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Single volume, 17.1 x 11.2 cm, quarter black sheepskin over faux chagrin, gilt lettering to spine, marbled endpapers, bottom and outer margin untrimmed, pp.: [i-v] vi- xxxvi, [1] 2-218 [2], collated 4to: π2, a-d4, 1-274 282, total 256 pages or 128 leaves, plus 20 engraved plates by Paul Sellier, including frontispiece portrait of Alexis Piron after bust by Caffieri. Vol. 8 of Bibliothèque Libre, Œuvres badines de Piron, printed on February 15, 1872. Text printed on dense wove paper watermarked P or M, plates printed on India wove paper. A reprint of an edition published in 1796 plus illustrations. Title-page: ŒUVRES | BADINES | D’ALEXIS PIRON | PRÉCÉDÉES | D’UNE NOTICE SUR SA VIE | Nouvelle édition, ornée de 20 figures en taille-douce | {vignette} | IMPRIMÉ PAR LES PRESSES DE LA SOCIÉTÉ | A NEUCHATEL | – | 1872 || Limitation: 100 numbered copies, of which this is № 75. Catalogue raisonné: Dutel I: A-788; Pia: 953-6; Kearney 377 (Patrick J. Kearney. A Catalogue of the publications of Jules Gay, Jean-Jules Gay & Gay et Doucé, revised & expanded. — Santa Rosa, CA Scissors & Paste Bibliographies, 2019) Catalogue Poulet-Malassis & ses amis description: № 81. Alexis PIRON. Œuvres badines précédées d’une notice sur sa vie. Nouvelle édition ornée de 20 figures en taille-douce. [ Jules Gay] Imprimé par les presses de la société, à Neufchatel, 1872. In-8, xxxvi, 218 pages et un feuillet d’achevé d’imprimer de table, demi-basane noire, dos à faux nerfs, tête et tranches naturelles. Illustré d’un portrait et de 20 figures par Paul Sellier. Tirage limité à 100 ex. numérotés. De la « Bibliothèque libre ou collection choisie d’ouvrages du genre libre, imprimés ou réimprimés par les soins de la Société des Bibliophiles Cosmopolites et pour les membres de cette société, à cent exemplaires numérotés ». Bibliographie : Pia 1030, Enfer 1274, Lem 3-454, Gay 5-339, PC 353, G* 38, Pey 203, Dutel A-788." Contributors: Alexis Piron (French, 1689 – 1773) – author. Paul Sellier (French, 1842 – 19..?) – artist. Jules Léopold Gay (French, 1807 – 1887) – publisher. -
Softcover, 325 x 253 mm, publisher’s French flapped wrappers in glassine dust cover, 15 leaves folio folded in half, making 30 in-2o leaves 321 x 250 mm, with two leaves within the wrappers, [1] t.p., [2] Vertès’ blue ink inscription “À Alexaner Sternberg frère Nicolas qui est un garçon charmant et un bon artiste. Vertès.” and drawing, [3] frontispiece, [4-26] text with six full-page, one head- and one tailpiece in dry point technique, with guard tissues, [27] list of plates, [28] colophon, [29] blank; some page numbers manually scripted in pencil to the bottom right corners by a previous owner. Paper watermarked “BFK Rives”. Title-page (in orange and black): ÉLOGE | DE | MARCEL VERTÈS | PAR | GEORGES HUISMAN | ORNÉ | DE GRAVURES ORIGINALES | {publisher’s device} | MANUEL BRUKER ÉDITEUR || Colophon: CET OUVRAGE A ÉTÉ ACHEVÉ D'IMPRIMER SUR LES PRESSES DE L'IMPRIMERIE DARAGNÈS LE 30 OCTOBRE 1951 A 200 EXEMPLAIRES NUMÉROTÉS DONT 20 SUR VÉLIN 'ARCHES DE 1 A 20 AUXQUELS IL A ÉTÉ JOINT UNE SUITE DES GRAVURES SUR JAPON NACRÉ ET 180 SUR VÉLIN BLANC DE RIVES DE 21 A 200. ON A TIRÉ EN OUTRE 20 SUITES SUR MALACCA DES PLANCHES REFUSÉES. EXEMPLAIRE N° 93. Limitation: 200 copies printed on October 30, 1951, at Daragnès press: 20 (№№ 1-20) on Arches vellum paper with a suite of plates on Japon Nacré and 180 (№№ 21-200) Vélin Blanc by Rives. This is copy № 93. Tipped in: (1) photo of Vertès (and one more) in front of his murals, with the blue ballpoint pen inscription “À Alex Sternberg, frère de Nicola, excellent ami, excellent artiste et voyez, quel photographe!!! Vertès”; (2) postcard with a signed invitation to Vertès' exhibition by Librairie M.-P. Tremois: “Carte Postale | Paris, le 2 mars [19]28 | Monsieur, | Du 6 au 24 mars, | de 2 heures à 6h30, aura | lieu à la Librairie M.-P. Trémois | 43 avenue Rapp, 7e, une | exposition de dessins et | aquarelles de Vertès, ayant | servi à l’illustration de livres. | Nous espérons que vous | voudrez bien nous honorer | de votre visite. M.-P. Trémois.” The drypoint technique is confirmed by the presence of a white line in the middle of the black printed line on the micro photo:
Catalogue raisonné: Vokaer № 52.
Contributors:
Georges Huisman (French, 1889 – 1957) – author.
Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – character/artist.
Manuel Bruker (French, 1891 – 1979) – publisher.
Jean-Gabriel Daragnès (French, 1886 – 1950) – printer.
Nicolas Sternberg (Hungarian-French, 1902 –1960)
Librairie M.-P. Trémois (1925 – 1953) -
NEWHardcover, 273 x 200 mm, original cardboard, lettering, vignette, frame to front, lettering to spine, colour plates after pp. 4, 10, 40, 64, 96, 232, and 240. Collated 8vo: π10 1-268, i.e. 218 leaves, profusely illustrated in b/w, plus 7 colour plates extraneous to collation; pp.: [i-viii] ix-xix [xx] [2] 3-414 [2]. Title-page: МАСТЕРА | СОВРЕМЕННОЙ ГРАВЮРЫ | И ГРАФИКИ | СБОРНИК МАТЕРИАЛОВ | ★ | РЕДАКЦИЯ ВЯЧ. ПОЛОНСКОГО | — | СТАТЬИ | B. AДAPЮKOBA, M. БАБЕНЧИКОВА, E. ДАНЬКО, | K. KУЗЬMИНCKOГO, Л. PO3EHTAЛЯ, A. СИДOPOBA, | K. ТИХОНОВОЙ, M. ФАБРИKAHTA, | A. ФEДOPOBA-ДАВЫДОВА | {publisher’s device} | — | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | МОСКВА — 1928 — ЛЕНИНГРАД || Imprint: Отпечатано в 1-й Образцовой типографии | Гиза. Москва, Пятницкая, 71, в количестве | 2000 экз. Х. 60. Гиз 18467. Главлит 82394. | Заказ № 467. | ★ | Обложка работы Н. И. Пискарева | макет для верстки В. В. Гольцева || Print run 2000 copies. Editor: Полонский [Гусев], Вячеслав Павлович [Polonsky, Vyacheslav] (Russian, 1886 – 1932) Contents:Предисловие Вяч. Полонского ... VIIIA. П. Остроумова-Лебедева. В. Я. Адарюкова ... 1Е. С. Кругликова. В. Я. Адарюкова ... 13М. В. Добужинский. Л. В. Розенталя ... 31С. В. Чехонин. Е. Данько ... 61Г. И. Нарбут. А. А. Сидорова ... 77Д. Н. Кардовский. К. С. Кузьминского ... 107П. А. Шиллинговский. В. Я. Адарюкова ... 135Д. И. Митрохин. М. В. Бабенчикова ... 149Ю. А. Анненков. М. В. Бабенчикова ... 167Ленинградская школа графических искусств. А. Федорова-Давыдова ... 189IIИ. Н. Павлов. В. Я. Адарюкова ... 227М. А. Добров. В. Я. Адарюкова ... 245И. И. Нивинский. В. Я. Адарюкова ... 257B. А. Фаворский. М. И. Фабриканта ... 273A. И. Кравченко. А. А. Сидорова ... 297B. А. Ватагин. К. С. Кузьминского ... 325Д. П. Штеренберг. К. С. Тихоновой ... 343Московская школа графики. А. А. Сидорова ... 357IIIБиблиография современной русской графики. А. А. Сидорова ... 405Artists:Остроумова-Лебедева, Анна Петровна [Ostroumova-Lebedeva, Anna] (Russian, 1871 – 1955) Кругликова, Елизавета Сергеевна [Kruglikova, Elizaveta] (Russian, 1865 – 1941) Добужинский, Мстислав Валерианович [Dobuzhinsky, Mstislav] (Russian-Lithuanian, 1875 – 1957) Чехонин, Сергей Васильевич [Chekhonin, Sergey] (Russian, 1878 – 1936) Нарбут, Георгий Иванович [Narbut, Heorhiy] (Ukrainian, 1886 – 1920) Кардовский, Дмитрий Николаевич [Kardovsky, Dmitry] (Russian, 1866 – 1943) Шиллинговский, Павел Александрович (Russian, 1881 – 1942) Митрохин, Дмитрий Исидорович [Mitrohin, Dmitry] (Russian, 1883 – 1973) Анненков, Юрий Павлович [Annenkov, Yury] (Russian-French, 1889 – 1974) Павлов, Иван Николаевич [Pavlov, Ivan] (Russian, 1972 – 1951) Добров, Матвей Алексеевич (Russian, 1877 – 1958) Нивинский, Игнатий Игнатьевич [Nivinski, Ignati] (Russian, 1881 – 1933) Фаворский, Владимир Андреевич [Favorsky, Vladimir] (Russian, 1886 – 1964) Кравченко, Алексей Ильич [Kravchenko, Aleksei] (Russian, 1889 – 1940) Ватагин, Василий Алексеевич [Vatagin, Vasily] (Russian, 1883 – 1969) Штеренберг, Давид Петрович [Shterenberg, David] (Ukrainian-Jewish, 1881 – 1948) -
An album 45 of 50 prints, 31 photogravures and 14 in raster chromotype after drawings and paintings by Franz von Bayros; most with tissue guards, some in passepartout; colour prints mounted on the same paper that is used for photogravures. Title-page: BAYROS | MAPPE | MIT VORWORT VON | RUDOLF HANS BARTSCH | VERLAG ED. STRACHE / WIEN • PRAG • LEIPZIG || Limited edition of 500 copies. This is copy № 286. Lacking 5 prints: (1) Abschied vom Paradies, (2) Weihnacht, and (3) Harmonie from Symphonie von der Gūte, die Schönheit ist; (4) Divina commedia from Florentiner Phantasien; and (5) Mozart from Varia. Contributors: Franz von Bayros (Austrian, 1866 – 1924) Rudolf Hans Bartsch (Austrian, 1873 – 1952) -
Description: Publisher’s French flapped wrappers 28.2 x 19.2 cm, lettering to front cover “SCÈNES | DE | PÉRIPATÉTICIENNES | Εις το αφρωδιαζειν αγει | MCMIII”, pp. [1-6] 7-132 [4]. 10 laid-in (unbound) colour plates after André Collot, including the title-page vignette. Text printed on laid paper, plates on wove paper. According to J.-P. Dutel (1920-1970) № 2366, p. 356, this is a pirated reprint with 11 plates of the 1927 or 1935 edition of “Douze douzains de dialogues”, illustrated with 12 hand-coloured etchings after André Collot (№ 1427, 1428, p. 137, ibid.). Limitation of 200 copies seems fake as per Pia, the copy in BNF bears number 262 (Pia № 1213, p. 635; № 359, p. 200). Title-page: SCÈNES DE | PÉRIPATÉTICIENNES (arch) | Εις το αφρωδιαζειν αγει | MCMIII || Pictorial t.p.: {vignette in colour} | Douze douzains de Dialogues | ou | Petites scènes amoureuses | * || (text in fac-simile ms). Limitation: edition is limited to 200 copies of which this is copy № 44. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. André Collot (French, 1897 – 1976) – artist. See: LIB-2819.2021 in this collection. -
The text attributed to Claude-Prosper Jolyot de Crébillon, dit Crébillon fils (French, 1707 – 1777) or to Anne Claude de Caylus (French, 1692 – 1765). A hardcover volume, 21 x 13.5 cm, collated in-12mo, bound by H. Blanchetière in full crushed brown morocco, spine with raised bands, gilt lettering “VICOMTE | DE NANTEL | – | MA VIE | DE | GARÇON” and “BRUXELLES | 1882” in the bottom compartment; gilt double-fillet to cover margins, six gilt fillets inside, woven silk endpapers, marbled flyleaves, original publisher’s wrappers preserved; the bookplate of Henri Bosc to f.e.p. verso (monogrammed by Martin Van Maële), bookplate of J.-P. Dutel to flyleaf, 18 x 9 cm manuscript list of illustrations tipped in (lettered “12 aquarelles originales | de Martin Van Maële” on top), all margins gilt; printed on tinted paper. Collation: [1] front wrapper lettered in red and black, [1] half-title with limitation to verso, frontispiece by Amédée Lynen, verso inscribed by Van Maële to Bosc, meaning “A jewel for a most sympathetic and sensitive connoisseur Mr H. Bosc”, signed; [1] t.p. in red and black/blank, 06 (pp. [i]-xii) Avant-propos by Jean Richepin, 1-116 (pp. [5]-116) 124 (pp. 117-143, [144] colophon) [1] back wrapper w/advert (Extrait de Gil Blas), spine w/price 10 Fr.; 12 watercolours by Van Maële extraneous to collation, all signed “with his full name in a flowery script”, as per S. A. Perry. Title-page / Cover (red and black): LES FAITS ET GESTES DU VICOMTE DE NANTEL | ~ | MA | Vie de Garçon | AVEC UN AVANT-PROPOS | DE | JEAN RICHEPIN | {publisher’s device} | A BRUXELLES | Chez Henry KISTEMAECKERS, éditeur | – | 1882 || Worldcat : xii, 143 pages frontispiece 20 cm; OCLC Number / Unique Identifier: 5887998. Limitation: 300 copies on papier teinté, 10 copies on papeir du Japon. This is a unique copy enriched with 12 original watercolours by Martin Van Maële. Colophon: ACHEVÉ D’IMPIMER | le 30 mai 1882. | par A. LEFÈVRE, a BRUXELLES | {printer’s device} | POUR | Henry Kistemaeckers, Editeur | à Bruxelles. || Catalogue raisonné: S. A. Perry (2015) № 89 / [LIB-2920.2022] Sheryl A. Perry. Martin van Maële: An illustrated bibliographical checklist. — Las Vegas, 2021. Ref: The Erotica Bibliophile. Contributors: Jean Richepin (French, 1849 – 1926) – author (avant-propos). Maurice François Alfred Martin van Maële [Martin van Maële] (French, 1863 – 1926) – artist. Amédée Ernest Lynen (French, 1852 – 1938) – artist (frontispiece). Henry Kistemaeckers (Belgian, 1851–1934) – publisher. Henri Bosc [Henri Marie Joseph Danviolet] (French, 1884 – 1967) – provenance. J.-P. Dutel description: [Claude-Prosper Jolyot de CRÉBILLON ?]. LES FAITS ET GESTES DU VICOMTE DE NANTEL. MA VIE DE GARÇON. Avec un avant-propos de Jean Richepin. Bruxelles, Henry Kistemaeckers. 1882. In-8 (202 x 120 mm) de XII, 143 pp. et [1] p. Maroquin brun, dos à 5 nerfs, filets dorés sur les coupes et les bordures intérieures, tranches dorées, gardes en moire, double-gardes en papier, couverture et dos conservés. (H. Blanchetière). Le texte est attribué à Claude-Prosper Jolyot de Crébillon, dit Crébillon fils, (1707-1777). Cette édition fut publiée en 1882 à Bruxelles par Kistemaeckers et est ornée d’unfrontispice d’A. Lynen. TIRAGE : 10 ex. sur japon. 500 ex. sur papier teinté. UN DES 500 EXEMPLAIRES SUR PAPIER TEINTÉ ORNÉ DE 12 AQUARELLES ORIGINALES HORSTEXTE SIGNÉES PAR MARTIN VAN MAELE. -
Softcover volume, 25.9 x 16.7 cm, in French flapped wrappers lettered "PIETRO ARETINO | SONNETS | LUXURIEUX | {garland}" unbound, 6 gatherings in 4to (24 leaves, incl. those in wrappers), a few sheets of guard tissue laid in, unpaginated, lower margin untrimmed; in a burgundy double slipcase 26.3 x 17.3 cm. Illustrated with title-page vignette, red initials and tailpieces and 16 half-page engravings by Jean Baptiste Tavy Notton. Text in Italian and French. Title-page (red and black): SONNETS | LUXURIEUX | de | PIETRO ARETINO | dit L'ARÉTIN | avec accompagnement | de gravures au burin | d'après la description des gravures | de GIULIO PIPPI DE GIANNUZZI dit JULES ROMAIN | {vignette} | AUX DÉPENS | DE QUELQUES AMATEURS | 1948 || Clandestine limited edition, print run of 250 copies, of which this is copy № 20, printed on thick wove paper without watermarks. Catalogue raisonné: Dutel III № 2421. Original edition: Sonetti lussuriosi by Pietro Aretino, illustrated by Giulio Romano and engraved by Marcantonio Raimondi, published clandestinely in Venice in c.1527. Contributors: Pietro Aretino (Italian, 1492 – 1556) – author. Jean Baptiste Tavy Notton (French, 1914 – 1971) – artist. Antoine-Isidore Liseux (French, 1835 – 1894) – translator/comments. Giulio Romano [Giulio Pippi, Giulio Giannuzzi] (Italian, c.1499 – 1546) – artist. Marcantonio Raimondi (Italian c. 1470/82 – c. 1534) – engraver. -
Unbound, unpaginated album (28.4 x 19.5 cm) with 24 leaves (12 folded sheets 28 x 38 cm each), printed on thick wove paper, watermarked Vidalon, with text and 31 vignettes, some pages foxed. Publisher’s original flapped cream wrappers, lettering to front: Raymond Radiguet | Vers Libres | {vignette} || Half-title: “Vers Libres” on a ribbon covering a stick, garland, and flute. Title: Raymond Radiguet | Vers Libres | {vignette} | NOGENT | AU PANIER FLEURI || Illustrations: Cover vignette, frontispiece, tail- and a headpiece for introduction, and vignettes (total 31 illustrations) undoubtedly attributed Rojan (Feodor Rojankovsky). Poems: Chat perché; Champigny, Les fiancés de treize ans, Saison, Le petit journal, Ébauches, Usée, Jeux innocents, Bains publics, L’autre bouche, Cinématographe. In 1937, the «Jeux innocents» piece was added to the 1935 edition, together with 4 illustrations on top of 27 vignettes in 1935, making it 31. Edition: 1st thus; however, the 1935 edition may be considered the 'real' 1st. Limitation on the last page: the total print run on 250 copies by subscription only, this copy is № 181 from 243 on Vélin de Vidalon (as per Dutel). Illustrations printed in black and stencil-coloured (au pochoir). Catalogue raisonné: Dutel 2593; Nordmann (2): 451. Contributors: Raymond Radiguet (French, 1903 – 1923) – author. Feodor Rojankovsky [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970) – artist. -
Description: Softcover, French flapped wrappers, lettered front, back (advert.) and spine, collated in-4to, 24.3 x 20.2 cm, printed on thick wove paper Vélin pur fil Lafuma-Navarre, print run limited to 335 copies from which this is copy № 219; outer margin untrimmed, some leaves uncut, glassine DJ. Limitation: 1 copy (A) on Japon Impérial + double suite of plates + suite of original drawings, 4 copies (B-E) on Japon Impérial + double suite of plates, 15 copies on on Japon Impérial + suite of plates on Vieux Japon teinté (F-T), 315 copies on Vélin pur fil Lafuma-Navarre, of which 15 (I-XV) not for sale. Copyright: Libraire Gallimard, 1924. Printed: March 10, 1924 – text by Coulouma (Argenteuil) under direction of H. Barthélemy, lithographs printed by Marchizet (Paris). Front wrapper (in letterpress two-colour border): Tableaux Contemporains – no 4 | . TABLEAU | de | L'AMOUR | VÉNAL | par | FRANCIS CARCO | Illustré | de douze lithographies en noir | par Luc-Albert Moreau | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Title-page: Same, without a frame, in black, L'AMOUR | VÉNAL in brown. Collation: 4to; 14 a4 2-164, total 68 leaves with wrappers included in collation plus 12 plates, incl. frontispiece, extraneous to collation. Pagination: [2 wrapper] [6] [i] ii-vii [viii blank] [9] 10-122 [2 colophon] [2 blank] [2 wrapper]; total 136 pages incl. wrappers, plus ils. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Luc-Albert Moreau (French, 1882 – 1948) – artist. La Nouvelle Revue Française (nrf) (Paris)– publisher. Gaston Gallimard (French, 1881 – 1975) – publisher. -
Binding: One volume collated 4to, 27 x 19.4 cm in publisher’s French flapped cream wrappers lettered in blue and black to front and spine. Printed on watermarked laid paper (vergé d’Arches), outer and bottom margins untrimmed. Front wrapper (blue and black): PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | ILLUSTRATIONS DE | BRUNELLESCHI | {publisher’s device «EM»} | PARIS | L’ESTAMPE MODERNE | 1930 || Title page: PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | CONTENANT | DIX-SEPT ILLUSTRATIONS | EN COULEURS DONT NEUF HORS-TEXTE | PAR | BRUNELLESCHI | {publisher’s device} | PARIS | L’ESTAMPE MODERNE | ÉDITEURS | 14, RUE DE RICHELIEU, 14 | 1930 || Collation: 4to; π4 (incl. 1st blank, h.t./limit., t.p., d.t.p.) [1]-414 (last gathering uncut); total 168 leaves plus 9 plates with tissue guards extraneous to collation, incl. frontispiece, stencil-coloured etchings by Gorvel after Brunelleschi. Pagination: [6] [2] 3-324 [6], total 336 pages, ils. Limitation: Edition limited to 524 copies, 6 on Japon Impérial, enriched (№ 1-6); 13 on Japon Impérial, enriched (№ 7-19); 30 on Japon Impérial, enriched (№ 20-49); 450 on vergé d’Arches (№ 50-499); 5 on Japon Impérial (№ I-V) not for sale, and 20 on vergé d’Arches (№ VI-XXV) not for sale. This copy is № 300, on vergé d’Arches. Printed: January 30, 1930, by Coulouma (Argenteuil), plates by Ad. Valcke (Paris), stencil-colouring by J. Saudé. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. Georges Emile Louis Eugene Gorvel (French, 1866 – 1938) – etcher. Jean Saudé (French, fl. c. 1890 – 1930) – printer (pochoir, stencil) Coulouma (Argenteuil) – printer L’Estampe Moderne – publisher. -
Photographic portrait of poet Joseph Brodsky, head, shoulders, and hand, three-quarters to the right, wearing glasses and with a cigarette. Pencil-signed on the mat: 1/45 • ©Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 43 x 35.5 cm; window: 24 x 19 cm. -
Softcover volume, 23.5 x 15 cm, in tan French flapped wrappers with red lettering to front, collated in-4to, in a tan double slipcase 24 x 15 cm with red lettered label to spine, pp.: [1-12] 13-112 [8], total 120 pages, incl. those within wrappers; printed on thick wove paper watermarked “Lafuma Frères”, 5 full-page and 6 half-page illustrations within collation, incl. frontispiece, guard tissue laid in. Title-page (red and black): LE ROMAN | DE | GODEMICHET | ÉPOPÉE | LIBERTINE | ET VÉCUE | composée par un | DESCENDANT D’HERMES | AMI DES MUSES | ÉMULE DE PRIAPE | et illustrée par un | MAITRE DU GENRE | ÉDITÉ POUR LES | AMIS DE L’AUTEUR | A PARIS EN L’AN DE GRACE | MCMXLVIII || Limited edition 200 + XX, this is copy № 175. Catalogue raisonné: Dutel III № 2336. Jean Reschofsky (French, 1905 – 1998) – artist.
