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Title page: AVENTURES | DE | ROBINSON CRUSOE | PAR | DANIEL DEFOE | TRADUCTION NOUVELLE | ☙ |EDITION ILLUSTREE PAR GRANDVILLE | ❧ |PARIS | H. FOURNIER AINÉ, ÉDITEUR | 16 RUE DE SEINE | — | M DCCC XL || {sic: no accents in EDITION ILLUSTREE) Pagination: [4] [1]-610, [2] [1]-4., 620 pp. total plus 82 leaves of plates, unpaginated. Collation: 2 binder’s blank leaves, front publisher’s wrapper, h.t / imprint, 2 copies of engraved frontispiece on china paper, t.p. / blank, etc., … text..., back wrapper and spine bound in; 4to: π2 [1]-774 (310 leaves total) plus 40 x 2 plates extraneous to collation. Illustrations: 2 head- and 2 tailpieces, 2 initials, 159 vignettes, and 40 lettered plates each in two variants: one printed on a regular page, and one printed on India paper and pasted to a page. Page size: 24 x 15 cm. Frontispiece: Cut on wood by Louis-Henri Brevière after J. J. Grandville and Français. “Robinson sits on a throne-like chair framed by exotic palm trees. The sculptural and quasi-royal representation of Robinson is flanked by his faithful dog and parrot. The hero’s tools (the gun and the axe) are prominently displayed. He looks to the horizon away to the left, rather than to the tiny ship that can be seen on the horizon. His overcoming of life’s difficult events is at the core of the representation. The massive plinth reinforces the aura of the hero, as do the tiny people admiring the sculpture and learning about the heroic figure. Friday is discreetly represented in a medallion on the plinth along with other decorations including goats and a «savage»". [Sitzia, E. (2020). Lost in Intersemiotic Translation? J.J. Grandville’s Illustration of Robinson Crusoe. Journal for Literary and Intermedial Crossings, 5(2). https://clic.research.vub.be/sites/default/files/atoms/files/SITZIA_FIN.pdf] The monument has an inscription: “ FERNAND | SUEZ” which we deciphered as either a tribute to Juan Fernández (Spanish, c. 1536 – c. 1604) or as a mention of the place where Crusoe’s adventures took place: Archipiélago Juan Fernández to which Isla Róbinson Crusoe belongs. Binding: 24.8 x 16.4 cm, by Emile Mercier, half green crushed morocco over marbled boards, gilt-ruled, spine ornately gilt, sunned to orange tone, marbled endpapers, publisher's pale yellow wrappers bound in; only the top edge trimmed. Contributors: Daniel Defoe (British, 1660 – 1731) – author. J. J. Grandville [Gèrard, Isidore-Adolphe] (French, 1803 – 1847) – artist. François-Louis Français (French, 1814 – 1897) – artist (frontispiece, landscapes). Engravers: John Quartley (British, fl. 1835 – 1867) Matthew Urlwin Sears (British, 1799 – 1870) Adolphe Best (French, 1808 – 1860) One of the Guillaumots: Eugène Guillaumot (French, Paris 1813–1869), or Auguste Etienne Guillaumot (French,1844 – 1890), or his father Auguste-Alexandre Guillaumot (French, 1815 – 1892) Laisné [Alfred, Adèle, and Aglaé] (French, active 1835–1868) Antoine-Alphée Piaud (French, 1813 – 1867) Louis Dujardin (French, 1808 – 1859) A. Hans (nothing is known) Jean Louis Joseph Camille Lacoste (French, 1809 – 1866) Louis-Henri Brevière (French, 1797 – 1869) – vignettes. Provenance: Bishop, Cortlandt Field (American, 1870 – 1935) – bookplate; Mary S. Collins – bookplate by J. H. Fincken Robin F. Satinsky (American, 1919 – 2008) – Robin Collection bookplate. Catalogue raisonné: Brivois (1883) p. 155; Ray (French): № 193, p. 272; Carteret (1927): p. 241. All indicated in-8vo, which doesn't correspond to our in-4to copy. -
Vol. 1: Engraved t.p.: An architectural setting with flags and arms, and sitting male and female figures in armour, perhaps representing Tancredi and Clorinda, with lettering above their heads: “GIERVSA– | LEMME | LIBERATA”. Title-page: IL | GOFFREDO, | OVERO | GIERUSALEMME | Liberata , | POEMA HEROICO | del Sig. Torquato Tasso. | CON L’ ALLEGORIA | Universale dell istesso, | Et con gli Argomenti del Sig. Horatio Ario- | sti, & di belissime figure adornato. | {woodcut element} | In Amsterdam, nella Stamperia del S.D. ELZEVIER, | Et in Parigi, si vende | Appresso Thomaso Jolly. | Nel Palazzo, M. DC. LXXVIII. || Collation: 8vo; [A1] 1st blank, engraved t.p., [A2] letterpress t.p., pp. [1-4]; signatures start at A3, pagination starts at p. 37; Allegoria: A3-B1, pp. [5-18], Tavola: B2-C2, pp. [19-36]; Il Goffredo: C3-R8, pp. 37-271 [272]. Total A-R8: 136 leaves (272 pages), plus 11 plates, incl. engraved t.p., and frontispiece (sculptural bust portrait of Torquato Tasso in a laurel wreath, with a lettered plate below “TORQVATO | TASSO”). Vol. 1: Title-page: Similar but “TOMO II.” after “sti, & di belissime figure adornato.” and before the woodcut element. Collation: 8vo; 1st blank, letterpress t.p., signatures start at A3, p. 5; A-S8, pp. [4] 5-285 [3]. Total A-S8: 144 leaves (288 pages) plus 10 engraved plates. Binding: Two volumes 15 x 6 cm, uniformly bound in 19th-century green morocco, gilt triple-fillet border, bull heads at corners, spine with raised bands, gilt in compartments, two gilt-lettered crimson labels, blue endpapers, 2 blank laid paper leaves in the front, AEG. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Daniel Elzevir (Dutch, 1626-1680) – publisher. Thomas Jolly (French, fl. 1648 – 1694) – publisher. -
Description: One volume 32.5 x 25.5 cm, in crimson cloth, blind lettering to front cover and spine, pictorial DJ, lettered (similar to t.p.) in the back. Pagination: [2 blank] [1-9] 10-337 [338] [4] [4 notes], total 174 leaves, 137 entries. Title-page (in red and black): Eros invaincu | LA BIBLIOTHÉQUE GÉRARD NORDMANN | Florilège | établi sous la direction de Monique Nordmann | commente par Laurent Adert • Saba Bahar • Françoise Bléchet • Arto Clerc | (5 more lines of names) | & | édité par Rainer Michael Mason | FONDATION MARTIN BODMER | EDITIONS CERCLE D'ART | GENÈVE • MMIV • PARIS || Gérard Nordmann (Swiss, 1930 – 1992) Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes (two parts) — Paris: Christie’s, 2006, see LIB-2828.2021 and [LIB-2810.2021]. -
Softcover, in flapped pictorial wrappers, 28 x 21.6 cm, 35 entries, with colour illustrations. Catalogue # 6 of the sales exhibition on March 19-24, 2002 in NY; pagination: [1-3] 4-82 [2], ils., some folding. Contributor: Sebastian Izzard -
Title-page: VICTORIA AND ALBERT MUSEUM | KUNIYOSHI | BY B. W. ROBINSON | SPACE | LONDON: HER MAJESTY'S STATIONERY OFFICE | 1961 || Description: hardcover, 25.3 x 19 cm, bound in red cloth with embossed vignette to front cover and gilt lettering over the black label to spine, pictorial endpapers, pictorial olive/cyan dust jacket; pp. [i-vi] vii-xv [xvi blank] 1-71 [72 blank] plus frontispiece in colour and 50 leaves of plates (98 pages of b/w ils.) between pp. 64 and 65. Contributor: Robinson, Basil William (British, 1912 – 2005). -
Mikhail Uspensky. Netsuke. Title-page: М. В. Успенский | — | НЭЦКЭ | {blank} | «Искусство» | Ленинградской отделение | 1986 || Hardcover, pictorial glossy paper, 17.2 x 12.6 cm; pp.: [2] 3-231 [232], 160 in-text b/w illustrations plus 16 leaves with 36 colour plates (pp. 233-263 unpag.) [264 colophon]; total 264 pages. Print run: 25,000 copies. Contributors: Uspensky, Mikhail [Успенский, Михаил Владимирович] (Russian, 1953 – 1997) Sisauri, Vladislav [Сисаури, Владислав Ираклиевич] (Russian, b. 1944) -
Description: softcover, 16.5 x 13 cm, in wrappers, white lettering on blue panel in white frame: “C. ВАРШАВСКИЙ Б. РЕСТ | СЫН | ОТЕЧЕСТВА | — | ВОЕНМОРИЗДАТ 1942”. Pagination: [2] 3-71 [72]; collated 8vo: [1]-48 54, total 36 leaves. Title-page: СМЕРТЬ НЕМЕЦКИМ ОККУПАНТАМ! | БИБЛИОТЕКА КРАСНОФЛОТЦА | C. ВАРШАВСКИЙ, Б. РЕСТ | СЫН | ОТЕЧЕСТВА | {publisher’s device} |—| ВОЕННО-МОРСКОЕ ИЗДАТЕЛЬСТВО НКВМФ СОЮЗА ССР | МОСКВА • 1942 || Autograph to t.p.: Дорогим друзьям | Тоне и Семе (скептику) | этот малый плод | военной эрзац-литературы | с любовью оставляет | Сергей | 3. XI. 42 || Another copy: LIB-3029.2022. Contributors: Сергей Петрович Варшавский [Sergei Varshavsky] (Russian-Jewish, 1906 – 1980) – author. Б. Рест (Юлий Исаакович Шапиро (Russian-Jewish, 1907 – 1984) – author. -
Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation. -
Paperback, 21.5 x 13.6 cm, red and white original wrappers with black lettering, barcode label to front, previous owner’s black ink ms to h.t. Rene Shekerjian; pp.: [i-vii] viii-xxvi[1-3] 4-158 (total 184 pp.). Title-page: Morphology | of the | Folktale | by | V. Propp | First Edition Translated by Lawrence Scott with an Introduction by Svatava Pirkova-Jacobson | Second Edition Revised and Edited with a Preface by Louis A. Warner/New Introduction by Alan Dundes | University of Texas Press • Austin and London || Serial title: American Folklore Society Bibliographical and Special Series | Volume 9/Revised Edition/1968 | [blank] Indiana University Research Center in Anthropology, Folklore, | and Linguistics | Publication 10/Revised Edition/1968 || Edition: 7th paperback printing. Contributors: Владимир Яковлевич Пропп [Vladimir Propp] (Russian, 1895 – 1970) For other editions, see [LIB-1710.2019] В. Я. Пропп. Исторические корни волшебной сказки (2-е изд.) — Л.: Изд-во ЛГУ, 1986; [LIB-3184.2023] В. Я. Пропп. Исторические корни волшебной сказки (1-е изд.) — Л.: Изд-во Ленинградского ун-та, 1946, and [LIB-1718.2019] В. Я. Пропп. Морфология сказки / Серия: Вопросы поэтики, вып. XII. — Л.: Academia, 1928. -
Publisher’s olive French flapped wrappers, in-4to, 33 x 25.3 x 6 cm, green and black lettering to front and spine, in a glassine dust jacket, in a marbled double slipcase 34.5 x 25.5 cm, unbound; pp.: [8] 1-436 [4], plus 30 colour plates with guard tissue, extraneous to collation; edition enriched with a set of 30 uncoloured etchings with guard tissue in a lettered paper folder. Title-page: ÉMILE ZOLA | NANA | ILLUSTRÉ DE | TRENTE GRAVURES ORIGINALES | DE | VERTÈS |◾| PARIS | JAVAL ET BOURDEAUX | 44 bis, rue de Villejust | 1933 || Justification du tirage: il a été tiré de «Nana » d'Émile Zola. Soixante exemplaires sur japon impérial, numérotés de 1 a 60, avec un état en couleurs colorié a la main et un état en noir des trente gravures originales de Vertès. [Edition limited to 60 copies, this is copy № 54]. Colophon: « NANA », D'ÉMILE ZOLA, ÉTÉ ACHEVÉ D'IMPRIMER LE TRENTE AVRIL MIL NEUF CENT TRENTE-TROIS, EN CARACTÈRES ROMAIN ANGLAIS DU CORPS 16, SUR LES PRESSES DU MAITRE IMPRIMEUR COULOUMA, À ARGENTEUIL, H. BARTHÉLEMY, DIRECTEUR. LES COMPOSITIONS DE VERTÈS ONT ÉTÉ REPRODUITES EN FAC-SIMILÉ PAR D. JACOMET & Cie. Printed on April 30, 1933 by Coulouma in Argenteuil, H. Barthélemy, director; illustrations reproduced in facsimile by D. Jacomet & Co. Catalogue raisonné: Vokaer 30. Contributors: Émile Zola (French, 1840 – 1902) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Javal et Bourdeaux – publisher. Daniel Jacomet (French, 1894 – 1966) – printer. Seller's description: Nana. Paris, Javal et Bourdeaux, 1933. 2 volumes in-4, en feuilles, non coupé, non rogné, chemise et étui. Ouvrage illustré de 30 gravures originales en couleurs de Marcel Vertès. Tirage à 60 exemplaires sur japon impérial contenant un état des illustrations coloriées à la main en couleurs et un état en noir. Chemise et emboîtage insolés. -
Hand-coloured woodcut on wove paper, 472 x 365 mm; black ink stamp “5275” to reverse. Top centre: "LE PRINCE IMPÉRIAL"; right: "№143." Image in the middle: Prince Impérial, with his father, conducts a review of the children's army "REVUE DES PUPILLES DE LA GARDE". Besides – five tiers of captioned cartoons. Bottom left: "Imp. lith. de Pellerin à Épinal"; right: Propriété de l’Éditeur. Déposé." Jean Charles Pellerin (French, 1756 – 1836) – printer/publisher. -
Hardcover volume, 19 x 13 cm, grey cloth with gilt lettering to spine, grey/cream dust jacket lettered throughout, price “10s 6d | NET” unclipped. Covers rubbed, dust jacket has a purple ink stain on the back bottom. Black ink inscription to recto ffl. Collation: a-o8 p10, total 122 leaves; pp.: [6] 1-237 [238]. 1st edition, 1st issue / Great Britain. Title-page: THE END OF THE | AFFAIR | by | GRAHAM GREENE | {publisher’s device} | — | WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || Imprint: FIRST PUBLISHED 1951 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Dedication: To C. (Catherine Walston, nee Crompton, American, 1925 – 1978) Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) -
Ichikawa Ebizō III (Matsumoto Kōshirō II, Ichikawa Danjūrō IV, 1711-1778) probably shown as Shinozuka Gorō in the Shibaraku scene of the play Ōyoroi Ebidō Shinozuka, performed at the Nakamura Theater in the 11th month of 1772 (Meiwa 9). This was the occasion when he celebrated his name change, from Matsumoto Kōshirō II to Ichikawa Ebizō III. The lobster or giant shrimp (ebi) upon the Ichikawa family crest (three concentric squares - three measures of rice) on his garment underscores the fact of the name change (ebizō). -
Шарль Монтескье. Храм Книдийский (пер. Иван Сичкарев). Лисимах. Разговор Суллы с Эвкратом. Опыт о вкусе (пер. Семён Башилов). — СПб.: [Тип. Акад. наук], 1770. Pagination: [2 blank] [2 t.p. храм, blank] [4 preface] [1] 2-72, [1, 2 t.p. лисимах, blank] [1] 2-12 [13, 14 t.p. силла] 16-33, [34 blank] [35, 37 t.p. опыт, blank] 38-95 [96 errata] [2 blank]. Size: 12mo, 20 x 12.5 cm, Binding: Contemporary polished brown slightly stained calf, gilt-ruled borders, flat spine with gilt bands and tools in compartments, black title label with gilt lettering to spine, marbled end-papers. Inscriptions and marks: Ink hand-writing to ff: "Люб. Дубенская, Москва XII 1931"; "Ленкнигторг" label glued to the recto of back free leaf; "Антикварная торговля В. И. Клочкова. СПБ., Литейный 55" label pasted to back pastedown. Printed on laid paper with "key" image printed on recto and protruding to the verso to t.p. of Храм Книдийский and Лисимах. Imperial orthography. Engraved head and tailpieces. -
Softcover, 24 x 16.5 cm, publisher's pictorial wrappers, lettering to spine, pp.: [6] 7-224. Full reproduction of Katsushika Hokusai's [葛飾 北斎] (Japanese, 1760 – 1849) series of three illustrated books [絵本, e-hon] One Hundred Views of Mount Fuji [富嶽百景, Fugaku hyakkei], published in Japan in 1834-1849, with commentaries. -
Title: О. Б. ЛЕПЕШИНСКАЯ, | действительный член Академии медицинских наук, | лауреат Сталинской премии. | Происхождение клеток | из живого вещества | [blank] | ИЗДАТЕЛЬСТВО ЦК ВЛКСМ | "МОЛОДАЯ ГВАРДИЯ" | 1951 || Pagination: original pictorial wrappers with portrait in frame, [1-2] – t.p. / imprint., 3-37 [38] [2] – blank / colophon. -
1st French edition (Paris, 1853) of Harriet Beecher Stowe's book Uncle Tom's Cabin; or, Life Among the Lowly, with 27 illustrations on wood by George Cruikshank (British, 1792 – 1878), translated into French by Paul-Émile Daurand-Forgues [pseudonym Old Nick] (French, 1813 – 1883) and Adolphe Joanne (French, 1813 – 1881). Title: LA CASE | DE | L'ONCLE TOM | OU | TABLE AUX DE L'ESCLAVAGE DANS LES ÉTATS-UNIS D'AMÉRIQUE ; | PAR MISTRESS HARRIET BEECHER STOWE. | TRADUCTION NOUVELLE | PAR OLD NICK & ADOLPHE JOANNE, | Collaboarteurs de la Revue britannique, | PRÉCÉDÉE D'UN PORTRAIT ET DE LA BIOGRAPHIE DE L'AUTEUR; | ORNÉE D'IU GRAND NOMBRE DE GRAVURES D'APRES LES DESSINS DE GEORGE CRUIKSHANK ; | SUIVIE DE POÉSIES COMPOSÉES PAR DES NÈGRES ET D'UNE NOTICE SUR LA | COLONIE DE LIBERIA. | [vignette] | PARIS. | AUX BUREAUX DU MAGASIN PITTORESQUE, | RUE JACOB, 30. | 1853. Pagination: ffl blank; [i-ii]: h.t. with stamped letters D. W. in the upper centre / imprim. to verso; [iii-iv] t.p. / blank; [v-vi] blank / frontispiece: portrait of Harriet Beecher Stowe, half-length to left, with hair in ringlets, and a shawl over shoulders, landscape behind, Henry Linton (British, 1815 – 1899) after Henry Anelay (British,1817 – 1883), wood-engraving with letterpress; [vij] Viij-xij; [1] 2-563 [564]; bfl blank; illustrations: 27 woodcuts by George Cruikshank. Collation: 8vo, π7 (1)–(35)8 363 Binding: Quarter brown calf, spine with raised bands, gilt-ruled compartments, title lettering, "D. W." in the bottom, marbled boards and endpapers. Dimensions: 24.1 x 16.4 cm. Catalogue raisonné: Albert M. Cohen (1924), №777, p. 221. "An edition was published in French with the woodcuts direct from the blocks, not, as in the English, merely from the stereotypes. The illustrations are far more impressive than those of Cassell's edition". -
Title: L'ADAM | LASCIF | OU | LETTRES A LA MARQUISE |{fleuron}| AVEC | des figures finement gravées | pour animer par ces billets | fort galamment troussés | AU CARQUOIS D’ARGENT || Edition: Limited numbered edition of 252 copies, artist’s copy on Marais paper with watermark, final state. Pagination: [2] blanks, [2] h.t./tirage, [2] blank / exemplaire, [2] t.p. / blank, i-iii [iv], f.t. / blank; 13-183 [184] [2] blanks, [2] ex-libris / blank; frontispiece, 9 vignettes and 9 plates by Gaston Barret, dry point, sanguine; woodcut vignettes at the faux-title of each chapter. Binding: Unbound, in publisher's blue velour paper folder with gilt device to front cover, original wrappers with blue silhouette and grey medallions, in publisher's grey slipcase. Ref: (1) Jean-Pierre Dutel, Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970, № 951, Inconnu à Pia. (2) Curiosa: An exhibition of illustrated erotic books 1987 — London: Hobart & Maclean, 1987, № 8. (3) Honesterotica (793). Note: Most sources reference black prints, not sanguine. The publishing year was established by Jean-Pierre Dutel; in any case, it was published before the jury hearings at Cour d'Assises in Paris on May 29, 1956. The fact of hearings was not independently confirmed.
