Paper – Page 20 – Varshavsky Collection

Leitch Ritchie. Schinderhannes, the robber of the Rhine (The library of romance). — London: Smith, Elder, and Co., 1833.

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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.

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Important Japanese prints from the collection of Henry Steiner / Catalogue 14, Exhibition March 17-29, 2018. — NY: Sebastian Izzard LLC, 2018.

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Fine Japanese paintings, prints and illustrated books of the 18th century / Catalogue 18, Exhibition September 20-30, 2021. — NY: Sebastian Izzard LLC, 2021.

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Léopold Carteret. Le trésor du bibliophile: Epoque romantique 1801 – 1875 / Livres illustrés du XIXe siècle. — Paris: L. Carteret, 1927.

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Каталог выставки декоративно-прикладного искусства из частных собраний Ленинграда и Москвы / Вступ. ст. Э. С. Яглинской; отв. ред. В. М. Голод. — Л.: Художник РСФСР, 1984.

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С. Варшавский, Б. Рест. Воины крылатой Балтики / Худ. Л. Самойлов. — Л.-М.: Искусство, 1941.

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Одесский мартиролог: Данные о репрессированных Одессы и Одесской области за годы советской власти (Серия «Одесского мемориала»); Том 1 / Сост.: Л. В. Ковальчук, Г. А. Разумов. — Одесса : ОКФА, 1997.

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[Nicholas Chorier]. L’Académie des dames / 2 vol. — Venice [i.e. Amsterdam]: Chez Pierre Arretin [s.n., c. 1775].

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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.

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Napoléon III visitant a Lyon, les inondes du 2 juin 1856 / Lithography.

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Martin van Maële. Set of 21 two-colour etchings for the Charles Carrington edition of ‘Thais’ by Anatole France, 1901.

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Utagawa Toyokuni I. Actors and Women in the Snow. 1809.

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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.

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Protected: Polina De Mauny. Irises. 2020

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Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.

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Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837

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