• Hand-coloured woodcut on wove paper, 472 x 365 mm; black ink stamp “5275” to reverse. Top centre: "LE PRINCE IMPÉRIAL"; right: "№143." Image in the middle: Prince Impérial, with his father, conducts a review of the children's army "REVUE DES PUPILLES DE LA GARDE". Besides – five tiers of captioned cartoons. Bottom left: "Imp. lith. de Pellerin à Épinal"; right: Propriété de l’Éditeur. Déposé." Jean Charles Pellerin (French, 1756 – 1836) – printer/publisher.  
  • Description: Hardcover, 20.5 x 16 cm, contemporary binding, ¾ calf with raised bands over marbled boards in a marbled slipcase, marbled endpapers, original wrappers preserved, t.e.g., gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 2 blanks, original front wrapper with blue lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 2 blanks; 5 full-page illustrations within collation, 5 original drawings extraneous to collation. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 12. Edition: 1st edition thus, illustrated with 20 stencil-coloured (au pochoir) photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 5 full-page original crayon drawings by the same artist. Provenance: Stamp with J.-P. Dutel device to 1st blank leaf. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original crayon drawings by Rojan:
      Colour prints after Rojan's drawings:
  • Description: Hardcover small 4to, 20.3 x 15.8 cm, contemporary binding, quarter carrot morocco with raised bands over marbled boards, marbled endpapers, original wrappers preserved, gilt lettering to spine. Content: Scapin Maquereau, drame en un acte par M. Albert Glatigny; La grisette et l’étudiant, pièce en un acte par M. Henry Monnier; Le bout de l’an de la noce, parodie du bout de l’an de l’amour de M. Théodore Barrière par MM. Lemercier de Neuville et J. du Boys; Un caprice par Lemercier de Neuville; Les jeux de l’amour et du bazar, comédie de mœurs en un acte par Lemercier de Neuville. Title-page: LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE | {vignette} | PARIS | — | 1932 || Collation: 3 blanks, original front wrapper with black lettering «LE THÉATRE ÉROTIQUE | DE LA RUE DE LA SANTE», [1]4 (2 blanks, frontis., h.t. / limitation), [2]4 (t.p., f.t.p., 2 leaves of text), 3-184 (incl. 2 blanks), original back wrapper, original spine, 3 blanks; 5 full-page illustrations within collation, 3 original watercolours extraneous to collation bound in between 11 and 12 blank leaves. Pagination: [4] [1-8] 9-135 [136] [4], ils. Limitation: 20 copies on Japon and 250 copies on Vélin, this is copy № 201. Edition: 1st edition thus, illustrated with 20 coloured photogravures, 5 of them full-page after Feodor Rojankovsky [Rojan], enriched with 3 full-page original watercolours by him. Catalogue raisonné: Dutel (1920-1970): 2498, p. 385; Nordmann/Christie’s (2) 515, p. 251 Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. Joseph Albert Alexandre Glatigny (French, 1839 – 1873) – author. Henry-Bonaventure Monnier (French, 1799 – 1877) – author. Théodore Barrière (French, 1823 – 1877) – author. Louis Lemercier de Neuville [La Haudussière, Louis Lemercier] (French, 1830 – 1918) – author. Jean Charles Duboys [Du Boys] (French, 1836 – 1873) – author. Original watercolours:
  • Engraved title: HEATH'S | PICTURESQUE ANNUAL, | FOR 1836. | St. Petersburg and Moscow. | {vignette Nikolskoi church signed: A.G. Vickers  — E. Radclyffe} | Tower of the Nikolskoi church St. Petersburg | From Drawings by | ALFRED GEORGE VICKERS, ESQ. | Printed by Arnold & Fisher | LONDON, PUBLISHED FOR THE PROPRIETOR, BY LONGMAN & Co. PATERNOSTER ROW: | RITTNER & Co. PARIS: & ASHER, BERLIN. || Title page: A JOURNEY | TO ST. PETERSBURG AND MOSCOW | THROUGH COURLAND AND LIVONIA. | BY | LEITCH RITCHIE, Esq. | AUTHOR OF “TURNER’S ANNUAL TOUR”, “SCHINDERHANNES,” &c. | WITH TWENTY-FIVE SPLENDID ENGRAVINGS, | BY THE FIRST ARTISTS, AFTER DRAWINGS, | BY A.G. VICKERS, Esq. | LONDON: | LONGMAN, REES, BROWN, GREEN, AND LONGMAN. | PARIS: RITTNER AND GOUPILL. BERLIN: A. ASHER. | 1836. || Imprint: LONDON: | PRINTED BY J. HADDON AND CO., DOCTORS’ COMMONS. Pagination: [i-iii] iv [4] [1] 2-256, total 264 pages + 25 plates. Collation: 12mo; π4, B-Y6 Z2; total 132 leaves + frontispiece, engraved title and 23 leaves of steel-engraved plates w/tissue guards, extraneous to collation. Binding: full red morocco, blind-stamped boards, gilt-lettered spine, all edges gilt, 12mo, 20 x 13 cm. Note: Schinderhannes – real name Johannes Bückler (German, c.1778 – 1803): Leitch Ritchie. Schinderhannes: the Robber of the Rhine. (Library of Romance). — London: Smith, Elder, and Co., 1833. Contributors:

    Author: Leitch Ritchie (British, 1800 – 1865).

    Illustrator: Alfred Gomersal Vickers (British, 1810 – 1837).

    Publisher: Longman, Rees, Orme, Brown, Green and Longman (London).

    Engravers: Turnbull, Thomas (British, fl. 1830s); Radclyffe, Edward (British, 1810 – 1863); Jorden, Henry (British, fl. 1829 – 1838); Fisher, Samuel (British, 1806 – 1851); Willmore, James Tibbits (British, 1800 – 1863); Higham, Thomas (British, 1795 – 1844); Appleton, J. W. (British, fl. 1834 – 1843); Wallis, Robert William (British, 1794 – 1878); Chevalier, William (British, 1804 – 1866); Kernot, James Harfield (British, 1802 – 1858); Lewis, James (British, 1782 – 1858); Carter, James (British, 1798 – 1855). Printer: John Haddon & Co. (London). Reference: Metropolitan Museum (NY); Royal Collection Trust (London).
  • Serial title: THE | LIBRARY OF ROMANCE. | EDITED | BY LEITCH RITCHIE. | VOL. II. | — | SCHINDERHANNES, | THE ROBBER OF THE RHINE. | BY THE EDITOR. | — | LONDON: | SMITH, ELDER, AND CO., 65, CORNHILL. | — | 1833. || Title page: SCHINDERHANNES, | THE ROBBER OF THE RHINE. | BY | LEITCH RITCHIE, | AUTHOR OF “HEATH’S PICTURESQUE ANNUAL,” “ROMANCE OF FRENCH | HISTORY,” “TURNER’S ANNUAL TOUR,” &c. | — | LONDON: | SMITH, ELDER, AND CO., 65, CORNHILL. | — | 1833. || Pagination: [1] 2 – prospectus, [i, ii] – serial title / imprint, [iii-iv] – t.p. / blank, [v] vi (mispaged iv) – advert. [vii] viii – contents, [2] f.t. / blank; [1] 2-314 – text, [2] – advert. vol. I and III; total number of pages 12+314+2=328 Collation: 8vo; π6 B-U8 X4 Y2, total number of leaves 164. Binding: 18 x 11.5 cm, dark green buckram (faux morocco), gilt lettering and design elements to spine, printer’s imprint to π4: Bradbury and Evans, moiré endpapers. Cat. raisonné: Sadleir (v.2) 3760a, p. 171. Contributors: Leitch Ritchie (British-Scottish, 1800 – 1865) – author. Schinderhannes [Johannes Bückler] (German, c.1778 – 1803) – character. Bradbury & Evans (est.1830) – printer. Smith, Elder, and Company (1816 - 1917) – publisher. George Smith (British-Scottish, 1789 – 1846) – publisher. George Murray Smith (British, 1824 – 1901) – publisher. Alexander Elder (British, 1790 – 1876) – publisher.
  • Description: One volume, collated 4to, 26.2 x 18.5 x 8 cm, ¾ calf over marbled boards, gilt decorated flat spine with gilt lettering, marbled endpapers, publisher’s wrappers preserved. Title-page (red and black): LE TRÉSOR | DU | BIBLIOPHILE | ÉPOQUE ROMANTIQUE | 1801–1875 | PAR | L. CARTERET | Libraire de plusieurs Sociétés de Bibliophiles | LIVRES ILLUSTRÉS DU XIXe SIÈCLE | PARIS | L. CARTERET, ÉDITEUR | ANCIENNE LIBRAIRIE CONQUET | 5, RUE DROUOT, 5 | Novembre 1927 || Publisher's wrapper similar, in a frame Collation: front wrapper, π4 (2 blanks, h.t./limit., t.p./copyright], [1] – 894, χ2 (colophon, 1 blank), back wrapper, orig. spine, ils. within collation; total 362 leaves within wrappers; 2 leaves of modern inset bound-in between pp. 106 and 107. Pagination: [8][1-3] 4-712 [4], total 724 pages plus 4 pp inset, ils. Content: pp. 1-25 – propos; 29-600 – bibliographie; 601-603 – table ills; 605-639 – table des ouvrages cités; 641-712 – table des artistes. Printed by Imp. Lahure on November 30, 1927. Contributors: Léopold Carteret (French, 1873 – 1948) Imprimerie Générale de A. Lahure (Paris) Alexis Lahure (French, 1849 – 1928)
  • Folio (240 x 320 mm), hardbound in blue-aubergine cloth with gilt lettering and decoration. Album with Avant-Propos and 34 hand-colored lithographs by Bertall, numbered 1 through 34. Details in Russian: "Памяти парижской коммуны".
  • Pictorial album of 20 hand-coloured wood engravings by Firmin Gillot after Alfred Grévin; numbered 1 to 20, bound with tissue guards in half-brown cloth over marbled boards, publisher's gilt-lettered blue wrappers preserved, purple-blueish endpapers. Front wrapper (gilt on blue): LES FILLES D'EVE | ALBUM | DE TRAVESTISSEMENTS | PLUS OU MOINS | HISTORIQUES | Par A. GRÉVIN | — | PARIS | AUX BUREAUX : DU JOURNAL AMUSANT, DES MODES PARISIENNES | DE LA TOILETTE DE PARIS ET DU PETIT JOURNAL POUR RIRE | 20. Rue Bergère. || ; Henri Plon's imprint to back wrapper. Contributors: Grevin, Alfred (French, 1827 – 1892) Gillot, Firmin (French, 1820 – 1872) Plon, Henri (French, 1806 – 1872) Ref.: Metropoliten Museum.
  • Description: Two parts in one volume, collated 4to, 26.3 x 18 cm, bound in quarter green pebbled morocco over green percaline panelled boards, spine with raised bands, gilt in compartments, lettered in gilt, signed in the bottom “L. Curmer”; marbled endpapers, all edges gilt. Part 1 is illustrated with a hand-coloured wood-engraved title-page by Porret and Blanadet and 28 hand-coloured steel engravings by Charles Geoffroy after J.-J. Grandville; part 2 is illustrated with a hand-coloured wood-engraved title-page by Quichon and 22 steel engravings by Charles Geoffroy after J.-J. Grandville, and two uncoloured botanical plates, unsigned. Title-page: LES | FLEURS ANIMÉES | PAR | J.-J. GRANDVILLE | INTRODUCTIONS | Par ALPH. KARR | TEXTE | Par TAXILE DELORD | — | PREMIÈRE (DEUXIÈME) PARTIE | — | PARIS | GABRIEL DE GONET, ÉDITEUR | 6, RUE DES BEAUX-ARTS, 6 || Collation: part 1: blank, [1] h.t./imprint (PARIS WALDER), hand-coloured engraved t.p., [1] t.p./blank, 1-324, [1] contents/blank, 28 hand-coloured plates; part 2: [1] h.t./imprint (PARIS WALDER), hand-coloured engraved t.p., [1] t.p./blank, [2] intro., [1]-294, 302, blank, 22 hand-coloured plates and 2 uncoloured plates. Pagination: part 1: [1-5] 6-260 [2] (total 262 pages), ils; part 2: [4] [i] ii-iv [1] 2-102, [2] [i] ii-iv, [105] 106-234 [2] (total 248 pages), ils. Coloured steel-engraved plates: Part 1: Bleuet et Coquelicot. Lis. Pensée. Tabac. Tulipe. Rose. Narcisse. Violette. Nenuphar. Laurier. Myrte. Marguerite. Camelia. Immortelle. Chèvre-feuille. Belle-de-nuit. Oeillet. Ciguë. Soleil. Fleur de grenadier. Lin. Eglantine. Pavot. Chardon. Fleur d'oranger. Capucine. Guimauve. Primevère – Perce-neige. Part 2: Pois de senteur. Cactus. Dahlia. Sensitive. Fleur de pêcher. Aubépine. Vigne. Myosotis. Jasmin. Scabieuse & Souci. Traite des fleurs. Flèche-d'eau. Hortensia, couronne impériale. Verveine. Giroflée. Thé et Café. Lilas. Tubéreuse Jonquille. Bal. Retour des fleurs. Erratum. Pervenche desséchée. Plates signed "Grandville del. – Ch. Geoffroy sc. – G. de Gonet, editeur" but some signed "Imp. Delamain et Sarazin rue Git le Cœur 8 Paris." Plates accompanied by tissue guards. Gordon N. Ray: "Most of the plates show an elegant lady in a garden, her dress covered with an extraordinary pattern of flowers. She is sometimes accompanied by respectful creatures, animals and insects, even fish and reptiles". Edition: 2nd edition of 1847, each part has separate pagination; imprint: "Paris. — Typographie Walder, rue Bonaparte, 44". Second "tirage", the volumes being paged separately; the first "tirage", issued also in 1847, is paged continuously. Point of issue: Table des Matières has "Imprimerte Walder." Originally appeared in 83 separate parts in pictorial yellow wrappers. Contributors: J.-J. Grandville [Gèrard, Isidore-Adolphe] (French, 1803 – 1847) – artist. Taxile Delord (French, 1815 – 1877) – author. Comte Foelix [Louis-François Raban] (French, 1795 – 1870) – author. Jean-Baptiste Alphonse Karr (French, 1808 – 1890) – author. Charles Michel Geoffroy (French, 1819 – 1882) – engraver (on steel). Gabriel de Gonet (French, fl. 1847 – 1862) – publisher. Typographie Walder (Paris) – printer. Plon Freres (Paris) – printer. Delamain et Sarrazin (Paris) – printer. Henri Désiré Porret (French, 1800 – 1867) – engraver (on wood). Jules Blanadet (French, 1824 – ?) – engraver (on wood). Quichon (French, fl. c. 1850s) – engraver (on wood). Catalogue raisonné: L. Carteret (Le trésor): p. 286; Ray (French): 198, pp. 278-9; Vicaire (Manuel): D III, p. 133-4; Brivois (Guide): pp. 147-150. In collections: MET 1970.565.423.1–.2Vanderbilt University; V&A L.755-1943. Provenance: Léon Curmer (French, ).
  • Hand-coloured woodcut on wove paper, 400 x 280 mm; black ink stamp “5321” to reverse. Top: "LES LOISIRS DU PRINCE IMPERIAL AU PALAIS DE SAINT- CLOUD" — "65". Below: nine cartoons with captions.
    1. Les essais d'un magnifique canon modèle par le Prince et ses amis.
    2. Promenade dans le parc.
    3. Partie de ballon sur la pelouse.
    4. Simulacre de combat. — Le Prince commande ses jeunes amis.
    5. le Prince impérial reçoit la visite de l'Empereur de Russie.
    6. Chasse à courre dans le parc.
    7. Quelques heures à la faisanderie.
    8. Visite de LL. MM. au jeune Prince.
    9. La revue des Pupilles de la Garde.
    Bottom: Fabrique d'images de Gangel et P. Didion, à Metz. Château de Saint-Cloud Paulin Didion (French, 1831 – 1879) – printer/publisher.
  • NEW
    Hardcover, 165 x 105 mm, full tree sheepskin, flat spine with gilt bands, black calf label with gilt lettering, marbled endpapers, all margins marbled; collation: 2ffl, a4 ([i] engraved t.p., [ii] letterpress t.p., iii-vi frontis.), A-F8 a8 (i.e. G8), i.e. 60 leaves, pp.: [8] 1-79/90-106, 1-16, plus one plate (p. 106); iron gall ink ms to first rear ffl. Two parts in one volume, 1st illustrated edition, engraved t.p. and five plates, only one extraneous to collation with blank verso. Engraved title (tall ‘s’): LES | QVATRAINS | DV SIEUR | PIBRAC. Enrichis de figures. | Dedie a Monseigneur | le DAVPHIN. | A PARIS, |Chez ANTOINE ROBINOT, | en la place Dauphine au | Soleil d’Or. | 1640. || Title-page (tall ‘s’): LES | QVATRAINS | DES SIEVRS | PYBPRAC, FAVRE, | ET MATHIEV : Ensemble les Plaisirs de la Vie Rustique. | Enrichis de Figures en Taille-douce. | Dediez | A MONSEIGNEVR LE DAVPHIN | {fleuron} | A PARIS, | Chez ANTOINE ROBINOT, en l'Isle du | Palais, au Soleil d'Or, & en la Boutique | sur le Pont-neuf. | — | M. DC. XL | AVEC PRIVILEGE DV ROY. || Contributors: Guy du Faur de Pibrac (French, 1529 – 1584) – author Pierre Matthieu (French, 1563 – 1621) – author Antoine Favre (French, 1557 – 1624) – author Pierre Brébiette (French, 1598? – 1642) – engraver
  • Vol. 1 : Title : LES | RUES DE PARIS | PARIS ANCIEN ET MODERNE | ORIGINES, HISTOIRE | MONUMENTS, COSTUMES, MŒURS, CHRONIQUES ET TRADITIONS | OUVRAGE | RÉDIGÉ PAR L’ÉLITE DE LA LITTÉRATURE CONTEMPORAINE | SOUS LA DIRECTION DE | LOUIS LURINE | et illustré de 300 dessins exécutés par les artistes les plus distingués | TOME PREMIER | { publisher’s device «G.K.» in vignette} | PARIS | G. KUGELMANN, ÉDITEUR, 25 RUE JACOB | 1844 || Pagination: [4] [1] 2-396 [4], total number of pages 404, plus 21 wood-engraved plates, incl. frontispiece, extraneous to collation. Collation: 4to; π2 [1]4 2-504, total number of leaves 202, plus 21 leaves of plates. Vol. 2: Title: Same, “TOME SECOND”. Pagination: [4] [1] 2-411 [412] [4], total number of pages 420, plus 22 wood engraved plates, incl. frontispiece, extraneous to collation. Collation: 4to; π2, 1-524, total number of leaves 210, plus 22 leaves of plates. Binding: 27 x 17 cm, two volumes uniformly bound by the publisher in brown cloth, blind-stamped frame and gilt design (corners, coat of arms of Paris, lettering) to boards and spine, yellow endpapers. CONTRIBUTORS: Printer: Alfred Wittersheim (French, 1825 – 1881) Publisher: Georges Kugelmann (French, 1809 – 1882) Editor/Compiler: Louis Lurine (French, 1816 – 1860) Texts by: Briffault, Eugène (French, 1799 – 1854); Janin, Jules Gabriel (French, 1804 – 1874); Huart, Louis Adrien (French, 1813 – 1865); Burette, Théodose (French, 1804 – 1847); Beauvoir, Roger de (French, 1806 – 1866); Brot, Charles Alphonse (French, 1807 – 1895); Le Roux de Lincy, Antoine (French, 1806 – 1869); Achard, Louis Amédée Eugène (French, 1814 – 1875). Illustrated book, profusely illustrated with over 300 woodcuts by: ArtistsDaumier, Honoré (French, 1808 – 1879); Gavarni , Paul [Chevalier, Hippolyte Guillaume Sulpice] (French, 1804 – 1866); Nanteuil, Célestin François (French, 1813 – 1873); Baron, Henri (French, 1816 – 1885); Beaumont, Édouard de (French, 1821 – 1888); David, Jules (French, 1808 – 1892); Marckl, Louis (French, b. 1807); Schlesinger, Heinrich [Henri-Guillaume] (German-French, 1814 – 1893); Collignon, François Jules (French, d. 1850); Godefroy, Félix (French, 1765 – 1848); Lemercier, Charles Nicolas (French, 1797 – 1859); Loutrel, Victor Jean-Baptiste (French, 1821 – 1908); May, Edouard (French, c. 1807 – 1881); Moraine, Louis-Pierre René de (French, 1816 – 1864); Moynet, Jean Pierre (French, 1819 – 1876); Rossigneux, Charles (French, 1818 – 1907). Engravers: Bara, J. (French, b. c. 1812); Brugnot (French, fl.c. 1834 – 1873); Castan, André (French, 19th century); Budziłowicz, Ignacy (Polish-French, 1805 – 1863); Chevauchet (French, fl. 1837 – 1850); Pégard (French, 19th century); Czechowicz, A. (Polish-French, fl. 1840 – 1850); Debraine, T. Etienne (French, 19th century); Deschamps, M. (French, 19th century); Fauchery, Jean-Claude Auguste (French, 1798 – 1843); Ghouy, de (French, fl. mid-19th century); Montigneul, Émile (French, fl. 1840 – 1850); Joret, J. (French, 19th century); Fity, A. (French, 19th century); Guillaumot, Eugène (French, 1813 – 1869); Halley-Hiback (French, 19th century); Lacoste père et fils (French, fl. 1830s – 1860s); Lenepveu (French, 19th century); Lesestre, Jean Théophile Gustave (French, 1815 – 1873); Pannemaker, Adolphe François (Belgian-French, 1822 – 1900); Piaud, Antoine Alphée (French, 1813 – 1867); Pisan, Héliodore Joseph (French, 1822 – 1890); Pollet A. (French, 1840 – 1860); Pouget, Jean-Achille (French, fl. 1844 – 1877); Porret, Henri Désiré (French, 1800 – 1867); Pontenier, Auguste [Etienne, François] (French, 1820 – 1888); Rose, Alphonse Antoine (French, fl. 1840 – 1860); Timms, J. (English-French, fl. c. 1839 – 1865); Verdeil, Pierre (French, 1812 – 1874); Vien, Alphonse Jean-Baptiste (French, b. 1814).
  • NEW
    Hardcover, 310 x 230 mm, red cloth, gilt lettering to spine, brown endpapers, pictorial dust jacket, pp.: [1-5] 6-256, 348 illustrations, incl. 195 plates in full colour. Title-page: Edited by Lesley Hoskins | THE | PAPERED WALL | HISTORY • PATTERN • TECHNIQUE | {vignette} | Harry N. Abrams, Inc., Publishers || Imprint: Copyright @ 1994 Thames and Hudson Ltd, London | Published in 1994 by Harry N. Abrams, Incorporated, New York | A Times Mirror Company || ISBN-10 ‏ : ‎ 0810937301 ISBN-13 ‏ : ‎ 978-0810937307 Contributor: Lesley Hoskins, editor, former Secretary of the UK's Wallpaper History Society, Specialist Curator at MoDA (The Museum of Domestic Design & Architecture, Middlesex University).
  • Title: LETTRES DE GAMBETTA | 1868 – 1882 | recueillies et annotées par | DANIEL HALÉVY ET ÉMILE PILLIAS | ÉDITIONS BERNARD GRASSET | 61, RUE DES SAINTS-PÈRES, VIe | PARIS || Collation: 8vo; [1]8 2-428, unpaginated, (336 leaves) + 4 leaves of plates extraneous to collation, untrimmed wove paper, 587 letters, printed on the 25th of March 1938 by Floch (Mayenne); limited edition, unnumbered copy. Binding: original publisher’s pictorial wrappers, lettering to spine. Series: "Documents", pub. sous la direction de la Société d'histoire de la troisième république. Insert: Lettre Autographe Signée (LAS): Ludovic Halévy (French, 1834 – 1908). Transcript:
    Mercredi, Mon cher ami, Reçois mes bien sincères et bien affectueuses félicitations. Si tu continues à marcher de ce pas tu en seras bientôt en grande situation et ce sera justice, et j’en serais bien heureux n’en doute pas. Tout à toi Ludovic Halévy
    Gambetta, Léon (French, 1838 – 1882). Halévy, Daniel (French, 1872 – 1962). Pillias, Émile (French, 1905 – 1940).
  • Hardcover volume, 355 x 240 mm, bound in black cloth with gilt lettering to front and spine with a photo portrait of Mary Millais (1860-1944), in a black cloth clam-shell box 370 x 253 x 40 mm, with a shamrock diaper black paper adorned with publisher’s coat of arms pasted to the front. Pp.: [1-12] 13-213 [3], with 41 glued-in photomechanically reproduced photographs, chiefly from the Gernsheim Collection at the University of Texas, two of them of Alice Liddell (pp. 123 and 127). Printed on hand-made blue laid paper. Edition is limited to 3,000 copies, of which this is copy № 1200. Title-page: Lewis Carroll | Photos and Letters | to His Child Friends | Edited by Guido Almansi | Notes by | Brassai and Helmut Gernsheim | Franco Maria Ricci | 1975 || Colophon: This volume was printed in Milan, Italy, in the month of November 1975, under the direction of Franco Maria Ricci. The hand-made paper is the work of the Pietro Miliani mills at Fabriano. This first edition consists of three thousand numbered copies. Copy n. [1200]. Facsimile. Seller’s description: Near Fine condition Hardcover Signed by Franco Maria Ricci on the colophon page, Numbered and Limited Edition #1200/3000 of copies. Includes Notes by Brassai and Helmut Gernsheim, with 41 tipped-in sepia-toned photographs, 213 pages. "The Signs of Man Volume 3". Black boards bound in Orient silk with gold engraved lettering on the spine and cover and a sepia-toned photograph affixed to the front cover, handmade Ingres pastel paper manufactured by Cartiere Milliani in Fabrianoo with decorated endpapers and deckled fore-edge. Housed in a black clamshell case with clover leaf pattern in Very Good + condition with the exception that there is no spine label and very light wear to the extremities. Oversize folio: 9" x 13 3/4" Contributors: Carroll, Lewis (British, 1832 – 1898) – Author/Photographer Ricci, Franco Maria (Italian, 1937 – 2020) – publisher Almansi, Guido (Italian, 1931 – 2001) – editor Brassai [Halász, Gyula] (Hungarian–French, 1899 – 1984) – notes Gernsheim, Helmut (Jewish-German, 1913 – 20 July 1995) – notes  
  • Title in black and red: LIFE IN ENGLAND | in Aquatint and Lithography | 1770—1860 | ARCHITECTURE • DRAWING BOOKS | ART COLLECTIONS • MAGAZINES | NAVY AND ARMY • PANORAMAS ETC. | FROM THE LIBRARY OF J. R. ABBEY | — | A BIBLIOGRAPHICAL | CATALOGUE | — | LONDON | PRIVATELY PRINTED | AT THE CURWEN PRESS | 1953 || Pagination: 2 blank leaves, [2] – limited edition 114 of 400 / blank, [i, ii] – h.t. / blank, [2] blank / frontis., [iii, iv] – t.p. / printer, v – contents, [vi] –blank, vii-ix – list of plates, [x] – blank, xi-xiii – list of ill., [xiv] – blank, xv-xxi – preface, xxii – blank; [1, 2] f.t. / blank, 3-427 [428], 2 blank leaves. Binding: Hardcover, 32 x 25.5 x 6.5 cm; brown cloth, red label with gilt lettering to spine, tan DJ with lettering to front and spine.
  • Title: Государственный Эрмитаж | LIVRE DARTISTE | ВЫСТАВКА КНИГ | ИЗ СОБРАНИЯ | МАРКА БАШМАКОВА | КАТАЛОГ | Санкт-Петербург | Издательство Государственного Эрмитажа | 2013 || Frontispiece: The State Hermitage Museum | LIVRE D’ARTISTE | AN EXHIBITION | OF BOOKS FROM | THE COLLECTION | OF MARK BASHMAKOV | CATALOGUE | St. Petersburg | The State Hermitage Publishers | 2013 || Pagination: [1-5] 6-319 [320]. Binding: pictorial over cardboard, black and red lettering to cover, white lettering to spine. Size: 31 x 23 cm.
  • Thirteen unnumbered loose leaves 323 x 249 mm, watermarked BFK Rives, with manuscript text and vignettes produced by etching or, more likely, drypoint (see microphoto), incl. title-page, one full-page illustration and two leaves of text only; versos blank. Some leaves have registration marks. The set is housed in a cream French flapped folder (chemise) without lettering; the seller’s description is pasted to the front cover verso, glassine dust cover. Seller’s description: Cette édition in-folio du recueil de poèmes de Louis de Gonzague Frick, inconnue de Jean-Pierre Dutel, qui « a été tirée à 50 exemplaires (...) est certainement la plus rare (et a été) publiée après 1940 sur vélin (BFK) Rives » (cf. Ader, 3 mars 2020, n°155). Exemplaire «  de passe », sans justificatif, complet des 13 planches avec 11 eaux-fortes, dont une à pleine page, d'Auguste Brouet. Ref.: According to honesterotica, the first edition was published in 1938 in 65 copies: "The pink Ingres paper and the loose-leaf format tied with a red ribbon". Another source states: "Le tirage a été effectué avec marges, sur papier vélin BFK Rives au format in-4 (32,5 × 25), les planches mesurant 26,5 × 22 cm. Certains exemplaires sont sur papier blanc - Je remercie le libraire qui a pris la peine de me communiquer ces dernières informations. Pour moi, c'est bien l'édition à 65 qui est l'originale, les deux autres étant des retirages légèrement postérieurs, mais dans le détail desquels le principe de l’œuvre - un manuscrit destiné à quelques amis de l'auteur - a été quelque peu trahi." Contributors: Louis de Gonzague Frick (French, 1883 – 1958) Auguste Brouet (French, 1872 – 1941)
  • Hardcover, 24 x 16 cm, bound in quarter black calf over marbled boards, raised bands and gilt lettering to spine, printed on Van Gelder Zonen laid paper with wide margins, bottom and fore edge untrimmed, pp. [i-viii] ix-xiv, [2] 3-89 [90], total 104 pages, two flyleaves, frontispiece in colour with captioned tissue guard, and 28 b/w plates; total 83 leaves. Title-page: A DESCRIPTIVE CATALOGUE | OF AN EXHIBITION OF | JAPANESE | FIGURE PRINTS | FROM | MORONOBU TO TOYOKUNI | BY | LOUIS V. LEDOUX | {publisher’s device} | NEW YORK | THE GROLIER CLUB | 1924 || Edition: 1st edition limited to 300 copies on Van Gelder Zonen paper in April, 2024. Exhibition from January 25 to March 3, 1923, at the Grolier club. Library of Congress Control Number: 23009175 OCLC Number: 2583847 Louis Vernon Ledoux (American, 1880 – 1948)
  • Hand-coloured woodcut poster on wove paper, 622 x 417 mm; black ink stamp “4859” to reverse, horizontal centrefold. In a double frame, top: LOUIS-NAPOLÉON BONAPARTE, | REPRÉSENTANT DU PEUPLE, | Président de la République française. Text under the image ; bottom left: (Déposé.— Propriété de l’Éditeur.); right: Fabrique de PELLERIN, Imprimeur-Libraire, à ÉPINAL. Jean Charles Pellerin (French, 1756 – 1836) – printer/publisher.  
  • Title page: L'AN DEUX MILLE QUATRE CENT QUARANTE. | Rêve s'il en fût jamais. | Le temps présent est gros de l'avenir... | Leibnitz. | {letterpress device} | A LONDRES. | MD CCLXXII. || Pagination: [i-iv] v-xii, 1-402 [2]; Collation: 8vo; π6 A-Z8 Aa-Bb8 Cc2. Binding: 19 x 12 cm, full mottled calf, rebacked, spine with gilt-lettered red label, compartments ruled gilt, with gilt fleuron ornament, marbled endpapers and all edges; printed on laid paper, with tall “s”. Probably published in Paris, anonymously. Handwritten nut-ink inscription to the title "Par Mercier". See also: LIB-0979.2016
  • Title: HISTORY | OF | SECRET SOCIETIES, | AND OF THE | REPUBLICAN PARTY OF FRANCE | From 1830 to 1848; | CONTAINING SKETCHES OF | LOUIS-PHILLIPE AND THE REVOLUTION OF FEBRUARY; | TOGETHER WITH | PORTRAITS, CONSPIRACIES, AND UNPUBLISHED FACTS. | BY | LUCIEN DE LA HODDE. | Translated from the Paris Edition of 1850. | BY AN AMERICAN. | PHILADELPHIA: | J. B. LIPPINCOTT AND CO. | 1856. || Pagination: blank leaf, [i, ii] – ht / blind, [iii, iv] – t.p. / imprim., [v-vi] – preface / blind, [vii] viii-xv [xvi] [17] 18-479 [480], blank leaf. Collation: 8vo; [1]-308. Binding: 22.8 x 15 cm, publisher's purple blind-spamped cloth to boards, gilt lettering to spine. Lucien de la Hodde (French, 1808 – 1865). Original title: Histoire des sociétés secrètes et du parti républicain de 1830 à 1848 : Louis-Phillippe et le Révolution de février, portraits, scènes de conspirations, faits inconnus. — Paris: Julien, Lanier, 1850. Translated by John Wolcott Phelps (American, 1813 – 1885).  
  • Hardcover volume, 35 x 26 cm, bound in pictorial paper boards with a lettered label to front cover, black lettering to spine, pictorial dust jacket, pictorial endpapers, pp.: [1-5] 6-787 [788], 1028 colour ils., trilingual edition (English, German, French). Title-page (red and black): LUIGI FICACCI | ISTITUTO NAZIONALE PER LA GRAFICA, ROME | Giovanni Battista | PIRANESI | Catalogue of the Complete Etchings | Gesamtkatalog der Radierungen | Catalogue raisonné des eaux-fortes | TASCHEN || Contributors: Luigi Ficacci (Italian, b. 1954) – author. Giovanni Battista [Giambattista] Piranesi (Italian, 1720 – 1778) – artist.
  • Title-page: LUKAS ROTGANS | POËZY, | VAN VERSCHEIDE | MENGELSTOFFEN; | MET KONSTPLAATEN VERSIERT. | Tweede Druk | {vignette} | TE AMSTERDAM; | By ANTONI SCHOONENBURG, 1735. || Collation: 4to; fep, 1st blank, engraved t.p. by M. Pool, t.p., *3,4; 2*-9*4, 10*1, *LII2, *LII, 10*2 —> *-10*4 (40 leaves);  A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Q4, last blank, fep; (340 leaves), 2 plates extraneous to collation. Pagination: [2] [1-5] 6-14 [15-80] [1-3] 4-680 [2], 2 unsigned plates not included in pagination after pp. 634 and 652, 50 headpieces by Jacob Folkema after Arnold Houbraken, and 2 tailpieces by Jan de Ruijter. Marks: Armorial bookplate: “Ex Libris J. J. Mak | {coat of arms} | Inveni Intermanere Melius”. Oval ink stamp: “HOOGERE BURGERSCHOOL. | DELFT” Provenance: Johannes Jacobus Mak (Dutch, 1908 – 1975). Edition: 2nd, 1st edition published in 1715 in Leeuwarden by François Halma. Contributors: Lukas Rotgans (Dutch, 1653 – 1710) – author. Arnold Houbraken (Dutch, 1660 – 1719) – artist. Jacob Folkema (Dutch, 1692 – 1767) – engraver. Matthijs Pool (Dutch, 1676 – 1740) – engraver. Jan de Ruijter (Dutch, 1688 – 1744) – engraver. Antoni Schoonenburg (Dutch, 1682 – 1754) – publisher.
  • Hardcover volume, 17 x 11.3 cm, in-12, quarter orange cloth (percaline) over marbled boards, black morocco label with gilt lettering to spine, marbled endpapers, text printed on laid paper, five plates on India paper (papier Chine). Title-page: LE | LIBERTIN | DE QUALITÉ | OU | MA CONVERSION | PAR | M. D. R. C. D. M. F. | (LE COMTE DE MIRABEAU) | Edition revue sur celle originale de 1783 | {fleuron} | LONDRES | – | 1783-1866 || Pagination: [4] (h.t., t.p.), [1] 2-200; total 204 pages plus 5 engraved plates, incl. frontispiece; 2 blank leaves at the front and 2 at the back, laid paper, watermarked Canson & Montgolfier. Catalogue raisonné: Dutel I: A-653. Ref.: Illustrations were earlier published in Vie privée, libertine et scandaleuse de feu Honoré-Gabriel Riquetti Comte de Mirabeau, 1791, (see [LIB-2633.2021] Apollinaire, et al. L’Enfer de la Bibliothèque nationale, 1912 : № 795). M. D. R. C. D. M. F stands for Monsieur de Riqueti comte de Mirabeau Fis. Catalogue Poulet-Malassis & ses amis description: № 55. M. D. R. C. D. M. F. (le comte de Mirabeau). Le Libertin de qualité ou Ma conversion, édition revue sur celle de l’originale de 1783. Londres 1783-1866 [Christiaens, 1867]. In-12 de 2 .n.ch. et 200 pages, demi-percaline orange, pièce de titre, tête jaspée, tranches naturelles (reliure de l’époque). Illustré de 5 gravures originales, dont l’une en frontispice, qui reprennent celles de l’édition de Vie privée libertine et scandaleuse de feu Honoré-Gabriel-Riqueti, ci-devant comte de Mirabeau [...] de 1791. Contributors: Honoré-Gabriel Riqueti de Mirabeau (French, 1749 – 1791) – author. Alexis Christiaens (Belgian, d. 1880) – publisher.
  • Front wrapper: In the three-compartment orange frame: 1st compartment: HISTOIRE DES DOCTRINES SOCIALISTES | *** (LES IDÉES ET LES FAITS) *** | 2nd compartment: BLANQUI | PAR | Maurice DOMMANGET | {circular device} | 3rd compartment: *** 1924 *** | LIBRAIRIE DE L'HUMANITÉ | 120 • RUE LAFAYETTE • 120 PARIS | Under the frame : Prix : 2 fr. 50 || Title page: HISTOIRE DES DOCTRINES SOCIALISTES | *** (LES IDÉES ET LES FAITS) *** | BLANQUI | PAR Maurice DOMMANGET | {device in a circle} | *** 1924 *** | LIBRAIRIE DE L'HUMANITÉ | 120 • RUE LAFAYETTE • 120 PARIS || Back wrapper: Advert. in an orange frame. Pagination: wrappers included in pagination ; [1-5] 6-95 [96-98] (total 49 leaves incl. wrappers). Collation: wrappers not included in collation: [1]-68. Binding: 18.5 x 12 cm; publisher’s blue wrappers with an orange frame, black lettering to covers and spine; uncut. Russian translation: LIB-2747.2021
  • The text attributed to Claude-Prosper Jolyot de Crébillon, dit Crébillon fils (French, 1707 – 1777) or to Anne Claude de Caylus (French, 1692 – 1765). A hardcover volume, 21 x 13.5 cm, collated in-12mo, bound by H. Blanchetière in full crushed brown morocco, spine with raised bands, gilt lettering “VICOMTE | DE NANTEL | – | MA VIE | DE | GARÇON” and “BRUXELLES | 1882” in the bottom compartment; gilt double-fillet to cover margins, six gilt fillets inside, woven silk endpapers, marbled flyleaves, original publisher’s wrappers preserved; the bookplate of Henri Bosc to f.e.p. verso (monogrammed by Martin Van Maële), bookplate of J.-P. Dutel to flyleaf, 18 x 9 cm manuscript list of illustrations tipped in (lettered “12 aquarelles originales | de Martin Van Maële” on top), all margins gilt; printed on tinted paper. Collation: [1] front wrapper lettered in red and black, [1] half-title with limitation to verso, frontispiece by Amédée Lynen, verso inscribed by Van Maële to Bosc, meaning “A jewel for a most sympathetic and sensitive connoisseur Mr H. Bosc”, signed; [1] t.p. in red and black/blank, 06 (pp. [i]-xii) Avant-propos by Jean Richepin, 1-116 (pp. [5]-116) 124 (pp. 117-143, [144] colophon) [1] back wrapper w/advert (Extrait de Gil Blas), spine w/price 10 Fr.; 12 watercolours by Van Maële extraneous to collation, all signed “with his full name in a flowery script”, as per S. A. Perry. Title-page / Cover (red and black): LES FAITS ET GESTES DU VICOMTE DE NANTEL | ~ | MA | Vie de Garçon | AVEC UN AVANT-PROPOS | DE | JEAN RICHEPIN | {publisher’s device} | A BRUXELLES | Chez Henry KISTEMAECKERS, éditeur | – | 1882 || Worldcat : xii, 143 pages frontispiece 20 cm; OCLC Number / Unique Identifier: 5887998. Limitation: 300 copies on papier teinté, 10 copies on papeir du Japon. This is a unique copy enriched with 12 original watercolours by Martin Van Maële. Colophon: ACHEVÉ D’IMPIMER | le 30 mai 1882. | par A. LEFÈVRE, a BRUXELLES | {printer’s device} | POUR | Henry Kistemaeckers, Editeur | à Bruxelles. || Catalogue raisonné: S. A. Perry (2015) № 89 / [LIB-2920.2022] Sheryl A. Perry. Martin van Maële: An illustrated bibliographical checklist. — Las Vegas, 2021. Ref: The Erotica Bibliophile. Contributors: Jean Richepin (French, 1849 – 1926) – author (avant-propos). Maurice François Alfred Martin van Maële [Martin van Maële] (French, 1863 – 1926) – artist. Amédée Ernest Lynen (French, 1852 – 1938) – artist (frontispiece). Henry Kistemaeckers (Belgian, 1851–1934) – publisher. Henri Bosc [Henri Marie Joseph Danviolet] (French, 1884 – 1967) – provenance. J.-P. Dutel description: [Claude-Prosper Jolyot de CRÉBILLON ?]. LES FAITS ET GESTES DU VICOMTE DE NANTEL. MA VIE DE GARÇON. Avec un avant-propos de Jean Richepin. Bruxelles, Henry Kistemaeckers. 1882. In-8 (202 x 120 mm) de XII, 143 pp. et [1] p. Maroquin brun, dos à 5 nerfs, filets dorés sur les coupes et les bordures intérieures, tranches dorées, gardes en moire, double-gardes en papier, couverture et dos conservés. (H. Blanchetière). Le texte est attribué à Claude-Prosper Jolyot de Crébillon, dit Crébillon fils, (1707-1777). Cette édition fut publiée en 1882 à Bruxelles par Kistemaeckers et est ornée d’unfrontispice d’A. Lynen. TIRAGE : 10 ex. sur japon. 500 ex. sur papier teinté. UN DES 500 EXEMPLAIRES SUR PAPIER TEINTÉ ORNÉ DE 12 AQUARELLES ORIGINALES HORSTEXTE SIGNÉES PAR MARTIN VAN MAELE.
  • NEW
    Hardcover, 290 x 240 mm, blue cloth with gilt lettering to spine, grey endpapers, in a black and white pictorial dust jacket with white lettering, pp.: [1-5] 6-231 [232], with 114 plates. Catalogue of an exhibition held at the Neue Galerie, NY, February 20—June 8, 2020. Title-page (white on black): MADAME D'ORA | Edited by Monika Faber | With preface by Ronald S. Lauder, foreword by Renée Price, | and contributions by Katrin Bomhoff Christian Brandstätter, Jean-Marc Dreyfus, | Monica Faber, Esther Ruelfs, Lisa Silverman, and Magdalena Vuković | PRESTEL | MUNICH • LONDON • NEW YORK | photoinstitut | BONARTES / MK&G / MUSEUM FÜR | KUNST UND GEWERBE | HAMBURG || Contributors: Kallmus, Dora [Madame d'Ora] (Austrian-Jewish, 1881 – 1963) – photographer Neue Galerie New York – museum of early twentieth-century German and Austrian art and design. Lauder, Ronald Steven (American-Jewish, b. 1944) – the owner of Neue Galerie.
  • NEW
    Green paper cardboard flapped portfolio 325 x 235 mm with the pasted label "• ENTRÉE • | INTERDITE | AU | PUBLIC", contains a folded by half in-folio sheet with the title "INTERDITE | AU | PUBLIC", limitation statement "TIRÉ A 250 EXEMPLAIRES TOUS SUR JAPON IMPÉRIAL | N° 22", and a notice by Pierre Mac-Orlan; and 20 loose leaves of plates—heliogravures, printed in black, bistre, red or green on Japon Impérial laid paper ~ 275 x 210 mm, each in a passepartout 314 x 226 mm, plate marks from 63x92 to 220x277 mm. According to J.-P. Dutel № 1487, pp. 150/1, five of these prints have not been published before, while fifteen are copies of two original works by Vertés:
    • Six from Le Pays A Mon Gout: 12 etchings. — Paris: [n.p.], 1921; Limited to 550 copies.
    • Nine from L'Heure exquise: 20 pointes sèches originales. — Paris [Vienne], 1920 ; Limited to 200 copies.
    Interestingly, Michel Vokaer lists this portfolio as № 1 in his catalogue raisonné Bibliographie de Marcel Vertès (1967) and attributes it to 1920. Catalogue Raisonné: Vokaer № 1; Dutel № 1487. Text by Mac-Orlan: "Le titre est de ceux qui invitent à entrer. Derrière cette fragile barrière d'une couverture en carton toute une humanité aimable et galante se divertit selon les rythmes éternels de 'amour et du libertinage qui demeure encore la garantie de l'amour. A ceux qui suivent le mouvement artistique contemporain, il ne sera pas difficile de mettre à sa place la signature du jeune maître qui créa ces délicieuses figures de femme. Il est encore nécessaire que l'art se dérobe sous le chaste manteau pour reproduire certains gestes parmi les plus harmonieux et les plus délicats de la vie. La pensée secrète peut être interdite au public, mais il ne peut être question d'anéantir un témoignage de goût, parmi les plus merveilleux, d'une époque que l’érotisme domine, parce que c'est là une grande joie de vivre et que la joie de vivre est la rançon du sang versé. Dans ces jolis croquis, qui ne diminuent en rien la grâce et la pudeur de la femme, 'artiste a créé un document précieux. Il faut remercier le hasard qui en assemble les éléments sous une forme séduisante et qui permettra à quelques rares privilégiés d'en apprécier l'émouvante sensibilité." Google Translation: The title is one of those that invites you to enter. Behind this fragile barrier of a cardboard cover, a whole kind and gallant humanity are entertained according to the eternal rhythms of love and libertinage that remain the guarantee of love. For those who follow the contemporary artistic movement, it will not be challenging to put in its place the signature of the young master who created these delicious female figures. It is still necessary for art to hide under the chaste cloak to reproduce some of the most harmonious and delicate gestures of life. Secret thoughts can be forbidden to the public. Still, there can be no question of destroying a testimony of taste, among the most marvellous, of an era dominated by eroticism because it is a great joy of living, and the joy of living is the ransom of bloodshed. In these pretty sketches, which in no way diminish the grace and modesty of women, the artist has created a precious document. We must thank Chance for assembling the elements in an attractive form and allowing a few privileged people to appreciate its moving sensitivity Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) Pierre Mac Orlan, a.k.a. MacOrlan, Mac-Orlan (born Pierre Dumarchey] (French,1882 – 1970), other names used: Docteur Fowler, Pierre du Bourdel, Pierre de Jusange, Sadie Blackeyes, Chevalier de X, and Sadinet. Paul Cotinaud – publisher    
  • Publisher’s peach cloth box 555 x 410 mm with coloured lithograph on the lid, autographed with crayons "Le Cirque | 14 LITHOGRAPHIES | DE | {vignette} | Vertes"; in-folio unbound 4 pp. booklet on laid paper watermarked “Marais” and 14 loose leaves of plates on laid paper 520 x 395 mm without a watermark with coloured lithographs signed “Vertes” and numbered “195/250” in pencil; interleaved with tracing paper. Box and plates foxed. Title-page (red and black): LE | CIRQUE | 14 LITHOGRAPHIES DE | VERTÈS | PRÉSENTÉ | PAR | JEAN COCTEAU || Imprint: LES LIVES MERVEILLEUX | MONACO | Il a été tiré de cet album : | 150 Exemplaires, | destinés à | l'Amérique, | distribués bar les soins de | Arthur H. Harlow | de New-York, | & | 100 Exemplaires, | réservés à la France. | 15 Avril 1949 || Limitation: Edition limited to 250 copies (150 for USA, 100 for France); this is copy № 195 printed for France as the American copies marked “Published by Arthur H. Harlow & Co., New York. Seller’s Description: VERTÈS, Marcel (Hungarian-French, 1895-1961). Le Cirque 14 Lithographies de Vertès. Présénte par Jean Cocteau. [Monaco: Les Livres Merveilleux, 1949]. [vi] pp. With all 14 lithographs, each signed by the artist and numbered “195/250”. Text and lithographs 15 ¼ x 20 ½”. In original publisher’s peach cloth box with printed label on lid (box foxed, soiled, lightly worn; lithographs and text foxed). Still, a very good example of this lovely collection, with an introduction by Jean Cocteau (1889-1963). Catalogue Raisonné: Vokaer № 50. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Arthur H. Harlow (American, c. 1877 – 1958) – publisher. Jean Cocteau (French, 1889 – 1963) – author.
  • Set of 10 etchings (9 in passe-partout) printed in sanguine on the mother of pearl paper (japon nacre) from the album of 12 prints titled “Jeunesse”, presented by Gérard D'Houville (pen name of Marie de Régnier, née de Heredia) and published by La Tradition in 1945. It was a limited edition of 532 copies, some coloured on Arches paper and some as these set. Plates signed by the artist in pencil below the plate mark. The album cover is missing. Title-page: JEUNESSE | 12 EAUX-FORTES ORIGINALES | DE | MARIANNE CLOUZOT | PRÉSENTÉES | PAR | GÉRARD D'HOUVILLE | {publisher’s device} | LA TRADITION | 1945 || Dimensions: mat 330 x 255 mm; window 225 x 180 mm; sheet 280 x 220 mm; plate 220 x 170 mm. Contributors: Marianne Clouzot (French, 1908 – 2007) – artist Marie de Régnier [Marie de Heredia, Gérard d'Houville] (French, 1875 – 1963) – editor
  • Set of 30 lithographic plates printed on watermarked Van Gelder Simili Japon wove paper, loose in two rexine-backed stiff paper wrappers, 15 in each, together in rexine portfolio with gilt lettering and keyhole on front cover. According to the seller, these are facsimiles of prints/ drawings by Mario Tauzin. Scenes from the series 'Interdit aux adultes'. No publisher indicated; printed in about 1950—a limited edition. Six of these designs used to illustrate 'Bonne à tout faire' were published by Éric Losfeld in the late 1950s (LIB-3293.2024). Dimensions: sheet 320 x 420 mm; album 330 x 430 mm. Contributor: Mario Tauzin (French, 1909 – 1979) — artist
  • Small volume, 14 x 10 cm, in tan cloth with vignette and lettering to front, lettering to spine, pp.: [1-4] 5-123 [5], total 64 leaves, 10 full-page and 7 double-page two-colour woodcuts within pagination, and numerous b/w in-text vignettes by Serhiy Adamovych; translated from the Ukrainian into English by Oles Kovalenko. Print run: 11,000 copies. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Other variants: Markowovzok and Marko Vovtchok. Олесь Iванович Коваленко (Ukrainian, 1945 – 2012) – translator from the Ukrainian into English. Сергiй Тадейович Адамович [Serhiy Adamovych] (Ukrainian, 1922 – 1998) – artist.  
  • A suite of 12 etchings 160 x 118 mm each, in the first state, pasted on paper, 2 per sheet, with a cover (250 x 210 mm).
    0. Cover. Les femmes de Paris pendant le siège./R.Martial/1871.
    1. Lorsqu'à l'approche de l'ennemi on demandait l'éloignement des bouches inutiles [...] 2. L'Ennemi ! 3. No inscription 4. Quête pour les veuves. 5. Concert et quête pour les enfants blessés, malades, infirmes. 6. Au bastion/Et celles non moins précieuses qui dirigeaient ces ventes [...] 7. Vente pour les orphelins de la guerre. 8. No inscription 9. Une ration, bouillie romaine et Vin/Cantine municipale[...] 10. No inscription 11. No inscription 12. Les effets de cette union patriotique des femmes sont connus.[...]
  • Half-title: THE CONNOISSEURS LIBRARY | GENERAL EDITOR : CYRIL DAVENPORT | […] | ENGLISH COLOURED BOOKS || Title: ENGLISH | COLOURED BOOKS | BY | MARTIN HARDIE | [device: THE CONNOISSEURS LIBRARY] | METHUEN AND CO. | 36 ESSEX STREET | LONDON || Dedication: TO MY WIFE | LOVE’S LABOUR : LOVE’S GIFT Pagination: ffl [i, ii] – h.t. / blank, [2] – blank / frontis. In colour, [iii, iv] – t.p. / First Published in 1906, [v, vi] – dedication / blank, vii-xxiv; 1-339 [340] bfl; 27 sheets of plates, colour and b/w. Collation: 8vo; a8 b4 A-X8 Y2. Binding: Hardcover, 26.3 x 19 x 5.7 cm; red cloth, blind-stamped with repeated fleuron, gilt floral designs and lettering in the frame to front cover, elaborate gilt floral design and lettering to spine; top margin gilt, other untrimmed, some pages uncut; plates w/guards. Printed on laid paper. Printed in Scotland by T. and A. Constable, at the Edinburgh university press. Contributors: Martin Hardie (British, 1875 – 1952) – Author Cyril Davenport (British, 1848 – 1941) – Editor of the series Sir Algernon Methuen (British, 1856 – 1924) – Publisher Thomas Constable (British, 1812 – 1881); Archibald Constable (British, 1774 – 1827) – Founders of the Publishing House "T. and A. Constable".  
  • NEW
    Twelve etchings printed in black on laid paper, uncoloured, sheet 236 x 140 mm, platemark 155 x 100 mm, red ink stamp “ARS EROTICA | Hans-J. Döpp” to verso; image title in pencil to recto of some sheets. Pale ‘remarque’ on the lower margin of plate 2 ‘L’Eden’. Traces of original binding along the right edge. No folder. Catalogue raisonné: Luc Binet 2017: 100-B, pp. 639-51 ; S. A. Perry 2015: 80, p. 70-1. List of images:
    1. Le Coït des Atomes
    2. L’Éden
    3. La Flûte
    4. Portes d’enfer
    5. Danaë
    6. L’obsession
    7. Europe
    8. Le crâne
    9. Mélancolie blennorhagique [sic]
    10. Parisienne
    11. La chanson du vieux moine
    12. Reine du monde
    Contributors: Haraucourt, Edmond (French, 1856 – 1941) Maële, Martin van (French, 1863 – 1926) – artist.  
  • Set of 21 etchings by Martin van Maele for the English edition of ‘Thais’ by Anatole France published in London by Charles Carrington in 1901. Printed on vowe paper without a watermark in two colours with the black image and sepia historiated border. All etchings are inscribed with the artist's monogram; one of the etchings bears inscriptions ORGUEIL, LUXURE, DOUTE (mirror image). Dimensions: sheet: 317 x 250 mm; plate: 170 x 115 mm; image: 155 x 100 mm. Catalogue raisonné: S. A. Perry: № 64. Per Perry, the edition was printed in 500 copies on 'handmade paper watermarked 'Van Gelder'. Contributor: Martin van Maële [Martin, Maurice François Alfred] (French, 1863 – 1926)
  • Softcover, in pictorial flapped wrappers, 28 x 21.8 cm, 26 entries, with colour illustrations, some folding. Catalogue # 7 of the sales exhibition on March 25 - April 1, 2003 in NY; pagination: [1-3] 4-90 [2], ils., some folding. Contributor: Sebastian Izzard
  • Title: Masterpieces | of French Faience | SELECTIONS FROM THE | SIDNEY R. KNAFEL COLLECTION | Charlotte Vignon | with Sidney R. Knafel | The Frick Collection, New York | in association with D Giles Limited, London | {device} || Pagination: [1-6] 7-72. Contributors: Charlotte Vignon (American, b. c. 1975) – Curator of Decorative Arts at The Frick Collection. Sidney R. Knafel (American, b. c. 1950) – Collector.
  • Hardcover, 32 x 23.5 cm, publisher's blue cloth, blind-stamped to cover, gilt lettering to spine, pictorial DJ; pp.: [1-6] 7-375 [376 blank], ill.
    This catalogue features the top ten percent of the collection ... presented in an exhibition ['Great ukiyo-e masters : common pleasures, uncommon prints : Japanese woodcuts from the Minneapolis Institute of Arts', sponsored by Asano Laboratories] that opened in Tokyo at the Shoto Museum of Art on October 2, 2007, and traveled to the Nara Prefectural Museum of Art and the Sanritz Hattori Museum of Arts"--Foreword. "This [2011] publication ... coincides with a special exhibition, 'Edo Pop: Japanese Master Prints from the Minneapolis Institute of Arts' (October 16, 2011, through January 8, 2012), which will [also] be shown at the High Museum of Art in Atlanta ..."--Foreword. "With contributions by Shūgō Asano, Akane Fujisawa, Murasaki Fujisawa, Yuriko Iwakiri, Yōsuke Katō, Junko Mutō, Noriko Yamamoto. Contents: Foreword / Kaywin Feldman Acknowledgments / Matthew Welch, Yuiko Kimura-Tilford Seductive beauty : coveting and collecting Ukiyo-e / Matthew Welch Time line of the artists Catalogue of selected prints Object list in English and Japanese
  • Title: MEMOIRS AND TRAVELS | OF | MAURITIUS AUGUSTUS COUNT DE | BENYOWSKY | MAGNATE OF THE KINGDOMS OF HUNGARY AND POLAND, ONE OF | THE CHIEFS OF THE CONFEDERATION OF POLAND | ETC., ETC. | Consisting of his Military Operations in Poland, his Exile into Kamchatka, | his Escape and Voyage from that Peninsula through the Northern | Pacific Ocean, touching at Japan and Formosa, to Canton | in China, with an Account of the French Settle- | ment he was appointed to form upon the | Island of Madagascar | WITH AN INTRODUCTION, NOTES AND BIBLIOGRAPHY | BY | CAPTAIN S. PASFIELD OLIVER || Half-title (ornamental, in black and red): MEMOIRS & | TRAVELS of | MAURITIUS | AUGUSTUS | COUNT | DE | BENYOWSKY | LONDON•KEGAN• | PAUL•TRENCH• | TRÜBNER•&•Co 1904 || Pagination: [i, ii] – owner pasted wood engraving “A woman of Kamchatka” / Dryden House advert., [iii, iv] – serial title / MAB (years), frontis. Portrait of MAB by Walter L. Colls w/guard, [v, vi] – ornamental h.t / copyright, [vii, viii] – t.p. / list of ill., ix-xxxvi, 1-635 [636]. Collation: 2 blank leaves (binding), [a]-b8 c2 1-398 406, 2 plates, 2 blank leaves (binding). Binding: Modern ¾ morocco over marbled boards, raised bands, gilt fleur-de-lis-cross in compartments, burgundy label with gilt lettering, by Atkinson Book Binders, Salisbury (sticker to back pastedown). Contributors: Printed by Neill and Co., Edinburgh. Published by Kegan Paul, Trench, Trübner & Co.; Kegan Paul, Charles (British, 1828 – 1902). Author: Maurice Auguste comte de Benyowsky [Мориц Август Бенёвский] (Polish-Slovak-Hungarian, 1746 –1786). Editor: Samuel Pasfield Oliver (British, 1838 – 1907). Translator: William Nicholson (British, 1753 – 1815). Originally published in 1790, in London (I have not seen it anywhere) and in Dublin by P. Wogan [etc.], and in 1791 in French, in Paris by Buisson.
  • NEW
    Paperback, 240 x 155 mm, publisher’s wrappers, series red label of Cahiers des Annales Publiés avec le concours du Centre National de la Recherche Scientifique, red vertical rule and black lettering to front, black lettering to spine, and red and black lettering to back; collated 8vo: 1-158 χ2, i.e. 122 leaves, pp.: [i-vi] vii-viii, 1-234 [2]. Autograph dedication signed by Maurice Dommanget to Pierre Dumayet, blue ballpen ms at the top of ffl « À Pierre Dumayet | En Souvenir et bien cordialement | Dommanget ». Title-page: CAHIERS DES ANNALES | 14 | MAURICE DOMMANGET | BLANQUI | ET L'OPPOSITION | RÉVOLUTIONNAIRE | à la fin | du Second Empire | {publisher’s device « economies – sociétés – civilisation » } | LIBRAIRIE ARMAND COLIN | 103, boulevard Saint-Michel, PARIS - 5e | 1960 || Contents: De Belle-Île à la Conciergerie. Vues et action politiques à Sainte-Pélagie. L'action à l'hôpital Necker. Le séjour à Bruxelles et l'action des étudiants blanquistes. L'action blanquiste, de décembre 1867 à la grève du Creusot. Le Blanquisme et l'Internationale. Contributors: Dommanget, Maurice (French, 1888 – 1976) Dumayet, Pierre (French, 1923 – 2011) Blanqui, Auguste (French, 1805 – 1881)
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    Softcover, 170 x 120 mm, in white publisher’s wrappers, vignette to front by A.-M. Carmant, red and black lettering to both covers, red lettering to spine, pp.: [1-3 4-109 [3]. ISBN 2-911314-02-6. Title-page: Maurice Joly | Le Plébiscite | Épilogue | du Dialogue aux Enfers | entre Machiavel et Montesquieu | précédé de | César | paris-zanzibar || Front cover (red and black): maurice joly | le plébiscite | épilogue du dialogue aux enfers | entre machiavel et montesquieu | {vignette par A.-M. Carmant | paris-zanzibar || Contents: Préface : F. Leclercq. Maurice Joly, un suicidé de la démocratie César Épilogue au Dialogue aux Enfers entre Machiavel et Montesquieu. Premier dialogue. L' arsenal de Machiavel II. L'appel au peuple III. Le plébiscite IV. La noyade parlementaire V. Le oui et le non VI. Comment Montesquieu votera-t-il VIIe et dernier dialogue. Non Annexe La Cloche, dimanche 19 juin 1870 Maurice Joly, son passé, son programme par lui-même (extrait)
  • Title page: MAURICE JOLY | LES | AFFAMÉS | ÉTUDES | DE MŒURS CONTEMPORAINES |{publisher’s device «ED»}| PARIS | E. DENTU, LIBRAIRE-ÉDITEUR | PALAIS-ROYAL, 15-17-19, GALERIE D’ORLÉANS | 1876 | Tous droits réservés.|| Pagination: short ffl, [2] h.t. / colophon [2] t.p. /  blank] [i] ii-xvi, 1-340. Collation: 12mo ; π10 1-1812 198. Binding: 19 x 12 cm; softcover; original wrappers with lettering to front and spine in black and red in a frame, untrimmed lateral edge.
  • Cover: MAURICE TALMEYR | LA | FRANC-MAÇONNERIE | ET LA | RÉVOLUTION FRANÇAISE | — | Prix : 1 fr.  […] Librairie académique PERRIN et Cie. Title page: MAURICE TALMEYR | LA | FRANC-MAÇONNERIE | ET LA | RÉVOLUTION FRANÇAISE | — | PARIS | LIBRAIRIE ACADÉMIQUE DIDIER | PERRIN ET Cie, LIBRAIRES–ÉDITEURS | 35, QUAI DES GRANDS-AUGUSTINS, 35 | 1904 | Tous droits réservés || Autograph: Inscription to h.t. to Charles Foley from the author. Bibiographical description: Blue lettered publisher’s wrappers, 19 x 12 cm, pagination: [8] [1] 2-94 [2], collation: 8vo, π4 1-68. The Russian translation Н. Л. Фран-масонство и государственная измена. — СПб.: Издание В. П., 1906 is here: LIB-0940.2016. Contributors: Maurice Talmeyr [Marie-Justin-Maurice Coste] (French, 1850 – 1931) Pierre-Paul Didier (French, 1800 – 1865) Émile Perrin (French, 1828 – 1884)
  • Two-volume set. MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1734 — Extraits — 1755 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6], 1-345 [346], [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1755 — Extraits — 1772 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-337 [348] [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). Limited edition, №2507 of 3000. Binding: original tan pictorial wrappers, in a slipcase.  
  • Title: MEMOIRS OF M. THIERS | 1870—1873 | Translated by | F. M. ATKINSON | {publisher’s device} | LONDON: GEORGE ALLEN & UNWIN LTD. | RUSKIN HOUSE 40 MUSEUM STREET, W.C. Pagination: [6] 7-384. Collation: 8vo; [1]-248. Size: 23 x 15 cm Binding: Blue cloth, top and bottom ruled in blind, gilt lettering to front cover and spine. Original: Adolphe Thiers. Notes et souvenirs de M. Thiers, 1870-1873: voyage diplomatique, proposition d'un armistice, préliminaires de la paix, présidence de la République. — Paris : [s.n.], 1901. — 465 p. The preface and editing signed "F. D." [Félicie Dosne]. Félicie Dosne (French, 1823 – 1906) was Thiers's sister-in-law.  
  • Title: MEMOIRS | OF | VIDOCQ. |THE | Principal Agent of the French Police. | WRITTEN BY HIMSELF, | AND TRANSLATED FROM THE | ORIGINAL FRENCH, EXPRESSLY FOR THIS EDITION. | WITH ILLUSTRATIVE ENGRAVINGS, | FROM | ORIGINAL DESIGNS BY CRUIKSHANK. | PHILADELPHIA: | T. B. PETERSON AND BROTHERS, | 306 CHESTNUT STREET. || Pagination: ffl, engraved frontispiece w/guard, engraved t.p., [2] t.p. / copyright, 19-580, [12], [2] 3-17 [18-30], bfl + 4 plates. Collation: 8vo; [1]8 2-358 362 + 22 leaves of advert., + frontis., t.p., 4 plates. Correct collation despite pagination starts at p. 19. Binding: Publisher's brown pebbled cloth, front stamped in blind, gilt spine lettering, yellow endpapers. Owner's ink inscription to ffl, dated 1936. Ref.: HathiTrust and OCLC identify the plates as 'by George Cruikshank' though none is signed. Authorship of Eugène-François Vidocq (French, 1775 – 1857) is doubtful too. The translator is not stated.
  • Oblong album of forty photogravures printed on wove paper in sanguine after drawings by Mihály Zichy; 31.5 x 40.5 cm gilt-decorated half-parchment over red boards with a gilt diaper design; embossed gilt label in the top left corner “Michael | von Zichy. | Liebe”. Anonymous edition. Bookplate to front pastedown: “P•U•H | EX | LIBRIS”. Photogravures made from the original watercolours and crayon drawings produced in 1874-1879; the original album consisted of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. Some of these photogravures were reproduced photomechanically and printed in 1869 [LIB-2244.2019] and 1989 [LIB-2242.2019]. Limitation: 300 copies were privately printed in Leipzig in 1911 for subscribers only; photogravure copper plates were destroyed. This is copy 285. Title-page (brown and black): MICHAEL VON ZICHY | LIEBE | VIERZIG ZEICHNUNGEN | PRIVATDRUCK LEIPZIG 1911 || Dimensions: album: 31.5 x 40.5 cm; sheets 31 x 40 cm, uncut. Catalogue raisonné: Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, seconde partie. — Paris: Christie’s, 2006; p. 280, № 564 (drawings); №  565 photogravures [LIB-2810.2021]. Contributors: Mihály Zichy [Michael von Zichy; Михаил Александрович Зичи] (Hungarian, 1827 – 1906).
  • Hardcover, 242 x 168 mm, quarter burgundy cloth over blue paper boards, outer edge untrimmed; pp.: [6] [1-4] 5-516 [2 colophon/blank] [6 blanks]. First published in France in 2000 as “Haussmann” by Librairie Arthème Fayard. Title-page: HAUSSMANN | ~ | His Life and Times, | and the Making of Modern Paris | MICHEL CARMONA | TRANSLATED FROM THE FRENCH BY PATRICK CAMILER | {publisher’s device} | Ivan • R • Dee | Chicago   2002 || Michel Carmona (French, b. 1940) Georges-Eugène Haussmann [Baron Haussmann] (French, 1809 – 1891)
  • NEW
    Softcover, 210 x 149 mm, white wrappers with red and black lettering and a vignette to front, red and black lettering to spine and black lettering to back; pp. [1-8] 9-143 [1]. ISBN 978-88-95598-98-7. Title-page (red and black): CASANOVA | IN | VENICE | Illustrated editions of The story of my life | collected and presented | by Michel Delon and Michèl Sajous D’Oria | lineadacqua || Colophon: Printed in Venice, Italy | In may 2019 | By Grafiche Veneziane, Venice || Back wrapper: 100 illustrations enrich | Casanova's own telling | of his adventures in Venice || First edition in French: April 2013 First edition in English: March 2019 Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria  – author Lucian Comoy – translator Contents: A WORLD OFIMAGES – Michel Delon OF PLACES AND BOOKS – Michèle Sajous D'Oria PORTRAITS AND ALLEGORIES NANETTE AND MARTON VEDUTE C.C. A LETTER M.M. RENDEZ-VOUS AND AMBUSH THE CASINO AT THE OPERA AND THE RIDOTTO A MASKED BALL AT THE CONVENT THE QUADRILLE COMPARISON MELANCHOLY TONINE AND BARBERINE MASKS ARREST THE PIOMBI ADIEU VENICE Bibliography of the illustrated editions Notes concerning the illustrators  
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    Softcover, 278 x 243 mm, French flapped pictorial wrappers with blue lettering and oval vignette in the middle to front, blue lettering to flaps; pp. [1-4] 5-113 [3], ISBN 88-8082-523-2. Title-page: Laclos en images | Editions illustrées de Liaisons dangereuses | réunies et présentées | par Michel Delon et Michèle Sajous D'Oria | Mario Adda Editore | PRESSES DE L'UNIVERSITE DE PARIS-SORBONNE || Imprint: (convex) le cabinet des curiosités | collection dirigée par Michel Delon | et Michèle Sajous D'Oria | (bottom left) ISBN 88-8082-523-2 | © Copyright 2003 | Mario Adda Editore - Via Tanzi. 59 – Bari | Tel e Fax 080/5539502 | Web: www.addaeditore.it | E-mail: addaeditore @addaeditore.it | Fotocomposizione: La Matrice – Bari | Stampa: Edizioni Pugliesi srI.- Martina Franca (Ta) || Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria  – author
  • NEW
    Softcover, 240 x 170 mm, creme dust jacket with red and black lettering and circular opening in the middle to front, red lettering to spine, over pictorial wrappers, pp. [1-8] 9-143 [1], ISBN 978-88-95598-25-3. 1st edition. Title-page (red and black): LACLOS | ILLUSTRE | « SCÈNES DES « LIAISONS DANGEREUSES» | Editions réunies et présentées | par Michel Delon et Michèle Sajous D'Oria | lineadacqua || Colophon: Imprimé à Venise, Italie | En février 2014 | Par Grafiche Veneziane || Publisher: Lineadacqua Edizioni; San Marco 3717/d, 30124 Venezia; www.lineadacqua.com Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria  – author Contents: ILLUSTRATION ET INTERPRÉTATION – Michel Delon METTRE LES LETTRES ENSCÈNES – Michèle Sajous D'Oria LES LETTRES L'ÉCRITURE LE SECRET LA TRAHISON LE REFUS LA MARQUISE DE MERTEUIL LA PETITE MAISON LE CHEVALIER DE PRÉVAN LE RIVAL LE PIÈGE LE VICOMTE, DE VALMONT SÉDUCTIONS CÉCILE DE VOLANGES LA SURPRISE DES SENS LE VIOL LAPRÉSIDENTE DE TOURVEL L'AMOUR LA MORT FINALE Bibliographie des éditions illustrées Notices sur les illustrateurs