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  • Kitao Masanobu (Santō Kyōden). Parody of the Nō Play Chōryō. Ca. 1770.

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  • Katsukawa Shun’ei. Kabuki scene.

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  • Katsukawa Shun’ei. Sawamura Sōjūrō III as Kakogawa Honzō in play Kanadehon Chūshingura at Miyakoza theater, 1795.

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  • Iron tsuba with mokkō motif by Enju Kunihide of Higo province. Mid Edo period, ca. 1800.

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  • Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest by Joshua Van Solingen (1736).

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  • Imari incense burner or brush pot decorated in underglaze blue.

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  • Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701

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  • Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.

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  • Иртыш, превращающийся в Ипокрену. Тобольск, 1791.

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  • Jean de La Fontaine. Contes et nouvelles en vers / 2 Volumes. — Amsterdam [i.e. Paris: Barbou], 1762.

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  • De Chertablon & de Hooghe. La maniere de se bien preparer a la Mort. – Antwerp: George Gallet, 1700.

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  • L’Operateur Barri. Jean-Joseph Baléchou after Etienne Jeaurat, 1743.

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  • [Voltaire]. La Pucelle d’Orléans, poëme, divisé en vingt chants, avec des notes. — [Geneva]: s.n., 1762.

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  • Jean-François Marmontel. Contes Moraux / 3 vol. — Paris: J. Merlin, 1765.

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  • Charles-Louis de Secondat Montesquieu. Le temple de Gnide. — Paris: Le Mire, 1772.

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  • Шарль Монтескье. Храм Книдийский и другие сочинения. – СПб., 1770.

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  • François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. – Maastricht: J. E. Dufour & Ph. Roux, 1782.

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  • Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

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  • Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.

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  • Thomas Bewick. A general history of quadrupeds / 1st edition. — Newcastle upon Tyne: S. Hodgson, R. Beilby, & T. Bewick, 1790.

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  • Ovid’s Metamorphoses in Latin and English (2 vols.) — Amsterdam: Wetstein & Smith, 1732.

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  • Fables de M. de Florian. — Paris: P. Didot l’Ainé, 1792.

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  • Dorat. Les Baisers, précédés du mois de Mai, poëme. — Haye et Paris: Lambert et Delalain, 1770.

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  • [Dorat]. Recueil de contes et poemes. — Paris : Delalain, 1770.

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  • Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.

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  • Choderlos de Laclos. Les Liaisons dangereuses (2 volumes). — Genève: 1792.

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  • William Somerville. The Chase: A Poem / Illustrated by John and Thomas Bewick. — London: W. Bulmer and Co., Shakespeare Printing Office, 1796.

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  • [Voltaire]. La pucelle d’Orléans : poeme, divisé en vingt-un chants, avec les notes de M. de Morza. — A Londres, [1775].

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  • [Voltaire]. La Pucelle d’Orléans, Poëme héroï-comique en dix-huit chants. — Genève: [Cazin], 1788.

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  • Ge-type ware double-gourd bottle. China, Qianlong period (1711 – 1799).

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  • Flambé glazed nine-mouth vase. China, Qianlong period (1711 – 1799).

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  • Almanach Iconologique, ou des arts pour l’année 1764, orné de figures avec leurs explications par M. Gravelot. — Paris: Lattré, 1764.

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  • Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London, 1811.

    Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London: Longman, Hurst, Rees, Orme, and Brown, 1811.

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  • Torquato Tasso. La Gerusalemme liberata (2 volumes). — Paris: Delalain, Durand, Molini, 1771.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth. — London: W. and W. Strahan, 1768.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth, corrected and revised by G. Gregory, illustrated by Thomas Stothard; 2 volumes. — London: C. and G. Kearsley, 1795.

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  • Louis-Sébastien Mercier. L’an deux mille quatre cent quarante. Rêve s’il en fut jamais. — Londres [i.e. Paris], 1772.

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  • [Pierre-Joseph Bernard]. Phrosine et Mélidore : poème en quatre chants. — Messine et Paris: Le Jay, 1772.

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  • James Parsons. Human Physiognomy Explain’d: In The Crounian Lectures On Muscular Motion. — London: C. Davis, 1747.

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  • Ovid’s Metamorphoses in Fifteen Books / Translated by the Most Eminent Hands. — London: Jacob Tonson, 1717.

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  • Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]

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  • Polychrome faience charger, Delft, 18th century.

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  • Polychrome faience charger, Delft, 18th century.

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  • Blue and white porcelain charger, Dutch or English, 18th century.

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  • Blue and white porcelain charger, Dutch or English, 18th century.

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  • Voyages et mémoires de Maurice-Auguste, Comte de Benyowsky / 2 vol. — Paris : F. Buisson, 1791.

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  • Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787.

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  • Desiderius Erasmus. The praise of folly (Encomium moriae) / Translated by White Kennett, illustrated by Hans Holbein the Younger. — London: Stephen Austen, 1726.

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  • Le decameron de Jean Boccace / 5 volumes, illustrated. — London [i.e., Paris, Prault]: 1757-61.

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  • Miguel Cervantes de Saavedra. The life and exploits of the ingenious gentleman Don Quixote de la Mancha / 2 vol. — London: J. and R. Tonson, R. Dodsley, 1742.

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  • Utagawa Toyohiro. Young man arranging flowering iris, c. 1795.

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  • Desiderius Erasmus. L’Éloge de la folie / Traduit par Nicolas Gueudeville, illustré par Charles Eisen. — [Paris]: 1751.

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  • Jean de La Fontaine. Contes et nouvelles en vers / 2 volumes (4to). — Paris: P. Didot l’aîné, 1795.

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  • François Fénelon. Les Aventures de Télémaque / 2 vol. — [Paris:] De l’Imprimerie de Monsieur, 1785.

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