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  • Louis-Sébastien Mercier. L’an deux mille quatre cent quarante. Rêve s’il en fut jamais. — Londres [i.e. Paris], 1772.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth, corrected and revised by G. Gregory, illustrated by Thomas Stothard; 2 volumes. — London: C. and G. Kearsley, 1795.

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  • François Fénelon. The Adventures of Télémachus, the Son of Ulysses / Translated by John Hawkesworth. — London: W. and W. Strahan, 1768.

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  • Torquato Tasso. La Gerusalemme liberata (2 volumes). — Paris: Delalain, Durand, Molini, 1771.

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  • Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London, 1811.

    Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London: Longman, Hurst, Rees, Orme, and Brown, 1811.

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  • Almanach Iconologique, ou des arts pour l’année 1764, orné de figures avec leurs explications par M. Gravelot. — Paris: Lattré, 1764.

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  • Flambé glazed nine-mouth vase. China, Qianlong period (1711 – 1799).

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  • Ge-type ware double-gourd bottle. China, Qianlong period (1711 – 1799).

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  • [Voltaire]. La Pucelle d’Orléans, Poëme héroï-comique en dix-huit chants. — Genève: [Cazin], 1788.

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  • [Voltaire]. La pucelle d’Orléans : poeme, divisé en vingt-un chants, avec les notes de M. de Morza. — A Londres, [1775].

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  • William Somerville. The Chase: A Poem / Illustrated by John and Thomas Bewick. — London: W. Bulmer and Co., Shakespeare Printing Office, 1796.

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  • Choderlos de Laclos. Les Liaisons dangereuses (2 volumes). — Genève: 1792.

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  • Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.

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  • [Dorat]. Recueil de contes et poemes. — Paris : Delalain, 1770.

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  • Dorat. Les Baisers, précédés du mois de Mai, poëme. — Haye et Paris: Lambert et Delalain, 1770.

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  • Fables de M. de Florian. — Paris: P. Didot l’Ainé, 1792.

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  • Ovid’s Metamorphoses in Latin and English (2 vols.) — Amsterdam: Wetstein & Smith, 1732.

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  • Thomas Bewick. A general history of quadrupeds / 1st edition. — Newcastle upon Tyne: S. Hodgson, R. Beilby, & T. Bewick, 1790.

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  • Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.

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  • Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

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  • François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. – Maastricht: J. E. Dufour & Ph. Roux, 1782.

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  • Шарль Монтескье. Храм Книдийский и другие сочинения. – СПб., 1770.

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  • Charles-Louis de Secondat Montesquieu. Le temple de Gnide. — Paris: Le Mire, 1772.

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  • Jean-François Marmontel. Contes Moraux / 3 vol. — Paris: J. Merlin, 1765.

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  • [Voltaire]. La Pucelle d’Orléans, poëme, divisé en vingt chants, avec des notes. — [Geneva]: s.n., 1762.

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  • L’Operateur Barri. Jean-Joseph Baléchou after Etienne Jeaurat, 1743.

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  • De Chertablon & de Hooghe. La maniere de se bien preparer a la Mort. – Antwerp: George Gallet, 1700.

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  • Jean de La Fontaine. Contes et nouvelles en vers / 2 Volumes. — Amsterdam [i.e. Paris: Barbou], 1762.

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  • Иртыш, превращающийся в Ипокрену. Тобольск, 1791.

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  • Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.

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  • Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701

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  • Imari incense burner or brush pot decorated in underglaze blue.

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  • Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest by Joshua Van Solingen (1736).

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  • Iron tsuba with mokkō motif by Enju Kunihide of Higo province. Mid Edo period, ca. 1800.

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  • Katsukawa Shun’ei. Sawamura Sōjūrō III as Kakogawa Honzō in play Kanadehon Chūshingura at Miyakoza theater, 1795.

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  • Katsukawa Shun’ei. Kabuki scene.

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  • Kitao Masanobu (Santō Kyōden). Parody of the Nō Play Chōryō. Ca. 1770.

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  • Katsukawa Shunshō. Standing portrait of a young man holding chrysanthemum flowers. Ca. 1776

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  • Suzuki Harunobu. The Ide Jewel River, a Famous Place in Yamashiro Province. Ca. 1769–70.

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  • Katsukawa Shunshō. Parody of the letter-reading scene in Act VII of Chûshingura.

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  • Suzuki Harunobu or Isoda Koryūsai. Falcon on a pine-branch, with rising sun behind. Ca. 1775.

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  • Isoda Koryūsai. Poet Saigyō Hōshi admiring Mount Fuji. Ca. 1765-70.

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  • Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.

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  • Torii Kiyonaga. The Takarabune: The Seven Gods of Fortune on a Treasure Boat. Ca. 1780.

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  • Kitao Shigemasa. Ebisu drawing wakamizu. Ca. 1775.

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  • Katsukawa Shunshō. The Seven Gods of Good Luck in the Takarabune. Ca. 1780.

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  • Koikawa Harumasa (Banki). Woman Looking out a Round Window. Ca. 1800.

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  • Nara school tsuba by Sugiura Jōi with dreaming Rosei motif. Edo period.

    $1,500.00
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  • Iron tsuba with spotted deer motif by Hamano Noriyuki. Edo period, 18th-19th century.

    $1,300.00
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  • Copper tsuba with a mythical creature motif. Edo period.

    $1,780.00
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  • Iron tsuba with the Sennins motif. Edo period, ca. 1700.

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  • Sentoku tsuba with Sennin motif. Edo period, ca. 1770.

    $680.00
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  • Copper tsuba with Daruma motif. Edo period.

    $1,550.00
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  • Nara school tsuba by Sugiura Jōi with Tekkai Sennin motif. Edo period.

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