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Vol. 1: Front wrapper and title page (in red and black): CONTES | ET | NOUVELLES | DE | LA FONTAINE | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | PREMIER ET DEUXIÈME LIVRE | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [6] – advert., [2] – d.t.p., 1-164 [165-6], [4] – table, [2] – imprint / blank, [2] – blanks; total 188 pages (94 leaves) with 35 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Vol. 2: Front wrapper and title page similar to Vol. 1 but TROISIÈME, QUATRIÈME ET CINQUIÈME LIVRE under the vignette. Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [2] – d.t.p., 1-233 [234], [4] – table, [2] – colophon / blank, [2] – blanks; total 250 pages (125 leaves) with 42 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 3,000 copies, this copy is № 1 (stamped in black in vol. 1). Printed on the 10th of June, 1938 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: Two volumes 26.3 x 20.3 cm, uniformly bound in publisher’s pictorial flapped wrappers with vignettes and lettering to front wrapper and spine and publisher’s device to back wrapper. Description of the stensil (au pochoir) technique. -
Front wrapper and title page (in red and black): LES CONTES DE | CHARLES | PERRAULT | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [4] – preface, [2] – d.t.p., 1-168 [169-70], [4] – table, [2] – imprint / blank; total 188 pages (94 leaves) with 55 in-text illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 1,000 copies, this copy is № 1 (stamped in black). Printed on the 31st of October 1946 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: 26.7 x 20.3 cm, publisher’s flapped pictorial wrappers, vignettes and lettering to front wrapper and spine, publisher’s device to back wrapper, uncut. Fairy Tales by Charles Perrault (French, 1628 – 1703): Griselidis (Griselda) — Peau d'Asne (Donkeyskin) — Les Souhaits ridicules (The Ridiculous Wishes) — La Belle au Bois dormant (Sleeping Beauty) — Le Petit Chaperon rouge (Little Red Riding Hood) — La Barbe-Bleue (Bluebeard) — Le Maistre Chat ou Le Chat Botté (Puss in Boots) — Les Fées (The Fairies) — Cendrillon ou La Petite Pantoufle de verre (Cinderella)— Riquet à la Houppe (Riquet with the Tuft) — Le Petit Poucet (Hop-o'-My-Thumb) Description of the stensil (au pochoir) technique. -
Vol. 1: Front cover and title page: LES CONTES | DE BOCCACE | ☙ DECAMERON ❧ | TRADUIT DE L'ITALIEN | PAR | ANTOINE LE MAÇON | LES CINQ | PREMIÈRES JOURNÉES | ILLUSTRATIONS DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-342 [343-4] [10], 16 colour plates and 70 b/w head- and tailpieces after Umberto Brunelleschi. Vol. 2: Front cover and title page: LES CONTES | DE BOCCACE | ☙ DECAMERON ❧ | TRADUIT DE L'ITALIEN | PAR | ANTOINE LE MAÇON | LES CINQ | DERNIÈRES JOURNÉES | ILLUSTRATIONS DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-281 [282] [10], 16 colour plates and 68 b/w head- and tailpieces after Umberto Brunelleschi. Edition: Limited to 2,500 copies, of which this is № 1. Edition supplemented with two full extra sets of plates, 32 in black and white, and 32 in colour. Printed on June 25, 1934. Binding: 26.5 x 20.5 cm; cream flapped wrappers (French softcover) with green and black lettering and vignettes to front cover and spine, publisher’s device on the back; uncut copy. Paper: Vélin de Navarre (wove paper), size: 260 x 200 mm. Contributors: Giovanni Boccaccio (Italian, 1313 – 1375) – author. Antoine Le Maçon (French, c. 1500 – 1559) – translator. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. Malexis, Louis (French, 20 century) – mise en page. Coulouma, Robert (French, 1887 – 1976), Imprimerie Coulouma (Argenteuil) – printer, H. Barthélemy – director. Dantan, A. – engraver (probably from the family of Edouard Joseph Dantan (French, 1848 – 1897) Charpentier, E. – colour au pochoir. Compare this copy with a small one-volume reprint of 1941: [LIB-2773.2021]. Description of the stensil (au pochoir) technique. -
Folio (240 x 320 mm), hardbound in blue-aubergine cloth with gilt lettering and decoration. Album with Avant-Propos and 34 hand-colored lithographs by Bertall, numbered 1 through 34. Details in Russian: "Памяти парижской коммуны". -
Description: Two volumes, 16.5 x 11 cm, collated 8vo, uniformly bound in the mid-19th century by H. Stamper (stamp to verso free endpaper) in red Morocco, ornated with gilt fillets and dentelles to boards and turn-ins, spine with raised bands and gilt decorations and lettering in compartments, marbled endpapers, all edges gilt; printed on laid paper; bookplate to front pastedown “EX LIBRIS | DANIEL | BERDITCHEVSKY”. Title-page (red and black, tall ‘s’): LES CENT | NOUVELLES | NOUVELLES. | SUIVENT LES CENT NOUVELLES | CONTENANT | Les Cent Histoires Nouveaux, | Qui sont moult plaisans a raconter, | En toutes bonnes Compagnies, | Par MANIERE DE JOYEUSETÉ. | Avec d'excellentes Figures en Taille-douce, | Gravées sur les desseins du fameux Mr. | ROMAIN DE HOOGE | & retouchées par feu | B. PICART LE ROMAIN | TOME PREMIER (TOME SECOND) |{device} | A COLOGNE | Chez Pierre Gaillard. | M.DCCXXXVI. || Vol. 1: Collation: [1] flyleaf torn out, [1] frontispiece, [1] title-page, [3] preface (*2-4), [1] Auertissement, [10] table (2+**-**8), A-Bb8 (Bb8 blank); 45 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 215 leaves plus ffl and frontispiece by Gilliam van der Gouwen after Romain de Hooge. Pagination (starting from t.p.): [30] 1-397 [398] [2], total 430 pages. Vol. 2: Collation: ffl, [*1] t.p., [11] table (*2-8, **-4), A-Aa8 Bb4 (Bb4 blank); 55 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 208 leaves plus ffl. Pagination: [24] 1-389 [390] [2], total 416 pages. Catalogue raisonné: Landwehr (1970) № 94, p. 203; Lewine (1898) p. 326; Cohen-DeRicci (1912) p. 658. Landwehr cites two editions after the 1st of 1701: Amsterdam 1732 and Cologne 1786 [i.e. 1736]. Both Lewine and Cohen-DeRicci attribute the text to Louis XI and mention the 1736 reprint (though not 1786). The first edition of “Les cent nouvelles nouvelles” appeared in 1486 by commission of Duke of Burgundy Philippe le Bon; the text is attributed to Philippe Pot (1428 – 1493), Antoine de La Sale (c. 1385 – c. 1460) or King Louis XI (1423 – 1483). Contributors: Artists: Romain de Hooge (Dutch, 1645 – 1708) Bernard Picart (French, 1673 – 1733) Engravers: Gilliam van der Gouwen (Dutch, c. 1657 – 1716) (frontispiece) Laurens Scherm (Dutch, fl. 1689 – 1701) (nouvelles XXIX, XXX, LXXVII) Jan Van Vianen (Dutch, c.1660 – 1726?) (nouvelles L, LII, LVII-LX, LXIV-LXVII, LXX) Binder: Henry Stamper (British, 1802? – 1887) Commissioner: Philippe le Bon [Philip III] (French, 1396 – 1467) Publisher: Pierre Gaillard (French, fl. 1715 – 1737) -
Title-page: LES ARTISTES DU LIVRE | MARCEL | VERTÈS | ÉTUDE PAR | ANDRÉ SALMON | LETTRE-PRÉFACE PAR | PAUL MORAND | PORTRAIT PAR | JEAN OBERLÉ | { publisher’s device} | HENRY BABOU, ÉDITEUR | 1, RUE VERNIQUET, PARIS | 1930 || Description: 26.3 x 20.5 cm, French flapped brown wrappers with black and blue lettering, lettering to spine, unbound, [1-2] 1st blank leaf, [3-4] h.t. / limitation, two plates (fac-simile letter and portrait of Vertès), [5-6] t.p. /”Cette monographie…”, 7-39 [40-48], incl. Bibliographie des ouvrages, Table des planches, and colophon – all with in-text illustrations; plus 22 leaves of plates, one on a double-page, all with foxing and marginal browning. Printing: December 1930 by Durcos & Colas in Paris. Edition: the 17th edition in the series “Les artistes du livre’, published under the direction of Marcel Valotaire; print run limited to 700 copies of which 50 on Japon (numbered 1-50) enriched with one original unpublished drypoint, 650 copies on Vélin Blanc from Arches (50-650), and 50 “non-commercial” copies (I-L). This copy is numbered № 473. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. André Salmon (French, 1881 – 1969) – author. Paul Morand (French, 1888 – 1976) – author. Jean Oberlé (French, 1900 – 1961) – artist. Maitres-imprimeurs Ducros et Colas (Paris) – printer. Henry Babou (Paris) – publisher. Marcel Valotaire (French, 1889 – 1979) – publisher. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Front wrapper (black and crimson): LES ARTISTES | DU LIVRE | SYLVAIN | SAUVAGE | {device} | HENRY BABOU | ÉDITEUR A PARIS || Title-page: LES ARTISTES DU LIVRE | SYLVAIN | SAUVAGE | ÉTUDE PAR | MARCEL VALOTAIRE | LETTRE-PRÉFACE PAR | ÉMILE HENRIOT | PORTRAIT PAR | E. DUFOUR | {fleuron} | HENRY BABOU, ÉDITEUR | 1, RUE VERNIQUET, PARIS | 1929 || Description: 26.5 x 21 cm, French flapped tan wrappers with black and crimson lettering, lettering to spine, unbound; [2] 1st blank, [2] h.t./limit., [4] fac-simile a.l.s. by Émile Henriot, [2] t.p./blank, 7-43 [4], total 27 leaves of text with in-text illustrations b/w and colour, plus 10 plates: 9 plates by Sauvage and 1 collotype reproduction portrait of Sauvage by Émilien Dufour, incl. Bibliographie des ouvrages, Table des hors-texte, and Colophon. Printing: November 1929 by Durcos & Colas in Paris. Edition: the 8th edition in the series “Les artistes du livre’, published under the direction of Marcel Valotaire; print run limited to 700 copies of which 50 on Japon enriched with one original etching, 650 copies on Vélin Blanc from Johannot, and 50 “non-commercial” copies (I-L). This copy is № 167. Contributors: Sylvain Sauvage [Félix Roy] (French, 1888 – 1948) – artist. Émile Henriot (French, 1889 – 1961) – author. Émilien Dufour (French, 1894 – 1975) – artist. Maitres-imprimeurs Ducros et Colas (Paris) – printer. Henry Babou (Paris) – publisher. Marcel Valotaire (French, 1889 – 1979) – author. -
Description: One volume, collated 4to, 26.2 x 18.5 x 8 cm, ¾ calf over marbled boards, gilt decorated flat spine with gilt lettering, marbled endpapers, publisher’s wrappers preserved. Title-page (red and black): LE TRÉSOR | DU | BIBLIOPHILE | ÉPOQUE ROMANTIQUE | 1801–1875 | PAR | L. CARTERET | Libraire de plusieurs Sociétés de Bibliophiles | LIVRES ILLUSTRÉS DU XIXe SIÈCLE | PARIS | L. CARTERET, ÉDITEUR | ANCIENNE LIBRAIRIE CONQUET | 5, RUE DROUOT, 5 | Novembre 1927 || Publisher's wrapper similar, in a frame Collation: front wrapper, π4 (2 blanks, h.t./limit., t.p./copyright], [1] – 894, χ2 (colophon, 1 blank), back wrapper, orig. spine, ils. within collation; total 362 leaves within wrappers; 2 leaves of modern inset bound-in between pp. 106 and 107. Pagination: [8][1-3] 4-712 [4], total 724 pages plus 4 pp inset, ils. Content: pp. 1-25 – propos; 29-600 – bibliographie; 601-603 – table ills; 605-639 – table des ouvrages cités; 641-712 – table des artistes. Printed by Imp. Lahure on November 30, 1927. Contributors: Léopold Carteret (French, 1873 – 1948) Imprimerie Générale de A. Lahure (Paris) Alexis Lahure (French, 1849 – 1928) -
Title-page: GOUVERNEMENTS | MINISTÈRES ET CONSTITUTIONS | DE LA FRANCE | DE 1789 A 1895 | Précis historique des révolutions, des crises ministérielles et gouvernementales | et des changements de Constitutions | Suivi de listes chronologiques, d’un index et d’un tableau synoptique | D’après les documents officiels | PAR | LÉON MUEL | ATTACHÉ AU SÉNAT, OFFICIER D’ACADÉMIE | Avec une Préface de M. ERNEST BOULANGER | SÉNATEUR, ANCIEN MINISTRE DES COLONIES, PREMIER PRÉSIDENT DE LA COUR DES COMPTES | CINQUIÈME ÉDITION | Revue, corrigée et augmentée | Illustrée de 12 portraits hors texte | — | PARIS | LIBRAIRIE GUILLAUMIN ET Cie | ÉDITEURS DU JOURNAL DES ÉCONOMISTES, DE LA COLLECTION DES PRINCIPAUX ÉCONOMISTES | DU DICTIONNAIRE DE L’ÉCONOMIE POLITIQUE | DU DICTIONNAIRE UNIVERSEL DU COMMERCE ET DE LA NAVIGATION, ETC. | RUE RICHELIEU, 14 | 1895 | Tous droits réservés. || Binding: Hardcover, 22.1 x 16.6 cm x 5.0 cm, 8vo, quarter brown morocco over marbled boards, raised bands with gilt fillets and black label with gilt lettering to spine, marbled endpapers. Library stamps to t.p. and inside in blue ink: “VILLA St. JEAN | BIBLIOTHÈQUE | * FRIBOURG *”. Villa St. Jean International School, originally named Collège Villa St. Jean, was a private Catholic school in Fribourg, Switzerland, from 1903 to 1970 (see Wikipedia). Collation: ffl, π4, [1] 2-348, χ6, Suppl.: [1] 2-98, χ2, ffl; total within the flyleaves 282+76 leaves, some uncut; plus twelve plates (photographs) with tissue guards and two folding tables. Pagination: [i-v] vi-x, [2] [1] 2-4, (lacks 4: 5-8) [9] 10-535 [536] (lacks 2: 537, 538) [539] 540-557 [558 blank]; Supplément [1] 2-144, [145-6 table alphabét./blank], [147-8 table des matières/blank]; total within the flyleaves 564+148 pages, ils., plates. Provenance: Library of Villa St. Jean, Fribourg, Switzerland. Contributors: Muel, Léon (French, 1850 – 19..?) – author. Boulanger, Ernest-Théophile (French, 1831 – 1907) – author of preface. Librairie de Guillaumin et Cie – publisher. Table of contents:AVANT-PROPOSLETTRE-PRÉFACEPREMIÈRE PARTIEI. – MONARCHIE FRANÇAISE – BOURBONSLouis XVI, roi de France et de Navarre (10 MAI 1774 – 21 SEPTEMBRE 1792)II. – RÉPUBLIQUE FRANÇAISE (21 SEPTEMBRE 1792 – 18 MAI 1804)Convention nationale (20 SEPTEMBRE 1792 – 26 OCTOBRE 1795)Directoire exécutif (2 NOVEMBRE 1795 – 10 NOVEMBRE 1799)Consulat (19 BRUMAIRE AN VIII – 28 FLORÉAL AN XII) (10 NOVEMBRE 1799-18 MAI 1804);III. – EMPIRE FRANÇAIS (18 MAI 1804 – 31 MARS 1814)Napoléon Ier, Empereur des Français (18 MAI 1804 – 31 MARS 1814)Gouvernement provisoire (1er 14 AVRIL 1814)IV. – RESTAURATION – BOURBONS (14 AVRIL 1814 – 29 JUILLET 1830)Lieutenance générale du Royaume (14 AVRIL – 2 MAI 1814)Louis XVIII, roi de France et de Navarre (2 MAI 1814 – 20 MARS 1815)Cent Jours (20 MARS – 22 JUIN 1815)Commission de Gouvernement (22 JUIN – 7 JUILLET 1815)Louis XVIII, roi de France et de Navarre (8 JUILLET 1815 – 16 SEPTEMBRE 1824)Charles X, roi de France et de Navarre (16 SEPTEMBRE 1824 – 29 JUILLET 1830)Révolution de 1830Chute de Charles X et du ministère Polignac (29 JUILLET 1830). Gouvernement provisoire (29 – 31 JUILLET 1830)V. – MONARCHIE CONSTITUTIONNELLE – BRANCHE D'ORLÉANS (31 JUILLET 1830 – 24 FÉVRIER 1848)Lieutenance générale du Royaume (31 JUILLET – 9 AOUT 1830)Louis-Philippe Ier, roi des Français (9 AOUT 1830 – 24 FÉVRIER 1848)Révolution de 1848Chute du ministère Guizot (23 février) et du roi Louis-Philippe (24 février 1848)VI. – DEUXIÈME RÉPUBLIQUE FRANÇAISE (24 FÉVRIER 1848 – 2 DÉCEMBRE 1852)Gouvernement provisoire (24 FÉVRIER – 9 MAI 1848)Assemblée Nationale Constituante (4 MAI 1848 – 26 MAI 1849)Commission exécutive (9 MAI – 24 JUIN 1848)Le général Cavaignac chef du Pouvoir exécutif Président du Conseil des Ministres (28 JUIN – 20 DÉCEMBRE 1848)Louis-Napoléon Bonaparte Président de la République Française (20 DÉCEMBRE 1848 – 2 DÉCEMBRE 1852)VII. – SECOND EMPIRE FRANÇAIS (2 DÉCEMBRE 1852 – 4 SEPTEMBRE 1870)Napoléon III, empereur des Français (2 DÉCEMBRE 1852 – 4 SEPTEMBRE 1870)Révolution du 4 septembre 1870 Chute du second Empire et du ministère PalikaoVIII. – TROISIÈME RÉPUBLIQUE FRANÇAISE (4 SEPTEMBRE 1870)Gouvernement de la Défense nationale (4 SEPTEMBRE 1870 – 17 FÉVRIER 1871)Assemblée Nationale Constituante (13 FÉVRIER 1871 – 8 MARS 1876)M. Thiers Chef du Pouvoir exécutif (17 FÉVRIER – 31 AOUT 1871)M. Thiers Président de la République Française (31 AOUT 1871 – 24 MAI 1873)M. le Maréchal de Mac-Mahon, duc de Magenta Président de la République Française (24 MAI 1873 – 30 JANVIER 1879)M. Jules Grévy Président de la République Française (30 JANVIER 1879 – 2 DÉCEMBRE 1887)M. Carnot Président de la République française (3 DÉCEMBRE 1887 – 25 JUIN 1894)SECONDE PARTIE.Listes chronologiques, par ministère, de tous les ministres, depuis le 5 mai 1789 jusqu'en 1890 -
Description: owner’s quarter green morocco over marbled boards, 21.5 x 16.5 cm, collated 8vo, illustrated with numerous in-text and 5 full-page coloured etchings after drawings by Chas Laborde. Original publisher’s wrappers preserved, enriched with a set of 17 plates in black and white (bound in). Front wrapper (black and red): LÉO LARGUIER | LA POUPÉE | DESSINS DE CHAS LABORDE | {vignette} | COLLECTION | “LA ROSE ET LE LAURIER” | G. BRIFFAUT, Éditeur | 4, RUE DE FURSTENBERG, PARIS || Title-page: LÉO LARGUIER | — | LA POUPÉE | DESSINS DE | CHAS LABORDE | {vignette} | COLLECTION DE | “LA ROSE ET LE LAURIER” | G. BRIFFAUT, Éditeur | 4, RUE DE FURSTENBERG, PARIS (VIe) | M CM XXV || Collation: Three binder’s blanks, 1 front wrapper, 1 blank, 1 h.t./limit., 1 t.p., 1 epigraph, 1-68 74 (last blank), plates within collation, 1 back wrapper, three binder’s blanks, plus 17 leaves of b/w plates. Pagination: not counting wrappers, [6] (h.t., t.p., epigraph) 1-99 [100] [4], ils. Limitation: A print run of 770 copies on April 25, 1925, by Coulouma (Argenteuil) under the direction of H. Barthélemy , of which 10 copies on Japon Impérial (№ 1-10) + one drawing + one b/w suite, 10 copies on Japon Impérial (№ 11-20) + one drawing, 750 copies on Vélin (№ 21-770). This is copy № 1 (on Japon Impérial with b/w suite of plates but without the drawing). Contributors: Léo Larguier (French, 1878 – 1950) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Georges Briffaut (French, 1886 – 1973) – publisher. -
Description: Hardcover, 20.5 x 16 cm, contemporary binding, ¾ calf with raised bands over marbled boards in a marbled slipcase, marbled endpapers, original wrappers preserved, t.e.g., gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 2 blanks, original front wrapper with blue lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 2 blanks; 5 full-page illustrations within collation, 5 original drawings extraneous to collation. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 12. Edition: 1st edition thus, illustrated with 20 stencil-coloured (au pochoir) photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 5 full-page original crayon drawings by the same artist. Provenance: Stamp with J.-P. Dutel device to 1st blank leaf. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original crayon drawings by Rojan:
Colour prints after Rojan's drawings:
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Description: Hardcover small 4to, 20.3 x 15.8 cm, contemporary binding, quarter carrot morocco with raised bands over marbled boards, marbled endpapers, original wrappers preserved, gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 3 blanks, original front wrapper with black lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 3 blanks; 5 full-page illustrations within collation, 3 original watercolours extraneous to collation bound in between 11 and 12 blank leaves. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 201. Edition: 1st edition thus, illustrated with 20 coloured photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 3 full-page original watercolours by him. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original watercolours:
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Softcover volume, 23.5 x 15 cm, in tan French flapped wrappers with red lettering to front, collated in-4to, in a tan double slipcase 24 x 15 cm with red lettered label to spine, pp.: [1-12] 13-112 [8], total 120 pages, incl. those within wrappers; printed on thick wove paper watermarked “Lafuma Frères”, 5 full-page and 6 half-page illustrations within collation, incl. frontispiece, guard tissue laid in. Title-page (red and black): LE ROMAN | DE | GODEMICHET | ÉPOPÉE | LIBERTINE | ET VÉCUE | composée par un | DESCENDANT D’HERMES | AMI DES MUSES | ÉMULE DE PRIAPE | et illustrée par un | MAITRE DU GENRE | ÉDITÉ POUR LES | AMIS DE L’AUTEUR | A PARIS EN L’AN DE GRACE | MCMXLVIII || Limited edition 200 + XX, this is copy № 175. Catalogue raisonné: Dutel III № 2336. Jean Reschofsky (French, 1905 – 1998) – artist. -
Two volumes in-12, 16.8 x 11.5 cm each, uniformly bound in ¾ red crushed morocco over marbled boards, spine with raised bands and gilt lettering, marbled endpapers, text printed on laid paper, 6 plates (3 in each vol.) on India paper pasted in on thick laid paper leaves. This edition seems similar to Nordmann I 203 but without Félicien Rops' frontispiece and plates, replaced by unsigned etchings attributed to Gustave Staal. Title-page (red and black): LE RICHE DE LA POPELINIÈRE | – | TABLEAUX | DES | MŒURS DU TEMPS | DANS LES DIFFÉRENTS AGES DE LA VIE | – | NOTICE DE | CHARLES MONSELET | – | TOME PREMIER (SECOND) | {fleuron} | PARIS | IMPRIMERIE DES CI-DEVANT FERMIERS GÉNÉRAUX | – | M D CCC L XVII || Vol. 1: π2 (h.t., t.p.) a4 (Notice), 1-1312 151 (Table); total 91 leaves plus three leaves of plates. Pagination: [4] [i] ii-vii [viii] [3] 4-168 [2]; total 182 pp, ils. facing pp. 59, 78, and 94. Vol. 2: π2 (h.t., t.p.), 1-1312, 152; total 88 leaves plus three leaves of plates. Pagination: [4] [1] 2-170 [2]; total 176 pp, ils. facing pp. 74, 78, and 145. Catalogue raisonné: Dutel I: A-1044 — without Félicien Rops ‘ornementations’, but with ‘6 gravures de 1865’. Dutel suggests that the edition was performed by A. Poulet-Malassis, Briard or Lécrivain. Catalogue Poulet-Malassis & ses amis description: № 43. LE RICHE DE LA POPELINIÈRE. Tableaux des mœurs du temps dans les diérents âges de la vie, tome premier (— second). Notice de M. Charles Monselet. Imprimerie des ci-devant fermiers généraux, Paris, M D CCC LXVII [A. Poulet-Malassis, 1867]. Exemplaire sans le frontispice de Félicien Rops mais bien complet des 6 figures de Staal, justification qui illustre les aléas de la confection des publications clandestines. D’une part, c’est une autre édition qui est décrite par Launay. L’exemplaire vendu chez Maître Loudmer avait 6 figures, comme ici. Cluzel a vu un “front. et 4 vignettes de Rops plus cinq figures libres (par Staal)”, Simonson a vu 5 figures de Rops, etc., etc. Il y a 3 bandeaux et 3 culs-de-lampe de Rops qui ont été fréquemment utilisés par d’autres éditeurs pour d’autres titres pendant toute la seconde moitié du xixe siècle. La Léonina présente une fiche détaillée sur 4 pages. 3 bandeaux et 3 culs-de-lampe gravés sur bois de Rops. Bibliographie : Pia 1389, Launay 327, Gay 6-308, Pey 122 (1800 frs avec 5 figures), PC 503 et 504, Lemonnyer 3-1173, LL 66, Leonina 81, Nordmann 1-203, Dutel A-1043. Contributors: Alexandre Jean Joseph Le Riche de La Popelinière (French, 1693 – 1762) – author. Charles Monselet (French, 1825 – 1888) – author (foreword). Pierre-Gustave-Eugène Staal (French, 1817 – 1882) – artist. Auguste Poulet-Malassis (French, 1825 – 1878) – publisher. -
Hand-coloured woodcut on wove paper, 472 x 365 mm; black ink stamp “5275” to reverse. Top centre: "LE PRINCE IMPÉRIAL"; right: "№143." Image in the middle: Prince Impérial, with his father, conducts a review of the children's army "REVUE DES PUPILLES DE LA GARDE". Besides – five tiers of captioned cartoons. Bottom left: "Imp. lith. de Pellerin à Épinal"; right: Propriété de l’Éditeur. Déposé." Jean Charles Pellerin (French, 1756 – 1836) – printer/publisher. -
LE PLAN DE LA VILLE, | CITE, ET | UNIVERSITÉ | DE PARIS. | Capitale du Royaume | de France. | {5 lines in italic} | Par N. de Fer. | A Paris, | Chez l’Auteur dans l’Isle du | Palais a la Sphere Royale. | Avec Privilege du Roy. | 1705 | H. van Loon sculp. || Dimensions: Sheet: 27 x 39 cm; Image: 22 x 33 cm. Contributors: Nicolas de Fer (French, 1646 – 1720) – cartographer. Harmanus van Loon (Flemish, fl. c. 1690 – c. 1725) – engraver. -
Three priests: Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest. Three priests with navigational instruments. Image taken from Description geographique, historique, chronologique et physique de l'Empire de la Chine et de la Tartarie Chinoise. Enrichies des cartes generales et particulieres de ces pays, etc. by Jean-Baptiste Du Halde (1674–1743), vol. 3, page 78. Originally published/produced in La Haye [The Hague], 1736. J.v.Solingen fecit
Jean-Baptiste Du Halde (Chinese: 杜赫德; 1 February 1674 – 18 August 1743) was a French Jesuit historian specializing in China. He did not travel to China, but collected seventeen Jesuit missionaries' reports and provided an encyclopedic survey of the history, culture and society of China and "Chinese Tartary," that is, Manchuria. Voltaire said of Du Halde's work: "Although it is developed out of Paris, and he hath not known the Chinese, [he] gave on the basis of the memoirs of his colleagues, the widest and the best description the empire of China has had worldwide." Le Pere Matthieu Ricci, a.k.a. Matteo Ricci, S.J. (Italian pronunciation: [matˈtɛːo ˈrittʃi]; Latin: Mattheus Riccius Maceratensis; 6 October 1552 – 11 May 1610), was an Italian Jesuit priest and one of the founding figures of the Jesuit China missions. His 1602 map of the world in Chinese characters introduced the findings of European exploration to East Asia. He is considered a Servant of God by the Roman Catholic Church. Ricci arrived at the Portuguese settlement of Macau in 1582 where he began his missionary work in China. He became the first European to enter the Forbidden City of Beijing in 1601 when invited by the Wanli Emperor, who sought his services in matters such as court astronomy and calendrical science. He converted several prominent Chinese officials to Catholicism, such as Xu Guangqi, who aided in translating Euclid's Elements into Chinese as well as the Confucian classics into Latin for the first time. Le Pere Adam Schaal, a.k.a. Johann Adam Schall von Bell (1 May 1591 – 15 August 1666) was a German Jesuit and astronomer. He spent most of his life as a missionary in China (where he is remembered as "Tang Ruowang") and became an adviser to the Shunzhi Emperor of the Qing dynasty. Le Pere Ferdinand Verbiest, a.k.a. Father Ferdinand Verbiest (9 October 1623 – 28 January 1688) was a Flemish Jesuit missionary in China during the Qing dynasty. He was born in Pittem near Tielt in the County of Flanders (now part of Belgium). He is known as Nan Huairen (南懷仁) in Chinese. He was an accomplished mathematician and astronomer and proved to the court of the Kangxi Emperor that European astronomy was more accurate than Chinese astronomy. He then corrected the Chinese calendar and was later asked to rebuild and re-equip the Beijing Ancient Observatory, being given the role of Head of the Mathematical Board and Director of the Observatory. He became close friends with the Kangxi Emperor, who frequently requested his teaching, in geometry, philosophy and music. Verbiest worked as a diplomat and cartographer, and also as a translator because he spoke Latin, German, Dutch, Spanish, Hebrew, and Italian. He wrote more than thirty books. During the 1670s, Verbiest designed what some claim to be the first ever self-propelled vehicle – many claims this as the world's first automobile, in spite of its small size and the lack of evidence that it was actually built.Joshua Van Solingen was an engraver and publisher from Holland, working, besides other places, in Scotland. Information about him can be found at Catastrophic Bliss (The Griot Project Book Series) by Accounting in Scotland (RLE Accounting): A Historical Bibliography History of the Scottish Metrical Psalms: With an Account of the Paraphrases ... The History of Edinburgh, from the Earliest Accounts to the Present Time ... History of the Bassandyne Bible, the First Printed in Scotland: With Notices ...
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Front wrapper and title page : AVRIL – JUIN 1961 […] Numéro 35 |LE MOUVEMENT SOCIAL | Bulletin trimestriel de l'Institut français d'Histoire sociale | (Association reconnue d’utilité publique) | Le mouvement des Universités Populaires | par L. Dintzer, F. Robin et L. Grelaud | La vie de Blanqui sous le second empire | par M. Dommanget | Aperçu des fonds de l'Institut | par C. Chambelland | LES ÉDITIONS OUVRIÈRES | 12 avenue Sœur-Rosalie, Paris (13e) || Pagination : [1, 2] 3-48. Publisher’s wrappers, 24 x 16 cm. The paper by Maurice Dommanget (French, 1888 – 1976) La vie de Blanqui sous le Second Empire : de la sortie de Belle-ile à la sortie de Sainte-Pélagie (1er décembre 1857 – 12 mars 1864), pp. 30–41. -
Hand-coloured etching by an anonymous artist, printed in July 1815. Description by British Museum (1866,0407.935): "Blücher (left) and Napoleon (right) support a heavy pier-glass in an upright position. Its solid base rests on the back of the prostrate Napoleon, from whose mouth issues a label: 'Si je pouvais encore me sauver! . . . mais non c'est fini Nicolas est pris.' The mirror, which towers above the head of its supporters, is framed by pillars, each surmounted by a fleur-de-lis. These also decorate the heavy superstructure which supports a trophy of two oval shields with the arms of Bourbon and Navarre, surmounted by a crown..., and four white flags. On the face of the mirror is a large Bourbon crown, and a lily plant. Blücher says: "Le Diable m'emporte s'il en réchappe." Wellington responds: "Pour cette fois nous en répondons." Inscription under the plate: 'Se vend chez Genty, rue St Jacques no.14' and 'Déposé au Bureau des Estampes'. Size: 33.2 x 25.7 cm -
A set of sixteen pen and ink wash drawings on wove paper by an anonymous artist after lithographs by André Collot, who illustrated the 1935 edition of Les 120 journées de Sodome, ou l’école du libertinage, by the Marquis de Sade, based on the original autograph manuscript by Maurice Heine. The set is housed in a rough texture paper folder with an ink manuscript to the front: LE MARQUIS DE SADE. | Les 120 journées | DE SODOME || Size: 340 x 250 mm (folder); 335 x 252 (sheet); approx. 160 x 110 (image). Contributors: Donatien Alphonse François, Marquis de Sade (French, 1740 – 1814) – author. Maurice Heine (French, 1884 – 1940) – publisher of the original Les 120 journées. André Collot (French, 1897-1976) – artist of the original illustrations for the 1935 edition. This set was produced by an anonymous artist from the bohemian Montmartre, Montparnasse, or the School of Fine Arts, close to the booksellers', by demand of an excentric bibliophile, at about the same time. Collot's illustrations can be found at www.honesterotica.com. -
A two-volume set, published in Paris by P.-J. Hetzel in 1845 and 1846.
Vol. 1:
Title: LE | DIABLE A PARIS | — PARIS ET LES PARISIENS — | MŒURS ET COUTUMES, CARACTERES ET PORTRAITS DES HABITANTS DE PARIS, | TABLEAU COMPLET DE LEUR VIE PRIVEE, PUBLIQUE, POLITIQUE, | ARTISTIQUE, LITTERAIRE, INDUSTRIELLE, ETC., ETC. | TEXTE PAR MM. | GEORGE SAND — P.-J. STAHL — LEON GOZLAN — P. PASCAL — FREDERIC SOULIE — CHARLES NODIER | EUGENE BRIFFAULT — S. LAVALETTE — DE BALZAC — TAXILE DELORD — ALPHONSE KARR | MÉRY — A. JUNCETIS — GERARD DE NERVAL — ARSÈNE HOUSSAYE — ALBERT AUBERT — THÉOPHILE GAUTIER | OCTAVE FEUILLET — ALFRED DE MUSSET — FRÉDÉRIC BÉRAT | précédé d’une | HISTOIRE DE PARIS PAR THEOPHILE LAVALLÉE | ILLUSTRATIONS | LES GENS DE PARIS — SERIES DE GRAVURES AVEC LEGENDES | PAR GAVARNI | PARIS COMIQUE — VIGNETTES DE BERTALL | VUES, MONUMENTS, EDIFICES PARTICULIERS, LIEUX CÉLÈBRES ET PRINCIPAUX ASPECTS DE PARIS | PAR CHAMPIN, BERTRAND, D’AUBIGNY, FRANÇAIS. | [DEVICE] | PARIS | PUBLIÉ PAR J. HETZEL, | RUE RICHELIEU, 76 – RUE DE MÉNARS, 10. | 1845 ||
Pagination: ffl, [2 – h.t. / Paris: Typographie Lacrampe et Comp., Rue Damiette, 2 ; Papeir de la fabrique de sainte-marie] [2 – blank / frontis. ‘Diable’ with lantern standing on map of Paris] [2 – t.p. /blank] [I] II-XXXII, [1] 2-380, bfl. Sheet size: 27.5 x 17.5 cm.
Collation: 4to; A(4) – D(4), [1(4)] 2(4) – 47(4), 48(2); illustrations: frontispiece, vignette title-page, numerous text engravings and 99 plates.
Vol. 2: Title: LE | DIABLE A PARIS | — PARIS ET LES PARISIENS — | MŒURS ET COUTUMES, CARACTERES ET PORTRAITS DES HABITANTS DE PARIS, | TABLEAU COMPLET DE LEUR VIE PRIVEE, PUBLIQUE, POLITIQUE, | ARTISTIQUE, LITTERAIRE, INDUSTRIELLE, ETC., ETC. | TEXTE PAR MM. | DE BALZAC — EUGÈNE SUE — GEORGE SAND — P.-J. STAHL — ALPHONSE KARR | HENRY MONNIER — OCTAVE FEUILLET — DE STENDAHL — LEON GOZLAN — S. LAVALETTE — ARMAND MARRAST | LAURENT-JAN —ÉDOUARD OURLIAC — CHARLES DE BOIGNE — ALTAROCHE — EUG. GUINOT | JULES JANIN — EUGENE BRIFFAULT — AUGUSTE BARBIER — MERQUIS DE VARENNES — ALFRED DE MUSSET | CHARLES NODIER — FRÉDÉRIC BÉRAT — A. LEGOYT| précédé d’une | GÉOGRAPHIE DE PARIS PAR THEOPHILE LAVALLÉE | ILLUSTRATIONS | LES GENS DE PARIS — SERIES DE GRAVURES AVEC LEGENDES | PAR GAVARNI | PARIS COMIQUE — PANTHÉON DU DIABLE A PARIS PAR BERTALL | VUES, MONUMENTS, EDIFICES PARTICULIERS, LIEUX CÉLÈBRES ET PRINCIPAUX ASPECTS DE PARIS | PAR CHAMPIN, BERTRAND, D’AUBIGNY, FRANÇAIS. | [DEVICE] | PARIS | PUBLIÉ PAR J. HETZEL, | RUE RICHELIEU, 76 – RUE DE MÉNARS, 10. | 1846 || Pp. : ffl, [2 – h.t. / Paris: Typographie Lacrampe et Comp., Rue Damiette, 2 ; Papeir de la fabrique de sainte-marie] [2 – t.p. /blank] [I] II-LXXX, [1] 2-364, bfl. Sheet size: 27.5 x 17.5 cm. Collation: 4to; A(4) – I(4) – J(4), 1(4), 2(4) – 45(4), 46(2); illustrations: vignette title-page, numerous text engravings and 112 plates.Binding: [allegedly Roger de Coverly (British, 1831 — 1914)], 28.2 x 19 cm, ¾ brown calf ruled in gilt, brown marbled boards, nonpareil marbled endpapers, raised and ruled in gilt bands, floral devices and title lettering to spine. AEG. Foxing to flyleaves, tips of corners just a very little rubbed as are the glazed marbled paper boards; endpapers foxed; very occasional light scattered foxing of text.
Provenance: (1) Armorial bookplate (Ex Libris Sir John Whittaker Ellis, 1st Baronet (1829 – 1912), Lord Mayor of London 1881; (2) Bookplate Ex Libris Robert Frederick Green) dated 1909.
Reference: L. Carteret (1927) pp. 203-207: the first edition, lacking the publisher's white pictorial wrappers. -
Five volumes, uniformly bound in marbled three-colour stained polished calf, spine with raised bands, gilt in compartments, crimson label with gilt lettering “CONTES DE BOCCACE”, cream label with volume number, marbled endpapers and all edges; bookplate pasted to first blank flyleaf “BIBLIOTHÈQUE DE LAJUDIE” depicting a coat of arms over an anchor, anchors and tulips scattered in the upper section, globe in the lower section, in a frame. Size: 21 x 14 cm. Translated by Antoine Le Maçon (French, 1500? – 1559). Vol. 1: [4] two blank leaves, portrait by Louis Lempereur after Hubert Gravelot, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME I. | Londres | 1757. | H. Gravelot Inv. […] T.P. N 21 […] J. Aliamet Sculp. ||, engraved frontispiece to Vie de Jean Bocace by Lempereur after Gravelot; Pagination: [i] ii-viii (Vie de Jean Bocace with head- and tail-pieces); [1] 2-320 [2] one blank leaf. Collation: 8vo; a4 A-V8, 164 leaves + 6 blanks + 24 plates (incl. portrait, frontis., and t.p.) extraneous to collation, 1 headpiece and 18 tailpieces. Vol. 2: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME II. | Londres 1757 | H. Gravelot inv. […] T.II. N.1. […] N. LeMire Sculp .||; Pagination: [1] 2-292 [2] one blank leaf. Collation: 8vo; A-S8 T2, 146 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 3: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME III. | Londres 1757 | Gravelot inv. […] T.III. N.1. […] Aillamet Sc. ||; Pagination: [1] 2-203 [204] [2] one blank leaf. Collation: 8vo; A-M8 N6, 102 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 4: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME IV. | Lond 1761 | Gravelot invenit […] T.IV. №.I. […] Alliamet Sculpsit. ||; Pagination: [1] 2-280 [2] one blank leaf. Collation: 8vo; A-R8 S4, 140 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 20 tailpieces. Vol. 5: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME V. | Londres 1761 | Gravelot, inv. […] T.V. N.1. […] Aillamet Sc. ||; Pagination: [1] 2 [3] 4-269 [270] [2] one blank leaf. Collation: 8vo; A-Q8 R7, 135 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 22 tailpieces. Total plates: 24+23+23+23+23=112; total vignettes: 19+ 18 + 18 +20 + 22 = 94; total etchings and engravings: 213. Ref: MFA ACCESSION NUMBER 37.1371a-e; Cohen-de Ricci 160; Ray, French Illustrated Book, 15 / p. 39-41; Metropolitan Museum, NY (Accession Number: 17.3.2641). Contributors: Authors: Giovanni Boccaccio (Italian, 1313–1375); Filippo Villani [Philippe-Matthieu Villani] (Italian, 1325 – 1407)Illustrated by: Hubert François Gravelot (French, 1699–1773). Artists: Charles Eisen (French, 1720–1778); François Boucher (French, 1703–1770); Charles-Nicolas Cochin le fils (French, 1715–1790), Jacques Aliamet (French, 1726–1788) Engravers: Jean Charles Baquoy (French, 1721–1777); Jean Jacques Flipart (French, 1719–1782); Louis Legrand (French, 1723–1807); Noël Le Mire (French, 1724–1801); Louis Simon Lempereur (French, 1725–1796); Catherine Elisabeth (Cousinet) Lempereur (French, born in 1726); Jean-Jacques André Le Veau (French, 1729–1786); Pierre Etienne Moitte (French, 1722–1780); Jean Ouvrier (French, 1725–1784); Jean Jacques Pasquier (French, died in 1785); Pierre (Pitre) Martenasie (Flemish, worked in France, died in 1770?); Augustin de Saint-Aubin (French, 1736–1807); Dominique Sornique (French, 1708 – 1756); Jacques Nicolas Tardieu (French, 1716–1791). Publisher: Prault (French, 18th century) Note: MFA copy has a slightly different collation: [v. 1] 152 leaves, plus plates; [v. 2] 136 ll., plus pls.; [v. 3] 98 ll., plus pls.; [v. 4] 131 ll., plus pls.; [v. 5] 124 ll., plus pls. This is their description: "First edition with these illustrations; a French translation (Cohen-de Ricci 160) appeared slightly later. Gravelot designed 89 of the 111 plates, and all 97 of the tailpieces, his largest single commission. Some 115 of his preliminary sketches by this series are in the Rosenwald Collection, Library of Congress; 131 of the final engraver's models are in the Widener Collection at the National Gallery of Art; and two other finished drawings are in the Ray Collection, Pierpont Morgan Library. Ten plates were designed by Eisen, and Cochin and Boucher had six each. As some plates in the later volumes are dated as late as 1761, the actual issuing of the volumes apparently extended to that date." -
![Le Comte de Arthur Grandeffe. Paris sous Napoléon III. Mémoires d'un homme du monde de 1857 à 1870 / Par Le Comte de Arthur Grandeffe. — Paris: Imp. et Lib. Centrales des Chemins de Fer, A. Chaix et Cie., 1870. — pp.: ff [2 ht, blank] [2 title, blank] [i] i-vi, 1-413 [1] bf.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2449.2020-a-1-500x743.jpeg)
Front wrapper: PARIS SOUS NAPOLÉON III | Mémoires d'un homme du monde | DE 1857 À 1870 | PAR LE COMTE DE ARTHUR GRANDEFFE | {publisher’s device} | PARIS: IMPRIMERIE ET LIBRAIRIE CENTRALES DES CHEMINS DE FER | A. CHAIX ET Cie | RUE BERGÈRE 20, PRÈS DU BOULEVARD MONTMARTRE | 1879 || Similar lettering to t.p. Softcover 18.5 x 12 cm, publisher’s original blue wrappers, first and last leaves glued to wrappers, unevenly trimmed, some uncut, pagination [4] [i] ii-vi, [1] 2-413 [414], authors advert to back wrapper; mispaginated pp. 136-141; collation: 18mo, π6, 1-2218 236. Sticker with gilt lettering to front wrapper “LIBRAIRIE CENTRALE | BERTRAND & QUEYROT | MENTON”; sticker to spine "577". -
Hand-coloured woodcut on wove paper, 409 x 280 mm; black ink stamp “5323” to reverse; attached to the sheet 487 x 320 mm. Top centre: "LE CAMP DE CHALONS."; left: "Nouvelle Imagerre d'Epinal"; right: № 452. Bottom left: "Imp lith. Pinot & Sagaire, libraires edit. à Épinal"; right: "Déposé". Image: 6-tier cartoon with captions about Napoleon III and his son Prince Imperial (Napoléon Eugène Louis Jean Joseph Bonaparte; 16 March 1856 – 1 June 1879). Le camp de Chalons Pinot & Sagaire (Épinal, 1861 – 1888) – enterprise, publisher/printer. Charles-François Pinot (French, 1817 – 1879) – publisher/printer. -
50 issues (full 1920 year) of the French anti-Semitic journal La Vieille France published by Urbain Gohier in Paris from 1916 to 1924. LIB-LIB-2731-1.2021 to LIB-2731-50.2021. -
La Préfecture de Police, par un vieux petit employé - Procès de La Lanterne avec tous ses incidents. Administration du journal La Lanterne, Paris, 1879.
Quatrième édition.
Anonymous publication. Authorship attributed to: Yves Guyot, Francisque Sarcey. Source: Harvard College Library, Soc. 3375.6, 14-OCT-1914, Wolcott Fund.
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Description: Six softcover volumes, collated in-4to, 14.3 x 10 cm in publisher’s lettered wrappers; printed on laid paper; series "Les petits mémoires de Paris" illustrated with 23 out of 24 etchings by Henri Boutet: (I) Les coulisses de l’amour; (II) Rues et Intérieurs; (III) Le carnet d’un suiveur; (IV) Le petits métiers; (V) Les nuits de Paris; (VI) Toutes les bohêmes. Vol. I: Cream cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | I | Les Coulisses de l’Amour | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCVIII» in the bottom. Edition not stated. [1-8] ( 7 marked 1) 9-125 [3] contents, colophon; h.t. uncut from 1st blank, three original etchings instead of four (one missing?), incl. frontispiece. Colophon: IMPRIMÉ PAR SOINS | DE LA | SOCIÉTÉ TYPOGRAPHIQUE | DE | CHATEAUDUN || Back wrapper blank. Vol. II: Mint-green cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | II | Rues et Intérieurs | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-125 [2] contents, colophon (same as in Vol. I); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Back wrapper blank. Vol. III: Cream cover, lettered blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | III | Le Carnet d’un Suiveur | 4e Edition | {vignette smoking gentleman in a top hat} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. 4th edition. [1-6] 7-124 [4] contents, colophon (uncut); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Colophon: Imprimé par soins de | l’Imprimerie de Paris | Têtes de chapitre, lettrines et culs de lampe de | M. Paul Guignebault | Eaux-fortes tirées sous la direction de | M. Henri Boutet || Back wrapper with a frame and a ribbon at center, in blue. Vol. IV: Tan cover, lettered red and black in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | IV | Le Petits Métiers | {vignette worker with a ladder} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-119 [120 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a black frame and a red ribbon at center. Vol. V: Olive-green cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | V | Les nuits de Paris | Deuxième Édition | {vignette woman on a street} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom. 2nd edition. [1-8] 9-118 [2 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Vol. VI: Cream cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | VI | Toutes les bohêmes | Cinquième Édition | {vignette windmill} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom and “Deuxième Édition”. 5th or 2nd edition. [1-7] 8-120 [2 colophon] [4 advert.] [2 blank]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Contributors: Henri Boutet [La Mésangère] (French, 1851 – 1919) – author, artist, etcher. François Louis Dorbon [Dorbon Aîné] (French, 1878 – 1956) – publisher. -
Description: Owner’s quarter calf over marbled boards, 14.5 x 10.5 x 4.5 cm, spine with raised bands, gilt-lettered brown label “H. ROCHEFORT | LA LANTERNE | 1868 | LÉON NOËL”, marbled endpapers; first 11 issues of Henri Rochefort’s journal bound together with original front and back red pictorial wrappers. Front wrapper (first two issues white of red, subsequent issues black on orange background, the text is similar): La | Lanterne | par | {vignette of the lantern} Henri Rochefort | Prix: 40 centes | Bureaux : | 3 rue Rossini & rue Coq Héron, 5 | PARIS || Back wrapper (first two issues white of red, subsequent issues black on orange background, the text is similar): La Lanterne | PARTAIT TOUS LES SAMEDIS | (52 fois par an). | — | Prix d’Abonnement | Un An 20 fr | Six Mois 10 fr | Trois Mois 5 fr | — | Les Mandats doivent être adresses | A Mr. Dumont ADMINISTRATEUR | ❦ | Imprimerie Central des Chemins de Fer A. Chaix & Cie | 20, rue Bergère, à Paris_4608 _ 8 || Collation/pagination: 3 blanks, № 1: fw [1] 2-56 [8] bw; № 2: fw, [57] 58-115 [116] [2] bw; № 3: fw [117] 178 bw; № 4: fw [179] 180-238 [4] bw; № 5: fw [239] 240-298 [4] bw; № 6: fw [299] 300-361 [362] bw; № 7: fw [363] 364-423 [424] [2] bw; № 8: fw [425] 426-483 [484] [4] bw; № 9: fw [1] 2-58 [6] bw; № 10: fw [1] 2-58 [6] bw; № 11: fw [1] 2-59 [60] [4] bw; 3blanks. Contributors: Victor Henri Rochefort, Marquis de Rochefort-Luçay (French, 1831 – 1913) – editor. Alban Chaix (French, 1860 – 1930); Napoléon Chaix (French, 1807 – 1865) – publishers. Dubuisson et Cie (Paris) – printer. -
Hand-coloured lithography on wove paper, 395 x 280 mm; black ink stamp “5309” to reverse. On image: artist's initials "L. H."; on stone: "Lith. de Fr. Wentzel a Wissembourg. — Déposé — DÉPÔT, Fr. Wentzel Editeur rue St. Jacques 65, PARIS"; below centre: "239"; bottom : La famille Impériale. Die Kaizerliche Familie. Napoleon III [Charles-Louis Napoléon Bonaparte] (French, 1808 – 1873) Eugénie de Montijo [L'impératrice Eugénie] (Spanish-French, 1826 – 1920) Napoléon, Prince Imperial (Napoléon Eugène Louis Jean Joseph Bonaparte] (French, 1856 – 1879) Jean Frédéric Wentzel (French, 1807 – 1869) – publisher/printer. -
Hand-coloured woodcut on wove paper, 390 x 260 mm; black ink stamp “5308” to reverse; horizontal centerfold. Centre top: "NOUVELLE IMAGERIE D'ÉPINAL BREVETÉE PAR S.M.L’EMPEREUR" with imperial eagle and coat of arms at right and left. Below: "№ 1." — "LA FAMILLE IMPÉRIALE"; image in frame; under the image, left: "Imp lith. Pinot & Sagaire, édit. libr. à Épinal, fournisseurs brevetés de l’Empereur"; right: "Déposé". Bottom: "NAPOLÉON I. (CHARLES-LOUIS,) Empereur des Français, né le 20 Avril, 1808. | EUGÉNIE ( Marie) DE GUSMAN COMTESSE DE TEBA Impératrice des Français, née le 5 Mai 1826. | S.A I. NAPOLÉON. (Eugène-Louis-Jean-Joseph) Prince Impérial, ne le 16 Mars. 1856." Napoleon III [Charles-Louis Napoléon Bonaparte] (French, 1808 – 1873) Eugénie de Montijo [L'impératrice Eugénie] (Spanish-French, 1826 – 1920) Napoléon, Prince Imperial (Napoléon Eugène Louis Jean Joseph Bonaparte] (French, 1856 – 1879) Pinot & Sagaire (Épinal, 1861 – 1888) – enterprise, publisher/printer. Charles-François Pinot (French, 1817 – 1879) – publisher/printer. -
Hand-coloured woodcut on laid paper, 422 x 294 mm; black ink stamp “5307” to reverse, centrefold. Top center: "LA FAMILLE IMPERIALE"; Bottom right: "(Tire sur le bois original de maison Pellerin)". Image: Napoléon III, Empress Eugenie, and Prince Imperial Louis-Napoléon as a child surrounded with four lettered medallions: “PRINCE GÉROME”, “PRINCESSE MATHILDE”, “PRINCESSE CLOTILDE”, and “PRINCE NAPOLÉON”; ribbons lettered: “MAGENTA”, SOLFERINO”, “ALMA”, and “INKERMANN” around heraldic spears; coat of arms with imperial monogram between Princesse Clotilde and Prince Napoléon. Publisher/printer: Jean Charles Pellerin (French, 1756 – 1836). Battle of Magenta : 4 June 1859, against the Austrians. Battle of Solferino : 24 June 1859, against the Austrians. Battle of the Alma : 20 September 1854 (Crimean War) Battle of Inkerman : 5 November 1854 (Crimean War) Characters: Napoleon III [Charles-Louis Napoléon Bonaparte] (French, 1808 – 1873) Eugénie de Montijo [L'impératrice Eugénie] (Spanish-French, 1826 – 1920) Napoléon, Prince Imperial (Napoléon Eugène Louis Jean Joseph Bonaparte] (French, 1856 – 1879) Napoléon-Jérôme Bonaparte [Prince Jérôme] (French, 1822 – 1891) Mathilde Bonaparte [Princess Mathilde] (French, 1820 – 1904) Marie-Clotilde de Savoie [Princesse Clotilde] (French, 1843 – 1911) -
Title-page: LA | CORRECTIONNELLE | PETITES CAUSES CÉLÈBRES | ÉTUDES DE MŒURS POPULAIRES | Au Dix-Neuvième Siècle | ACCOMPAGNÉES DE CENT DESSINS | PAR GAVARNI | {woodcut vignette} | PARIS | Chez Martinon, rue du Coq-Saint-Honoré, 4 | 1840 || Collation: 2o, π3 (t.p. (wrapper?), h.t., t.p.), 1-1012; 205 leaves total, of them 100 plates, lithographs by Gavarni. Pagination: [6] [1] 2-403 [404], 410 pages total, incl. ils. (BnF calls for 426 pages total). Note: plate № 8 is numbered 9, plate № 9 numbered 8; p. 266 numbered 264, p. 268 numbered 266, p. 362 numbered 374, p. 364 numbered 376 (as called for by Carteret). Binding: “Romantique” publisher's quarter calf with gilt lettering and design elements over red paper boards, marbled endpapers. Complete 100 issues of the 4-page “La Correctionnelle” with a woodcut vignette after Gavarni on the 1st page of each issue, published between December 1839 and December 1840, and collected under one cover in 1840 by Martinon. Catalogue raisonné: Carteret (Le trésor, 1927): pp. 177-8; Brivois (1883): p.112. Both authors marked the edition as «rare in good condition". Gavarni [Sulpice Guillaume Chevalier] (French, 1804 – 1866) – artist. Amedée Gratiot et Cie. – printer, text. Coulon et Cie.– printer, lithographs. Coulon, Barthélémy Henry (French, fl. 1839 – ?) -
Cover: La Conspiration Juive contre les Peuples | « Protocols » | Procès-verbaux de réunions secrètes | des | SAGES D'ISRAËL | ÉDITION DE | “La Vieille-France” | 1920 | 5Rue du Pré-aux-Clercs, 5 | PARIS (7e) || Title: « Protocols » | Procès-verbaux de réunions secrètes | des | SAGES D'ISRAËL | ÉDITION DE | “La Vieille-France” | 1920 | 5Rue du Pré-aux-Clercs, 5 | PARIS (7e) || Pagination: [1, 2] – t.p. / blank, 3-141 [142 blank] [2] – table / blank. Pp.: 1-11 – Introduction; 13-82 – Protocols; 97-141 – Le Bolchevisme, c’est les Juifs. Collation : 8vo; [1]8 2-98. Binding: Publisher’s blue black-lettered wrappers, lettered spine. Printer: Imprimerie Chantenay (Paris). The French translation of "Протоколы синоских мудрецов" written in Russian by Сергей Нилус (Sergei Nilus, 1862 – 1929) was published in “La Vieille-France” by Urbain Gohier (1862 – 1951). Inside front wrapper: "Brave French! Please note that the format of this book allows you to hide it in your pockets. Your Jewish masters strictly forbid you to read it. Its existence is hidden in every possible way by the Jewish-controlled press. But fear not! While carefully hiding it, read carefully about what your Jewish masters forbid the newspapers to tell you. And you will understand – who and how will take your homeland away from you." -
Engraving by J.J. Balechou after E. Jeaurat. A husband and wife ask a quack doctor for advice about health: he suggests substituting himself for the husband in the wife's affections, and she agrees: Épigrammes de Jean-Baptiste Rousseau (French, 1671–1741).
Date: 1743.
Size: 380 x 270 mm
Inscriptions under the image:
Top: Peint par E. Jeaurat | L'Operateur Barri | Grave par Balechou 1743
Middle: Sur leurs santés un Bourgeois et sa femme
Interrogeoient l'Operateur Barri, Lequel leur dit : Pour vous guérir, Madame, Baume plus sûr n'est que votre Mari, Puis se tournant vers l'époux amaigri, Pour vous, dit il, femme vous est mortelle, Las ! dit alors l'Epoux à sa femelle, Puis qu'autrement ne pouvons nous guérir, Que faire donc ? Je n'en sçai rien, dit elle,Mais, par Saint Jean, je ne veux point mourir.
Rousseau Epig. X
Center bottom: a Paris chez Lepicie Graveur du Roi au coin de l'Abreuvoir du Quay des Orfevres. Et Chez L. Surugue Aussi Graveur du Roi rue des Noyers vis a vis le mur de St. Yves Avec Privilege du Roi. -
L'incendie de Hôtel de Ville (24 mai 1871). A woodcut by Provost; printed by Imp. Charaire et fils; F. Roy, éditier. -
L'Imitation de Jésus-Christ / Traduite et paraphrasée en Vers François Par P. Corneille. — A Paris, Chez Pierre Rocolet, Imprimeur & Libraire ordinaire du Roy, au Palais, en la Gallerie des Prisonniers, aux Armes du Roy & de la Ville. M. DC. LVI. Avec Approbation des Docteurs, et Privelege de sa Majesté. Paris: Pierre Rocolet, 1656. Half-title: Les Quatre Livres de L'Imitation de Iesus-Christ. Traduites et paraphrasez en vers françois Par P. Corneille. — pp.: ff [2 pictorial ht, verso blank] [2 title, blank] [10 epistre] [2 av lecteur] [2 approbation, frontis.] 1-551 [552-60 table, privilege] bf. 8vo, 24.7 x 18.7 cm, hardcover; full speckled brown calf, gilt double-ruled boards, spine with raised bands, gilt double-ruled compartments with lozenges, sprayed margins; pages darkened. Purple ink stamp of Diocèse de Valencia to half-title. Nut ink ex libris handwriting on front paste-down. Plates: Half-title: unsigned copper engraving with the coat of arms of Pope Alexander VII (r. 1655 – 1667) which contains an oak tree in the top left and bottom right quarters (from Della Rovere family, Dukes of Urbino), the top right and bottom left quarters feature a mountain of six coupeaux in base with three stars above (from Chigi family). Four copper engravings inbound at the beginning of each book signed 'F. Chauueau in et fe.': Page 1: Jesus teaches His disciple. Page 113: Annunciation. Page 183: Jesus meets Simon called Peter and his brother Andrew. Page 459: Last Supper. François Chauveau (10 May 1613, Paris – 3 February 1676, Paris), a French painter and engraver. Thomas à Kempis (c. 1380 – 25 July 1471), a German-Dutch canon regular. Pierre Corneille (1606 – 1684), a French poet and playwright. Pierre Rocolet (1610 – 1662, active circa 1638 à 1662), a French publisher and printer. -
Exhibition held December 4, 2007, to March 2, 2008, at the Bibliothèque Nationale de France. Title: L'enfer de la Bibliothèque | ÉROS AU SECRET | Sous la direction | de Marie-Françoise Quignard | et Raymond-Josué Seckel | [spase] | {BnF | Bibliothèque nationale de France || Description: 23 x 16 cm, publisher’s lettered wrappers and pictorial dust jacket, [1-17] 18-460 [4], ils.; 257 entries, 8 pp. bibliography, 10 pp. index. -
Softcover volume, 22.8 x 17 cm, French flapped wrapper simulating unprimed canvas with crimson lettering to front; pp.: ffl, [5/6] h.t., [7/8] t.p., 9-109 [110], [111/112] limitation/blank, ffl; plus 12 colour lithographs by Schem (Raoul Serres), incl. frontispiece; printed on wove paper. Title-page (red and black): L'ÉCOLE | DES | BICHES | OU | MŒURS DES | PETITES DAMES DE CE TEMPS | [blank] | M. CM. XXXIX. || Limitation: printed 99 copies of which this is № 27; date of printing July 10, 1939. Catalog raisonné: Dutel III № 1447. As per J.-P. Dutel (II № 231 pp 119-20), the text was published in Brussels in 1868 by Jean-Pierre Blanche. Presumed authors are Alfred Bégis, Frederick Hankey and Edmund Duponchel. [BEGIS, Alfred, with DUPONCHEL, Edmond, and HANKEY, Frederick, attributed to.] L'École des Biches ou Mœurs des petites dames de ce temps. Paris [but Brussels]: [Jean-Pierre Blanche,] 1863 [1868] sold at Christie’s for GBP 1,000 on November 18, 2014. For details, see [LIB-2812.2021] Highlights from the Erotica Library of Tony Fekete / Auction catalogue, Tuesday 18 November 2014. — London: Christie's, 2014. — Lot 36. Contributors: Alfred Bégis (French, 1829 – 1904) – author. Frederick Hankey (British, 1823 – 1882) – author. Edmund Duponchel (French, c. 1795 – 1868) – author. Jean-Pierre Blanche (Beligian, second half of the 19th century) – publisher. Schem [real name Raoul Serres] (French, 1881– 1971) – artist. -
129 issues of L'Éclipse, French weekly political magazine; published in Paris, 49 x 34 cm, bound in rebacked green quarter morocco over marbled boards, with gilt fillets and lettering to spine, peacock marbled endpapers, illustrated by André Gill (French, 1840 – 1885). Founder and editor-in-chief François Polo (French, 1838 – 1874). 1874: 271-322 (52 issues) 1875: 323-374 (52 issues) 1876: 375-399 (25 issues) -
A set of 12 photomechanically reproduced illustrations after gouaches by Umberto Brunelleschi (Italian, 1879 – 1949), in colour; b/w photographs reproductions on verso, in a paper folder without the outer wrappers (b/w with birds, insects, and flowers). Text on the folder by French novelist Francis de Miomandre (French, 1880 – 1959); published by Grands Magasins Dufayel (1856 – 1930), a Parisian department store, run by Georges Dufayel (French, 1855 – 1916). Size: 29 x 24 cm. Images printed on cream paper within a beige frame, lettered above the frame in beige: "Societé Anonyme des Administrations et Grands Magasins DUFAYEL — Paris —", under the frame: "Palais de la Nouveauté ~ Palais du Mobilier | Entrée principale 7 Bould BARBES"; at the bottom of the frame lettered black on each image: Le Style Chinois, Le Style Empire, Le Style Japonais, Le Style Louis XIV, Le Style Louis XV, Le Style Louis XVI, Le Style Moderne (2), Le Style Moyen Age, Le Style Renaissance, Le Style Vénitien, Le Style Persian. -
Two volumes, 12mo; 14 x 9 cm, uniformly bound in speckled calf with dentelle border in gilt, gilt-stamped spine with two crimson lettered labels, marbled endpapers. Inscription to h.t.: P. Leigh Smith | Moscow | 1921 || Vol. 1: Half-title: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. | TOME I. || Title page: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. Ouvrage indespensable aus Étrangers et même | aux Parisiens, et qui indique tout ce qu’il faut | connoître et éviter dans cette capitale. | Orné d’un Plan de Paris et de 18 Gravures | {to the right, in single rules} Tels temps, telles mœurs. | Par L. Prudhomme. | Tome I. | PARIS, | PRUDHOMME, fils, rue des Marais, F. B. St.-G. | DEBRAY, rue St. Honoré, barrière des Sergens. | AN XIII. — (1804.) || Pagination: [i-vii] viii-xxxvi, 1-260; total 296 pages + 15 copperplate engravings and 1 folding plan of Paris. Collation: πA-πC6, A-C6, 4-216 224; total 148 leaves + 15 plates + 1 folding. Note: 12mo; πA1 unsigned, A2 unsigned, A–C3 signed A-C5, respectively, 4* unsigned, 9* marked 8*, 18* marked 17*. Vol. 2: Similar half-title and title, TOME II instead of TOME I. Pagination: [4] 1-408; total 412 pages + 3 copperplate engravings. Collation: π2, 1-346; total 206 leaves + 3 plates. -
Vol. 1. Title: SOUVENIRS | D'UN | PRÉFET DE POLICE | PAR | L. ANDRIEUX | TOME PREMIER | {publisher’s device} | PARIS | JULES ROUFF ET Cie, ÉDITEURS | 14, CLOITRE SAINT-HONORÉ, 14 | 1885 || Pagination : [1-7] 8-356. Collation: 18mo; 1-1718 1916. Vol. 2. Title: Similar but TOME DEUXIÈME. Pagination : [1-5] 6-304. Collation: 18mo; 1-1518 176. Binding: Both volumes are uniformly bound in quarter black morocco over marbled boards, raised bands, gilt lettering, peacock endpapers, all edges marbled; extensive foxing. -
A portfolio of nine heliogravures after Jules Pascin. Cloth-backed cardboard portfolio 420 x 335 mm with 9 heliogravures on slightly tinted india paper, each numbered in pencil and mounted into a passe-partout 410 x 318 mm. Copy № 25 out of 40 printed on india (chine) paper. Copy № 25 of 40. Title (red and black): EROTIKON | PAR | PASCIN | ★ | BRUXELLES | MCMXXXIII || Limitation: CET | ALBUM | A ÉTÉ TIRÉ | A | QUARANTE ET UN EXEMPLAIRES | NUMÉROTÉS | DONT | UN EX. SUR PAPIER ANCIEN | & | QUARANTE EX. SUR CHINE | No (ms 25/40) || Catalogue raisonné: Dutel III № 1498. Seller's description:Neun Heliogravüren. 1933. Meist ca. 30 : 35 cm. Nummeriert. Exemplar 25/40 (Gesamtauflage 41). – Die Heliogravüren auf leicht getöntem China, jedes Blatt mit Bleistift nummeriert und in Passepartouts montiert. – Die neun Passepartouts eingelegt in zwei Büttenumschläge, einer mit Titel und dem nummerierten Auflagenvermerk, der zweite unbedruckt, ferner Büttenumschlag mit Titel in Rotdruck und Halbleinenchemise. – Die Heliogravüren erschienen 1933, drei Jahre nach Pascins Tod bei Daragnes in Paris mit der fingierten Angabe »Brüssel«. – Das berühmte Mappenwerk bildet eine der großen Seltenheiten der erotischen Kunst. Die Motive Pascins beschreibt das Bilderlexikon als »eine Art ›Boheme-Rokoko im Montmartre-Milieu‹« und lobt den Künstler: »Er ist ein außerordentlicher Zeichner, der es versteht, bei allem Zynismus, der seinen exhibitionistischen Charakter nicht verleugnet, auf diesem Kulturdünger eine neuartige Blume voll graziöser Schönheit erblühen zu lassen.« Mappe: 42 : 33,5 cm. – Der äußere Büttenumschlag mit leichtem Wasserrand. – Zwei Heliogravüren minimal stockfleckig, sonst tadellos und absolut vollständig. Dutel 1498 (mit Auflagenvarianten). – Der kalte Blick S. 198ff. – Bilderlexikon II, 718. -
Three volumes, 33 x 26.5 x 7 cm each, uniformly bound in 2/3 vellum over marbled boards, outlined with gilt fillet, brown label with gilt lettering to flat spine with double fillet faux-bands, marbled endpapers, top edge gilt, other untrimmed, publisher’s wrappers preserved, incl. spine; collotype plates with captioned glassine guards; armorial bookplate of Comte Alain de Suzannet to front pastedown in each volume. Two volumes of Première partie, wanting, contain La vie artistique : texte and La vie artistique : planches. Title-page (red and black): JACQUES CALLOT | PAR | J. LIEURE | Introduction de F. Courboin | Conservateur du Cabinet des Estampes à la Bibliothèque Nationale | — | DEUXIÈME PARTIE | CATALOGUE DE L’ŒUVRE GRAVÉ | TOME I (II, III) | — | PARIS | ÉDITIONS DE LA GAZETTE DES BEAUX-ARTS | 106, Boulevard Saint-Germain (6e) | 1924 (1927, 1927) || Vol. 1 (1924): [4] [1] 2-122 [2], wrappers, plates 1-299; printed on September 15, 1924, by André Lesot (Nemours) and D. Jacomet et Cie (Paris). Vol. 2 (1927): [4] [1] 2-106 [2], wrappers, plates 300-652. Vol. 3 (1927): [4] [1] 2-128 [4], wrappers, plates 653-1428; printed on September 5, 1926, by Imprimerie moderne des Beaux-Arts (Bois-Colombes) and D. Jacomet et Cie (Paris). Contributors: Jules Lieure (French, 1866 – 1948) – author. Jacques Callot (French, c. 1592 – 1635) – artist. Gazette des Beaux-Arts (f. 1859) – publisher. François Courboin (French, 1865 – 1926) – author. D. Jacomet et Cie (Paris) – printer. Daniel Jacomet (French, 1894 – 1966) – printer. André Lesot (French, 1874-1951) – printer. Imprimerie moderne des Beaux-Arts (Bois-Colombes) Comte Alain de Suzannet (French, 1882 – 1950) – provenance. -
Title page: GUIDE DE L’AMATEUR | BIBLIOGRAPHIE | DES | OUVRAGES ILLUSTRES | DU | XIXe SIÈCLE | PRINCIPALEMENT DES LIVRES A GRAVURES SUR BOIS | PAR | JULES BRIVOIS | AUTEUR DE LA BIBLIOGRAPHIE DE L’ŒUVRE DE P.-J. BÉRANGER | MEMBRE FONDATEUR DE LA SOCIÉTÉ DES AMIS DES LIVRES | — | PARIS | LIBRAIRIE L. CONQUET | 5, RUE DROUOT, 5 | 1883 || Justification: Il a été tire : | 900 exemplaires sur papier vergé. | Et 50 exemplaires sur grand papier de Hollande. | Tous sont numérotés et paraphes par l’auteur. | № {188 signature} | Les numéros pairs portent le nom de M. L. Conquet. | Et les numéros impairs celui de M. P. Rouquette. | — | Le dépôt légal sera fait en France et dans tous les pays avec lesquels il | existe des conventions pour la propriété littéraire. | Tous droits réservés. || Pagination : [2] blank, [i-v] vi-xiii [xiv], [1] 2-468; the total number of pages = 484. Collation: π8 1-288 2910, an asterisk on leaf 295; the total number of leaves 242; 3 blank leaves of wove paper before and after collation. Imprint to 11 : Imp. de Mme de Lacombe; Imprint to 2910 : Nancy, imprimerie Berger-Levrault et Cie. Binding: ¾ polished distressed calf over marbled boards by the previous owner "E.D", gilt-stamped spine with gilt-lettered black label, peacock marbled endpapers, printed on laid paper. Contributors: Jules Brivois (French, 1832 – 1920) – author. L. Conquet (Paris) – publisher. P. Rouquette (Paris) – publisher. Berger-Levrault et Cie – printer. -
Hardcover volume, collated 18mo, 130 x 85 mm (2 parts in one). Contemporary burgundy morocco outlined with gilt triple fillet, flat spine gilt in compartments, brown morocco label gilt, all edges gilt, gilt dentelle, text printed on slightly blue laid paper with illegible watermark; dark blue endpapers, Tony Fekete (T. F.) bookplate by Wahorn to front pastedown. Frontispiece and 14 engraved plates by Elluin after Borel, with guard tissue. Graphite ms to h.t.: "Figures de Borrel. | Gravées pr. Elluin." Title-page: NOUVELLE TRADUCTION | DE | WOMAN OF PLEASUR, | OU | FILLE DE JOIE. | PAR M. CLELAND, | CONTENANT les Mémoires | de Mademoiselle FANNY, | écrits par elle – même. | AVEC FIGURES | — | PREMIERE (SECONDE) PARTIE. | — | ~ | A LONDRES; | Chez G. FENTON, dans le Strand; | — | M. DCC. LXXVI. || Collation: 18mo throughout A-O12/6, total 126 leaves plus 15 plates, incl. frontispiece. Pagination: separate for each part [1-5] 6-119 [120 blank], [1-3] 4-132, total 252 pages. Provenance: Tony Fekete (Christie’s 2014, № 54, p. 37; Price realized GBP 11,875): “[CLELAND, John (1709-1789).] Nouvelle traduction de Woman of Pleasur [sic] ou Fille de Joie. Contenant les Mémoires de Mademoiselle Fanny, écrits par elle-même. London [but Paris]: G. Fenton [Cazin], 1776. 2 volumes in one, duodecimo (128 x 80 mm). Printed on blue tinted paper. Frontispiece and 14 engraved plates on thick white paper by Elluin after Borel. (Short tear repaired in the margin of one plate, another plate with a faint dampstain touching the facing leaf of text.) Contemporary burgundy morocco, flat spine gilt in compartments, morocco label gilt, covers with a gilt triple fillet border, gilt edges, blue endpapers. THE MOST BEAUTIFUL 18TH-CENTURY ILLUSTRATED EDITION OF THIS CELEBRATED EROTIC NOVEL. An excellent copy bound in contemporary morocco. It is the second translation into French, but the first to include the exquisite plates by Elluin after Borel. These are some of the best illustrations by this remarkable partnership responsible for a number of important 18th-century libertine texts. Cohen-DeRicci 242-3; Dutel A-407 ; Gay-Lemonnyer II, 304; Pia Enfer, 915.” Catalogue raisonné: Dutel (I) A-407, p. 134; Cohen-DeRicci 242-3; Fekete (Christie's) 54, p. 37. Contributors: John Cleland (British, c. 1709 – 1789). François-Rolland Elluin (French, 1745 – c. 1822) Antoine Borel (French, 1743 – 1810) Hubert-Martin Cazin (French, 1724 – 1795) András Wahorn (Hungarian, b. 1953) Fekete, Tony Laszlo (Hungarian, b. 1972) -
L'Éclipse : journal hebdomadaire, №94, 07-11-1869. La Bataille de Louqsor, par Job. [The Battle of Louqsor, by Job]. Le père Gagne, monté sur l'Obélisque, s'écrie: — Citoyens, du bas de ce monument, quatre-vingt mille…..parapluies me contemplent. [The father Gagne mounted on the Obelisk, cries out: — Citizens, from the bottom of the monument, eighty thousand….umberellas contemplate me]. Étienne-Paulin Gagne, known as Paulin Gagne (French, 1808 – 1876), holding a hat with a tricolour cockade and umbrella with the head of a devil on its grip straddles the obelisk of Luxor at the centre of the Place de la Concorde with marching scarabs on it. A spider dangles from his heel. In the background is The Palais Bourbon, a meeting place of the French National Assembly. The ground is made out of open umbrellas. Paulin Gagne was a graphomaniac poet, essayist, lawyer, politician, inventor, and eccentric, and a perpetual candidate for the Assembly. Ref.: Gallica; Bibliothèque nationale de France, département Philosophie, histoire, sciences de l'homme, FOL-LC13-114 -
4to volume, ‘cartonnage percaline romantique’, 27.5 x 19.5 cm, green cloth with gilt fillet border and fictional coat of arms to front, border and fleuron to back, gilt and embossed vignette to spine, yellow endpapers, all edges gilt, 32 plates, incl. frontispiece, with tissue guards, and numerous in-text woodcuts after J.-J. Grandville by various engravers, mostly by Best, Leloir, Hotelin et Régnier group. Page 102 is numbered correctly. Title-page: JÉROME | PATUROT | A LA RECHERCHE | D'UNE POSITION SOCIALE | PAR | LOUIS REYBAUD, | Auteur des Études sur les Reformateurs ou Socialistes modernes. | — | Édition illustrée par J.-J. Grandville. | {vignette} | PARIS, | J.-J. DUBOCHET, LE CHEVALIER ET Cie, ÉDITEURS, | RUE DE RICHELIEU, 60. | – | 1846 || Collation: π4 1-574 582; total 234 leaves plus 32 wood-engraved plates extraneous to collation. Pagination: [8] [1] 2-460; total 468 pages, ils. Catalogue raisonné: L. Carteret 516; Ray 197 (pp. 277-8); Brivois: 350-1. Contributors: Louis Reybaud [Jérôme Paturot] (French, 1799 – 1879) – author. J.-J. Grandville [Isidore-Adolphe Gèrard] (French, 1803 – 1847) – artist. Schneider et Legrand (Paris) – printer. J.-J. Dubochet, Le Chevalier et Cie – publsiher. Engravers: Lucjan Stypulkowski (Polish, 1806 – 1849) Best, Leloir, Hotelin et Régnier Jean Baptiste Best (French, 1808 – 1879) or Adolphe Best (French, 1808 – 1860) Isidore Leloir (French, 1806 – 1851) Laurent Éloi Hotelin (French, 1821 – 1894) Eugène Laurent Isidore Régnier (?) -
LIB-2734-1.2021. Vol. 1, title in black, DJ in black and red: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1880 ET 1920 | {publisher’s device} | CHEZ L’AUTEUR, | 16, RUE JACQUES-CALLOT 75006 PARIS | MMII || Pagination: [1-6] 7-669 [670] [8] [2 imprint/blank]; №2046. LIB-2734-2.2021. Vol. 2, title in black, DJ in black and blue: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1920 ET 1970 | VOLUME II | {publisher’s device} | J-P DUTEL, LIBRAIRE-ÉDITEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMV || Pagination: [1-8] 9-891 [2 acknowl./blank] [2 imprint/blank]; №4281. LIB-2734-3.2021. Vol. 3, title in black, DJ in black and green: JEAN-PIERRE DUTEL | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1650 ET 1880 | (VOLUME III) | {publisher’s device} | CHEZ L’AUTEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMIX || Pagination: [1-6] 7-667 [668 blank] [2 table/blank] [2 imprint/blank]; №5726. All three volumes uniformly bound in black cloth, white DJ with lettering; vol. 1 with author’s manuscript to half-title, vol. 2 and 3 – fac-similé to title page (autographed copy). -
Description: Publisher’s wrappers 24 x 17 cm, pp. [1-6] 7-125 [3], total 64 leaves, edition limited to 150 copies. Includes “Errata & Addenda”, published in 2022. Cover and title-page: JEAN-PIERRE DUTEL | – | BIBLIOGRAPHIE | DES | OUVRAGES ÉROTIQUES | PUBLIÉS CLANDESTINEMENT EN FRANÇAIS | ENTRE 1650 ET 1970 (SUPPLÉMENT) | {publisher’s device} | J-P DUTEL, LIBRAIRE-ÉDITEUR | 16, RUE JACQUES-CALLOT 75006 PARIS | MMXXI || -
Engraved title-page: Contes | Moraux | Par | M. Marmontel, | de l'Academie Françoise. | A Paris | Chez J. Merlin Libraire, | Rue de la Harpe, | M DCC LXV ||Description: 3 volumes, 8vo, 20.4 x 13 cm, first issue, bound in the contemporary speckled calf, all edges gilt, spines gilt with double red/brown lettering labels (vol 1. labels missing); raised bands, gilt in compartments, double gilt-ruled borders; marbled endpapers. With the contemporary signature in each volume of Caroline Marlborough of Blenheim Palace, and bookplates of Lord F. A. Spencer. This is certainly Lady Caroline Russell, wife of George Spencer, Fourth Duke of Marlborough; she was daughter to the Duke of Bedford and was married in 1762. She died at Blenheim in 1811. The later bookplate in each volume pasted to the front pastedown of her son Francis Almeric Spencer (British, 1779-1845). Pagination: Vol. I: [two blank leaves] [half-title, verso blank] [recto blank, frontispiece on verso: portrait of Marmontel by St. Aubin after Cochin] [engraved t.p. by Duclos after Gravelot, verso blank], [i] ii-xvi, [table des contes with 5-line Errata (autograph Lordine Marlborough), verso blank], [1] 2–345 [346-50 blanks]; 9 plates after Gravelot by: Baquoy, de Longueil (2), Legrand, Leveau (2), Rousseau, Voyez, and unsigned (1). Vol. 2: [two blank leaves] [half-title, verso blank] [engraved t.p. by Duclos after Gravelot, verso blank] [table des contes with 10-line Errata (autograph Lordine Marlborough), verso blank], [1] 2–376 [377-50 blanks]; 9 plates after Gravelot by: de Longueil (5), Leveau (2), Pasquier and Rousseau. Vol. 3: [two blank leaves] [half-title, verso blank] [engraved t.p. by Duclos after Gravelot, verso blank] [table des contes with 9-line Errata, verso blank] [two leaves: approbation and Privilege du Roi] [1] 2–312 [313-16 blanks]; 5 plates after Gravelot by: de Longueil (2), Le Mire (2), and Pasquier. Catalogue raisonné: Cohen-De Ricci 686-7; Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914. — NY, London: The Pierpont Morgan Library; Cornell University Press, 1982, Vol. 1. pp. 44-5. [In their copy vol. 2 and 3 in a different order]; MFA ACCESSION NUMBER 37.1488a-c Illustrated by: Hubert François Gravelot (French, 1699–1773) Engraved by: Jean Charles Baquoy (French, 1721–1777) Engraved by: Antoine Jean Duclos (French, 1742–1795) Engraved by: Louis Legrand (French, 1723–1807) Engraved by: Noël Le Mire (French, 1724–1801) Engraved by: Jean Jacques André Le Veau (French, 1729–1785) Engraved by: Joseph de Longueil (French, 1730–1792) Engraved by: Jean Jacques Pasquier (French, died in 1785) Engraved by: Jean François Rousseau (French, born in 1740) Engraved by: Nicolas Joseph Voyez l'ainé (French, 1742–1806) Portrait(s) designed by: Charles-Nicolas Cochin le fils (French, 1715–1790) Engraved by: Augustin de Saint-Aubin (French, 1736–1807) Author: Jean-François Marmontel (French, 1723–1799) Publisher: Joseph Merlin (French, 1718–1783) Printer: Pierre-Alexandre Le Prieur (French, born in 1722) -
Hardcover volume, 22.5 x 19.5 cm, collated 4to, owner’s terracotta cloth with gilt-lettered black label to spine, publisher’s wrappers preserved, pp.:3 ffl, front wrapper, 3 ffl, [2] h.t./limit, [2] t.p./blank, 1-228 [2] 3 ffl, back wrapper, 3 ffl. Collation: π3 1-314 323. (130 leaves, incl. plates). Title-page (pink and black): Bonne-fille | PAR | JEAN VIOLLIS | Illustrations de | DIGNIMONT | {vignette} | A PARIS | La Collection Originale | ÉDITIONS MORNAY | 37, BOULEVARD DU MONTPARNASSE | MCMXXVI || Illustrations: 14 full-page colour plates, incl. frontispiece and endpiece, within collation but not within pagination, verso blank, and numerous head- and tailpieces and in-text stencil-coloured (au pochoir) lithography after André Dignimont. Limitation: A print run of 628 copies for sale, of which 18 on Japon Ancien, 30 on Japon Impérial, 90 on Hollande, 490 on Rives (139-628), plus 50 copies not for sale. Printed on May 12, 1926, at l’Imprimerie Kapp (Vanves), this copy is № 380. Provenance: Feodor Rojankovsky, pictorial bookplate “ИЗ КНИГ РОЖАНКОВСКАГО” to front pastedown, ms inscription to front ffl2 top “TH. ROJANKOWSKY | 14 VIII 30” in block letters. One of the possible transliterations of Feodor Rojankovsky's name is Theodor Rojankowsky. Contributors: Jean-Henri d'Ardenne deTizac [JeanViollis] (French, 1877 – 1932) – author. André Dignimont (French, 1891 – 1965) – artist. Frédéric Emile Kapp (French, 1851-193?) – printer. Georges Mornay (French, 1876 – 1935) et Antoinette Mornay – pubishers. Feodor Rojankovsky [Rojan; Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – provenance. -
Softcover, 242 x 165 mm, French flapped wrappers with black and red lettering to front and spine, top edge trimmed, pages uncut, printed on wove paper watermarked BFK Rives in italic script; illustrations in colour. Title: JEAN DE LA FONTAINE | LES AMOURS | DE | PSYCHÉ ET DE CUPIDON | ÉDITION CONFORME AUX TEXTES ORIGINAUX | ÉTABLIE PAR | LOUIS PERCEAU | ET ORNÉE D’ILLUSTRATIONS EN COULEURS | PAR | CARLÈGLE | LE LIVRE DU BIBLIOPHILE | GEORGES BRIFFAUT, ÉDITEUR | 4, RUE DE FURSTENBERG, PARIS | 1932 || Limited edition: 1230 copies of which this ic copy № 247. Collated 8vo: π4 1-24 3-48 58 *58 6-168 χ2, total 134 leaves, incl. frontispiece. Pagination: [8] 1-253 [254] [6]. Colophon: Le volume des Amours de Psyché et de Cupidon de La Fontaine a été achevé d'imprimer le quinze juin mil neuf cent trente-deux sur les presses du maitre imprimeur Coulouma, a Argenteul, H. Barthélemy étant directeur. Coloris de E. Charpentier, Paris. -
Two 8vo volumes bound in one, 19 x 12.5 cm, in full mottled sheepskin with gilt-bordered boards, gilt decorated flat spine with gilt-lettered red and black calf labels, rebacked, marbled endpapers and edges, printed on wove paper, plates on thicker laid paper. Title-page: FABLES | MISES EN VERS | PAR J. DE LA FONTAINE. | TOME PREMIER (SECOND). | {medallion portrait} (printer’s device “PC”) | A PARIS, | CHEZ ANT. AUG. RENOUARD. | M. DCC. XCV. || Collation: Vol. 1: π2 (h.t./imprint, t.p. medallion portrait/blank), [1]-38 (Notice sur la vie…), 1-58 64 (Vie de la Fontaine, Épitre, Préface, Vie d’Ésope), [7]-148 156 χ3 (table); pagination [4] [i] ii-xlviii, [1] 2-234. Total 143 leaves (286 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 112), E. De Ghendt (pp. 122 and 181), Jean Louis Delignon (p. 140), Delvaux (p. 197), and Ph. Trière (p. 219). Title medallion portrait of La Fontaine (G Rigault pinx. – C S Gaucher inc.) by Gaucher after Rigaud. Vol. 2: π2 1-158 164; pagination [4] [1] 2-247 [248 blank]. Total 126 leaves (252 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 19), Villerey (pp. 37, 80, and 146), Bosq (p. 121), and Ph. Trière (p. 199). The book published in 1795 (An 3) supplemented with plates produced in 1811 and 1812 for Œuvres complèttes (sic) de Jean de la Fontaine published by Lefèvre in 1814. The reason for choosing this particular edition for someone's library shortly after 1814 was probably the absence of censorship in 1795. Catalogue raisonné: (1) Lewine [LIB-2538.2020] on p. 276 (Paris, chez Renouard, 1795, 2 vols., 8vo., medal portrait on first title, and 12 plates after Moreau by Delvaux, Bosq, Ghendt, Trière, and Villerey). (2) M.-J.-F. Mahérault. L' oeuvre de Moreau le Jeune : catalogue raisonné et descriptif avec notes iconographiques et bibliographiques. — Paris: A. Labitte, 1880. Contributors: Jean de La Fontaine (French, 1621–1695) – author. Jean-Michel Moreau le Jeune (French, 1741–1814) – artist. Hyacinthe Rigaud (French, 1659 – 1743) – artist. Antoine-Augustin Renouard (French, 1765 – 1853) – publisher. Pierre Causse (French, 1761 – 1834) – printer. Engravers: Charles Étienne Gaucher (French, 1741 – 1804) Etienne De Villiers [Devilliers, Devilliers fratres] (French, 1784 – after 1844) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738 – 1815) Jean-Louis Delignon (French, 1755 – 1820) Rémi Henri Joseph Delvaux (French, 1748 – 1823) Philippe Trière (French, 1756 – c. 1815) Auguste Villerey (French, 1801 – 1846) Jean Bosq (French, fl. c. 1801 – 1844)
