lettered in blue «WANDA DE S…. | FRANÇOISE | OU | LES PLAISIRS DU MARIAGE | AUX ALLÉES DES ROSES», leaves untrimmed. Title-page: WANDA DE S…. | FRANÇOISE | OU | LES PLAISIRS DU MARIAGE | {vignette} | AUX ALLÉES DES ROSES || Collation: [1]8 (1 blank in wrapper, 1 blank, h.t., t.p., f.t.p., 3 leaves of text), 2-148 154 (uncut), 116 leaves total plus 10 hand-coloured photogravures by anonymous, extraneous to collation. Pagination: [1-10] 11-224 [8], ils.; 232 pages total. Limitation: edition under subscription, limited to 600 copies of which 100 copies (№ 1-100) on pur fil and 500 copies (№ 101-600) on Vélin, this is № 142. Edition: 1st edition thus, printed by Maurice Darantiere, illustrated with 10 full-page coloured photogravures after an anonymous artist, attributed by some to Feodor Rojankovsky [Rojan] and by some to Louis Berthomme Saint-André. According to J.-P. Dutel, the original watercolours in his collection signed Véronique. Catalogue raisonné: Dutel (1920-1970): 1605, p. 176; honesterotica.com. -
Description: Hardcover, 19 x 13 cm, contemporary binding, ¾ carrot morocco with raised bands over patterned cloth, similarly patterned endpapers, original pink wrappers preserved, gilt lettering to spine, Japanese previous owner’s stamp フィリップ (Firippu or Philippe) to verso front endpaper. Title-page: EXAMEN | DE | FLORA | à l’effet d’obtenir | son diplôme de putain | PARIS || Collation/pagination: blank flyleaf, original front wrapper with vignette, [1] blank, original watercolour 13.5 x 11 cm bound in, [2] blank, [3] h.t. / frontispiece, [4] t.p., 5-45 [46] [2] limitation / blank, back wrapper, blank flyleaf, with 14 stencil-coloured photogravures (au pochoir), two of them full-page, incl. frontispiece, after Feodor Rojankovsky [Rojan]. Limitation: 15 copies on Japon and 300 copies on Vélin, this is copy № 7. Edition: 1st edition thus, illustrated with 14 coloured photogravures, 2 of them full-page after Feodor Rojankovsky [Rojan], enriched with an original watercolour by the same artist. Catalogue raisonné: Dutel (1920-1970): 1532, p. 160 (same copy); honesterotica.com Provenance: J.-P. Dutel Note: J.-P. Dutel dates the edition as “vers 1935”; however, based on the edition of Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932 [LIB-2816.2021] in this collection, which contains some of the same illustrations, we attribute it to 1932. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Louis Protat (French, 1819 – 1881) – author. Illustrations:
Le théâtre érotique / Original
Examen de Flora / Original
Le théâtre érotique / Original
Le théâtre érotique / Original
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
Examen de Flora / Print
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Description: Hardcover small 4to, 20.3 x 15.8 cm, contemporary binding, quarter carrot morocco with raised bands over marbled boards, marbled endpapers, original wrappers preserved, gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 3 blanks, original front wrapper with black lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 3 blanks; 5 full-page illustrations within collation, 3 original watercolours extraneous to collation bound in between 11 and 12 blank leaves. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 201. Edition: 1st edition thus, illustrated with 20 coloured photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 3 full-page original watercolours by him. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original watercolours:
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Description: Hardcover, 20.5 x 16 cm, contemporary binding, ¾ calf with raised bands over marbled boards in a marbled slipcase, marbled endpapers, original wrappers preserved, t.e.g., gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 2 blanks, original front wrapper with blue lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 2 blanks; 5 full-page illustrations within collation, 5 original drawings extraneous to collation. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 12. Edition: 1st edition thus, illustrated with 20 stencil-coloured (au pochoir) photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 5 full-page original crayon drawings by the same artist. Provenance: Stamp with J.-P. Dutel device to 1st blank leaf. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original crayon drawings by Rojan:
Colour prints after Rojan's drawings:
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Softcover, 8vo, 18.8 x 12 cm in publisher’s wrappers, lettered to front and spine, pp.: [i-vii] viii-xiii [xiv], [1-3] 4-268 [6], total 144 leaves; collation: [1]-188. Front wrapper (green and black): Liberté de l’Esprit | COLLECTION DIRIGÉE PAR RAYMOND ARON | DIALOGUE AUX ENFERS | entre | MACHIAVEL | et | MONTESQUIEU | par | MAURICE JOLY | {publisher’s device} | Calmann-Lévy || Title-page: MAURICE JOLY | DIALOGUE AUX ENFERS | entre | MACHIAVEL | et | MONTESQUIEU | ou | LA POLITIQUE DE MACHIAVEL | AU XIXe SIÈCLE | par un contemporain | CALMANN-LÉVY, ÉDITEURS | 3, RUE AUBER — PARIS || Imprint: Premier tirage, Février, 1848. Colophon: Printed on March 10, 1948 by Floch (Mayenne). Subject: Political ethics; Niccolò Machiavelli (Italian, 1469 – 1527); Charles Louis de Secondat, baron de La Brède et de Montesquieu (French, 1689 – 1755; Protocols of the elders of Zion; Political science; France – Politics and government – 1848-1870; Napoleon III. Contributors: Maurice Joly (French, 1829 – 1878) – author. Raymond Claude Ferdinand Aron (French-Jewish, 1905 – 1983) – editor of the series. Calmann-Lévy (Paris) – publisher. -
Description: Softcover 25 x 17 cm in the publisher’s French flapped wrappers lettered to front in black and green « Pierre Louys | MANUEL | DE | CIVILITÉ | POUR LES PETITES FILLES | à l'usage | des | maisons d'éducation » in a frame; unbound, 14 loose bifold wove paper (BFK Rives) sheets collated 4to, in glassine dust jacket, in slipcase; pp.: [1-10] 11-104 [8], total 56 leaves plus 12 laid-in plates after an anonymous artist’s watercolours and drawings reproduced by photogravure and stencil-coloured (au pochoir). Title-page: MANUEL | DE | CIVILITÉ | POUR LES PETITES FILLES | à l'usage | des | maisons d'éducation | ~ | LONDERS | MCMXLVIII || Limitation: 299 copies of which 1 copy (№ UN) on Vieux Japon enriched with the original watercolours and drawings and a b/w suite; 6 copies on Auvergne, each with one original watercolour and a b/w suite (№ I-VI); 6 copies on Auvergne each with one original drawing and a b/w suite (№ VII-XII); 15 copies on Auvergne enriched with a b/w suite (№ XVIII-XXVIII); 271 copies on Vélin de Rives (№ 1-271). This is copy № 91. Publisher, printer, artists – anonymous and unknown. Clandestine edition, marked "London", i.e. Nice, France. Catalogue raisonné: Dutel (1920-1970) № 1920, p. 251. For the original edition, see: LIB-3116.2022. -
Binding: One volume collated 4to, 27 x 19.4 cm in publisher’s French flapped cream wrappers lettered in blue and black to front and spine. Printed on watermarked laid paper (vergé d’Arches), outer and bottom margins untrimmed. Front wrapper (blue and black): PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | ILLUSTRATIONS DE | BRUNELLESCHI | {publisher’s device «EM»} | PARIS | L’ESTAMPE MODERNE | 1930 || Title page: PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | CONTENANT | DIX-SEPT ILLUSTRATIONS | EN COULEURS DONT NEUF HORS-TEXTE | PAR | BRUNELLESCHI | {publisher’s device} | PARIS | L’ESTAMPE MODERNE | ÉDITEURS | 14, RUE DE RICHELIEU, 14 | 1930 || Collation: 4to; π4 (incl. 1st blank, h.t./limit., t.p., d.t.p.) [1]-414 (last gathering uncut); total 168 leaves plus 9 plates with tissue guards extraneous to collation, incl. frontispiece, stencil-coloured etchings by Gorvel after Brunelleschi. Pagination: [6] [2] 3-324 [6], total 336 pages, ils. Limitation: Edition limited to 524 copies, 6 on Japon Impérial, enriched (№ 1-6); 13 on Japon Impérial, enriched (№ 7-19); 30 on Japon Impérial, enriched (№ 20-49); 450 on vergé d’Arches (№ 50-499); 5 on Japon Impérial (№ I-V) not for sale, and 20 on vergé d’Arches (№ VI-XXV) not for sale. This copy is № 300, on vergé d’Arches. Printed: January 30, 1930, by Coulouma (Argenteuil), plates by Ad. Valcke (Paris), stencil-colouring by J. Saudé. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. Georges Emile Louis Eugene Gorvel (French, 1866 – 1938) – etcher. Jean Saudé (French, fl. c. 1890 – 1930) – printer (pochoir, stencil) Coulouma (Argenteuil) – printer L’Estampe Moderne – publisher. -
Oblong album of forty photogravures printed on wove paper in sanguine after drawings by Mihály Zichy; 31.5 x 40.5 cm gilt-decorated half-parchment over red boards with a gilt diaper design; embossed gilt label in the top left corner “Michael | von Zichy. | Liebe”. Anonymous edition. Bookplate to front pastedown: “P•U•H | EX | LIBRIS”. Photogravures made from the original watercolours and crayon drawings produced in 1874-1879; the original album consisted of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. Some of these photogravures were reproduced photomechanically and printed in 1869 [LIB-2244.2019] and 1989 [LIB-2242.2019]. Limitation: 300 copies were privately printed in Leipzig in 1911 for subscribers only; photogravure copper plates were destroyed. This is copy № 285. Title-page (brown and black): MICHAEL VON ZICHY | LIEBE | VIERZIG ZEICHNUNGEN | PRIVATDRUCK LEIPZIG 1911 || Dimensions: album: 31.5 x 40.5 cm; sheets 31 x 40 cm, uncut. Catalogue raisonné: Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, seconde partie. — Paris: Christie’s, 2006; p. 280, № 564 (drawings); № 565 photogravures [LIB-2810.2021]. Contributors: Mihály Zichy [Michael von Zichy; Михаил Александрович Зичи] (Hungarian, 1827 – 1906).
