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Utagawa Kunisada. Fuji and Tsukuba sharing an umbrella against the wind / Fan print, c. 1832.
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Charles Virmaître. Dictionnaire d’argot fin-de-siècle / [préface de Léo Trézenik]. — Paris: A. Charles, 1894.
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[Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siècle, par un contemporain. — Bruxelles: A. Mertens et fils, 1864.
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Plan of Paris and suburbs with all the cross streets before the revolution, c. 1800.
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Utagawa Kunisada (Toyokuni III). Edo Murasaki – Fake Murasaki’s Rustic Genji / Fan print, 1853.
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E. Cresson. Cent jours de siège à la préfecture de police: 2 novembre 1870 – 11 février 1871. — Paris: Plon-Nourrit et Cie., 1901.
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Utagawa Kunimori. Returning palanquin (Modori Kago) / Fan print, 1842-3.
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Amiral / Image d’Épinal, c. 1870.
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Иммануил Кант. Критика чистого разума. 1897
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La Préfecture de Police, par un vieux petit employé – Procès de La Lanterne. La Lanterne, Paris, 1879.
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Kitagawa Tsukimaro. Mother and child playing with turtle and shadow lantern.
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Utagawa Kuniyoshi. Prince Hanzoku terrorized by a nine-tailed fox, from the series ‘Japanese and Chinese parallels to Genji’, 1855.
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Charles Virmaître. Paris-police. — Paris: E. Dentu, 1886.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Nakamura Shikan II as Gotobei / Fan print, 1830.
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Félicien Rops. Hypocrisie; etching and drypoint, n.d.
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Utagawa Hiroshige. Water, from the series The Pride of Edo Compared to the Five Elements / Fan print, c. 1844-46.
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[Achille Deveria]. La bibliothèque des romans: Une veillée de jeune fille, 1840 [i.e. c. 1842].
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Utagawa Sadahide. Travellers arriving at Inba Lake on Shimosa Plateau / Fan print, c. 1849.
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[Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siècle, par un contemporain. — Bruxelles: A. Mertens et fils, 1864.
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Géneral de division / Lithography, c. 1852.
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Utagawa Kunisada (Toyokuni III). The Stars, from the series ‘Moon, Sun, Stars’ / Fan print, c. 1850.
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Katsukawa Shun’ei. The sumo bout between Yotsuguruma and Yamaoroshi
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Seated portrait of count Semyon Romanovich Vorontsov, Ambassador.
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William Blades. The biography and typography of William Caxton, England’s first printer. – London: Trübner, 1877.
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The Fables of Aesop, and Others, with Designs on Wood, by Thomas Bewick. — Newcastle: T. Bewick and son; London: Longman and Co., 1818.
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Collection de vignettes pour les œuvres de J.-J. Rousseau gravées par MM. Forster, Laugier, Leroux, Muller, etc. d’après les dessins de Devéria. — Paris: Dalibon, 1825.
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Plan of Paris, & the surrounding communes from Weekly Dispatch Atlas. — London: Cassell, Petter, and Galpin, 1863.
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Catulle Mendès. Les îles d’Amour / Avec eaux-fortes et dessins de G. Fraipont. — Paris: Bibliothèque des Deux-Mondes; L. Frinzine & Cie, 1886.
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Utagawa Kunimaru. Chūshingura (The Treasury of Loyal Retainers), Act XI: Night Battle / Fan print, 1827.
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A. D. M. [Alfred de Musset]. Gamiani ou Deux nuits d’excès, avec un épisode de la vie de l’auteur, extrait des mémoires de la comtesse de C********. — Lesbos: Institution Méry – Pavillon Baudelaire [i.e. Bruxelles: A. Poulet-Malassis, 1864].
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Napoléon III: Kaiser der Franzosen / Lithography, 1852.
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W. S. Baker. American engravers and their works. — Philadelphia: Gebbie & Barrie Publishers, 1875.
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Shunkōsai Hokushū. Bando Mitsugorō III as Lady Iwafuji and Nakamura Matsue III as Lady Onoe, 1821.
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Iron tsuba of Shōami school with a centipede motif. Edo period.
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Utagawa Kunisada. Early autumn (Tanabata), from the series ‘Short love songs, Second volume’ / Fan print, 1858.
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Utagawa Kunisada. Fuji and Tsukuba sharing an umbrella against the snow / Fan print, c. 1832.
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