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Artist: Utagawa Toyokuni I (1769–1825) Title: Actors Bando Mitsugorō, Ichikawa Danjūrō, Onoe Kikugorō in play The Maiden at Dōjō Temple. Presumably Bunka 13 (1816) at Nakamura Theater in Edo. Publisher: Mikawaya Seiemon (c. 1805-1829); Marks' "Publishers" № 328, p. 235. Size: Vertical ôban MEDIUM OR TECHNIQUE: Woodblock print (nishiki-e); ink and color on paper. Signed: Toyokuni ga Censor's seal: kiwame Detailed discussion on the topic can be seen at: The Maiden at Dōjō Temple -
[Jean de LA FONTAINE]. Contes et nouvelles en vers. De Monsieur de La Fontaine. Nouvelle édition enrichie de tailles-douces. À Amsterdam | Chez Henry Desbordes, MDCLXXXV [1685]. — 2 vol. in 1. Pagination: [1] - frontispiece with pasted illustr., [*1] - title p. with blank verso, *2-*5 (only recto numbered) - advertisement, [1] - preface vol. 1, [2] table, 1-236; [6] - preface vol. 2, 1-216, illustr. (in text). Etched frontispiece plate and 58 half-page etchings at the head of each chapter as well as endpiece vignettes, all by R. de Hooge (Romeyn de Hooghe, 1645 – 1708, a Dutch painter, sculptor, engraver and caricaturist. First illustrated edition. "Publication of the scandalous fables was forbidden in France from 1674. According to Van Eeghen, this edition was published without the knowledge of La Fontaine. ...This is the edition with ‘Le Juge de Nêle’ (instead of Mesle) in the contents of the first volume, as well as page 211 for 'Dissertation sur la Joconde'; 16 lines of text on page 211; and 19 lines of text on the first page of the preface of volume 2" [1]. Pott 8vo (15.4 x 10 cm), hardcover; owner's later tan polished half-calf, marbled boards, marbled pastedowns and flyleaves, 5 raised bands, dark brown labels with gilt lettering and gilt roll patterns on spine, tail of the spine slightly damaged. Corners bumped, spotted stains on leather. Henri Desbordes (d. ca. 1722) was a Huguenot printer who was exiled from his business in France and set up as a publisher in Amsterdam in the 17th century. -
Title: THE | WORKS | OF THE FAMOUS | Nicholas Machiavel, | CITIZEN and SECRETARY | OF | FLORENCE. |—| WRITTEN | Originally in ITALIAN, and from thence newly | and faithfully Tranſlated into ENGLISH. |—|[ornament]|—| LONDON, | Printed for John Starkey, Charles Harper, and John | Amery, at the Miter, the Flower-de-Luce, and the | Peacock, in Fleetstreet. 1680. Content: (1) The history of Florence; (2) The Prince; (3) The Original of the Guelf and Ghibilin Factions; (4) The Life of Castruccio Castracani; (5) The Murther of Vitelli, etc. by Duke Valentino; (6) The State of France; (7) The State of Germany; (8) The Discourses on Titus Livius; (9) The Art of War; (10) The Marriage of Belphegor, a Novel; (11) Nicholas Machiavel's Letter in Vindication of Himself and His Writings. Pagination: ffl, 24 unnumbered pages before the first numbered: [2] – tp / license], [2] – contents / blank], [2] ftp “Florence” / blank, [3] – epistle to Clement VII, [3] – introduction, [12] – table; Misnumbering (X instead of Y format – X/Y): History of Florence: 1- 28/24, 19/91, 198/98, 180/108, 190/109, 174/164, 175/ 165, 179/169, 180/170, 185/175, 186/176, 188/178, 189/179, [190/180 blank]; The Prince, Lucca, State of France: [4] 199-262; State of Germany: 256/263, 266/264, 267/265 [268/266]; Discourses: [4] 267-314, 317-431 [432]; Art of War: [4] 433-528; [4] – publisher, [12] –Machiavelli’s letter, bfl. Collation: π3 Aa3 b-d2 B-Z4 Aa-Bb2 Cc-Zz4 Aaa-Yyy4 (*)-(**)4 Binding: Original mottled leather boards with embossing, later leather spine with 5 raised bands, crimson label with gilt lettering. Size: 32.4 x 21.0 x 4.0 cm Provenance: Bradford H. Gray This is the second edition; despite misnumbering, the collation is correct and all pages present. The first edition of this book was published in 1675 by Robert Bolter (British, fl. 1666 – 1683). -
Japanese book: 24 leaves, 22 numbered plates, b/w photography reproduced photomechanically, with descriptions at the facing pages; in Japanese. Hardcover, 19 x 18.5 cm, green cloth stamped with title to front board and spine. Separate translation into English. -
![George Cruikshank's table-book / edited by Gilbert Abbott à Beckett. – London: Punch office, 1845. – viii, 284 p., [12] leaves of plates : ill's.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2557.2020-5-500x500.jpeg)
Title: GEORGE CRUIKSHANK'S | TABLE-BOOK. | EDITED BY | GILBERT ABBOTT À BECKETT. | ILLUSTRATED BY GEORGE CRUIKSHANK. | LONDON : | PUBLISHED AT THE PUNCH OFFICE, 92, FLEET STREET ; | AND SOLD BY ALL BOOKSELLERS. | MDCCCXLV.|| Pagination: ffl [2 blanks] [i, ii - engaved t.p. w/guard, verso blank] [iii], iv - letterpress t.p., colophon] [v], vi - list of engravings on still and on wood, [vii] viii - contents [2 - blank, engraved frontispiece] [1] 2-284 [2 blanks] bfl; 12 full-page steel etchings and 116 woodcuts and glyphographs by G. Cruikshank. Binding: Hardcover, 4to, 24.4 x 17 cm, later full red morocco by Kelly and Sons with gilt and embossed designs to covers, designs, title and year lettering to spine, facsimile in gilt of Cruikshank's signature to front cover, gilt line to inner edges, top edge gilt, marbled endpapers. Armorial bookplate of Harold A. Wernher of Luton Hoo to front pastedown. Major-General Sir Harold Augustus Wernher (1893 – 1973) – British military officer. Originally bound in red cloth, this binding by Kelly and Sons (Packer, Maurice. Bookbinders of Victorian London. — London: British Library, 1991 page 84). Title without the bottom section with lettering, on top lacking the 'Price one shilling', № 1, Vol. 1. inscriptions. Catalogue raisonné: A. M. Cohn № 191, p. 66-67. -
A three-volume set. VOL. 1: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART I | THE TUDOR PERIOD | WITH 319 ILLUSTRATIONS | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1952|| Pagination: ffl, [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-156 pp. of plates. Collation: a-b8, 1-218 + 78 leaves of plates at the end. VOL. 2: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART II | THE REIGN OF JAMES I | WITH 618 ILLUSTRATIONS| {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1955|| Pagination: [i-iv] – h.t. / blank, t.p. / colophon; v-xiv [xv] [xvi blank]; 1-396 [397] [398 blank] [2] – the plates / blank; 1-252 pp. of plates. Collation: a-b8, 1-268 + 126 leaves of plates at the end. VOL. 3: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | PART III | THE REIGN OF CHARLES I | WITH 466 ILLUSTRATIONS | COMPILED FROM THE NOTES OF | THE LATE A. M. HIND | BY | MARGERY CORBETT & MICHAEL NORTON | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1964|| Pagination: [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-214 pp. of plates. Collation: [a]8, 1-258 + 107 leaves of plates at the end. Each of three volumes bound in red cloth with gilt lettering to spine, residuals of library stickers, dark spotting to the top and lateral edges; tan DJ with title lettering in a frame to front, lettering to spine, advert. to back, with cut off stickers to spine; ‘The Francis Bacon Foundation’ ink stamp to front pastedown. -
Hardcover, 23.5 x 23.5 cm, publisher's navy cloth, gilt-stamped lettering to spine, pictorial DJ; pp.: [1-6] 7-143 [144 blank].Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed on the industry through government censorship. Although Japanese prints have long been appreciated in the West for their graphic qualities, their content has not always been fully understood. This book draws on recent scholarship that makes possible a more subtle appreciation of the imagery encountered in the prints and how they would have been read when first made. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.
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Title: BIBLIOTHECA FICTIVA | A Collection of Books & Manuscripts | Relating to Literary Forgery | 400 BC – AD 2000 | Arthur Freeman | Bernard Quaritch Ltd | 2014 || Pagination: xvi, 424, with colour frontispiece and 36 illustrations in text. Binding: 26 x 18 cm, burgundy cloth, blocked in gold on spine, printed dust-jacket. -
Title: L'ART | D'AIMER, | ET | POÉSIES DIVERSES | DE M. BERNARD. Pagination: [2] – t.p. / stanza by Voltaire; engraved t. p., frontispiece, [1] 2-170; pp. 1-61 – L'art d'aimer; pp. 62-111 – Phrosine et Mélidore; pp. 112-170 – Poésies diverses; illustrations. Collation: 8vo; π1 (letterpress t.p.), A-K8 L5; + 8 plates: (1)* engraved title page facing the stanza by Ch. Baquoy; (2) plate as a frontispiece by Ponce after Ch. Eisen, inscribed Chant I above the image, dated 1772, facing p. [1], chant 1er of l’art; (3)* Ch. Baquoy after P. Martini, inscribed Chant II below the image, facing p. 22, chant 2nd of l’art; (4) Ch. Baquoy after Eisen, inscribed Chant III above the image, facing p. 44, chant 3rd of l’art; (5)* Patas after P. Martini, inscribed Chant Ier below the image, dated 1775, facing p. 62, chant 1er of Phrosine; (6) Ch. Baquoy after Eisen, inscribed Chant II above the image, facing p. 74, chant 2nd of Phrosine; (7)* C. Gaucher after P. Martini, facing p. 84, chant 3rd of Phrosine; (8) Ch. Baquoy after Eisen, inscribed Chant IV above the image, facing p. 97, chant 4th of Phrosine; * – images additional to 1772 edition by Le Jay [LIB-2706.2021] (i.e. plates 1, 3, 5, and 7 are new). A counterfeit edition by an anonymous publisher. Binding: brown pebbled morocco, triple fillet gilt-ruled boards, raised bands, gilt in compartments, gilt label lettering to spine, marbled endpapers, AMG; printed on laid paper, with tall 's'. Catalogue raisonné: Cohen, De Richi (1912): p. 132: describes a counterfeit edition with 170 pages and 3 additional plates plus an engraved title. This seems to be a combination of Lejan [sic] Paris 1775 edition, which normally has 134 pages, 8vo, title engraved by Baquoy and three plates after Martini by Patas, Baquoy and Gaucher. Contributors: Nicolas Ponce (French, 1746 – 1831) – engraver. Jean Charles Baquoy (French, 1721 – 1777) – engraver. Jean-Baptiste Patas (French, 1748 – 1817) – engraver. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Charles-Dominique-Joseph Eisen (French, 1720 – 1778) – artist. Pietro Antonio Martini (Italian, 1738 – 1797) – artist. Pierre-Joseph Bernard [Gentil-Bernard] (French, 1708 – 1775) – author of the text. -
Front cover: И. ТРОЦКИЙ | ЖИЗНЬ | ШЕРВУДА | ВЕРНОГО | ИЗДАТЕЛЬСТВО | ПОЛИТКАТОРЖАН | 19 • МОСКВА • 31 || Title page: И. М. ТРОЦКИЙ | ЖИЗНЬ | ШЕРВУДА – ВЕРНОГО | (ОЧЕРКИ И МАТЕРИАЛЫ) | ИЗДАТЕЛЬСТВО ВСЕСОЮЗНОГО ОБЩЕСТВА ПОЛИТКАТОРЖАН И ССЫЛЬНО-ПОСЕЛЕНЦЕВ |1 9 МОСКВА 3 1 || Pagination: [1-4] 5-277 [3]. Collation: 8vo; [1]8 2-178, 184. Binding: Quarter burgundy cloth, paper over cardboard. Library ‘pocket’ to front pastedown. Inscriptions and marks: Inscription to t.p. in purple ink: «323.2/П76»; stamp in purple ink “193” and “3” handwritten; black in stamp “1935”; purple ink oval stamp: «БИБЛИОТЕКА * МОСК. ХУДОЖ. ТЕАТРА *», inside handwritten: 3703; same stamp at p. 278. Print run: 5,000 copies. Contributor: Исаак Моисеевич Троцкий (Russian-Jewish, 1903 – 1937) – author of the text. -
Title page: THE | SECRET AGENT | A SIMPLE TALE | BY | JOSEPH CONRAD | METHUEN & CO. | 36 ESSEX STREET W.C. | LONDON || Imprint on t.p. verso: First Published in 1907 Dedication: To H. G. Wells. Pagination: [2] – blank, [6] – h.t., t.p., dedication; 1-442, [2] colophon: THE RIVERSIDE PRESS LIMITED, EDINBURGH / blank; [1-2] 3-40 – Catalogue of books published by Methuen and company, September 1907; total 492 pages. Collation: 8vo; π4, A-Z8 2A-2D8, 2E6, + 20 leaves of advertisement: signed A2 on leaf 5 and A3 on leaf 9, other unsigned, 2E2 signed; total 246 leaves. Binding: Publisher’s burgundy cloth with gilt lettering and elements to spine, lower margin untrimmed, 19.5 x 13.5 cm. Edition: 1st edition, 1st printing ("be be" on the last line of page 117) of 2,500 copied printed. Contributors: Conrad, Joseph (Polish-British, 1857 – 1924) – author. Methuen & Co. (London) – publisher. The Riverside Press Limited (Edinburgh) – printer. Herbert George Wells (British, 1866 – 1946) – dedicatee. -
Title: JACK KAHANE | ★ | Memoirs of a | Booklegger | [space] | {publisher’s device} | MICHAEL JOSEPH LTD. | 26, Bloomsbury Street, London, W.C.I || Pagination: [1-6] 7-287 [288 blank]; total 288 pages. Collation: 8vo; [A]8 B-S8; total 144 leaves. Binding: 21.5 x 15 cm, by James Burn, publisher’s blue cloth, silver lettering to spine, yellow endpapers; cream dust-jacket with black and red lettering and reproduced photo portrait of the author. Contributors: Jack Kahane (British, 1887 – 1939) – author. Michael Joseph (British, 1897 – 1958); Michael Joseph Ltd. (London) – publisher. William Brendon & Son, Ltd.; Mayflower Press (Plymouth) – printer. John Dickinson & Co.; John Dickinson (British, 1782 – 1869) – paper maker. Frederick E. Kahane – dedicatee (brother of Jack). -
Title-page (1): DI | GERVSALEMME | CONQVISTATA. | DEL SIG. TORQVATO | TASSO. | LIBRI XXIIII. | {engraved portrait of Torquato Tasso in lettered oval medallion surrounded with laurel branches} | IN PARIGI, | Appresso Abel L’ANGELIER | nella prima Colonna del palazzo. | M.D. CXV. || Title-page (2): DI | GERVSALEMME | CONQVISTATA. | DEL SIG. TORQVATO | TASSO. | LIBRI XXIIII. | ALL’ ILL. MO ET REV. MO| SIG. RE| IL SIGNOR. | CINTHIO ALDOBRANDINI | Card. Di San Giorgio. | Appresso Abel L’ANGELIERI | nella prima Colonna del palazzo. | M.D. LCXV. || Collation: 1st blank leaf with an extensive pencil MS in French and English (unsigned), 1st t.p. / blank (unsigned), 2nd t.p. / blank [ai] (unsigned), Dedication by Angelo Ingegneri dated 10-NOV-1592 (ã2-ã5), dedication by Torquato Tasso and Aux Lecteur by Abel L’Angelier ã5[i.e. 6]-[ã9]; 12mo: π12, A-Z12, 2A-2Q12 (2Q11 woodcut / blank, 2Q12 blank), total 480 leaves, with woodcut head- and tailpieces, historiated initials. Note: leaves D6, M3, M6, and N3 unsigned; leave E2 signed for F2, E4 – for F4, Z – for Z5, and A – for Aa. Pagination: 12 prelims unpag., 1-361, each leaf paginated as one page) [2]; with a lot of mispaginations: shall be 1-468, but after p.291 follows 278 (for 292), then 193 for 293, etc. Binding: 14.5 x 8.5 cm, 20th-century tan morocco by Zaehnsdorf (signed in gilt), gilt fleurons in corners and in compartments, raised bands, titles on spine, gilt dentelles, marbled endpapers plus 6 fep at the front (one with pasted clipping “A PARIS, Chez Fetil, Libraire, rue des Cor-| deliers, près celle de Condé, au | Parnasse Italien”, and 2 at the end. What connection has the 18th-century publisher with this edition remains unclear. “The Robin Collection” bookplate to front pastedown. Edges sprinkled red. Occasional damp staining to top margins. There is controversy regarding the year of this publication. It could be 1615 (MDCXV), however, both the publisher and the dedicatee were dead this year. Dedication by the publisher dated 1592. We agree with those scholars who suggest that MDCXV and MDLCXV were misprinted for MDXCV (1595). Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Angelo Ingegneri (Italian, 1550 – 1613) – author. Abel L'Angelier (French, 1553? – 1610) – printer, publisher. Cinzio Aldobrandini (Italian, 1551 – 1610) – dedicatee. -
Softcover, in pictorial wrappers, 28 x 21.8 cm, 37 entries, with colour illustrations. Catalogue of the sales exhibition on March 3 - April 5, 2008 in NY; pagination: [1-3] 4-102 [2], ils. Contributor: Sebastian Izzard -
Softcover, in black pictorial flapped wrappers, 28 x 21.8 cm, 16 entries, with colour illustrations. Catalogue # 8 of the sales exhibition on March 23-30 2004 in NY; pagination: [1-3] 4-50 [2], ils., some folding. Front cover: gilt on a black background: Japanese Sword Fittings | from the | Alexander G. Moslé | Collection | {vignette ‘tsuba with shishi lion} || Contributor: Sebastian Izzard -
Description: Hardcover, 22.2 x 17.2 cm, in green buckram with gilt lettering to front cover and spine, pp.: [1-4] 5-638 [2], 640 pages total. Incl.: Ф.-Р. де Шатобриан. Из «гения христианства». Title-page: ЛИТЕРАТУРНЫЕ | МАНИФЕСТЫ | ЗАПАДНОЕВРОПЕЙСКИХ | РОМАНТИКОВ | Собрание текстов, | вступительная статья и общая редакция | проф. А. С. Дмитриева | Издательство Московского университета | 1980 || Contributors: Дмитриев, Александр Сергеевич (Russian, 1919 – 2001) François-René de Chateaubriand (French, 1768 – 1848) -
French and English lithography of the first half of the 19th century: Selected sheets from the collection of Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). New acquisitions at The Pushkin State Museum of Fine Arts (Moscow). Выпущено по заказу ГМИИ им. А. С. Пушкина; вступ. статьи В. А. Мишина и Ю. С. Варшавского; составитель каталога В. А. Мишин. (Produced under order of The Pushkin State Museum of Fine Arts (Moscow); introduction by V. A. Mishin and Yury Varshavsky). Softcover, glossy pictorial wrappers, 21.5 x 17 cm, 25 leaves, not paginated, frontispiece and 7 leaves of plates, 50 entries. Title-page: | — | ФРАНЦУЗСКАЯ И АНГЛИЙСКАЯ | ЛИТОГРАФИЯ | ПЕРВОЙ ПОЛОВИНЫ | XIX ВЕКА | ИЗБРАННЫЕ ЛИСТЫ ИЗ КОЛЛЕКЦИИ С.П. ВАРШАВСКОГО | — | НОВЫЕ ПОСТУПЛЕНИЯ | В ГОСУДАРСТВЕННЫЙ МУЗЕЙ | ИЗОБРАЗИТЕЛЬНЫХ | ИСКУССТВ | ИМЕНИ А. С. ПУШКИНА | {publisher’s device} | Москва | Советский художник | 1985 || -
Two 8vo volumes bound in one, 19 x 12.5 cm, in full mottled sheepskin with gilt-bordered boards, gilt decorated flat spine with gilt-lettered red and black calf labels, rebacked, marbled endpapers and edges, printed on wove paper, plates on thicker laid paper. Title-page: FABLES | MISES EN VERS | PAR J. DE LA FONTAINE. | TOME PREMIER (SECOND). | {medallion portrait} (printer’s device “PC”) | A PARIS, | CHEZ ANT. AUG. RENOUARD. | M. DCC. XCV. || Collation: Vol. 1: π2 (h.t./imprint, t.p. medallion portrait/blank), [1]-38 (Notice sur la vie…), 1-58 64 (Vie de la Fontaine, Épitre, Préface, Vie d’Ésope), [7]-148 156 χ3 (table); pagination [4] [i] ii-xlviii, [1] 2-234. Total 143 leaves (286 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 112), E. De Ghendt (pp. 122 and 181), Jean Louis Delignon (p. 140), Delvaux (p. 197), and Ph. Trière (p. 219). Title medallion portrait of La Fontaine (G Rigault pinx. – C S Gaucher inc.) by Gaucher after Rigaud. Vol. 2: π2 1-158 164; pagination [4] [1] 2-247 [248 blank]. Total 126 leaves (252 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 19), Villerey (pp. 37, 80, and 146), Bosq (p. 121), and Ph. Trière (p. 199). The book published in 1795 (An 3) supplemented with plates produced in 1811 and 1812 for Œuvres complèttes (sic) de Jean de la Fontaine published by Lefèvre in 1814. The reason for choosing this particular edition for someone's library shortly after 1814 was probably the absence of censorship in 1795. Catalogue raisonné: (1) Lewine [LIB-2538.2020] on p. 276 (Paris, chez Renouard, 1795, 2 vols., 8vo., medal portrait on first title, and 12 plates after Moreau by Delvaux, Bosq, Ghendt, Trière, and Villerey). (2) M.-J.-F. Mahérault. L' oeuvre de Moreau le Jeune : catalogue raisonné et descriptif avec notes iconographiques et bibliographiques. — Paris: A. Labitte, 1880. Contributors: Jean de La Fontaine (French, 1621–1695) – author. Jean-Michel Moreau le Jeune (French, 1741–1814) – artist. Hyacinthe Rigaud (French, 1659 – 1743) – artist. Antoine-Augustin Renouard (French, 1765 – 1853) – publisher. Pierre Causse (French, 1761 – 1834) – printer. Engravers: Charles Étienne Gaucher (French, 1741 – 1804) Etienne De Villiers [Devilliers, Devilliers fratres] (French, 1784 – after 1844) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738 – 1815) Jean-Louis Delignon (French, 1755 – 1820) Rémi Henri Joseph Delvaux (French, 1748 – 1823) Philippe Trière (French, 1756 – c. 1815) Auguste Villerey (French, 1801 – 1846) Jean Bosq (French, fl. c. 1801 – 1844)
