//1st edition
  • [Jean de LA FONTAINE]. Contes et nouvelles en vers. De Monsieur de La Fontaine. Nouvelle édition enrichie de tailles-douces. À Amsterdam | Chez Henry Desbordes, MDCLXXXV [1685]. — 2 vol. in 1. Pagination: [1] - frontispiece with pasted illustr., [*1] - title p. with blank verso, *2-*5 (only recto numbered) - advertisement, [1] - preface vol. 1, [2] table, 1-236; [6] - preface vol. 2, 1-216, illustr. (in text). Etched frontispiece plate and 58 half-page etchings at the head of each chapter as well as endpiece vignettes, all by R. de Hooge (Romeyn de Hooghe, 1645 – 1708, a Dutch painter, sculptor, engraver and caricaturist. First illustrated edition. "Publication of the scandalous fables was forbidden in France from 1674. According to Van Eeghen, this edition was published without the knowledge of La Fontaine. ...This is the edition with ‘Le Juge de Nêle’ (instead of Mesle) in the contents of the first volume, as well as page 211 for 'Dissertation sur la Joconde'; 16 lines of text on page 211; and 19 lines of text on the first page of the preface of volume 2" [1]. Pott 8vo (15.4 x 10 cm), hardcover; owner's later tan polished half-calf, marbled boards, marbled pastedowns and flyleaves, 5 raised bands, dark brown labels with gilt lettering and gilt roll patterns on spine, tail of the spine slightly damaged. Corners bumped, spotted stains on leather. Henri Desbordes (d. ca. 1722) was a Huguenot printer who was exiled from his business in France and set up as a publisher in Amsterdam in the 17th century.
  • Comte de Tressan. L'évolution de la garde de sabre japonaise de la fin du XVe siècle au commencement du XVIIe (suite), 34 illustr. – pp. 7-35. // Bulletin de la Société Franco-Japonaise de Paris; №№ 19-20, Juin–Septembre 1910, 216 p. — Paris: Société Franco-Japonaise de Paris, Siège Social, 1910. Publisher's original green wrappers with black lettering: On top: Paraissant trimestriellement. | JUIN | SEPTEMBRE | } 1920 | XIX-XX | In the middle: BULLETIN | de la | Société Franco-Japonaise | de Paris | [—] Fondée le 16 Septembre 1900 | [device] | Bottom: Siège Social : | PALAIS DU LOUVRE — PAVILLON DE MARSAN | 107, RUE DE RIVOLI, 107 | Paris | 1910 | Prix : 4 fr 50 c || — Pp.: [4] [1-5] 6-216 [2 - errata / blank] [2 - imprim./ blank] [6]. Size: 27 x 17.5 cm.    
  • One volume 22.3 x 14.4 cm, green buckram, gilt lettering to spine, Brooklyn public library copy with stamps and sticker; [i-iv] v-xi [xii blank], [1-2] 3-144 [4 blank], total 160 pages, 80 leaves; 620 entries + index. Title-page (vertical double-rule, left indent): CHODERLOS de LACLOS | The Man, His Works, and His Critics | An Annotated Bibliography | Colette Verger Michael | {publisher’s device} | GARLAND PUBLISHING INC. • NEW YORK & LONDON | 1982 || Contributors: Michael, Colette Verger (American, b. 1937) Choderlos de Laclos, Pierre Ambroise François (French, 1741 – 1803) – author. Ref.: WorldCat.
  • Title page: The Mathematical Theory | Of Communication | By CLAUDE E. SHANNON | and WARREN WEAVER | THE UNIVERSITY OF ILLINOIS PRESS: URBANA | 1949 || Pagination: [8] [2] 3-117 [3 blanks]. Size: 23.5 x 16 cm Binding: Publisher’s burgundy cloth, silver lettering to spine, yellow pictorial DJ with lettering: THE MATHEMATICAL THEORY OF | COMMUNICATION | {8 lines of text} {graph} | CLAUDE SHANNON   WARREN WEAVER || Contributors: Shannon, Claude Elwood (American, 1916 – 2001) Weaver, Warren (American, 1894 – 1978)
  • NEW
    Hardcover volume 245 x 355 mm blue pictorial cardboard with lettering to spine and front board, in pictorial dust jacket, housed in 360 x 255 mm blue cloth over cardboard slipcase with gilt lettering to spines and boards, pp. [1-7] 8-285 [286]; catalogue of the exhibit of the Georges Leskowicz collection of Andō Hiroshige fan prints, held at Museé Guimet in Paris from February 15, 2023 to May 29, 2023, with 119 item entries with descriptions and bibliography. Title-page (blue and black): CHRISTOPHE MARQUET | avec la collaboration de Toshiko Kawakane | HIROSHIGE | Les éventails d'Edo | ESTAMPES DE LA COLLECTION | GEORGES LESKOWICZ | in fine {publisher’s device} || Contributors: Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858) – artist. Leskowicz, Georges [Jerzy Tadeusz] (Polish-French, b. 1946) – collector. Musée national des Arts asiatiques - Guimet – exhibitor. Marquet, Christophe (French, b. 1965) – author.
  • Softcover, pictorial wrappers, 235 x 165 mm, pp. [1-9] 10-176, 120 illustrations, incl. 109 in full colour, 3 maps, glossary, and timeline. An enveloped postcard to E. Varshavsky laid in. Text profusely marked with coloured highlighters. Title-page (pictorial): Art of Edo Japan | The Artist and the City 1615-1868 | Christine Guth | PERSPECTIVES | HARRY N. ABRAMS, INC. PUBLISHERS || Contents: NOTE TO THE READER Map: Japan during the Edo period INTRODUCTION: Mapping the Artistic Landscape
    1. The Artist and the City
    The Castle Town; Urban Culture; The Urban Artist
    1. Kyoto Artists
    Map: Kyoto; The Kano and Tosa Schools; Köetsu, Sotatsu, and Rinpa Design; Taiga, Buson, and the Literati Movement; The Maruyama-Shijo School; Individualists: Jakuchü, Shöhaku, and Rosetsu; The Yamatoe Revival
    1. Edo Artists
    Map: Edo; The Kano School and the Realm of the Official Artist; Developments in Woodblock Prints: 1660-1760; Developments in Polychrome Prints: 1765-1801; Further Developments in Woodblock Prints: 1801-68; Sakai Höitsu and Tani Buncho: Edo Ripa and Bunjinga
    1. Osaka and Nagasaki Artists
    Kimura Kenkadö and his Circle; Osaka Books and Prints; Nagasaki: Window on the World; Monk-Artists of the Öbaku Sect; Visiting Chinese Artists and their Pupils; Painters in the Western Manner
    1. Itinerant, Provincial, and Rural Artists; Itinerant Monk-Artists and Pilgrimage Art; Poet and Literati Painters; Provincial and Rural Artists
    GLOSSARY TIMELINE BIBLIOGRAPHY PICTURE CREDITS INDEX
  • NEW
    Softcover auction catalogue, 267 x 209 mm, pictorial wrappers with white lettering to cover, black and white lettering to spine; pp. [2] 3-171 [1]; auction held at Christie’s New York on Monday, 24 November 1997, featuring lots 1-297, with properties from Sir Valentine Abdy and various owners; includes descriptions and images of Japanese prints, paintings, and screens. Sheet with realized prices laid in. Title-page: JAPANESE PRINTS, PAINTINGS AND SCREENS | Properties of | SIR VALENTINE ABDY | VARIOUS OWNERS | Auction | Monday, 24 November 1997 at 10.00 a.m. (Lots 1-297) | 502 Park Avenue at 59th Street | New York, New York 10022 | Sale Code | In sending written bids or making inquiries, this sale should be referred to as #8782 | Viewing | […] | Christie’s | 502 Park Avenue at 59th Street | New York, New York 10022 | Telephone: (212) 546 1000 | Internet: http://www.christies.com | (30) Registered at the above address No. 1128160 | {CHRISTIE’S device} || Sixty Fan Prints in this catalogue. 39. TOYOKUNI: aiban uchiwa-e (22.9 × 26.6 cm.); Nakanocho yozakura no zu "Picture of cherry blossoms by night in Nakanocho", a courtesan and two kamuro strolling under cherry trees, signed Toyokuni ga, the censor’s seal corresponding to 1817, published by Ibaya Senzaburo—good impression, very good color, slightly soiled, upper right corner torn and restored. — Estimate: $2,000-3,000. 40. TOYOKUNI: aiban uchiwa-e (22.8 × 29.8 cm.); a bust portrait of a beauty holding the edge of a hand-towel flung over her shoulders, signed Toyokuni ga, censor’s seal corresponding to 1822—very good impression, good color, slightly soiled and rubbed along edges, a minor stain by the edge. — Estimate: $3,000-4,000. 79. KUNISADA: aiban uchiwa-e (23.2 × 30.1 cm.); a bust portrait of a woman dyeing her teeth black against a light-blue background sprinkled with mica, the facial lines printed in deep red, signed Kunisada ga—fine impression and color, slightly soiled along edges, binding holes on right restored, a few minute holes on right. — Estimate: $3,000-4,000. 80. KUNISADA: aiban uchiwa-e (23.8 × 30.1 cm.); a bust portrait of a beauty in a flower-patterned purple robe exposing the left shoulder against a light-blue background sprinkled with mica, the facial lines printed in deep red, signed Kunisada ga, square kiwame censor’s seal and published by Ibaya Senzaburo—fine impression and color, slightly soiled and stained along edges, a few minor stains on right. — Estimate: $3,000-4,000. 82. KUNISADA: aiban uchiwa-e (22.8 × 26.3 cm.); a woman in a kimono patterned with blue seals against a background of purple and black checks and green stenciled “deerskin” patterned with horses and grasses, signed Kunisada ga, the censor’s seal corresponding to 1826, published by Ibaya Senzaburo—fine impression and color, slight stain along right edge, binding holes on right, a minute worm hole in the lower margin. — Estimate: $3,000-4,000. 83. KUNISADA: aiban uchiwa-e (22.9 × 27.1 cm.); a woman wiping her neck before an iris-patterned background, signed Kunisada ga, censor’s seal corresponding to 1826, published by Ibaya Senzaburo—very good impression and color, corners slightly soiled, minor damage and binding holes on right edge, a minute worm hole on the lower margin. — Estimate: $2,500-3,500. 84. KUNISADA: aiban uchiwa-e (22.7 × 29.9 cm.); a woman holding a bamboo basket against a background of tie-dyed fabric patterned with hagi (bush clover), from the series Mutamagao “Six jewel faces”, the pattern on the background alluding to the Jewel River in Noji (Hagi no Tamagawa) in Ōmi province, suggested by the title, signed Kunisada ga—fine impression and color, binding holes on right. — Estimate: $3,000-4,000. 85. KUNISADA: aiban uchiwa-e (22.7 × 29.8 cm.); Prince Mitsugi against a background of tie-dyed fabric patterns holding a spray of yamabuki, from the series Mutamagao “Six jewel faces”, the flower alluding to the Jewel River in Ide (Yamabuki no Tamagawa) in Yamashiro province, signed Kunisada ga—fine impression and color, slightly stained along side edges, binding holes on right. — Estimate: $3,000-4,000. 86. KUNISADA: aiban uchiwa-e (22.8 × 30 cm.); a woman against a background of tie-dyed fabric patterns holding a sake cup and a paper toy figure of a monk, from the series Mutamagao “Six jewel faces”, the monk alluding to the Jewel River in Kōya (Koya no Tamagawa) in Kii province, signed Kunisada ga—fine impression and color, binding holes on both sides, slightly soiled along the lower edge. — Estimate: $3,000-4,000. 87. KUNISADA: aiban uchiwa-e (22.7 × 30 cm.); a woman washing clothes in a basin against a background of tie-dyed fabric patterns, from the series Mutamagao “Six jewel faces”, alluding to the Jewel River in Chōfu (Chōfu no Tamagawa) in Musashi province, signed Kunisada ga—fine impression and color, binding holes on both sides, a few minute worm holes near edges. — Estimate: $2,000-3,000. 88. KUNISADA: aiban uchiwa-e (22.7 × 30.2 cm.); a courtesan against a background of tie-dyed fabric patterns looking at a book illustration of a woman pounding cloth, from the series Mutamagao “Six jewel faces”, the book illustration alluding to the Jewel River in Mishima (Toi no Tamagawa) in Settsu province, signed Kunisada ga—fine impression and color, slightly soiled along left edge, binding holes on right, a few minor worm holes on left. — Estimate: $2,500-3,500. 89. KUNISADA: aiban uchiwa-e (22.7 × 29.8 cm.); a beauty against a background of tie-dyed fabric patterns holding a pipe looking at toy birds hanging from bamboo, from the series Mutamagao “Six jewel faces”, the bird decorations alluding to the Jewel River in Noda (Chidori no Tamagawa) in Rikuzen province, signed Kunisada ga—fine impression and color, binding holes on both sides, slightly stained along lower edge, a few minute worm holes. — Estimate: $2,500-3,500. 97. KUNISADA: aiban uchiwa-e (21.9 × 29.2 cm.); Fune kara agari “Disembarking from the boat”, signed Toyokuni ga and published by Ibaya Senzaburo—fine impression and color, binding holes and minor damage on right. — Estimate: $2,500-3,500. 98. KUNISADA: aiban uchiwa-e (22.8 × 29.34 cm.); Shinkei atsurae zome “Modern form of custom-dyeing”, illustrating a beauty before a background of textile patterns fishing clams from a bowl with a stem of flower, signed Kocho Toyokuni ga and published by Ibaya Senzaburo—fine impression, color, and condition. — Estimate: $3,000-4,000. 103. KUNISADA AND HIROSHIGE: aiban uchiwa-e (22.1 × 29.5 cm. ea. approx.); a complete set of seven prints from the series Sohitsu nanato meguri “Twin-brush journey to the seven hot springs [of Hakone]”, comprising Kiga, Tonosawa, Yumoto, Miyanoshtia, Dogashima, Ashinoyu and Sokokura, each of a beauty or a male figure before a landscape of a separate hot spring, signed Toyokuni ga and Hiroshige hitsu and published by Ibaya Senzaburo, censor’s seal corresponding to 1854, second month—fine impressions and color, slightly soiled along bottom edges, some with fold line and minute worm hole along the left edge with restoration on reverse. This landscape series appears to be unrecorded. — Estimate: $15,000-20,000. 110. KUNIYOSHI: aiban uchiwa-e (22 × 29.9 cm.); Suika no suisho “Watermelon, water”, a beauty extracting seeds from a slice of watermelon, from the series Gogyo no uchi “The five natural elements”, signed Ichiyusai Kuniyoshi ga and published by Surugaya Sakujiro—very good impression and color, binding holes on right, slightly soiled and stained along edges, some minute worm holes, upper left corner torn. — Estimate: $1,500-2,000. 111. KUNIYOSHI: aiban uchiwa-e (22 × 29.9 cm.); Chochin no kasho “Lantern, fire”, a beauty lighting a lantern, from the series Gogyo no uchi “The five natural elements”, signed Chooro Kuniyoshi ga and published by Surugaya Sakujiro—very good impression and color, slightly soiled and stained along edges, binding holes on left, minor worm holes on upper corners, upper right corner torn. — Estimate: $1,000-1,500. 112. KUNIYOSHI: aiban uchiwa-e (21.9 × 29.1 cm.); Zato no seiran “Fine weather for a blind man” from the series Otsu hakkei “Eight views of Otsu-e”, illustrated by a beauty and a dog, the small cartouche depicting a blind man attacked by a dog, signed Ichiyusai Kuniyoshi ga, published by Tsujya Yasubei—fine impression and color, binding holes partly torn on right, a minute worm hole on upper right margin. Two other images from the same set are illustrated in Narazaki Muneshige, Victoria and Albert Museum II, Ukiyo-e masterpieces in European collections (Tokyo: Kodansha, 1989), pls. 34 and 35. — Estimate: $2,000-3,000. 113. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4 cm.); a woman standing by a lantern and holding an umbrella under cherry petals falling against the night sky, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—fine impression and color, paper slightly toned and stained, minor damage on left edge, a pin hole on upper left margin. — Estimate: $2,500-3,500. 115. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4 cm.); a woman putting her hand on a palanquin in the lantern-light, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—fine impression and color, a minute hole in the upper right margin, otherwise very good condition. — Estimate: $3,000-4,000. 116. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6 cm.); a woman beside a bath tub, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—very good impression and color, a minute hole in upper right margin, a minor tear in the lower margin on right edge, otherwise good condition. — Estimate: $2,000-3,000. 117. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); a woman in the evening on a boat enjoying green soybeans, from the series Ukiyo hakkei “Eight nocturnal trysts,” signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—Fine impression and color, minute hole on upper right margin, a few minute ink smudges. Another image from the same set of the Niwaka festival in the Yoshiwara, is illustrated in Narazaki Muneshige, Ukiyo-e Masterpieces in European Collections (Tokyo: Kodansha, 1989), pl. 36, and in R. A. Crighton, The Floating World, Japanese Popular Prints 1700-1900 (London: Her Majesty’s Stationery Office, 1973), no. 11. — Estimate: $2,500–3,500. 118. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); an ochazuke (rice with tea) shop waitress carrying a tray and teapots, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, a worm hole on upper edge, otherwise very good condition. — Estimate: $3,000–4,000. 119. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6cm.); a beauty in a mirror with a sprinkled mica background arranging her hair, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, binding holes on left, two minute holes in the upper right margin. Other images from the same set, of a mother and baby, and a woman trimming her hairline, are illustrated in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), pls. 280 and 281; and Suzuki Jūzō, Kunisada/Kuniyoshi/Eisen, Ukiyo-e Taikei, vol. 10, (Tokyo: Shueisha, 1974), pl. 44; A beauty applying powder is in Utagawa Kuniyoshi ten (Utagawa Kuniyoshi exhibition) (Tokyo: Riccar Art Museum, 1978), no. 172. — Estimate: $3,000–4,000. 120. KUNIYOSHI: aiban uchiwa-e (22.9 × 29.5cm.); a beauty smoking reflected in a mirror, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, a minor worm hole in the lower left margin. See lots 119 and 121 for other images in the set. — Estimate: $4,000–6,000. 121. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.2cm.); a beauty reflected in a mirror with a sprinkled mica background frightening a cat with her reflection, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, very slight glue stain along top and left edge, minute pin holes on upper right margin. Another impression of this print was sold in these Rooms, June 27, 1985, lot 106. See lots 119 and 120 for other images in the set. — Estimate: $6,000–8,000. 122. KUNIYOSHI: aiban uchiwa-e (23.7 × 30.7cm. ea. approx.); two prints from the series Dogai kesho no tawamure “Brushes with make-up off the beaten path,” one titled Omori illustrating animated cosmetic utensils strolling on the seashore at Omori; and the other watching fireworks on a river bank, titled Hanabi “Fireworks”, signed Chooro Kuniyoshi giga and the other signed Ichiyusai Kuniyoshi giga, published by Kogaya Katsugorō—very good impression, slightly faded, trimmed and laid down, the first with a few minute worm holes on top. — Estimate: $2,000–3,000. 126. KUNIYOSHI: aiban uchiwa-e (22.4 × 28.5cm.); illustrating figures on a blue ground forming spinning tops, signed Ichiyusai Kuniyoshi giga and published by Ibaya Senzaburō—very good impression and color, extensive wood grain, trimmed into the shape of the fan. — Estimate: $2,000–3,000. 127. KUNIYOSHI: aiban uchiwa-e (22.7 × 30.5cm.); Tōsei musume katagi “The spirit of modern young women”, a beauty repapering shōji while a child peeks through the frame, signed Chooro Kunisada ga and published by Ebiyu Rinnosuke—very good impression and color, slightly soiled and rubbed along bottom and left edge, minute worm holes in upper left margin, a minute stain in the center. — Estimate: $1,500–2,000. 128. KUNIYOSHI: aiban uchiwa-e (21.9 × 29cm.); a beauty standing by a stone lantern in a moonlit garden, subtitled Tsuki “Moon”, from the series Setsugekka no uchi “Snow, moon and flowers”, signed Ichiyusai Kuniyoshi ga—fine impression, very good color, damaged binding holes on left edge, some minor worm holes on edges. — Estimate: $2,000–3,000 129. KUNIYOSHI: aiban uchiwa-e (21.9 × 30.1cm.); Kaze “Wind”, a beauty on a boat enjoying the evening cool on the river, from the series Kachōgetsu “Flowers, birds, wind and moon”, signed Ichiyusai Kuniyoshi ga and published by Sanoya Kihei—very good impression and color, some minor stains, binding holes on left, a minute worm hole on upper right margin. — Estimate: $2,000–3,000. 130. KUNIYOSHI: aiban uchiwa-e (23.3 × 29.6cm.); a beauty dedicating a hand towel at a washing trough in a shrine, signed Ichiyusai Kuniyoshi ga—fine impression and color, slightly soiled and rubbed along edges, vertical center fold. — Estimate: $2,000–3,000 131. KUNIYOSHI: aiban uchiwa-e (22.6 × 29.3cm.); Sumidagawa “Sumida River”, a beauty under a cherry tree by the river bank putting her hand on a figure of Daruma, representing cherry blossoms, from the series Rokkakusen “Six flower rivers”, signed Ichiyusai Kuniyoshi ga and published by Iseya Sōemon—very good impression and color, slightly stained along edges, slightly soiled, binding holes on right, corners trimmed, a minute worm hole in the upper right margin. Other images from the same set: Ayasegawa, with hydrangea, in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), pl. 288; and Okawa, with morning glory, in Tokyo kokuritsu hakubutsukan zuhan mokuroku, Ukiyo-e hanga hen (Illustrated catalogue of the Tokyo National Museum, Ukiyo-e prints), vol. 3, (Tokyo: Tokyo bijutsu, 1974), no. 3063. — Estimate: $1,000–1,500. 132. KUNIYOSHI: aiban uchiwa-e (21.9 × 28.9cm.); a beauty with a partially unrolled letter before a portrait of Sōjōbō, king of the tengu, in a decorated frame, entitled Imayō gakumen awase “Collection of modern framed pictures”, signed Ichiyusai Kuniyoshi ga—very good impression and color, very slightly stained on the bottom, binding holes on right, a minor worm hole in upper right margin. — Estimate: $3,000–4,000. 133. KUNIYOSHI: aiban uchiwa-e (21.9 × 28.9cm.); a beauty holding a fan and burning a taper beside a portrait of Soga no Jūrō in a decorated frame, entitled Imayō gakumen awase “Collection of modern framed pictures”, signed Ichiyusai Kuniyoshi ga—very good impression and color, binding holes on both sides, a minor worm hole in the upper right margin. Estimate: $2,500–3,500. 134. KUNIYOSHI: aiban uchiwa-e (22.9 × 29.3cm.); a woman biting the edge of her kerchief before a backdrop of a cart and clematis vines, entitled Mitate Konkai “Parody of Konkai” (the alternate title for the kyōgen farce, Tsuri gitsune), signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, two minute worm holes on upper left margin, otherwise very good condition. Another impression of this print was sold in these Rooms, November 2, 1996, lot 612. Estimate: $3,000–4,000. 135. KUNIYOSHI: aiban uchiwa-e (23.7 × 30.1cm.); Aishō kagami “Mirror of compatibility”, a beauty against a stylized wave-and-fish-patterned background reading a letter, below a round mirror cartouche enclosing a bust portrait of Shirai Gonpachi, signed Ichiyusai Kuniyoshi ga and published by Ibaya Kyūbei—fine impression and color, minor glue stain along upper edge, few minute worm holes in margins. Estimate: $3,000–4,000. 136. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a beauty with an umbrella beside a playbill, entitled Imayō sugata “Modern style”, signed Chooro Kuniyoshi ga and published by Iseya Sōemon—fine impression and color, a minute worm hole on left edge, a minute hole on left, binding holes on right. Estimate: $2,000–3,000. 137. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.2cm.); a woman on a bridge under an umbrella throwing paper votive slips printed with Buddhist figures into the wind, signed Chooro Kuniyoshi ga—very good impression, color and condition. Estimate: $2,000–3,000. 138. KUNIYOSHI: aiban uchiwa-e (22.5 × 28.9cm.); Koshikibu, from the series Reppuden “Legends of heroic women”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, binding holes on left, minute worm holes on top in the center. Estimate: $2,500–3,500. 139. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.6cm.); Kitsune “Fox”, from the series Mitsuboshi no uchi, a beauty wiping her hands with a towel at a washing trough at an Inari shrine, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1852, second month, published by Kojimaya Jūbei—very good impression and color, binding holes on left, very slight stain along edges and in lower margin, otherwise good condition. Estimate: $3,000–4,000. 140. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6cm.); Karudo “Hunter”, from the series Mitsuboshi no uchi, illustrating a beauty in a thick overcoat holding a piece of wood, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1852, second month—very good impression and color, binding holes on right, otherwise good condition. Estimate: $3,000–4,000. 141. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); Atsurae zome konomi no irodori “Favorite colors for custom-dying” and subtitled Fuji nezumi “Mount Fuji gray”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Iseya Sōemon—fine impression and color, binding holes on left edge, otherwise good condition. Two other images from the same set, entitled Edo murasaki “Edo purple” and Ai miru cha “Tea-hut brown”, are illustrated in Uragami Toshirō, Ukiyo-e Utagawa-ha san kyōsho ten - Kunisada Kuniyoshi Hiroshige no sekai (Exhibition of three masters of the Utagawa school - the world of Kunisada, Kuniyoshi and Hiroshige -) (Hagi: TYS, 1991), pls. 74, 75, 109; and Tokyo kokuritsu hakubutsukan zuhan mokuroku, Ukiyo-e hanga hen (Illustrated catalogue of Tokyo National Museum, Ukiyo-e prints), vol. 3, (Tokyo: Tokyo bijutsu, 1974), no. 3053. Estimate: $2,500–3,500. 142. KUNIYOSHI: aiban uchiwa-e (22.8 × 29cm.); Natsu no yugure “A summer evening”, a beauty on a veranda with overhanging branches of a flowering tree, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Enshūya Matabei—very good impression and color, slightly soiled along bottom edge, minor stains on the bottom. Two other images from the same set, featuring hydrangea and peony, were sold in these Rooms, April 26, 1995, lots 247A and 248. Estimate: $2,500–3,500. 143. KUNIYOSHI: aiban uchiwa-e (20.8 × 29.9cm.); a woman on a terrace reading a libretto, from the series Enkyoku zōui “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, binding holes on left, paper thinned in upper left margin, otherwise good condition. Estimate: $3,000–4,000. 144. KUNIYOSHI: aiban uchiwa-e (20.7 × 29.3cm.); a woman by a koto reading a libretto, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, very slight stain along side edges, otherwise good condition. Estimate: $2,500–3,500. 145. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a woman on a terrace dancing with a fan, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression, color and condition. Estimate: $2,500–3,500. 146. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a woman reading a libretto and a cat dozing on her back, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, slightly stained along side edges, binding holes on left edge. Estimate: $3,000–4,000. 147. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.5cm.); a beauty on a terrace overlooking the flowering plum and bushes of a garden in snow carrying snow on a tray, the snow image from the series Bijin gekka setsu “Beauties, moon, flower and snow”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Kojimaya Jūbei—very good impression and color, slightly stained along edges, minute tear on upper left margin, otherwise good condition. Estimate: $3,000–4,000. 148. KUNIYOSHI: aiban uchiwa-e (23.2 × 30cm.); Ryo “Cool”, a woman dipping her wrists in the river over the edge of a boat, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—fine impression and color, left edge very slightly soiled, minute worm holes on lower margins, otherwise good condition. Estimate: $2,500–3,500. 149. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); Mizuhan “Water guard”, a woman standing by a tank of goldfish, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—very good impression and color, very slight stain along side edges, otherwise good condition. Another image from the same set, titled Hirune “Afternoon nap”, is illustrated in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), p. 289, and in Nakau Ei, Edo onna ukiyo-e meisaku ten (Exhibition of masterpieces of ukiyo-e of Edo women), (Osaka: D square, 1993), no. 66. Estimate: $2,000–3,000. 150. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.7cm.); Doyo mairi “Midsummer visit”, a woman carrying a tea cask beside a patterned screen, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—fine impression and color, binding holes on left edge, a minute worm hole in right margin, otherwise very good condition. Estimate: $3,000–4,000. 151. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.5cm.); Sensōji no yuki “Snow at Sensōji temple”, from the series Mutsu geshiki “Six views”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1854, second month, published by Iseya Sōemon—fine impression and color, slight stain along both side edges, otherwise good condition. Estimate: $3,000–4,000. 152. KUNIYOSHI: aiban uchiwa-e (22.7 × 30.1cm.); two geisha in identical costume on a terrace dancing with folding fans, signed Kuniyoshi ga, censor’s seal corresponding to 1854, fourth month, published by Ibaya Senzaburō—fine impression and color, slightly stained along side edges, binding holes on right. Estimate: $1,500–2,000. 153. KUNIYOSHI: aiban uchiwa-e (17.3 × 27.6cm. ea. approx.); a group of four prints comprising: a woman at a goldfish seller’s booth, signed Chooro Kuniyoshi ga; Sakura no seirei ryakuden “Abbreviated biographies of charming women”, signed Chooro Kuniyoshi ga and published by Tsujiyama Yasubei; and Hajimetsuki and Shunju from the series Gosekku no uchi “The five seasonal festivals”, signed Ichiyusai Kuniyoshi ga and Chooro Kuniyoshi ga, published by Kojimaya Jūbei—very good impressions and color, binding holes, the third and fourth with minor worm holes on top, the third with some minor stains. Estimate: $1,500–2,000. 167. HIROSHIGE: aiban uchiwa-e (22.5 × 29cm. ea. approx.); three figures with their facial features composed by the Chinese characters for zen (good) and aku (evil), entitled Zen aku hana no ayatsuri “Puppets manipulated by good and evil”, signed Hiroshige gihitsu and published by Ibaya Senzaburō; and Kyo Arashiyama, Togetsukyō “Togetsu bridge, Arashiyama, Kyoto” from the series Santo fūkei “Views of three cities”, signed Hiroshige ga, censor’s seal corresponding to 1854, fifth month—good impressions, the first slightly faded and toned, the second slightly soiled, rib marks with slight glue stains, some minute worm holes restored, pasted on paper on edges, both trimmed into the shapes of the fans. Estimate: $4,000–6,000. 168. HIROSHIGE: aiban uchiwa-e (21.8 × 29.5cm.); illustrating a riverbank and boats, signed Oju (by order) Hiroshige sha—good impression and color, slightly soiled, vertical centerfold line restored, restoration on corners and at the bottom near the center. Estimate: $3,000–4,000. 182. KUNIMARU: aiban uchiwa-e (22.5 × 29.3cm.); a bust portrait of a beauty with a pipe looking at a mirror stand against a purple and black-check background holding a pipe, signed Kunimaru ga and published by Ibaya Senzaburō—good impression, very good color, slightly soiled, rubbed and stained along edges, binding holes on right, a few minor worm holes. Estimate: $2,000–3,000. 183. KUNIHIDE: aiban uchiwa-e (22.7 × 29.5cm.); a beauty with a shamisen before a background of iris, entitled Meisho Kihōji Horikiri hanashobu “Famous place, Iris at Kihō Temple in Horikiri”, signed Kunihide ga, censor’s seal corresponding to 1853, second month, published by Masugin—very good impression and color, very slight stain along edges, binding holes on left edge. Estimate: $2,000–3,000. 184. KUNIYOSHI, KUNICHIKA AND YOSHITSUYA; three uchiwa-e of umbrellas, one of blue ground with Yoshikuni seal of Kuniyoshi, another with inscription Tokiwazu uta and crest, and another of the reverse of the second, the second and third published by Ibaya Kyūbei; a diptych of a theatrical scene, actor Ichikawa Danjūrō IX in the Shibaraku role within a mimasu crest border, signed (by order) Toyohara Kunichika hitsu, dated Meiji 11 (1878) and published by Tanaka Shōzō; and a sumizuri-e of a theatrical scene, including the name of the stage-carpenter and property man, signed Ichieisai Yoshitsuya ga—very good impressions and color, slightly soiled, slight stain along upper edges and minor worm holes near edges, the second, very good color, slightly creased on upper left corner on the left panel, the third, slightly toned, soiled, creased and rubbed, some restorations. Estimate: $2,000–3,000.
  • NEW
    Softcover auction catalogue, 267 x 209 mm, pictorial wrappers with red lettering to cover, black and white lettering to spine; pp. [2] 3-179 [1]; auction held at Christie’s New York on Thursday, 24 April 1997, featuring lots 60-340, with properties from Japan Society, Inc., N.Y., Mary Griggs Burke, a lady, a European private collection, and various sources; includes descriptions and images of Japanese paintings, prints, ceramics, lacquer, and other works of art.

    Title-page: JAPANESE ART | Properties from | JAPAN SOCIETY, INC., N.Y. | MARY GRIGGS BURKE | A LADY | A EUROPEAN PRIVATE COLLECTION | AND FROM VARIOUS SOURCES | Auction | Thursday, 24 April 1997 at 11.00 a.m. approx. (Lots 60-194) | and at 2.00 p.m. (Lots 195-340) | 502 Park Avenue at 59th Street | New York, New York 10022 | Sale Code | In sending written bids or making inquiries, this sale should be referred to as #8670 | Viewing | […] |Christie's | 502 Park Avenue at 59th Street | New York, New York 10022 | Telephone: (212) 546 1000 | Internet: | http://www.christies.com | (40) Registered at the above address No. 1128160 | {CHRISTIE'S device} ||

    Sixteen Fan Prints in this catalogue. 248. KUNIYOSHI: aiban uchiwa-e (22.5 × 29.4 cm.); entitled Hana no nishiki "Flower brocade", a half-length portrait of a beauty on a peony-decorated ground", signed Kuniyoshi ga and dated 4/1855—very good impression and color, some minute worm holes, binding holes on right. — Estimate: $2,500–3,500. 280. HIROSHIGE: aiban yoko-e, uchiwa-e (21.8 x 28.4 cm.); Tokaido, zuso Hakone sanchō kosui no zu “View of the lake in mountains at Hakone on the Tokaido between Izu and Sagami province”, and subtitled Bōsetsu “Evening snow”, from the series Omote ura chiji hakkei “Eight views of stations of the Tokaido and Kiso-kaidō”, signed Hiroshige ga—very good impression and color, faint vertical center fold restored on reverse, slightly soiled near corners. PROVENANCE: Theodor Scheiwe, sold in these Rooms, March 21, 1989, lot 264. PUBLISHED: Rose Hempel, Ausstellung Japanische Holzschnitte (Munster, 1959), no. 244, p. 145; Rose Hempel, Kunst Aus Japan (Essen: Villa Hügel, 1972), no. 496, p. 273; For another impression see Suzuki Juzo, Hiroshige (Tokyo: Nihon keizai shimbun, 1970), pl. 46. — Estimate: $10,000-15,000. 281. HIROSHIGE: aiban uchiwa-e (22.2 x 28.1 cm.); Yotsuya Shinjuku tsutsumi no hana “Cherry blossoms on the bank at Shinjuku, Yotsuya”, three women on a terrace overlooking cherry blossoms on the opposite bank in the night, signed Hiroshige ga, dated 1856, second month, and published by Ibaya Senzaburo—very good impression, color and condition. —Estimate: $8,000-10,000. 282. HIROSHIGE: aiban uchiwa-e (21.9 × 29.2 cm.); Sugita no baien "Plum garden at Sugita", signed Hiroshige ga and published by Sanoya Kihei—very good impression and color, binding holes on right restored, a minute repair on lower left. — Estimate: $8,000-10,000. 283. HIROSHIGE: aiban uchiwa-e (22.2 × 29.7 cm.); Buya Tsukuda no isaribune "Fishing boats at Tsukudajima in Musashi province", from the series Shokoku meisho "Famous places in the various provinces", signed Hiroshige ga over the publisher’s seal, published by Dansendō [Ibaya Senzaburō]—very good impression and color, faint center fold reinforced on the reverse, margins slightly soiled. PROVENANCE: Alexis Rouart, sold American Art Association, New York, February 6, 1922, lot 210; This impression was sold in these Rooms, December 4, 1984, lot 212. — Estimate: $10,000-15,000. 284. HIROSHIGE: aiban uchiwa-e (22.6 × 29 cm.); a tree and branches of yaezakura (double cherry blossoms) on a yellow background, signed Hiroshige hitsu and published by Dansendō [Ibaya Senzaburō]—very good impression and color, slightly stained, restoration on right. EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 26—March 19, 1983); PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 77. — Estimate: $6,000-8,000 285. HIROSHIGE: aiban uchiwa-e (23.2 × 29.4 cm.); Rokugo no watashi "The ferry at Rokugō", from the series Meisho fūkei "Famous landscapes", signed Hiroshige ga—very good impression and color, a worm hole in lower left margin, pasted on paper on upper corners; EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 29—March 19, 1983); PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 60. — Estimate: $6,000-8,000. 286. HIROSHIGE: aiban uchiwa-e (21.9 × 29 cm.); Shinshu, Suwako yukihare "Clear weather after snow at Lake Suwa in Shinano province", from the series Fuji sanjūrokkei no uchi "The thirty-six views of Mount Fuji", signed Hiroshige ga, dated 1842, and published by Ibaya Kyubei—very good impression and color, margins slightly soiled, vertical center fold restored.. EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 29—March 19, 1983). PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 51. — Estimate: $5,000-7,000. 287. HIROSHIGE: aiban uchiwa-e (22.4 × 28.7 cm.); Kodai buto "Classical dance", signed Ryūsai and published by Maruya Seijiro—good impression and color, slightly foxed, some minor worm holes, slightly creased, mat stain along edges, pasted on paper on upper corners, minor tear on upper edge. — Estimate: $3,000-4,000. 288. HIROSHIGE: chūban uchiwa-e (24.6 × 18.6 cm.); Kai Kawaguchi kosui no zu "View of the lake at Kawaguchi in Kai province", signed Hiroshige hitsu—good impression and color, slightly soiled, faint vertical center fold, binding holes on right restored. — Estimate: $3,000-4,000. 289. HIROSHIGE: aiban uchiwa-e (22.8 × 28.2 cm.); Karasaki no hitotsu matsu "Single pine tree at Karasaki", from the series Omi hakkei "Eight views of Lake Biwa", signed Hiroshige ga, dated 1852, seventh month, and published by Enshuya Matabei—very good impression and color, minute stains in lower right, pin holes on upper corners, vertical center fold. — Estimate: $5,000-7,000. 290. HIROSHIGE: aiban uchiwa-e (23.4 × 30 cm.); three stems of peonies on a blue background, signed Hiroshige ga, dated 1857, second month, and published by Marukyudo—very good impression and color, holes on right restored, some minor worming restored, otherwise good condition. EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 26—March 19, 1983). PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 76. — Estimate: $10,000-15,000. 291. HIROSHIGE: aiban uchiwa-e (22 × 29.8 cm.); Kodai meiyo shiki no hana "Flowers of the four seasons with historical associations", subtitled Natsu, Mikawa Yatsuhashi no tojaku "Summer, Iris at Yatsuhashi in Mikawa province" and a rectangular cartouche with a portrait of the poet Ariwara no Narihira, signed Hiroshige ga and published by Surugaya—very good impression and color, margins slightly soiled, binding holes on left restored. EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 26—March 19, 1983). PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 52. — Estimate: $10,000-15,000. 292. HIROSHIGE: aiban uchiwa-e (22.1 × 26 cm.); a seated woman taking a sake cup from a boat-shaped porcelain bowl under a night river landscape with full-moon, signed Hiroshige ga, dated 1852, fourth month, and published by Ibaya Senzaburo—very good impression and color, slightly stained, a minute worm hole restored. EXHIBITED: Pratt Graphics Center, New York, "Hiroshige: An exhibition of selected prints and illustrated books" (February 29—March 19, 1983). PUBLISHED: Sebastian Izzard, Hiroshige: An exhibition of selected prints and illustrated books (New York: The Ukiyo-e Society of America, 1983), no. 69. — Estimate: $4,000-6,000. 312. HIROSHIGE II: aiban uchiwa-e (22.7 × 29.1 cm.); an aizuri-e “blue print”, Tsunohazu juniso otaki “Great waterfall of the twelve shrines at Tsunohazu”, signed Hiroshige ga, dated 1861—very good impression and color, corners slightly soiled, binding holes and minor worming on left restored. PROVENANCE: A. Maroni. — Estimate: $4,000-6,000. 313. HIROSHIGE II: aiban uchiwa-e (22.7 × 29.7 cm.); Owari, Atsuta kaigan “Atsuta Beach in Owari province”, from the series Shokoku meisho zue “Illustrations of famous places in the various provinces”, signed Hiroshige ga, seal dated [1862], and published by Iseya Soemon—very good impression and color, slightly browned along lower edge. — Estimate: $8,000-10,000.
  • Christie's Auction Catalog; Sale WALTER-15785; New York, September 26-27, 2017; Publisher's pictorial wrappers, front cover: THE COLLECTION OF | PAUL F. WALTER | NEW YORK 26–27 SEPTEMBER 2917 | {profile chest portrait of Paul F. Walter} | CHRISTIE'S || 26.8 x 21.2 x 3 cm; 662 lots, illustrations in colour and b/w, pictorial dust jacket; pp: [2] 3-462.

    Paul F. Walter (American, 1935 – 2017) – "Collector. Following studies in history and history of art Oberlin College, Ohio, and Columbia University, he began to collect in the1960s, starting with prints by Whistler and moving on to the Aesthetic Movement and the Arts & Crafts in Britain, as well as the arts of the Indian subcontinent and modern American painting. He was Trustee of the Museum of Modern Art from 1992-2006, and a benefactor to the Metropolitan Museum of Art, the Cooper-Hewitt Design Museum, the Morgan Library and Museum, the Brooklyn Museum, the Allen Memorial Art Museum at Oberlin College, and the Los Angeles County Museum of Art."

  • Publisher’s pictorial wrappers: CHRISTIE'S | NEW YORK | {three book covers} | Masterpieces of Modern Literature: | The Library of Roger Rechler | FRIDAY 11 OCTOBER 2002 || Red spine with white lettering from top to bottom, multiple illustrations in colour, 26.8 x 21 x 3 cm. Pagination: [1-4] 5-451 [452]. 375 lots, prices realized handwritten next to each lot and on 6 loose leaves inserted.
  • The good old days of naughty postcards: Softcover, 160 x 160 mm, blue flapped wrappers, front with a keyhole openwork showing the vignette in colour on the flap; pp. [1-9] 10-272 [4], colour illustrations throughout, topics from A to Z, historical erotic postcards from the author's collection. Title-page: LA BELLE ÉPOQUE | DES CARTES COQUINES | Christian DEFLANDRE | HORAY || Annotation (back wrapper): De A comme Adam, à Z comme Zizi, de lestes galanteries aux vertes gauloiseries témoignent de 'esprit facétieux de la vie amoureuse à la Belle Époque. Qualifies de « grivoises » par les amateurs de nudités, « licencieuses » par les moralistes, ces cartes au charme désuet dévoilent la sensualité et 'érotisme de nos arrière-grands-parents. ISBN 978-2-7058-0466-4
  • Hardcover volume 295 x 240 mm, pictorial front cover and purple spine with gilt embossed lettering, back cover with orange lettering, craft endpapers, pp.: [1-6] 7-255 [1], profusely illustrated. Exhibition catalogue with 123 reproductions of Japanese woodblock prints. Title-page: The Riddles of | UKIYO-E | Women and Men in Japanese Prints 1765–1865 | Chris Uhlenbeck / Jim Dwinger / Josephine Smit | {publisher’s device LUDION} || Table of contents: Preface; Introduction; Beauties; Shunga; Legends; Kabuki; INDEX; LIST OF WORKS; BIBLIOGRAPHY; AUTHORS.
  • Hardcover volume, 8vo, 24.3 x 16.5 cm, bound in contemporary full marbled calf, spine with raised bands, gilt floral tools in compartments, gilt title lettering, marbled end-papers and all edges, printed on laid paper 23.9 x 5.5 cm with a watermark, entirely engraved (frontispiece, title, nine plates, and text), gatherings not indicated. Title-page (engraved, vignette, tall 's') LE | TEMPLE | DE | GNIDE | Nouvelle Edition, | Avec Figures | Gravées par N. LE MIRE, | des Acad. De Vienne en Autriche et de Rouen, | D’apres les Dessins de Ch. Eisen. | Le Texte Gravé par Droüet. | — | {3 lines quotation from Gallien} | A PARIS | Chez le Mire Graveur | Rue St. Etienne des Gres. | AVEC PRIVELEGE DU ROI. | 1772. || Frontispiece (engraved, vignette): Portrait medallion inscribed "CHARLES SECONDAT DE MONTESQUIEU — N. Le Mire del et sc", signed beneath "N. le Mire sculp 1771"; under the plate: "Dessiné par Ch. Eisen, et Gravé par N. le Mire." Pagination: frontispiece, t.p. / explication, dedication, [i] ii-vii [viii blank] 1-104 [105-6 blanks]; engraved throughout, plus 9 plates by Le Mire after Eisen.
    Catalogue Raisonné: Cohen-de Ricci 726-27; Ray, French Illustrated Book, №32/p. 61-2.
    Ref.: MFA (Boston): Accession Number 37.1726.
    Charles Eisen (French, 1720 – 1778) – artist. Noël Le Mire (French, 1724 – 1801) – engraver, publisher. Droüet (French, 18th century) – text engraver. Charles Louis de Secondat, Baron de La Brède et de Montesquieu (French, 1689 – 1755) – author.
  • Description: one volume 20 x 12.8 cm, collated 8vo, in grey wrappers (original?), printed on laid paper, with tall “s”, two vignettes by Benoît-Louis Prévost to A1 and A3, 320 entries, where entry 320 Portraits et médaillons, consists of 121 entries itself. Title-page: CATALOGUE | DE L'ŒUVRE | DE CH. NIC. COCHIN FILS, | Ecuyer, Chevalier de l’Ordre du Roy, | Censeur Royal, Garde des Desseins du | Cabinet de Sa Majesté, Secrétaire & | Historiographe de l'Académie Royale | de peinture & de sculpture. | Par Charles-Antoine Jombert. | {vignette by Benoît-Louis Prévost} | A PARIS ; | De l’Imprimerie de Prault. | — | M. DCC. LXX. || Collation: A-I8, K1 (approbation), χ 8 (blanks), two in-text vignettes, total 81 leaves. Pagination: [1-5] 6-144 [145] [17 blanks], ils.; total 162 pages. Ref: Gallica-BnF. Contributors: Charles-Antoine Jombert (French, 1712 – 1784) – author. Charles Nicolas Cochin (French, 1715 – 1790) Benoît-Louis Prévost (French, 1735/47 – 1804) Laurent-François Prault (French, 1712 – 1780)
  • Cover:  (black and red in red frame) PARIS POLICE | par | Ch. Virmaitre | PARIS | E. DENTU, ÉDITEUR | LIBRAIRE DE LA SOCIÉTÉ DES GENTES DE LETTRES | Palais-Royal, 15-17-19, Galerie d’Orléans | 1886 || Title page: CH. VIRMAITRE | PARIS–POLICE | {publisher’s device} | PARIS | E. DENTU, ÉDITEUR | LIBRAIRE DE LA SOCIÉTÉ DES GENTES DE LETTRES | PALAIS-ROYAL, 15-17-19, GALERIE D’ORLEANS | 1886 | Tous droits réservés. || Pagination : 3 blank leaves, original pictorial wrapper, [4], [1] 2-359 [360 blank], original back wrapper with publisher's advertisement, 3 blank leaves. Collation: 12mo; π2, 1-1912 206. Binding: owner's hardcover, quarter burgundy percaline, marbled boards, brown title label with gilt lettering, gilt double tail ruler, year, and fleuron to spine; original paper wrappers preserved.
  • Cover: (original wrapper) PARIS-CANARD| PAR | CH. VIRMAITRE | A. SAVINE, Édeiteur, rue Drouot, 18, PARIS || Wood engraving to cover signed LeNatur — Michelet, sc. Title page: CHARLES VIRMAITRE | PARIS–CANARD | {publisher’s device} | PARIS | NOUVELLE LIBRAIRIE PARISIENNE | ALBERT SAVINE, ÉDITEUR | 18, RUE DROUOT, 18 | 1888 | Tous droits réservés. || Pagination: 2 blank leaves, original pictorial wrapper, [4], [1] 2-319 [320 blank], original back wrapper with publisher’s advertisement, 2 blank leaves. Collation: 12mo; π2, 1-1712 184. Binding: 18 x 12 cm, hardcover; quarter blue percaline, marbled boards, red title label ruled gilt with gilt lettering, gilt double tail ruler, fleuron to spine; original paper wrappers preserved. Bookplate to front pastedown: "EX LIBRIS EUGENE SELIGMANN" written on a ribbon; ink inscription to half-title in french: "To my good friends Paul Vogler and Maurice Radiguet, former – for a new acquaintance, latter – to become great." Signed: Ch. Virmaitre. Paul Vogler (French, 1853 – 1904) – painter in the Impressionist style. Jules Maurice Radiguet (French, 1866 – 1941) – illustrator , caricaturist and cartoonist. Father of Raymond Radiguet (French, 1903 – 1923).  
  • Cover: CH. VIRMAÎTRE | PARIS OUBLIÉ — PARIS | E. DENTU, ÉDITEUR || Title page: CHARLES VIRMAÎTRE | PARIS OUBLIÉ | {publisher’s device} | PARIS | E. DENTU, ÉDITEUR | LIBRAIRE DE LA SOCIÉTÉ DES GENTES DE LETTRES | PALAIS-ROYAL, 15-17-19, GALERIE D’ORLÉANS | 1886 | Tous droits réservés. || Pagination: publisher’s pictorial wrapper, ffl, [2] – t.p. / blank, 1-327 [328 blank], bfl, publisher’s advert. to back wrapper.
  • Title : CHARLES VIRMAITRE | LA COMMUNE | A PARIS | 1871 | {cit. 5 lines Emile de Girardin} | PARIS | LIBRAIRIE INTERNATIONALE | A. LACROIX, VERBOECKHOVEN ET Ce, ÉDITEURS | 15 boulevart Montmartre et faubourg Montmartre, 13 | MÉME MAISON A BRUXELLES, A LEIPZIG ET A LIVOURNE | 1871 | DROITS DE TRADUCTION ET DE REPRODUCTION RÉSERVÉS || Pagination : [2] – h.t. / imprint., [2] – t.p. / blank, [2] – dedicatation to Thiers / blank, [2] – table / blank, [1], 2-280; [total 288 pages]. Collation: 18mo; π4 1-1318 1514. Binding: red quarter morocco over red buckram boards, raised bands, gilt lettering, gilt flower lozenges in compartments, marbled endpapers.