English – Varshavsky Collection

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Stephen Parks (editior). The Beinecke Library or Yale University. — New Haven: Yale University, 2003©.

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Romantique: Erotic art of the early 19th century. — Bearsville, NY: Elephant & Mouse Editions, 2001.

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Lesley Hoskins. The papered wall: history, pattern, technique. — NY: Harry N. Abrams, 1994.

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W. A. Churchill. Watermarks in paper in Holland, England, France, etc., in the XVII and XVIII centuries and their interconnection. — Amsterdam: Menno Hertzberger & Co., 1935.

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La Petite Mort / Edited by Dian Hanson, photographs by William Santillo. — Köln: Taschen, 2016.

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Jack Ogden. Jewellery of the Ancient World. — NY: Rizzoli, 1982.

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Christine Guth. Art of Edo Japan: The Artist and the City 1615-1868 (Perspectives). — NY: Harry N. Abrams, Inc., 1996.

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Anna Jackson. Japanese Textiles in the Victoria & Albert Museum. – London: V&A Publications, 2000.

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Josephine Rout. Japanese dress in detail. — London: V&A; Thames & Hudson, 2022.

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Madame d’Ora / edited by Monika Faber. – Munich, London, NY: Prestel Verlag / Neue Galerie, 2020.

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Michel Delon, Michèl Sajous D’Oria. Casanova in Venice : Illustrated editions of The story of my life / Translated by Lucian Comoy (1st English edition). — Venice: Lineadacqua, 2019.

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Ito Mitsuru. Nobuie Tsuba / Translated by Markus Sesko. — Lulu Press, 2016 ©.

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Preparatory manuscript and 27 original and unpublished gouaches by Marcel Vertės for Lady Chatterley’s lover by D. H. Lawrence.

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Chris Uhlenbeck, Jim Dwinger, Josephine Smit. The Riddles of Ukiyo-e: Women and Men in Japanese Prints. — Brussels: Ludion, 2023.

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Éros secret: objets érotiques à transformation – erotic transformation objects / directed by Véronique Willemin, preface by Michel Froidevaux. — Lausanne : HumuS, 2007.

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Lewis Carroll: Photos and letters to his child friends / Edited by Guido Almansi, notes by Brassai and Helmut Gernsheim. — Parma: Franco Maria Ricci, 1975 ©.

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Pascin. Perls Galleries / Exhibition Catalogues: 1952, 1955, 1959, 1962.

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Graham Greene. The end of the affair. — London: Heinemann, 1951.

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