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  • Copper tsuba with a cormorant fisherman motif by Ichinomiya Nagatsune, circa 1750.

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  • Torii Kiyonaga. The Takarabune: The Seven Gods of Fortune on a Treasure Boat. Ca. 1780.

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  • Suzuki Harunobu . Man sucking woman's breast and a cat sitting under a bonzai tree. 1770

    Suzuki Harunobu. Love interrupts the making of silk wadding, c. 1768.

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  • Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.

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  • Ippitsusai Bunchō. Actor Ichikawa Monnosuke II as Konami, 1771.

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  • Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest by Joshua Van Solingen (1736).

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth. — London: W. and W. Strahan, 1768.

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  • Voltaire. Romans et Contes / 3 vol. — Bouillon: Société Typographique, 1778.

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  • Katsukawa Shunshō. Itchikawa Danjuro V in Shibaraku as Kamakura Gongoro Kagemasa. Circa 1770's.

    Katsukawa Shunshō. Ichikawa Danjūrō V in a Shibaraku role. Circa 1770’s.

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  • Nara school tsuba by Sugiura Jōi with Tekkai Sennin motif. Edo period.

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  • Шарль Монтескье. Храм Книдийский и другие сочинения. – СПб., 1770.

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  • Voyages et mémoires de Maurice-Auguste, Comte de Benyowsky / 2 vol. — Paris : F. Buisson, 1791.

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  • Denis Diderot. Les bijoux indiscrets / Œuvres philosophiques,‎ tome cinquième. — Amsterdam: Marc-Michel Rey, 1772.

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  • Hazama tsuba with a squirrel and bamboo motif. Edo period, 18th century.

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  • Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.

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  • Suzuki Harunobu . SHUNGA: COUPLE FAISANT L'AMOUR DANS UNE CHAISE A PORTEURS c. 1

    Suzuki Harunobu. Shunga. A couple making love in a palanquin / c. 1768-70.

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  • François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. — Amsterdam: D. J. Changuion, 1775.

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  • Katsukawa School (Shunshō?). Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Imari incense burner or brush pot decorated in underglaze blue.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth, corrected and revised by G. Gregory, illustrated by Thomas Stothard; 2 volumes. — London: C. and G. Kearsley, 1795.

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  • [Pierre-François Hugues d’Hancarville]. Monumens du culte secret des dames romaines / pour servir de suite aux Monumens de la vie privée des XII Césars. — Caprée [i.e. Nancy]: Sabellus [i.e. veuve Leclerc], 1784.

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  • A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

    A Monkey Seated on a Rock with an Infant Monkey. Mori Sosen (1747-1821).

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  • François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. – Maastricht: J. E. Dufour & Ph. Roux, 1782.

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  • Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787.

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  • Jean de La Fontaine. Fables mises en vers / illustrations par Moreau le Jeune (2 vol. in 1). — Paris: Antoine-Augustin Renouard, 1795.

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  • Kamakura-bori tsuba with design of hatchet and fans. Edo period.

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  • Isoda Koryūsai. Poet Saigyō Hōshi admiring Mount Fuji. Ca. 1765-70.

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  • Choderlos de Laclos. Les Liaisons dangereuses (2 volumes). — Genève: 1792.

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  • Claude Joseph Dorat. Fables nouvelles. —The Hague, Paris: Delalain, 1773-[75].

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  • Suzuki Harunobu. Shunga. Circa 1770.

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  • Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701

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  • Louis-Sébastien Mercier. L’an deux mille quatre cent quarante. Rêve s’il en fut jamais. — Londres [i.e. Paris], 1772.

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  • Charles-Antoine Jombert. Catalogue de l’œuvre de Charles Nicolas Cochin fils. — Paris: Prault, 1770.

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  • Seated Monkey. Mori Sosen (1747-1821).

    Seated Monkey. Mori Sosen (1747-1821).

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  • Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

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  • Desiderius Erasmus. The praise of folly (Encomium moriae) / Translated by White Kennett, illustrated by Hans Holbein the Younger. — London: Stephen Austen, 1726.

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  • Œuvres de Nicolas Boileau Despréaux. Avec des éclaircissements historiques, donnez par lui-même. Nouvelle Edition revuë, corrigée & augmentée de diverses Remarques. Enrichie de figures gravées par Bernard Picart le Romain (2 volumes). — Amsterdam: David Mortier, 1718.

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  • Shingen tsuba with woven wire pattern. Edo period, 18th century.

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  • Suzuki Harunobu or Isoda Koryūsai. Falcon on a pine-branch, with rising sun behind. Ca. 1775.

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  • William Somerville. The Chase: A Poem / Illustrated by John and Thomas Bewick. — London: W. Bulmer and Co., Shakespeare Printing Office, 1796.

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  • Lukas Rotgans. Poëzy, van verscheide mengelstoffen; met konstplaaten versiert. — Amsterdam: Antoni Schoonenburg, 1735.

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  • Katsukawa Shun’ei. Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.

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  • [Pierre-Joseph Bernard]. Phrosine et Mélidore : poème en quatre chants. — Messine et Paris: Le Jay, 1772.

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  • Voltaire. La Pucelle d’Orléans, poëme en vingt-un chants / Édition ornée de figures gravées par les meilleurs artistes de Paris (2 volumes en 1, lithographies par Achille Devéria). — Paris: Didot le Jeune, 1795.

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  • Dialogues sur le commerce des bleds. Ferdinando Galiani, Abbé. Londres, 1770.

    Dialogues sur le commerce des bleds. Ferdinando Galiani, Abbé. Londres, 1770.

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  • Iron tsuba with the Sennins motif. Edo period, ca. 1700.

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  • Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.

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  • Le decameron de Jean Boccace / 5 volumes, illustrated. — London [i.e., Paris, Prault]: 1757-61.

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  • Charles-Pierre Colardeau. Le temple de Gnide, mis en vers. — Paris : Le Jay, [1773?].

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  • Shimizu Jingo Tsuba. Dragon and Vajra. Edo period

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  • Katsukawa Shunshō. Parody of the letter-reading scene in Act VII of Chûshingura.

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  • Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London, 1811.

    Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London: Longman, Hurst, Rees, Orme, and Brown, 1811.

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  • The self tormenter. Anonymous drawing, late 18th century.

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