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    Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.

    Glossy softcover, publisher’s pictorial wrappers, 30 x 23 cm, pp.: [i-v] vi-xi [xii blank], [2] 3-199 [200 blank], ils.; total 106 leaves. Title-page: Vertical from bottom to top along the outer margin in grey: KUNISADA'S WORLD; horizontally: KUNISADA'S WORLD | SEBASTIAN IZZARD | with essays by | J. THOMAS RIMER | JOHN T. CARPENTER | JAPAN SOCIETY, INC., in collaboration with the | UKIYO-E SOCIETY OF AMERICA || Published in conjunction with an exhibition held at the Japan Society Gallery, New York, September 30 - November 14, 1993. Contents: (1) Kunisada: in and out of his times; Kabuki at the time of Kunisada / J. Thomas Rimer. (2) Popular fiction in the age of Kunisada; Kunisada and the art of comic poetry / John T. Carpenter. (3) Kunisada the artist / Sebastian Izzard. Contributors: Sebastian Izzard J. Thomas Rimer (American, b. 1933) John T. Carpenter (American) Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):

    SVJP-0179-3.2014: The Hour of the Tiger, Seventh Hour of Night from the series Twelve Hours of a Modern Clock.

    SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka.

    SVJP-0105.2014: Ichikawa Danjūrō VIII as the ghost of Seigen.

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  • Pierre Louÿs. Les aventures du Roi Pausole / Illustrations de Brunelleschi. — Paris: L’Estampe Moderne, 1930.

    Binding: One volume collated 4to, 27 x 19.4 cm in publisher’s French flapped cream wrappers lettered in blue and black to front and spine. Printed on watermarked laid paper (vergé d’Arches), outer and bottom margins untrimmed. Front wrapper (blue and black): PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | ILLUSTRATIONS DE | BRUNELLESCHI | {publisher’s device «EM»} | PARIS | L’ESTAMPE MODERNE | 1930 || Title page: PIERRE LOUŸS | LES AVENTURES | DU | ROI PAUSOLE | CONTENANT | DIX-SEPT ILLUSTRATIONS | EN COULEURS DONT NEUF HORS-TEXTE | PAR | BRUNELLESCHI | {publisher’s device} | PARIS | L’ESTAMPE MODERNE | ÉDITEURS | 14, RUE DE RICHELIEU, 14 | 1930 || Collation: 4to; π4 (incl. 1st blank, h.t./limit., t.p., d.t.p.) [1]-414 (last gathering uncut); total 168 leaves plus 9 plates with tissue guards extraneous to collation, incl. frontispiece, stencil-coloured etchings by Gorvel after Brunelleschi. Pagination: [6] [2] 3-324 [6], total 336 pages, ils. Limitation: Edition limited to 524 copies, 6 on Japon Impérial, enriched (№ 1-6); 13 on Japon Impérial, enriched (№ 7-19); 30 on Japon Impérial, enriched (№ 20-49); 450 on vergé d’Arches (№ 50-499); 5 on Japon Impérial (№ I-V) not for sale, and 20 on vergé d’Arches (№ VI-XXV) not for sale. This copy is № 300, on vergé d’Arches. Printed: January 30, 1930, by Coulouma (Argenteuil), plates by Ad. Valcke (Paris), stencil-colouring by J. Saudé. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. Georges Emile Louis Eugene Gorvel (French, 1866 – 1938) – etcher. Jean Saudé (French, fl. c. 1890 – 1930) – printer (pochoir, stencil) Coulouma (Argenteuil) – printer L’Estampe Moderne – publisher.
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  • Michael von Zichy. Liebe: Vierzig Zeichnungen. Leipzig: Privatdruck, 1911.

    Oblong album of forty photogravures printed on wove paper in sanguine after drawings by Mihály Zichy; 31.5 x 40.5 cm gilt-decorated half-parchment over red boards with a gilt diaper design; embossed gilt label in the top left corner “Michael | von Zichy. | Liebe”. Anonymous edition. Bookplate to front pastedown: “P•U•H | EX | LIBRIS”. Photogravures made from the original watercolours and crayon drawings produced in 1874-1879; the original album consisted of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. Some of these photogravures were reproduced photomechanically and printed in 1869 [LIB-2244.2019] and 1989 [LIB-2242.2019]. Limitation: 300 copies were privately printed in Leipzig in 1911 for subscribers only; photogravure copper plates were destroyed. This is copy № 285. Title-page (brown and black): MICHAEL VON ZICHY | LIEBE | VIERZIG ZEICHNUNGEN | PRIVATDRUCK LEIPZIG 1911 || Dimensions: album: 31.5 x 40.5 cm; sheets 31 x 40 cm, uncut. Catalogue raisonné: Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, seconde partie. — Paris: Christie’s, 2006; p. 280, № 564 (drawings); №  565 photogravures [LIB-2810.2021]. Contributors: Mihály Zichy [Michael von Zichy; Михаил Александрович Зичи] (Hungarian, 1827 – 1906).
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  • Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.

    Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.

    Description: Oblong volume, 19.3 x 24.2 cm, hardcover in velvet with pasted image, in a pictorial slipcase; printed on glossy paper, unpaginated. Title-page (in frame): ERATO | GRAPHIKEN VON MIHÁLY ZICHY || Collation: (2) h.t., t.p., (30) leaves of plates (4) text by Éva Bros, bibliography, colophon; total 36 leaves. The plates are photomechanical offset copies made from the photogravures of 1911 Leipzig private press edition [SVE-0501.2021], which photogravures made from the original watercolours and crayon drawings produced by Zichy in 1874-1879; the original album of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. See a copy of the Leipzig album № 285 in this collection [SVE-0501.2021].
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  • The erotic drawings of Mihály Zichy : Forty drawings. — New York: Grove Press Inc., 1969. — [2 intro.] + [40 ill.]

    The erotic drawings of Mihály Zichy: Forty drawings. — New York: Grove Press Inc., 1969.

    Description: Oblong volume, 22 x 27 cm, quarter cloth over marbled boards with gilt Zichy’s signature fac-simile and gilt lettering to spine in dust jacket lettered “The | Erotic | Drawings | of | Mihály | Zichy” on both front and back, blurbs on flaps, unclipped; printed on wove paper, unpaginated. Title-page: THE EROTIC DRAWINGS | OF | MIHÁLY ZICHY | Forty drawings | GROVE PRESS INC. | NEW YORK || Collation: (1) h.t., (1) t.p./copyright, (1) Preface; (40) leaves of plates, (1) blank; total 44 leaves. The plates are photomechanical offset copies made from the photogravures of 1911 Leipzig private press edition [SVE-0501.2021] of 300 copies, the copy used for reprint was № 277; photogravures were made from the original watercolours and crayon drawings produced by Zichy in 1874-1879; the original album of 51 compositions was sold at Christie’s sale of Gérard Nordmann collection on December 14-15, 2006 in Paris. Ref.: Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, seconde partie. — Paris: Christie's, 2006; p. 280, № 564 (drawings); №  565 photogravures [LIB-2810.2021]. See a copy of the Leipzig album № 285 in this collection [SVE-0501.2021].
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  • Alfred de Musset. Gamiani oder Zwei Nächte der Ausschweifung. — Leipzig: s.n., 1911.

    A German translation of de Musset’s “Gamiani ou deux nuits d’excès” illustrated with a reprint title-page and 11 (instead of 16) hand-coloured photogravures after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for 1833 edition, though from the re-drawn stones. Large volume, 40.5 x 31 cm, collated 4to, in black calf with lettering and elaborate gilt border to front and blind border to back, outer and bottom margins uncut, marbled endpapers, text and plates printed on wove paper. The reprint t.p. is different from the original one; in the 1833 edition, the line deux nuits d’excès is waving while here it is straight. Letterpress title-page: ALFRED DE MUSSET | GAMIANI | ODER | ZWEI NÄCHTE DER AUSSCHWEIFUNG || Reprint title-page: Gamiani | OU | DEUX NUITS D’EXCÈS. | {vignette} | Bruxelles | 1833 || Collation: π2 1-74 82, total 32 leaves plus reprint t.p. and 11 plates. Pagination: [4] [1] 2-59 [60], total 64 pages, ils. Limitation: Edition limited to 300 numbered copies, of which this is copy № 32. Contributors: Alfred de Musset (French, 1810 – 1857) – author. Karl Spieler (German, 19th/20th century) – author of the foreword and translator. Achille Devéria (French, 1800 – 1857) – artist (attributed). Pierre Louis Henri Grévedon (French, 1776 – 1860) – artist (attributed). Octave Tassaert (French, 1800 – 1874) – artist (attributed). Catalogue raisonné: Dutel (1650-1880) № A-460, p. 149; Eros invaincu № 68, p. 171-3.
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  • Louis Dupré d’Aulnay. Les aventures singulières du faux chevalier de Warwick / illustrées par André Collot. — Paris: La Tradition, 1958.

    Description: One volume in publisher’s pink wrappers (folder), 24 x 19.5 cm, lettered "LES AVENTURES SINGULIÈRES | DU FAUX CHEVALIER | DE WARWICK" with the device below, in a double slipcase 25 x 20.2 cm with a lettered label to spine; collated 14 gatherings of 4 leaves and 5 gathering of 6 leaves, total 86 leaves, unbound; pp.: [10] 11-161 [162] [10], total 172 pages; illustrated with 8 full-page and 8 in-text coloured collotype reproductions after watercolours by André Collot and enriched with a suite of the same 16 plates before colouring. Text and illustrations in a purple frame, printed on wove paper watermarked “Arches”. Title-page (purple and black, in purple frame): DUPRÉ D'AULNAY | LES AVENTURES SINGULIÈRES | DU FAUX CHEVALIER | DE WARWICK | présentées par Jacques Perret | et illustrées de | 16 compositions originales | par | ANDRÉ COLLOT | {publisher’s device} | LA TRADITION | PARIS || Limitation: Edition is limited to 530 copies; first 128 copies on Vélin d’Arches, incl. 16 copies (№ 1-16) enriched with a suite before colouring and an original watercolour; 16 copies (№ 7-32) enriched with a suite before colouring and an original sketch; 96 copies (№ 33-128) enriched with a suite before colouring; 372 copies (№ 129-500) on Crèvecœur du Marais; plus 30 copies not for sale numbered I-XXX. This copy is № 53 (on Arches with a b/w suite). Colophon: Printed under the direction of Paul Durupt and Gerard Ribot on October 15, 1958, in the press of Pierre Larrive. Illustrations reproduced by Duval (Paris) and coloured by Le Coloris Moderne; bound by La Reliure Randeynes S.A. (Paris). Contributors: Louis Dupré d'Aulnay (French, 1670 – 1758) – author Jacques Perret (French, 1901 – 1992) – author André Collot (French, 1897 – 1976) – artist.
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  • Alfred de Musset. Gamiani ou deux nuits d’excès. — s.l.: Au dépens des deux cent cinquante amis de l’époque romantique, s.d. [late 1940s].

    Description: one volume in French flapped wrappers 25.3 x 19 cm, lettered “MUSSET” to front, 5 gatherings of 4 and one of 6 leaves, 26 leaves total, pp.: [4] [2] 3-43 [44] [4], total 52 pages, incl. those in wrappers, unbound; plus coloured and uncoloured suites of 12 lithographs, in a paper folder; in a cardboard tan slipcase 2.8 x 19.3 cm. Artist unknown, publisher unknown, published at the end of 1940s (per J.-P. Dutel). Illustrations are a loose interpretation of original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition ((1926 re-print LIB-3135.2023). Limitation: Edition limited to 250 copies printed on Vélin Chiffon numbered 1 -250 and 24 copies marked by letters A to Z. This is copy № 246, with two suites of plates, one coloured and one b/w. Catalogue raisonné: Dutel (1920-1970) № 1657, p. 189. Alfred de Musset (French, 1810 – 1857) – author.
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  • Voltaire. L’Ingénu / Illustrations de Berthomme Saint-André. — Paris: Éditions de la Bonne Étoile, [1934].

    Description: One volume, 27 x 21.5 cm, collated 4to, bound in full dark crimson calf with gilt floral border, raised bands with gilt filets, gilt lettering to spine, 16 colour plates, one of them loose, and numerous woodcut tailpieces. Title-page: (black and blue): VOLTAIRE | L'INGÉNU | {VIGNETTE} | ILLUSTRATIONS DE BERTHOMMÉ SAINT-ANDRÉ | ÉDITIONS DE LA BONNE ÉTOILE | PARIS || Collation: 4to; π4 (2 blanks, h.t./limitation, t.p.), 1-184, last blank; total 76 leaves plus 16 colour plates after Louis Berthommé Saint-André and two flyleaves, first and last. Pagination: [4 blanks] [1-4] 5-143 [144] [4 blanks]; total 152 pages, ils. Limitation: Edition limited to 2,500 copies, of which this is copy № 1621. Colophon: Printed under direction of Paul Cotinaud at L’Union Typographique by Henri Leduc; photogravures executed by G. Duval and coloured by E. Vairel fils. Contributors: François Marie Arouet de Voltaire (French, 1694 – 1778) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist.
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  • P.-J. Toulet. Le mariage de Don Quichotte / Illustrations de Charles Martin. — Paris: La renaissance du livre, 1922.

    Description: One volume, 25.5 x 19.8 cm, bound in ochre morocco, raised bands, gilt lettering to spine, gilt fillet inside, marbled endpapers, T.E.G., printed on wove paper watermarked “Lafuma”, original wrappers and spine bound in; in a slipcase 26 x 20 cm. Front wrapper and title-page (red and black): LE MARIAGE | DE | DON QUICHOTTE | PAR | P.-J. TOULET | {publisher’s device} | ILLUSTRATIONS DE | (CHARLES) MARTIN | — | LA RENAISSANCE DU LIVRE | PARIS — 78, BOULEVARD SAINT-MICHEL || Collation: two blank leaves, front wrapper, π4 (blank, h.t./limitation, t.p., preface), 1-274, back wrapper, spine, two blank leaves, 112 leaves between the wrappers plus 9 plates extraneous to collation, incl. frontispiece – stencil-coloured photogravures after Charles Martin. Pagination: [8] 1-210 [2] [4], total 224 pages between the wrappers, ils. Limitation: Edition limited to 775 copies, of which 1 copy on Vieux Japon (№ 1), 24 on Japon Imperial (№2-25), and 750 on Vélin Lafuma (№ 26-775). This copy is № 625. Colophon: Printed on November 15, 1922 – text by Coulouma (Argeneuil), director H. Barthélemy, photogravures by Héliogravure de Schutzenberger (Paris), coloured by Charpentier. Contributors: Paul-Jean Toulet (French, 1867 – 1920) – author. Charles Martin (French, 1884 – 1934) – artist. Léon Maurice Schützenberger (French, 1863 – 1950)
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  • Русская женщина в гравюрах и литографиях. Выставка портретов. Кружок любителей русских изящных изданий, 1911. Со статьей "Русская женщина в искусстве" бар. Н. Н. Врангеля и Каталогом.

    Русская женщина в гравюрах и литографиях: Выставка портретов. — [СПб.]: Кружок любителей русских изящных изданий, 1911.

    Description: Softcover volume in publisher’s pictorial wrappers, with a b/w medallion portrait and lettering in a frame over geometrical pattern in blue to front; 23 x 16.3 cm, collated 8vo. Title-page: РУССКАЯ ЖЕНЩИНА | ВЪ | ГРАВЮРАХЪ И ЛИТОГРАФIЯХЪ | – | ВЫСТАВКА ПОРТРЕТОВЪ | – | КРУЖОКЪ ЛЮБИТЕЛЕЙ | РУССКИХЪ ИЗЯЩНЫХЪ ИЗДАНIЙ | 1911 || Collation: 1-48, last blank, total 32 leaves plus 15 plates (collotype reproductions) with tissue guards, incl. frontispiece, and a few headpieces; catalogue with 180 entries. Pagination: [1-6] 7-63 [64] [2], total 64 pages, ils. Incl. article "Русская женщина в искусстве" барона Н. Н. Врангеля. Барон Николай Николаевич Врангель (Russian, 1880 – 1915)
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  • Война мышей и лягушек. Батрахомиомахия / Пер. с древнегреческого, вводн. стат. и коммент. М.С.Альтмана. Иллюстр. А. И. Порет, переплет и обложка по ее же рисункам. С суперобложкой. — М.-Л.: Academia, 1936. — XV, [I], 21, [2] стр. (Античная литература под общей ред. Д. А. Горбова и В. О. Нилендера.

    Война мышей и лягушек (Батрахомиомахия) / Пер. М. С. Альтмана; Илл. А. И. Порет (Античная литература). — М.-Л.: Academia, 1936.

    Description: white paper hardcover, lettered to front, 25.8 x 18 cm, in pictorial dust jacket; pagination: [i-vi] vii-xv [xvi] [2] 3-21 [3], errata slip bound in; one folding plate bound in after p.8. Title-page: ВОЙНА | МЫШЕЙ И ЛЯГУШЕК | (БАТРАХОМИОМАХИЯ) | Перевод с древнегреческого, | вводная статья | и комментарии | М. С. АЛЬТМАНА | ACADEMIA | 1936 || Opposite title: АНТИЧНАЯ ЛИТЕРАТУРА | под общей редакцией | Д. А. ГОРБОВА И В. О. НИЛЕНДЕРА | БАТРАХОМИОМАХИЯ | ACADEMIA | Москва – Ленинград || Title verso: ΒΑΤΡΑΧΟΜΥΟΜΑΧΊΑ | Иллюстрация А. И. Порет | Переплет и суперобложка | по ее же рисункам || Print run: 10,300 copies. Catalogue raisonné: Крылов-Кичатова № 798, p. 274. Contributors: Альтман, Моисей Семёнович (Russian-Jewish, 1896—1986) – translator, author Порет, Алиса Ивановна (Russian, 1902 – 1984) – artist.
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  • Pierre Louÿs. Poésies érotiques / Illustrées de 20 pointes sèches par artiste inconnu [i.e. Louis Berthommé Saint-André]. — Chihuahua [i.e. Paris]: Aux dépens d’un amateur, [1946].

    Description: one volume 28.5 x 23 cm in publisher’s French flapped wrappers, with lettering to front  “Pierre Louÿs”, in glassine dust jacket, in tan cardboard double slipcase 29.7 x 24 cm with ticket “Haeusgen | 8 München 90 | Reinekestrasse 36”; 13 gatherings in-4to (52 leaves), unbound, with 20 drypoint illustrations by Louis Berthomme Saint-André, 15 of them full-page plates, with tissue guards, printed on wove paper watermarked “Lana 15‡90”, unpaginated. Title-page (black and purple): PIERRE LOUŸS | POÉSIES | ÉROTIQUES | ILLUSTRÉES DE VINGT POINTES | SÈCHES PAR ARTISTE | INCONNU | AUX DÉPENS D’UN AMATEUR | CHIHUAHUA ~ MEXIQUE | L’AN I DE LA IVe RÉPUBLIQUE || Limitation (colophon): total print run of 350 copies on Lana paper, of which 20 copies marked A-T with an original drawing, etc. enriched; 30 copies numbered I-XXX, and 300 numbered 1-300. This is copy № 295. Catalogue raisonné: Dutel (1920-1970) № 2231, p. 324; Nordmann-Christie’s (2): № 322, p. 157. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist.
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  • Alfred Machard. Printemps sexuels… L’épopée au faubourg‎ / Lithographies de Jean Auscher. — Paris : ‎Éditions M.-P. Trémois, 1928.

    Description: One volume, 27 x 21 cm, collated 4to, bound in ¾ red morocco over marbled boards, raised bands, gilt in compartments, gilt lettering to spine, marbled endpapers, publisher’s wrappers and spine preserved, T.E.G. Title-page: ALFRED MACHARD | – | PRINTEMPS | SEXUELS… | L'EPOPEE AU FAUBOURG‎ | Des anges ? Non. | Des petit d’hommes… | LITHOGRAPHIES DE | JEAN AUSCHER | PARIS | ‎ÉDITIONS M.-P. TRÉMOIS | 43, AVENUE RAPP | – | 1928 || Collation: 1st blank, front wrapper, 3 blanks, π5 (h.t./limitation, t.p./copyright, dedication, Freud, Rimbaud), 1-214, 2 blanks, back wrapper, spine, last blank; total 94 leaves between the wrappers, and 10 plates extraneous to collation, incl. frontispiece – chromolithographs by Jean Auscher. Pagination: [6 blanks] [1-10] 11-175 [176] [2 colophon] [4 blanks], total 178 pages, ils. Limitation: Print run limited to 352 copies, one № 0 unique on Japon paper, enriched; one № 00 on Japon paper, enriched; 15 copies marked A-O on Japon paper, enriched; 35 copies on Hollande Van Gelder, enriched with one suite in black, № I-XXXV; 300 copies on vélin d’Arches, № 1-300, of which this copy is № 127. Colophon: Printed on April 20, 1928; text by Coulouma (Argenteuil), plates by Mourlot Frères (Paris). Contributors: Alfred Machard (French, 1887 – 1962) –author. Jean Auscher (French, 1896 – c. 1950) – artist.
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  • Erich Godal [Erich Goldbaum]. Jo gewidmet / Album of etchings, c. 1925.

    Half calf binding 33.5 x 25 cm, gilt lettering within rules “GODAL | JO”, engraved title-page and 9 etchings printed in sepia on sheets 32.5 x 24 cm of thick wove paper, pencil signed, presumably, by the artist; a newspaper clipping tipped-in. The number of copies is unknown. Ticket to front pastedown: "Haeusgen |8 München 90 | Reinekestrasse 36" According to seller: “Extraordinarily rare series of erotic original etchings. - Cf. Bilderlexikon II, 451 u. Vollmer II, 261 - According to KVK not in any library”. Contributors: Erich Godal [Erich Goldbaum] (German-Jewish, 1899 – 1969) – artist.  
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  • Songes Galantes: 12 dessins par Margit Gaál. — Paris: Édition privée, 1920.

    In an owner’s quarter buckram cardboard folder with a vegetation diaper design, ms blue ink lettering to front: “Songes galantes | 12 dessins par | Margit Gaal” at the centre, “Arpad Rob Laszlo | à Paris | 1938” in the lower right corner. Loose sheets with the 1st leaf t.p. / table de planches, and then 12 leaves of lithograph plates. Title-page: SONGES GALANTES | 12 DESSINS PAR | MARGIT GAAL | ÉDITION PRIVÉE | PARIS 1920 ||, ms inscription in blue ink in the middle : “Collection par | Árpad Rob Laśzló | techn. d’avion | Paris 1937”. Limitation: Edition limited to 500 copies of which № 1-100 signed by the author. This is copy № 407. References: Dutel (1920-1970) № 1413 (published in 1921); Honesterotica (indicated the year of death as 1965, however, there is no proof). Contributors: Gaál, Margit (Hungarian, 1898 – 1920) – artist.  
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  • Japanese painting and prints of the Edo period / Catalogue 1, Exhibition September 15-18, 1998. — NY: Sebastian Izzard LLC, 1998

    Softcover, in pictorial wrappers, 28 x 21.8 cm, 18 entries, with colour illustrations, some folding. Catalogue of the sales exhibition on September 15-18, 1998 in NY; pagination: [2] 3-43 [1], ils. Contributor: Sebastian Izzard
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  • [Pierre Louÿs.] Scènes de péripatéticiennes: Douze douzains de dialogues / [Illustrée par André Collot]. — S.l.: s.n., 1903 [i.e. 1937].

    Description: Publisher’s French flapped wrappers 28.2 x 19.2 cm, lettering to front cover “SCÈNES | DE | PÉRIPATÉTICIENNES | Εις το αφρωδιαζειν αγει | MCMIII”, pp. [1-6] 7-132 [4]. 10 laid-in (unbound) colour plates after André Collot, including the title-page vignette. Text printed on laid paper, plates on wove paper. According to J.-P. Dutel (1920-1970) № 2366, p. 356, this is a pirated reprint with 11 plates of the 1927 or 1935 edition of “Douze douzains de dialogues”, illustrated with 12 hand-coloured etchings after André Collot (№ 1427, 1428, p. 137, ibid.). Limitation of 200 copies seems fake as per Pia, the copy in BNF bears number 262 (Pia № 1213, p. 635; № 359, p. 200). Title-page: SCÈNES DE | PÉRIPATÉTICIENNES (arch) | Εις το αφρωδιαζειν αγει | MCMIII || Pictorial t.p.: {vignette in colour} | Douze douzains de Dialogues | ou | Petites scènes amoureuses | * || (text in fac-simile ms). Limitation: edition is limited to 200 copies of which this is copy № 44. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. André Collot (French, 1897 – 1976) – artist. See: LIB-2819.2021 in this collection.
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