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COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.
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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.
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The self tormenter. Anonymous drawing, late 18th century.
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Losing my seat. [Anonyme] A. Sharpshooter, 1829.
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George A. Audsley, James L. Bowes. Keramic art of Japan. — London: Henry Sotheran & Co., 1881.
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Tales and novels of J. de La Fontaine / Illustrated by Clara Tice (2 volumes) — Nijmegen: G. J. Thieme, 1929.
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Graham Greene. A sort of life. — London: The Bodley Head, 1971.
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Graham Greene. Monsignor Quixote: A novel. — London: The Bodley Head, 1982.
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Graham Greene. The human factor. — London: The Bodley Head, 1978.
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Graham Greene. Doctor Fischer of Geneva, or the bomb party. — London: The Bodley Head, 1980.
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Graham Greene. A burnt out case. — London: Heinemann, 1961.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.
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Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.
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John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.
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John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.
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