Fuchi-kashira with rock and boar (iwa ni inoshishi zu) motif. Inlay of precious stones or colour glass. Shakudō, gold, gemstones. Technique: Sukibori zogan kiniroe.
Fuchi: 36 x 21 x 14 mm; Weight: 22 g; Kashira: 32 x 17 x 5 mm; Weight: 8 g; Material : Shakudō; Gold; Gemstones (Chalcedony and Rose Quartz). Possibly, Owari school.-
Signature: Unsigned -
Fuchi: 37 x 21 x 11 mm; Weight: 13 g Kashira: 34 x 16 x 6 mm ; Weight: 10 g Material : Shakudo; Gold. Signature: Unsigned Technique: Sunameji Sukibori Zogan Decoration: Nami Chidori zu (wave & plover) -
Fuchi: 38 x 22 x 12 mm. Kashira: 32 x 17 x 11 mm Main material: shakudo; surface treatment: nanako-ji; other metals: gold, shibuichi and copper; decorative technique: iroe takazogan. Signed: Nyudo Jounishi 人道 乗西 (possibly) -
Fuchi: 38 x 22 x 14 mm. Kashira: 33 x 18 x 9 mm Techniques: Usu-shishiai-bori (薄肉合彫) – low-relief, zogan. -
Fuchi-kashira of copper, carved and inlaid with gold and shakudō, with the design of Kanzan (on kashira), Chinese: Hanshan, an eccentric poet of the Tang dynasty with a scroll (618-906) who befriended Jittoku (on fuchi, Chinese: Shide, a kitchen helper at a mountain temple, holding a broom). Fuchi is signed Josui (如⽔). Fuchi (Jittoku, holding a broom): 38 x 22 x 12 mm. Weight: 23g (Nakago hole: 27 x 8.5 mm); Kashira (Kanzan, reading a scroll): 34 x 17 x 9 mm. Weight: 10g. Materials: Copper, gold, shakudō. Techniques: Tsuchi-me-ji (hammer-marked surface); usu-shishiai-bori or usuniku-bori (low-relief carving which leaves the image somewhat higher than the surface - high relief effect); zōgan (inlay). Josui was a daughter of Jochiku Kamo (Markus Sesko, Genealogies). -
Bando Mitsugoro II as Soga no Taro Sukenobu, the step-father of the Soga brothers, and Osagawa Tsuneyo II as Onio's wife Tsukisayo, in the play 'Omonbi Kuruwa Soga' performed at the Ichimura-za in the 1st month of 1799. Reference: Harvard Art Museums accession number 1933.4.525. Publications: Narazaki Muneshige, Ukiyo-e shuka [Collection of the Masterpieces of Ukiyo-e Prints in Museums] Volume 8: Foggu Bijutsukan [Fogg Art Museum, Harvard University], Neruson Bijutsukan [Nelson Atkins Museum]..., Shogaku-kan (Tokyo, Japan, 1980 [Showa 55]), Color Plate 107; p. 104 (entry p. 191). SOLD -
Title page: DIALOGUE AUX ENFERS | ENTRE | MACHIAVEL | ET MONTESQUIEU | OU LA POLITIQUE DE MACHIAVEL | AU XIXe SIÈCLE, | PAR UN CONTEMPORAIN. | {6 lines of citations} | ~ | BRUXELLES, | IMPRIMERIE DE A. MERTENS ET FILS, | RUE DE L’ESCALIER, 22. | 1864 ||Description: 17.9 x 12 cm, quarter red morocco over marbled boards, spine with raised bands, gilt bees in compartments, gilt lettering, marbled endpapers, ffep cut out top 1/4, ffep and h.t. loose.
Collation: 12mo; fep, π4 1-2712, 292, fep.; total 174 leaves. Pagination: [2 h.t] [2 t.p.] [i] ii-iii [iv] [1] 2-337 [338] [2 errata].Inscriptions and markings: "Hommage respectueux offert à M. Bourdais par son très humble serviteur, 5 Janvier 1881". Signature: E. Rouger (?) "Vu et approuvé". "Valatte". Ink stamp: "M<aîtr>e E. Brouard - Notaire a Laon Aisne".
Other copies: LIB-1034.2016 and LIB-2913.2021. Other related objects: SVVP-0062.2021. The publication was funded by the author and smuggled into France. Contributors: Maurice Joly (French, 1829 – 1878) -
Иммануил Кант. Критика чистого разума. Пер. Н. М. Соколова. С.-Петербург. Издание книжного магазина М. В. Попова, 1897. - 674 с. -
Конфуциева летопись. Чунь-Цю. (Весна и осень) Перевод Н. Монастырева. (С литографированными примечаниями). С.-Петербург, Тип. бр. Пантелеевых, 1876. 107 с. Тир. 600 экз.
Примечания отсутствуют. Не разрезана.
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Жуковский Ю. Г. Политические и общественные теории XVI-го века. - С.Петербург, 1866. Типография А. Головачева. // Материалы для общественной науки. - 163 с.
Схоластика.
Макиавелли и Томас Мор.
Реформация: Лютер, Кальвин, анабаптисты.
Жан Боден.
[Штамп на титуле: A. Namoradze, Tiflis. 1935.]
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Поль Дельтуф. Жизнь и творения Макиавелли. // "Записки для чтения, издаваемые К. Трубниковым", 1867, NN 8-9, с. 73-77. Ежемесячное приложение к Биржевым ведомостям. Август и Сентябрь. Санктпетербург. Тип. Товарищества "Общественная польза".
"Essai sur les oeuvres et la doctrine de Machiavel, avec la traduction littérale du Prince et de quelques fragments historiques et littéraires", par Paul Deltuf, Paris, 1867.
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Макиавелли Николай. Государь (Il Principe) и Рассуждения на первые три книги Тита Ливия. Пер. c итал. Н. Курочкина. Издание "Русской книжной торговли". - СПб.; тип. Тиблена и Ко. (Неклюдова), 1869. - 502 стр.
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The right sheet of (optional) triptych: Geisha (Geiko) and kabuki actor Iwai Hanshirō V as Katanaya Hanshichi from Three pleasures of present-day Osaka (Tōsei Naniwa no sankō)「当世浪花の三興 芸子」 「刀屋半七」五代目岩井半四郎. Publisher: Iseya Rihei [伊勢屋利兵衛] (Japanese, fl. 1790s – c. 1879) Year: 1821 (Bunsei 4). Size: Vertical ōban; 36.5 x 25.2 cm. Signed: 於浮瀬亭国貞画 – Drawn by Kunisada in Ukabuse (Ukabuse ni oite Kunisada ga). Ukabuse is the name of a famous restaurant in Osaka, this signature can be found only on a three print bijin series [Kunisada Project]. Censor's seal: kiwame 改印：極 Actor Iwai Hanshirō V [岩井半四郎] (Japanese, 1776 – 1847); other names: Iwai Tojaku, Iwai Kumesaburō I. Character: Katanaya Hanshichi [刀屋半七] Ref: MFA ACCESSION NUMBER 11.21938; LIB-2967.2022 Izzard. Full series (triptych) Three Pleasures of Present-day Osaka (Tōsei Naniwa no sankō):
