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  • [Jean-Baptiste de Boyer]. Thérèse philosophe, avec figures / 2 vol. — Londres [i.e. La Haye]: s.n., 1783 (Fake).

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  • М. Беломлинский. Вадим Кролин. Сеанс гипноза. Са. 1970-е.

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  • C. Plinius S. Van Menschen, Beesten, Vogeln en Visschen. – Amsterdam: Joost Hartgers, 1650.

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  • Луи-Себастьян Мерсье. Год две тысячи четыреста сороковой. Сон, которого, возможно, и не было. / Изд. подг. А. Л. Андрес, П. Р. Заборов. — Л.: Наука, 1977. — 240 стр. (Loūis-Sébastien Mercier/ L'an deux mille quatre cent quarante. Réve, s'il en fut jamais). (АН СССР, Литературные памятники).

    Луи-Себастьен Мерсье. Год две тысячи четыреста сороковой: Сон, которого, возможно, и не было. / Изд. подг. А. Л. Андрес, П. Р. Заборов; (Литературные памятники). — Л.: Наука, 1977.

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  • Rudolf Hans Bartsch. Mozarts Faschingsoper. / Illustations by Franz von Bayros. — L.Haackmann Verlag, Leipzig, 1922. — 1150 copies printed, this is №54 (on Japan paper, signed by Bartsch, illustr. signed by Bayros). Illustrations: photolithography and offset printing.

    Rudolf Hans Bartsch. Mozarts Faschingsoper / Illustriert von Franz von Bayros. — Leipzig: L. Haackmann Verlag, 1922.

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  • Sarah T. Prideaux. Aquatint Engraving: A Chapter in the History of Book Illustration. — London: Duckworth & Co., [1909]

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  • Ayn Rand. Atlas shrugged. — NY: Random house, [1957].

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  • Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].

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  • Auguste Vitu. Les réunions publiques à Paris 1868-1869. — Paris: E. Dentu, 1869. — pp.: [1-5] 6-151 [1].

    Auguste Vitu. Les réunions publiques à Paris 1868 – 1869. — Paris: E. Dentu, 1869.

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  • Quelques mémoires de Casanova de Seingalt écrits par lui-même / Aquarelles originales de Rojankowski. — Paris: Javal et Bourdeaux, 1932.

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  • Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентинца, написанная им самим во Флоренции / Перевод М. Лозинского. — М.-Л.: Academia, 1931.

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  • [Graham Greene (?), Ronald Matthews] Sheila Cousins. To beg I am ashamed. — Paris: The Obelisk Press, 1938.

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  • Gilbert Abbott à Beckett. The Comic History of Rome / illustrated by John Leech. — London: Bradbury and Evans, [1851].

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  • Jean de La Fontaine. Contes et nouvelles en vers / 2 vol. — Amsterdam [i.e. Paris: David Jeune], 1745.

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  • Kabuki plays on stage (3 volumes of 4) / Edited by James R. Brandon and Samuel L. Leiter. — Honolulu: University of Hawai’i Press, 2002.

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  • Wanda de S… [i.e. Anonymous]. Françoise ou les plaisirs du mariage. — Aux allées des roses [i.e. Dijon: Darantiere, c. 1937].

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  • C. Варшавский, Б. Рест. Над Берлином // Библиотека «Огонек», №7. — М.: Правда, 1942.

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  • А. И. Богданова. Жизнь после смерти / Роман. — Київ: Радянський письменник, 1990.

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  • Б. И. Николаевский. Тайные страницы истории. Ред.-сост. Ю. Г. Фельштинский. — М.: Изд-во гуманитарной лит-ры, 1995.

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  • Old kutani (Japanese ceramics 11) [古九谷 日本の陶磁 (11) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • Ленинград: архитектурно-планировочный обзор развития города. — М.-Л.: Искусство, 1943.

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  • Famille Impériale / Image d’Épinal, c. 1860s.

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  • Protected: Otto Rudolf Schatz. Erotic scene / Watercolour on paper, c. 1950.

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  • Suzuki Harunobu. Shunga. Circa 1770.

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  • Isaac Bullart. Academie des sciences et des arts / 1st vol. of two. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

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  • [Dorat]. Recueil de contes et poemes. — Paris : Delalain, 1770.

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  • Grimms' Popular Stories. Popular stories collected by the brothers Grimm / A reprint of the first English edition with twenty-two illustrations by George Cruicshank. Oxford Edition. — London, Edinburgh, Glosgow, New York and Toronto: Henry Frowde, 1905. -— pp. xvii + 403.

    Popular stories collected by the brothers Grimm / A reprint of the first English edition. — London: Henry Frowde, 1905.

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  • [Barham, Richard Harris]. The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, esquire / First, Second and Third Series - 3 volumes; Illustr.: George Cruikshank and John Leech. — London: Richard Bentley, 1840-1847. — Vol. 1: Printed by London: Samuel Bentley, 1840. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-v [vi blank] [contents, list of ill.] [blank, etching on verso] [1] 2-338 [339] [7, incl. orig. FC and Sp.] bf, 6 plates: 1 by Buss, 3 by Leech, 2 by Cruikshank. — Vol. 2: Printed by London: S. & J. Bentley, Wilson, and Fley, 1842. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [v] vi-vii [viii blank] [contents, verso blank] [blank, etching on verso] [1] 2-288 [6, incl. orig. FC and Sp.] bf, 7 plates: 3 by Leech, 4 by Cruikshank. — Vol. 3: Printed by London: S. & J. Bentley, Wilson, and Fley, 1847. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-vi [contents, list of ill.] [blank, portrait on verso] [1] 2-364 [6, incl. orig. FC and Sp.] bf, 6 plates: 2 portraits, 2 by Leech, 2 by Cruikshank.

    [Richard Barham]. The Ingoldsby Legends or Mirth and Marvels / 3 vol., George Cruikshank and John Leech (illustrators). — London: Richard Bentley, 1840-1847.

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  • S. T. Prideaux. A Bibliography of Bookbinding. — London: James Bain, 1892.

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  • Geschichten aus Aretino / Mit fünfzehn Bildern von Choisi-Nérac. — Siena: Heinrich Conrad, 1907.

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  • Les Bienfaits de L'Empire par Alexandre Bradier. — 8e édition. — Comité politique plébiscitarire. — Paris: Belleville, [1870].

    Alexandre Bradier. Les Bienfaits de L’Empire. — Paris: Comité politique plébiscitaire, [1870].

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  • Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

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  • Charles Virmaître. Dictionnaire d’argot fin-de-siècle / [préface de Léo Trézenik]. — Paris: A. Charles, 1894.

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  • Leitch Ritchie. A Journey to St. Petersburg and Moscow through Courland and Livonia (Heath’s Picturesque Annual for 1836) / Drawings by A.G. Vickers. — London: Longman, Rees, Brown, Green, and Longman, 1836.

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  • Лонг. Дафнис и Хлоя / Вступ. статья, перевод и коммент. С. П. Кондратьева (Античная литература). — М.-Л.: Academia, 1935.

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  • Torquato Tasso. Aminta favola boscareccia / con le annotationi d’Egidio Menagio. — Paris: Augustin Courbe, 1655.

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