//1st edition
  • Owner’s quarter cloth over faux marbled paper binding, 19.8 x 15.1 cm, pp.: [1-4] 5-227 [3], total 230 pages plus frontispiece (b/w photographic portrait w/facsimile); library blue ink stamp to t.p. “Библиотека средней политехнической школы № 76 г. Харькова Октябрьского района Инв. № ___». Title-page: ДИТЯЧА БIБЛIОТЕКА УКРАЇНСЬКИХ ПИСЬМЕННИКIВ | За редакцiєю В. АРНАУТОВА та О. ПОПОВА | — | ВИБРАНI ТВОРИ | Упорядкував С. МIЗЕРНИЦЬКИЙ | Державний Науково-Методологiчний Комитет | Наркомосвiти УСРР по секциï сицiяльного | виховання дозволив до вжитку як допомiчний | посiбник в книгозбiрнях установ соцвиху | ДЕРЖАВНЕ ВИДАВНИЦТВО УКРАЇНИ | 1928 || Contents: Передмова, Викуп, Паньска воля (Горпина), Козачка, Ледащиця, Чумак, Не до пари, Тюлева баба, Кармелюк, Гайдамаки. Print run: 5,000 copies. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Other variants: Markowovzok and Marko Vovtchok.  
  • Hardcover volume 36 x 27.5 cm, bound in grey cloth, gilt lettering ЛЕНИНГРАД to front board, red and black labels with gilt lettering, gilt compartments to flat spine, red endpapers with black and white border, pp.: [1-6] 7-402 [2], total 202 leaves with numerous b/w illustrations, plus frontispiece with pasted in b/w plate. Bookplate of Feodor Rojankovsky to front pastedown, ms inscription: “Дорогой Федя, дарю Вам на Ваше рождение эту книгу” signedФ. Рожанковский” Half-title (red on tan): ИЗДАНО В ЛЕНИНГРАДЕ | В ДНИ ВЕЛИКОЙ | ОТЕЧЕСТВЕННОЙ ВОЙНЫ || Half-title verso (red on tan): ЛЕНИНГРАДСКИЙ ГОРОДСКОЙ  СОВЕТ | ДЕПУТАТОВ ТРУДЯЩИХСЯ | ИСПОЛНИТЕЛЬНЫЙ КОМИТЕТ  | {vignette «plan»} | АРХИТЕКТУРНО-ПЛАНИРОВОЧНОЕ | УПРАВЛЕНИЕ | 1943 || Title-page (red on tan) ЛЕНИНГРАД | {vignette «Admiralty»} | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | «ИСКУССТВО» | ЛЕНИНГРАД – 1943 –  МОСКВА || Blue ink stamp to bottom right: Printed in Soviet Union. Title-page verso: РЕДАКЦИОННАЯ | КОЛЛЕГИЯ | Ответственный редактор | БАРАНОВ Н. В. | КАМЕНСКИЙ В. А. | МОРОЗОВ М. В. | РУБАНЕНКО Б. Р. | ФОМИН И. И. | Художник издания | КАМЕНСКИЙ В. А. | Технический редактор | АНИСИМОВ М. Н. Contents (red on tan): АРХИТЕКТУРНО-ПЛАНИРОВОЧНЫЙ | ОБЗОР РАЗВИТИЯ ГОРОДА | РАЗВИТИЕ ГОРОДА В XVIII ВЕКЕ | С. М. ЗЕМЦОВ | РАЗВИТИЕ ГОРОДА В XIX ВЕКЕ  | А. Г. ЯЦЕВИЧ | РАЗВИТИЕ ГОРОДА С 1917 ПО 1935 г. | Б. Р. РУБАНЕНКО | ГЕНЕРАЛЬНЫЙ ПЛАН РАЗВИТИЯ | ЛЕНИНГРАДА  | Н. В. БАРАНОВ | ИЛЛЮСТРАЦИИ | ГОРОДА || verso: {vignette} | ГЕНЕРАЛЬНЫЙ ПЛАН ГОРОДА ЛЕНИНГРАДА. || Print run: 2,500 copies. ProvenanceFeodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970). Contributors: Каменский, Валентин Александрович (Russian, 1907 – 1975) Земцов, Станислав [Исай] Маркович (1906 – ?) Яцевич, Андрей Григорьевич (Russian, 1887 – 1942) Рубаненко, Борис Рафаилович (Russian-Jewish, 1910 – 1985) Баранов, Николай Варфоломеевич (Russian, 1909 – 1989) Фомин, Игорь Иванович (Russian, 1904 ­– 1989)
  • Oblong hardcover volume, 13.3 x 21 cm, bound in brown buckram with embossed gilt lettering to front, pp.: [1-4] 5-482 [2] errata leaf tipped-in. Title-page: СОЮЗ СОВЕТСКИХ ПИСАТЕЛЕЙ СССР | СПРАВОЧНИК | на 1954 — 1955 годы | ИЗДАТЕЛЬСТВО «Советский писатель» | МОСКВА 1954 || On page 71, second from bottom: Варшавский Сергей Петрович, г. Ленинград, Ропшинская ул., д. 1/32, кв. 18, тел. В 3-56-00. Print run: 3,000 copies.
  • Letterpress title-page, engraved title-page, and 10 sheets of collotype plates printed on india paper mounted on thick wove paper, with captioned guard sheets, loose in a vellum-backed cardboard portfolio with cloth-mounted flaps; floral diaper design inside throughout; bookseller's label to front board verso; limited edition of 550 copies of which this is copy № 103. Dimensions: 338 x 268 mm portfolio; 325 x 260 mm sheet, 225 x 195 mm image. Front board with lettering and vignette: GÖTTERLIEBSCHAFTEN | DAS MIT WINKENDEM HAUPT ICH GEWAHRET | {vignette} | {signature} | ARTUR WOLF / VERLAG WIEN || Letterpress title-page: FRANZ VON BAYROS | “GÖTTERLIEBSCHAFTEN” | ARTUR WOLF / VERLAG WIEN | 1914 || Verso to letterpress t.p. VERZEICHNIS DER TAFELN.
    1. Europa und der Stier
    2. Leda und die Schildkröte
    3. Sterope und Herkules
    4. Herodikos und die Turnerinnen
    5. Phoroneus und die Hirtin
    6. Minos und Persipeia
    7. Phryne und Mutter
    8. Pytalos und Demeter
    9. Kirke und die Ferkel
    10. Putiphar
    And limitation statement: Dieses Werk wurde im Auftrage des Verlages Artur Wolf, Wien, in der Kunstanstalt Jaffé, Wien, in Faksimile-Lichtdruck in einer einmalign numerierten Auflage von 550 Exemplaren hergestellt. Die Nummern 1 bis 50 wurden vom Künstler signiert. Dieses Exemplar erhielt die Nummer 103. Contributors: Franz von Bayros (Austrian, 1866 – 1924) – artist Arthur Wolf (Austrian-Jewish, 1887 ­ 1932) – publisher Artur-Wolf-Verlag (1911 – 1937)– publisher (company)
  • Two hardcover volumes 22.7 x 18.5 x 4.5 cm, uniformly bound in contemporary vellum with a blind border along the edges, handwritten title to spine, printed on laid paper with watermarks to ffls: “Leonard”, “ISRB”, and the arms of Amsterdam. Vol. 1: SPIEGEL van STAAT | des | VEREENIGDE | NEDERLANDS. | Waar in | De Macht en 't Vry Bestier, | Van yder der Zeven Verbonde PROVINCIEN en haar | byzondere Steeden, | Zo in Rechten als Regeeringen werd ontvouwd. | Aanwyzende | Aan, de In, en Uytheemschen, alle de Hooge en Lage Recht- | banken, Collegien en Ampten, dewelke in de zelve, tot | dienst van den Staat, en het Recht, zyn ingesteld. | Hoe, wanneer en waar, voor de zelve yets te verrichten is. | DOOR | Mr: ROMYN de HOOGHE. | EERSTE DEEL: | {fleuron} | t’ AMSTERDAM, | — | By JAN TEN HOORN, Boekverkooper 1706. Collation: 2ffl, *-**4, A-Z4 2A-Z4 3A-O4 4A-G4 5A-S4 6A-F4, 2ffl, (4G2 marked 3G2), total 372 leaves, plus 8 folded leaves of plates, t.p., and half-page vignette dedication by Romeyn de Hooghe. Pagination: [16], 1-267, 268-270 (marked 468-470) 271-480, [2] 3-55 [56], [2] 3-143 [144], [2] 3-44 [4], total 744 pages, ils. Vol. 2: SPIEGEL van STAAT. | VERVATTENDE | DE MACHT DER | GENERALITEYT. | De Edele Mogende Collegiën, | Hooge Rechtbaken, Steden, Schansen | en Onderhoorigheeden, | Welke van Hoog Mogende af angen. | DOOR | Mr: ROMYN de HOOGHE. | TWEEDE DEEL. | Met Figuuren. | {fleuron} | Te AMSTERDAM, | — | By JAN TEN HOORN, | Boekverkooper, 1707. Collation: 2ffl, *-**4, ***2, A-Z4 2A-T4, (A-Z)4, (2A-V)4 X2, 2ffl, total 352 leaves plus 9 folded leaves of plates, t.p., and half-page vignette dedication by Romeyn de Hooghe. Pagination: [20], 1-335 [336], 1-339 [340] [8], total 704 pages, ils. Contributors: Romeyn de Hooghe (Dutch, 1645 – 1708) Jan ten Hoorn (Dutch, fl. 1671 – 1715)
  • Owner’s wrappers, 28 x 21 cm, printed on laid paper, unpaginated, collated ffl, [A, B]4 C-G4, 2 ffl; total 28 leaves plus 5 engraved plates by Allegrini after Mariotti; engraved title-page (Vercruys after Soderini), head- and tailpieces (Gregori after del Moro) and initials. Owner's label to front pastedown: Marc Burdinprêtre.  Title-page (engraved, red and black): IOANNIS BAPTISTAE PASSERI | PISAUREN. NOB. EUGUBINI | DE TRIBUS VASCULIS ETRUSCIS | ENCAUSTICE PICTIS | A CLEMENTE XIIII. | P.O.M. | IN MUSEUM VATICANUM INLATIS | DISSERTATIO. | {VIGNETTE} | FLORENTIAE. MDCCLXXII. | ~ | in Typographia Moückiana. Cum adprobat. || Dedication: ANTIQVARIAE. ERVDITIONIS. PROPAGATORI EXIMIO ABSOLVTISSIMAM . HANC. DISSERTATIONEM CLARISS. PASSERII DE . IMAGINIBVS . ET . SYMBOLIS TRIVM . VASORVM . ETRVSCI . OPERIS QVAE PRINCIPIS. NOSTRI.SANCTISS. ET. SAPIENTISS. LARGITATE IN . VATICANVM . MVSEVM A. SE. CVMVLATISSIME . DITATVM INVE CTA . FVERVNT REGINALDVS.COMES.ANSIDAEVS.PATR.PERVS. M. A. CARD. PRONEPOS DEVOTVS. NOMINI . MAIESTATIQVE . EIVS DEMISSISSIME. Translation: "To the most excellent promoter of antiquities, the most accomplished: This most complete dissertation concerning the images and symbols of three Etruscan vases, which were most abundantly bestowed by our most holy and wise Prince onto the Vatican museum, was composed by the illustrious Passerius. Reginald, Count of Ansidius, true ancestral father, grandson by blood of the Cardinal, devoted most humbly and devoutly to his name and majesty." NoteP.O.M. stands for "Papa Optimo Maximo", which translates to "Father Most Excellent." For a similar vase in this collection, see VO-0098. This vase is attributed to Apulia, ca. 330 BCE. Passeri was probably wrong to attribute this type of vessel to Etruscan vase painting, produced from the 7th through the 4th centuries BC. Contributors: Giovanni Battista Passeri (Italian, 1694 – 1780) – author. Francesco Moücke (Italian, fl. 1729 – 1787) – publisher. Pope Clement XIV [Ganganelli, Giovanni Vincenzo Antonio] (Italian, 1705 – 1774) – dedicatee. Artists:  Mauro Soderini (Italian, 1704 – after 1751) Carlo Spiridione Mariotti (Italian, 1726 – 1790) Lorenzo del Moro (Italian, 1677 – 1735) Engravers: Theodor Vercruys [Teodoro Vercruysse] (Dutch, 1678 – 1739) Francesco Allegrini da Gubbio (Italian, 1587 – 1663) Carlo Bartolomeo Gregori (Italian, 1702 – 1759)
  • Paperback, 23.7 x 19 cm, green pictorial wrappers, lettering to spine, glassine dust jacket, some pages uncut, signed autograph blue ink inscription to h.t. "Au dr. Manuel Bruker en souvenir d'une harmonieuse  collaboration. Vertès, 1952"; pp.[1-6] 7-489 [490] [2], profusely illustrated in b/w., Title-page: AMANDES VERTES | {vignette} | Texte et dessins | de | VERTÈS | ÉDITIONS REVUE ADAM | 4, RUE DE LA PAIX – PARIS – 2e || Limitation: Il a été tiré 200 exemplaires sur papier vélin d'arches; ceux-ci comportent un frontispice inédit en lithographie originale en 3 couleurs signée par l'auteur, tirée par Mourlot frères; ces exemplaires composent l'édition de luxe numérotée de 1 a 200. En plus, 20 exemplaires hors commence ont été réservés a des service personnels; ils sont numérotés de I a XX en chiffres romains. Ces deux éditions forment la totalité du tirage de luxe. Colophon: Achevé d'imprimer le 30 juin 1952 sur les presses de l'imprimerie Hérissey à Évreux numéro d'édition de l'éditeur : 91. Edition limited to 200 copies numbered 1 to 200 and 20 copies numbered from I to XX. This is copy № 91. No coloured frontispiece. Catalogue raisonné:  Vokaer № 53. ProvenanceManuel Bruker (French, 1891 – 1979) Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – author/artist. Imprimerie Hérissey (Évreux) – printer. Edition Adam La Revue D' Homme [Revue Adam] – publisher.
  • Hardcover volume, 17 x 12.5 cm, bound in lilac cardboard, lettering to covers and spine, vignette by Boris Rybchenkov to front board; pp.: [1-4] 5-188 [4]. Pencil ms to h.t. "Самалюк | Рай Кунцевское | Зав. роно" (Самалюк, зав. кунцевским районным отделом народного образования)ю Title-page: И. Г. МАЛЕЕВ | ГОРОЖАНЕ | МОСКОВСКОЕ | ТОВАРИЩЕСТВО | ПИСАТЕЛЕЙ || Print run: 5,200 copies. Contributors: Малеев, Игорь Александрович (Russian, 1904 – 1936?) – author. [Igor Maleyev] Рыбченков, Борис Федорович (Russian, 1899 – 1994) – artist. [Boris Rybchenkov]  
  • Hardcover, 19 x 13.8 cm, crimson buckram with tan paper label with lettering to spine; printed on laid paper; pp.: ffl [i-vi] vii-x] 11-184, collation 8vo, 1-118 124, total 92 leaves. Title-page: AMERICAN ENGRAVERS | AND | THEIR WORKS | BY | W. S. BAKER | Collige et inscribe | PHILADELPHIA | GEBBIE & BARRIE PUBLISHERS | 1875 || Motto: Collige et inscribe [Collect and record, lat.] Contributors: William Spohn Baker (American, 1824 – 1897) – author. George Gebbie (American, 1832 – 1892) – publisher. George Barrie (American, 1843 – 1918) – publisher. George R. Bonfield (British-American, 1802 – 1898) – dedicatee.
  • Hardcover, 23 x 17 x 4.7 cm, burgundy buckram, bevelled boards, blind geometrical design with a gilt medallion at the centre, gilt lettering and blind design elements to spine, text in frame, all edges red; pp.: [i-v] vi-xvi, [1] 2-494, [2 advert.], [1] 2-32 advert.], collation 4to: a-b4, B-3R4, a16. Title-page (red and black, in red frame): A HISTORY | OF | CARICATURE & GROTESQUE | {gothic letters} In Literature and Art. | By THOMAS WRIGHT, Esq., M.A., F.S.A., | Hon. M.R.S.L., &c.; | Corresponding Member of the Imperial Institute of France | (Académie des Inscriptions et Belles Lettres). |{double rules} | WITH | ILLUSTRATIONS FROM VARIOUS SOURCES, | DRAWN AND ENGRAVED BY | F. W. FAIRHOLT, Esq., F.S.A. | {double rules} | {gothic letters} London : | VIRTUE BROTHERS & CO., 1, AMEN CORNER, | PATERNOSTER ROW. | 1865. Contributors : Thomas Wright (British, 1792 – 1849) – author. Frederick William Fairholt (British, 1814 – 1866) – artist/engraver. Virtue Brothers & Co. (London) – publisher/printer.
  • Owner’s hardcover, 182 x 120 mm, yellow buckram, crimson morocco label to spine with gilt lettering; publisher’s pink wrappers preserved, round engraved bookplate to front pastedown “DE LA BIBLIOTHÈQUE DE JULES RICHARD” cut to the border (“Imp. r. C. Motteroz” cut out); Pp.: [4] [1-5] 6-83 [84], various mss and printed clippings, 2 extra ffls to front and back. Title-page: 1871-1873 | — | GORGES VEYSSET | — |  UN ÉPISODE DE LA COMMUNE | ET DU | GOUVERNEMENT DE M. THIERS | PAR | Mme DE FORSANS-YEYSSET | — | BRUXELLES | LANDSBERGER & C°, LIBRAIRES ÉDITEURS | 2, RUE DE NAMUR, 2 | 1873 || Provenance: Jules Richard (French, 1848 – 1930). Ref: BNF.
  • Hardcover, 20.4 x 14 cm, quarter burgundy cloth over paper boards  with red and beige lettering and vignette to front and beige lettering to spine; pp.: [1-4] 5-182 [2], collation 8vo: 1-118 124, total 92 leaves. Design of binding and t.p. by В. Телепнев. Library pocket, stamps, and inscriptions. Title-page (red and black): Д. ГРАНИН | ЯРОСЛАВ | ДОМБРОВСКИЙ | ~ | | Издательство ЦК ВЛКСМ | “Молодая гвардия” | 1951 || Print run: 15,000 copies. Contributors: Даниил Александрович Гранин (Russian, 1919 – 2017) – author. Владимир Иванович Телепнев (Russian, 1906 – 1985) – artist. Jaroslaw Dombrowski [Jarosław Dąbrowski] (Polish-French, 1836 – 1871) – character.
  • Softcover, 325 x 253 mm, publisher’s French flapped wrappers in glassine dust cover, 15 leaves folio folded in half, making 30 in-2o leaves 321 x 250 mm, with two leaves within the wrappers, [1] t.p., [2] Vertès’ blue ink inscription “À Alexaner Sternberg frère Nicolas qui est un garçon charmant et un bon artiste. Vertès.” and drawing, [3] frontispiece, [4-26] text with six full-page, one head- and one tailpiece in dry point technique, with guard tissues, [27] list of plates, [28] colophon, [29] blank; some page numbers manually scripted in pencil to the bottom right corners by a previous owner. Paper watermarked “BFK Rives”. Title-page (in orange and black): ÉLOGE | DE | MARCEL VERTÈS | PAR | GEORGES HUISMAN | ORNÉ | DE GRAVURES ORIGINALES | {publisher’s device} | MANUEL BRUKER ÉDITEUR || Colophon: CET OUVRAGE A ÉTÉ ACHEVÉ D'IMPRIMER SUR LES PRESSES DE L'IMPRIMERIE DARAGNÈS LE 30 OCTOBRE 1951 A 200 EXEMPLAIRES NUMÉROTÉS DONT 20 SUR VÉLIN 'ARCHES DE 1 A 20 AUXQUELS IL A ÉTÉ JOINT UNE SUITE DES GRAVURES SUR JAPON NACRÉ ET 180 SUR VÉLIN BLANC DE RIVES DE 21 A 200. ON A TIRÉ EN OUTRE 20 SUITES SUR MALACCA DES PLANCHES REFUSÉES. EXEMPLAIRE N° 93. Limitation: 200 copies printed on October 30, 1951, at Daragnès press: 20 (№№ 1-20) on Arches vellum paper with a suite of plates on Japon Nacré and 180 (№№ 21-200) Vélin Blanc by Rives. This is copy № 93. Tipped in: (1) photo of Vertès (and one more) in front of his murals, with the blue ballpoint pen inscription “À Alex Sternberg, frère de Nicola, excellent ami, excellent artiste et voyez, quel photographe!!! Vertès”; (2) postcard with a signed invitation to Vertès' exhibition by Librairie M.-P. Tremois: “Carte Postale | Paris, le 2 mars [19]28 | Monsieur, | Du 6 au 24 mars, | de 2 heures à 6h30, aura | lieu à la Librairie M.-P. Trémois | 43 avenue Rapp, 7e, une | exposition de dessins et | aquarelles de Vertès, ayant | servi à l’illustration de livres. | Nous espérons que vous | voudrez bien nous honorer | de votre visite. M.-P. Trémois.” The drypoint technique is confirmed by the presence of a white line in the middle of the black  printed line on the micro photo: Catalogue raisonné: Vokaer № 52. Contributors: Georges Huisman (French, 1889 – 1957) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – character/artist. Manuel Bruker (French, 1891 – 1979) – publisher. Jean-Gabriel Daragnès (French, 1886 – 1950) – printer. Nicolas Sternberg (Hungarian-French, 1902 –1960) Librairie M.-P. Trémois (1925 – 1953)
  • Hardcover volume, 19 x 13 cm, grey cloth with gilt lettering to spine, grey/cream dust jacket lettered throughout, price “10s 6d | NET” unclipped. Covers rubbed, dust jacket has a purple ink stain on the back bottom. Black ink inscription to recto ffl. Collation: a-o8 p10, total 122 leaves; pp.: [6] 1-237 [238]. 1st edition, 1st issue / Great Britain. Title-page: THE END OF THE | AFFAIR | by | GRAHAM GREENE | {publisher’s device} | — | WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || Imprint: FIRST PUBLISHED 1951 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Dedication: To C. (Catherine Walston, nee Crompton, American, 1925 – 1978) Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920)
  • Catalogue raisonné of Pascin's erotic drawings. Softcover, 21 x 15 cm, burgundy gloss pictorial paperback with lettering and vignettes, pp.: [1-3] 4-102 [2], illustrated throughout. Limited edition of 1,000 copies. Title-page: Pascin érotique | {round vignette} | éditions Astarté - Paris || Contributors: Alexandre Dupouy (French) Pascin, Jules [Pincas, Julius Mordecai] (French-Jewish, 1885 – 1930)
  • Four exhibition catalogues at Perls Galleries in NYC, coloured stiff laid paper wrappers, colour lettering, staples, b/w plates: September 22 - October 25, 1952, 8 pp; November 14 - December 24, 1955, 12 pp.; “The Nude” January 5 - February 7, 1959. 16 pp.; Portraits and Models November 20 - December 29, 1962, 12 pp. Size: 155 x 240 mm each.
  • Softcover, 270 x 210 mm, trimestrial comics magazine AH!NANA published by Les Humanoïdes Associés in Paris from October 1976 to September 1978, running issues 1 to 9. This is issue № 6, printed in 1977, 68 pp., incl. covers in colour by Liz Bijl. Authors/Artists include: Nicole Claveloux, Chantal Montellier, Marie-Noëlle Pichard, Shary Flenniken, Trina Robbins, Cécilia Capuana, and Marianne Leconte.
  • Five issues in publisher's pictorial wrappers, 205 x 155 mm, profusely illustrated French erotic magazines. Published by Éditions Astarté : 58, rue Amelot, 75011 Paris. Rédacteur en chef : Gilles Berquet ; Comité de rédaction : Mïrka Lugosi, Jocelyne and Alexandre Dupouy. Maniac: revue d’amour critique, № 5, octobre 1996, 48p. — Paris: Astarté, 1996 ; ISSN 1261-484X. Maniac: revue d’amour critique, № 6, juin 1997, 48p. — Paris: Astarté, 1996 ; ISSN 1261-484X. Maniac: revue d’amour critique, № 7, octobre 1998, 48p. — Paris: Astarté, 1996 ; ISSN 1261-484X. Maniac: revue d’amour critique, № 8, décembre 2000, 70p (unpag.). — Paris: Astarté, 1996 ; ISSN 1261-484X. Maniac: revue d’amour critique, № 9, janvier 2004, 48p. — Paris: Astarté, 1996 ; ISSN 1261-484X.