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Hardcover volume, 22.8 x 15.5 cm, bound in green buckram with blind stamped designs and gilt lettering to front cover and spine, blind lettering to back, pp.: [2] 3-354 [2], photo portrait frontispiece; collated in 8vo: 1-218 2210, 178 leaves (356 pp.) Title-page (green and black): УОЛТ УИТМЕН | ЛИСТЬЯ ТРАВЫ | {vignette} | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | ХУДОЖЕСТВЕННОЙ ЛИТЕРАТУРЫ | МОСКВА 1955 || Original: Walt Whitman. Leaves of Grass see LIB-3111.2022. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) – author/poetry. Korney Chukovsky [Корней Иванович Чуковский, Николай Корнейчуков] (Russian, 1882 – 1969) – translator, author/foreword. Морис Осипович Мендельсон (Jewish-Russian, 1904 – 1982) – author/foreword. Translators: Николай Васильевич Банников (Russian, 1918 – 1996) Михаил Александрович Зенкевич (Russian, 1886 – 1973) Иван Александрович Кашкин (Russian, 1899 – 1963) Анатолий Васильевич Старостин (Russian, 1919 – 1980) Дмитрий Александрович Горбов (Russian, 1894 – 1967) Мария Фёдоровна Лорие (Russian, 1904 – 1992) Вильгельм Вениаминович Левик (Jewish-Russian, 1906 – 1982) -
Hardcover volume, 35.1 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 27.8 cm, pp.: [4] [1] 2-108 (plates with photographs of 217 items), [2] [111] 112-150 [3]. Imari ware [伊万里焼] (Imari-yaki) – ceramics produced in and around the area of Arita, in the former Hizen Province, northwestern Kyūshū. 日本の陶磁 – Japanese ceramics, series title. Old imari [古伊万里] (koimari) – book title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Hardcover volume 28.5 x 19 cm, bound in brown wrinkled buckram with framed gilt lettering and fleurons to front and framed gilt lettering to spine, in a pictorial dust jacket, green and yellow floral diaper endpapers, printed on laid paper, bottom and outer margins untrimmed. Collation: Eight unnumbered pages of text in English, incl. bibliography, plus 45 unnumbered leaves of plates (photomechanical) with captions in French. Facsimile reproduction of the published in ca. 1907-1908 ‘La grande danse macabre des vifs’, which can be loosely translated as ‘The great strange dance of life’ or ‘The great dance of death by the living’. Title-page: THE | SATYRICAL | DRAWINGS OF | MARTIN VAN MAELE | {vignette} | THE CYTHERA PRESS NEW YORK || SELECTED BIBLIOGRAPHY OF MAURICE FRANÇOIS ALFRED MARTIN VAN MAËLE [MARTIN VAN MAËLE] (FRENCH, 1863 – 1926) (ANONYMOUS). Sweet Seventeen. — Paris: Charles Carrington, 1910. ANSON, MARGUERITE. Une Société de flagellantes. — Paris: Charles Carrington. 1902. 31 illustrations by Van Maele and A. Lambrecht. Translation of The Merry Order of St. Bridget. APULEUS, LUCIUS. Les Métamorphoses, ou l’âne d'or. — Paris: Charles Carrington, 1905. Translation of The Golden Ass. The same Van Maele plates were probably used by the publisher for his English translation of the same work (Paris, 1904). ARETINO, PIETRO. Les Dialogues. 2 volumes. — Paris: Au Cabinet du Livre. 1927. Only the textual illustrations are by Van Maele. The other plates are by Viset. This is believed to be the Iast book that Van Maele illustrated. DESROIX, JACQUES. La Gynécocratte. — Paris: Charles Carrington, 1902. Translation of Gynecocracy. FRANCE, ANATOLE. Thaïs. — Paris: Charles Carrington, 1901. English translation. JUSANGE. PIERRE DE. La Comtesse au foulet. — Paris: Collection des Orties Blanches, s.d. SACHER-MASOCH. La Vénus a la fourrure. — Paris: Charles Carrington, 1902. VAN MAELE, MARTIN. La Grande Danse macabre des vifs. — Paris: Charles Carrington, ca. 1907-8. VERLAINE, PAUL. La Trilogie érotique. — Paris: Charles Carrington, 1907. Reprinted, Brussels, 1931. The original edition is rare. VILLIOT, JEAN DE. Camille et moi. — Paris: Charles Carrington, 1904. Translation of Frank and I. VILLIOT, JEAN DE. Dix-sept ans. — Paris: Librairie des Bibliophiles Parisiens, Charles Carrington, 1905. Translation of Sweet Seventeen. VILLIOT, JEAN DE. La Flagellation amoureuse. — Paris: Charles Carrington. 1904. VILLIOT, JEAN DE. La Flagellation des femmes en Allemagne. — Paris: Charles Carrington. 1901. Translation of Nell in Bridewell. VILLIOT, JEAN DE. Volées de bois vert. — Paris: Librairie des Bibliophiles Parisiens, Charles Carrington, 1905. (ANONYMOUS): Flèches de plomb. BAUDELAIRE, CHARLES. Les Fleurs du mal. BERANGER. Chansons érotiques. CHODER LOS DE LACLOS. Les Liaisons dangereuses. — Paris: 1908. GAUTIER, THEOPHILE. Lettre au Président. HARAUCOURT. Légende des sexes. — Paris, 1908. MICHELET, JULES. La Sorcière. — Paris, 1911. -
Watercolour on thick wove paper, unsigned. Attributed to Otto Rudolf Schatz (Austrian, 1900 – 1961). Size: 305 x 212 mm. -
Каторга и ссылка. Историко-революционный вестник. Книга 8, № 1, 1924. Общество бывших политических каторжан и ссылно-поселенцев. Под общей редакцией Вл. Виленского (Сибирякова). Москва, 1924. Государственное издательство "Типография Печатный Двор", Ленинград. Тираж: 4,000 экз.
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Mikhail Belomlinsky. Born 1934, Russia. Village, dogs. Watercolor painting on paper from Chukotka expedition, 1975. Size: 36 x 48 cm. -
NEWHardcover, 220 x 180 mm, green buckram with gilt lettering on an embossed scroll to front cover and faded gilt lettering to spine (serial design), collated 8vo: 1-208 2110 228 (i.e. 178 leaves), pp. [1-4] 5-354 [2], errata slip laid in before back ffl. Title-page (red and black): ШОДЕРЛО де ЛАКЛО | ~ | ОПАСНЫЕ | СВЯЗИ | ~ | ПЕРЕВОД С ФРАНЦУЗСКОГО, | СТАТЬЯ И ПРИМЕЧАНИЯ | Н. Я. РЫКОВОЙ | ~ | ИЗДАТЕЛЬСТВО «НАУКА» | МОСКВА • ЛЕНИНГРАД | 1965 || Opposite t.p. (red and black): CHODERLOS de LACLOS | ~ | LES LIAISONS | DANGEREUSES | OU | LETTRES RECUEILLIES | DANS UNE SOCIÉTÉ | ET PUBLIÉES POUR L’INSTRUCTION | DE QUELQUES AUTRES | ~ || Series: АН СССР, Литературные памятники. Contributors: Choderlos de Laclos, Pierre Ambroise François (French, 1741 – 1803) – author. Рыкова, Надежда Януарьевна (Russian, 1901 – 1996) – translator Молок, Александр Иванович (Russian, 1898 – 1977) : Дворянство во Франции накануне буржуазной революции XVII века (pp. 317-335). -
Cover: МОРИС ДОМАНЖЕ | БЛАНКИ | РАБОЧЕЕ ИЗДАТЕЛЬСТВО “ПРИБОЙ” | ЛЕНИНГРАД 1925 || Title page: МОРИС ДОМАНЖЕ | БЛАНКИ | Пер. с французского | Рабочее Издательство “ПРИБОЙ” | Ленинград 1925 || Pagination: [2] 3-97 [3]. Collation: 8vo; [1]8 2-68 [7]2, total 50 leaves. Binding: Publisher’s wrappers, lettering to covers and spine, uncut. Contributor: Maurice Dommanget (French, 1888 – 1976) – author. Translation of: Blanqui par Maurice Dommanget. — Paris: Librairie de l'Humanité, 1924. -
Title (chain border): CANDIDE | VOLTAIRE | ILLUSTRATIONS BY | MAHLON BLAINE | {vignette} | NEW YORK | Illustrated Editions Company | 220 FOURTH AVENUE || Title verso: (top) COPYRIGHT, 1930, BY WILLIAMS, BELASCO & MEYERS || (bottom) PRINTED IN THE UNITED STATES OF AMERICA | BY J. J. LITTLE & IVES COMPANY, NEW YORK || Pagination:[1-10] 11-144, headpiece, frontispiece and 5 plates after Blaine’s pen drawings, within the pagination; tailpieces by A. Zaidenberg. Binding: 21 x 14 cm; quarter beige buckram over blue cloth, stamped-gilt and red lettering and vignette to front board and spine. Binding in a way similar to Sterne's A sentimental journey published by Three Sirens Press in c. 1930 [LIB-2784.2021]. Not only that: tailpieces in this Illustrated Editions Company edition are the same as in Cameo Classic edition, with the only difference – here the name of the artist is stated, whether in the Cameo Classic it is not; see [LIB-2777.2021]. Bear in mind that Cameo Classic does not belong to Williams, Belasco and Meyers, it is a Grosset and Dunlap series. Compare Williams, Belasco and Meyers Candide and Illustrated Editions Company Candide title pages:
Williams, Belasco and Meyers
Arouet, François-Marie [Voltaire] (French, 1694 – 1778)– author. Woolf, Herman Irwell [Chambers, Dorset] (British, 1890 – 1958) – translator. Blaine, Mahlon [Hudson, G. Christopher] (American, 1894 – 1969) – illustrator. Zaidenberg, Arthur (American, 1902 – 1990) – illustrator. Williams, Belasco and Meyers (NY) – copyright holder. Illustrated Editions Company (1929-1942) – publisher. J. J. Little & Ives Company (NY) – printer. See the Cameo Classic reprint [LIB-2777.2021].
Illustrated Editions Company
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Title-page (red and black): RESTIF DE LA BRETONNE | LES | FAIBLESSES | D'UNE | JOLIE FEMME | ILLUSTRATIONS EN COULEURS | DE | RAOUL SERRES | {VIGNETTE} | EDMOND VAIREL, ÉDITEUR | PARIS || Description: 25.8 x 17 cm, French flapped wrappers lettered in red and black “LES | FAIBLESSES | D'UNE | JOLIE FEMME” in a 26 x 18 cm tan cloth double slipcase, [1-14] 15-175 [176] [8], collated in-8vo, with 25 colour in-text woodcut vignettes and two tailpieces at the end of each chapter, by Gérard Angiolini after watercolours by Raoul Serres. Published: April 18, 1951, in Paris. Edition: 1st thus, limited edition of 1,025 copies, of which this is № 904 of a common print run on Vélin de Rives paper (numbered 101-1,000). Contributors: Nicolas Restif de la Bretonne [Nicolas-Edme Rétif] (French, 1734 – 1806) – author. Raoul Serres [Schem] (French, 1881 – 1971) – artist. Gérard Angiolini (French, fl. 1946 – 1957) – engraver. Imprimerie Coulouma (Argenteuil), Robert Coulouma (French, 1887-1976) – printer. Edmond Vairel (French, 18… – 19...) – publisher, colourist. -
Two volumes, one with text, another with plates, 31.9 x 24.2 cm each, uniformly bound in bead-grain grey cloth, silver lettering to spine, black label with gilt lettering. Title-page: STEFANO DELLA BELLA | Catalogue Raisonné | Alexandre De Vesme | with | Introduction and Additions | by | Phyllis Dearborn Massar | — | TEXT (PLATES) | — | {publisher’s device} |Collectors Editions || Text: [i-vi] vii-viii [1-2] 3-230 [2], ils. Plates: [6] [1-3] 4-241 [242]. Contributors: Stefano Della Bella (Italian, 1610 – 1664) Alessandro Baudi di Vesme [Alexandre de Vesme] (Italian, 1854 – 1923) Phyllis Dearborn Massar (American, 1916 – 2011) -
Half calf binding 33.5 x 25 cm, gilt lettering within rules “GODAL | JO”, engraved title-page and 9 etchings printed in sepia on sheets 32.5 x 24 cm of thick wove paper, pencil signed, presumably, by the artist; a newspaper clipping tipped-in. The number of copies is unknown. Ticket to front pastedown: "Haeusgen |8 München 90 | Reinekestrasse 36" According to seller: “Extraordinarily rare series of erotic original etchings. - Cf. Bilderlexikon II, 451 u. Vollmer II, 261 - According to KVK not in any library”. Contributors: Erich Godal [Erich Goldbaum] (German-Jewish, 1899 – 1969) – artist. -
Description: Hardcover, 22.2 x 17.2 cm, in green buckram with gilt lettering to front cover and spine, pp.: [1-4] 5-638 [2], 640 pages total. Incl.: Ф.-Р. де Шатобриан. Из «гения христианства». Title-page: ЛИТЕРАТУРНЫЕ | МАНИФЕСТЫ | ЗАПАДНОЕВРОПЕЙСКИХ | РОМАНТИКОВ | Собрание текстов, | вступительная статья и общая редакция | проф. А. С. Дмитриева | Издательство Московского университета | 1980 || Contributors: Дмитриев, Александр Сергеевич (Russian, 1919 – 2001) François-René de Chateaubriand (French, 1768 – 1848) -
Description: Hardcover, in-folio, 32 x 23.5 cm, bound in dark blue morocco, boards and spine richly decorated in gilt, front cover gilt-lettered in Chinese [幽王寵褒姒], pictorial endpapers, laid paper with unicorn watermark, margins uncut, printing performed by Joh. Enschedé (Haarlem), pp. [10] 1-210 [6], total 226 pages, collated π5 1-532 χ2, first and last leaves blank, total 113 leaves plus 7 plates after Franz von Bayros, some signed; adorned with woodcut borders, frames, head- and tailpieces throughout. The binding work was done by Hübel und Denck (Leipzig) based on designs by Paul Renner. Title-page: DAS | SCHÖNE | MÄDCHEN | VON PAO | — | EIN CHINESISCHER | ROMAN VON | OTTO JULIUS BIERBAUM | — | PRACHTAUSGABE | MIT BILDERN VON BAYROS | — | Bei Joh. Enschedé en Zonen in | Haarlem gedruckt für Georg | Müllers Verlag in München || Catalogue raisonné: The amorous drawings of the Marquis von Bayros. — New York: Cythera Press, 1968. The Beautiful Maiden of Pao, pp. 153-8. Contributors: Otto Julius Bierbaum (German, 1865 – 1910) – author. Franz von Bayros (Austrian, 1866 – 1924) – artist. Johannes Enschedé (Dutch, 1708 – 1780) – printer. Joh. Enschedé (Haarlem) – printer. Hübel und Denck (Leipzig) – bookbinder. Paul Friedrich August Renner (German, 1878 – 1956) – designer. -
Softcover, collated 8vo, 19.5 x 14.2 cm, French flapped wrappers, lettering to front: MANUEL | DE | CIVILITÉ | POUR LES | PETITES FILLES | À L’USAGE DES | MAISONS D’ÉDUCATION | {checks} ||; printed on BFK Rives wove paper with watermark, with blue vertical and horizontal lines to imitate notebook checkered paper; pp.: [8] [1-15] 16-177 [7]; π4 1-118 124; total 96 leaves (192 pages), incl. those in wrappers. Cardboard double slipcase with vellum spine lettered in black: MANUEL | DE | CIVILITÉ | POUR | LES PETITES | FILLES ||. Title-page: similar to cover, within the frame: MANUEL | DE | CIVILITÉ | POUR LES | PETITES FILLES | À L’USAGE DES | MAISONS D’ÉDUCATION | {checks} || Edition: 1st clandestine limited edition of 600 copies of which 1 copy on papier de chine (№ 1), 15 copies on japon impérial (№№ 2-16), 20 copies on papier de Hollande (№№ 17-36), and 564 copies on vélin de Rives (№№ 37-600) ; this is copy № 473. Enrichment: Accompanied by 5 loose sheets of thin paper blind stamped in the upper-left corner “WHATMAN” with pencil and watercolour drawings, one on both sides, unsigned. Insert two printouts from the previous sellers. Catalogue raisonné: Pia 800/801; Dutel (III) 1916 (indicates 180 pp.). Nordmann II 315 describes copy № 246 illustrated with 86 compositions by Rojankovsky, all signed by Rojan. Later edition, see: LIB-2972.2022. Contributors: Pierre Louÿs (French, 1870 – 1925) Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970). -
Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation. -
Hardcover volume, 21.5 x 14.7 x 5.7 cm, bound in red cloth with blind-stamped ms signature to front board and gilt lettering over black labels, and gild design elements to spine; pp.: [i-iv] (h.t./blank, t.p./copyright) v-xv[xvi] blank, [1-2] f.t./blank, 3-1653 [1654] blank, [2] publ. note/blank; 1672 pp total; Blue ink ms inscription to h.t. 'Lawrence Wyman'. Title-page (in a two-rule frame): THE COMPLETE WORKS OF | O. Henry | Foreword by | WILLIAM LYON PHELPS | AUTHENTIC EDITION | {publisher’s device, G.C.P.} | De Luxe Edition | — | Garden City Publishing Co., Inc. | GARDEN CITY NEW YORK || Contributors: O. Henry [William Sydney Porter] (American, 1862 – 1910) – author. William Lyon Phelps (American, 1865 – 1943) – author/foreword. -
Softcover volume, 33 x 26 cm, collated in folio, not bound, in publisher’s French flapped pictorial wrappers, lettering to spine; printed on thick wove Arches paper watermarked “MBM”, upper edge trimmed, owner’s blind stamp to h.t. “Ex Libris Comte Tony de Vibraye”, glassine dust jacket, in a slipcase. Collation: π2 1-262, total 54 leaves, plus 4 leaves in wrappers, plus 10 plates, incl. frontispiece; coloured aquatints after Sylvain Sauvage; coloured etched vignette to front wrapper, gilt woodcut to back wrapper, woodcut title-page and woodcut headpiece after the same. Pp.: [4] [1] 2-102 [2]. Front wrapper (gilt and black): LA NUIT & LE MOMENT | {vignette} | OU | LES MATINÉES DE CYTHÈRE | PAR | MONSIEUR DE CRÉBILLON LE FILS | — || Title-page (woodcut): CRÉBILLON LE FILS | — | LA NUIT ET LE MOMENT | OU | LES MATINÉES | DE CYTHÈRE | {vignette} | A PARIS | AUX DEPENS D'UN AMATEUR | — | M CM XXIV || Limitation: De cette édition il a été tiré un exemplaire unique sur japon impérial comportant dix aquarelles originales, deux cents trente exemplaires sur vélin d' Arches numérotés 1 à 230, dont les dix premiers avec une suite de hors texte sur japon. N° 1 [Print run limited to 230 copies on Arches plus a unique copy on Japon with original watercolours, this is copy № 1 on wove paper]. Seller’s description: La Nuit et le moment ou Les Matinées de Cythère. Paris, Au dépens d'un amateur, 1924. In-4, en feuilles, non rogné, couverture illustrée et étui. Ouvrage illustré de 4 gravures sur bois et de 10 eaux-fortes libres en couleurs hors texte de Sylvain Sauvage. Tirage à 231 exemplaires, celui-ci le n°1 sur vélin d'Arches. Manque la suite de hors texte sur japon. De la bibliothèque du Comte Tony de Vibraye, avec cachet à froid. Dutel, n°2062. Catalogue raisonné: honesterotica.com; Dutel III 2062. Contributors: Claude-Prosper Jolyot de Crébillon [Crébillon fils] (French, 1707 – 1777) – author. Sylvain Sauvage [Félix Roy] (French, 1888 – 1948) – artist. Provenance: Antoine Henri Gaston Hurault de Vibraye [Comte Tony de Vibraye] (French, 1893 – 1951)
