19 AD – Page 11 – Varshavsky Collection

Félicien Rops. Anversoise ou servante; etching, n.d.

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Félicien Rops. L’oliverade – Monaco; etching, 1876.

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Félicien Rops. Médecine expérimentale; etching, 1854.

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Félicien Rops. Un groom a tout faire; etching, n.d.

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Félicien Rops. Le dessous de cartes d’une partie de whist (Series: Les diaboliques – petites planches); soft-ground etching, 1886.

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Félicien Rops. La Modernité; drypoint, 1883.

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Félicien Rops. La vieille à l’aiguille; etching, 1876.

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Félicien Rops. Pallas; etching and drypoint, 1874.

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Félicien Rops. L’ariette; etching, n.d. (two prints).

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Félicien Rops. Hypocrisie; etching and drypoint, n.d.

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Félicien Rops. L’enter’acte de Minerve; photogravure, n.d.

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Félicien Rops. Aux Folies-Bergère; aquatint & drypoint, n.d.

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Félicien Rops. Dans la Pusta; etching & drypoint, 1879.

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Félicien Rops. Mon bourgmestre & Le modèle; aquatint & etching, 1874.

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Delle novelle italiane in prosa: Bibliografia di Bartolommeo Gamba Bassanese / Edizione seconda con correzioni ed aggiunte. — Firenze: Tipografia all’insegna di Dante, 1835.

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Losing my seat. [Anonyme] A. Sharpshooter, 1829.

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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.

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COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.

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