Paper – Page 34 – Varshavsky Collection

Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.

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S. A. Perry. Martin van Maële: An illustrated bibliographical checklist. — Las Vegas: Author, 2021 (© 2015).

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Shunga: Sex and pleasure in Japanese art / Edited by Timothy Clark, et al. — London: British Museum Press; Amsterdam: Hotei Publishing, 2013.

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[Achille Deveria]. La bibliothèque des romans: Une veillée de jeune fille, 1840 [i.e. c. 1842].

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C. Варшавский. Упадочное искусство Запада перед судом русских художников-реалистов. — Л.-М.: Искусство, 1949.

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Terence Emmons. Alleged sex and threatened violence: Doctor Russel, Bishop Vladimir, and the Russians in San Francisco, 1887-1892. — Stanford (CA): Stanford University Press, 1977.

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Эжен Сю. Тайны народа: Роман / Пер. с франц. О. Ивановой, О. Григорьевой, Л. Белевич (История в романах). — М.: Мир книги, Литература, 2011.

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Ninsei; Kenzan (Japanese ceramics 12) [仁清乾山日本の陶磁 (12) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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Freundinnen / drawings by Mitja Leytho, c. 1930.

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Bombardement de Sébastopol / Lithography, c. 1854.

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Otto Rudolf Schatz. Erotic scene (3) / Watercolour on paper, c. 1950.

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Utagawa Toyokuni I. Actors and Women in the Snow. 1809.

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Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701

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Choderlos de Laclos. Les Liaisons dangereuses (2 volumes). — Genève: 1792.

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Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.

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Giacomo Casanova. Erinnerungen aus galanter Zeit / Bildern von F. von Bayros, Eingeleitet von H. H. Ewers. — Berlin: Wilhelm Borngräber, [1916?]

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P. L. Jacob [i.e. Paul Lacroix]. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875.

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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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