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Affaire Pierre Bonaparte ou le meurtre d’Auteuil. — Paris: A. Chevalier, 1870.
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Illustré par Louis Icart. — Paris: Georges Guillot, 1947. [№ I, enriched].
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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.
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С. Варшавский, Б. Рест. Рядом с Зимним / Из истории Государственного Эрмитажа. Эрмитаж перед Октябрем. — Л.: Советский художник, 1969.
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Henry Murger. Scènes de la bohême; (Bibliothéque contemporaine, 2e série). — Paris: M. Lévy frères, 1851.
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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.
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Napoléon III visitant a Lyon, les inondes du 2 juin 1856 / Lithography.
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Marianne Clouzot. Set of 10 sanguine etchings from the album “Jeunesse”, published by La Tradition, 1945 (incomplete).
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Война мышей и лягушек (Батрахомиомахия) / Пер. М. С. Альтмана; Илл. А. И. Порет (Античная литература). — М.-Л.: Academia, 1936.
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The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 13, Nos. 73-78 (Jan–Jun) 1822. — London: Rudolph Ackermann, 1822.
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[Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].
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Graham Greene. Doctor Fischer of Geneva, or the bomb party. — London: The Bodley Head, 1980.
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Longus. The pastoral loves of Daphnis & Chloe / Translated by George Moore, illustrated by Marcel Vertès. — London: Folio Society, 1954.
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Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.
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Israel Goldman. Japanese prints, paintings and books / Recent acquisitions; Catalogue 25, 2019.
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An dem kleinen Himmel meiner Liebe / Heiter-amouröse Dichtung Mit 24 farbigen Zeichnungen von Max Schwimmer; Herausgegeben von Bruno Brandl. — Berlin: Verlag der Nation, 1979.
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А. И. Богданова. Жизнь после смерти / Роман. — Київ: Радянський письменник, 1990.
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Alexis Piron. Œuvres badines précédées d’une notice sur sa vie. Nouvelle édition, ornée de 20 figures en taille-douce [par Paul Sellier]. — Neuchatel: Imprimé par les presses de la société [i.e. Turin: Jules Gay], 1872.
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