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Softcover, 22.5 x 16.5 cm, pictorial paperback, pp.: [i-xi] xii-xix [xx blank] [2] [1] 2-179 [180] [6 advert.], total 206 pp plus cardstock Portable Stanford form. Nicholas Russel [Николай Константинович Судзиловский] (Russian-American, 1850 – 1930) -
Hardcover, 21.5 x 15 cm, green buckram with gilt border and gilt lettering to front board and spine, blind decorated in art nouveau style, T.E.G. Pagination: [26] 1-294, [4] 1-323 [324], [4] 1-255 [256] [4]; total 912 pages and photo portrait frontispiece. Title-page: THREE VOLUMES IN ONE | LEAVES OF GRASS| WALT WHITMAN | ISSUED UNDER THE | EDITORIAL SUPERVISION OF HIS | LITERARY EXECUTORS, RICHARD MAURICE | BUCKE, THOMAS B. HARNED, AND | HORACE L. TRAUBEL | {device} | D. APPLETON AND COMPANY | New York […] London || For the Russian translation, see LIB-3103.2022 Уолт Уитмен. Листья травы / Пер. с англ. Вступ. статьи К. Чуковского и М. Медельсона. — М.: Государственное издательство художественной литературы, 1955. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) Richard Maurice Bucke (Canadian, 1837 – 1902) Thomas Biggs Harned (American, 1851 – 1921) Horace Logo Traubel (American, 1858 – 1919) -
Hardcover, 28.8 x 22.3 cm, green cloth, gilt lettering to spine, pictorial dust jacket; pp.: [i-iv] v-xiv, 1-274, total 288 pp., ils. ISBN: 9780521392228, 9780521457330, 0521392225, 0521457335. Title-page: COLOR | AND | MEANING | Practice and Theory in Renaissance Painting | MARCIA B. HALL | CAMBRIDGE UNIVERSITY PRESS | Cambridge | New York Port Chester Melbourne Sydney || Marcia B. Hall (American, b. 1939) -
The book Münchhausen: eine Geschichte in Arabesken by Karl Leberecht Immermann was published in Düsseldorf by J. E. Shaub in 1838-1839. Its Russian translation by the Yarkho brothers was published in 1931 and 1932 by Academia publishing in two volumes uniformly bound in full green cloth with embossed and gilt pictorial design to front cover and spine, 17.3 x 12.5 cm, pictorial endpapers, top margin red, and pictorial dust jacket.
Vol. I: 8vo, [1]-398 (312 leaves, 10 plates within collation); pp.: [1-7] 8-624. Print run 5,000 copies.
Title-page (red and black): КАРЛ ИММЕРМАН | Мюнхгаузен | История | в арабесках | перевод и примечания | Г. И. и Б. И. Ярхо | ПРЕДИСЛОВИЕ | П. С. КОГАНА | I | {vignette} | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1931 ||
Frontispiece (red and black): СОКРОВИЩА | МИРОВОЙ ЛИТЕРАТУРЫ | КАРЛ ИММЕРМАН | МЮНХГАУЗЕН | {fleuron} | * | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1931 ||
Reverse title: KARL IMMERMANN | MÜNCHHAUSEN | Eine Geschichte in Arabesken | {…} | ИЛЛЮСТРАЦИИ, ТИТУЛ, | ТИСНЕНИЕ НА ПЕРЕПЛЕТЕ | И СУПЕРОБЛОЖКА ПО РИС. | ХУД. Д. И. МИТРОХИНА | {…} | Ленинградский Областлит № 64832. | Тир. 5.000—39 листов. Зак. 7167. | Государственная типография | “Ленинградская Правда”, | Ленинград. | Соц. 14. ||
Vol. 2: 8vo, [1] 398 ( 312 leaves, 14 plates within collation), pp.: [1-7] 8-622 [2 colophon/blank]. Print run 5,250 copies.
Title-page (red and black): КАРЛ ИММЕРМАН | Мюнхгаузен | История | в арабесках | перевод и примечания | Б. И. и Г. И. Ярхо | II | {vignette} | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Frontispiece: СОКРОВИЩА | МИРОВОЙ ЛИТЕРАТУРЫ | КАРЛ ИММЕРМАН | МЮНХГАУЗЕН | {fleuron} | * | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Reverse title: KARL IMMERMANN | MUNCHHAUSEN | Eine Geschichte in Arabesken | {…} | Иллюстрации, титул, тиснение | на переплете | и суперобложка | по рис. худ. Д. И. Митрохина.
Illustrations: Plates, title pages, faux-titles, head- and endpieces, design of covers and dust jackets after Dmitry Mitrokhin (Д. И. Митрохин).
Catalogue raisonné: Крылов-Кичатова v.1: 451/2, v.2: 491. [LIB-2260.2019].
Contributors:
Karl Leberecht Immermann (German, 1796 – 1840) – author.
Григорий Исаакович Ярхо (Russian-Jewish, 1886 – 1954) – translator.
Борис Исаакович Ярхо (Russian-Jewish,1889 – 1942) – translator.
Пётр Семёнович Коган (Russian-Jewish, 1872 – 1932) – author/preface.
Dmitry Mitrokhin [Дмитрий Исидорович Митрохин] (Russian, 1883 – 1973) – artist.
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Hardcover, 26.2 x 20.3 cm, quarter blue cloth over pictorial boards, pictorial endpapers, collated in-8vo, 1-58 64, pp.: [2] 3-87 [88], total 44 leaves with in-text woodcuts plus 8 leaves of colour plates (14 illustrations printed on both sides) and colour frontispiece (blank recto) after Gustave Doré. The story was written by Rudolf Erich Raspe in English and published anonymously in book form in Oxford in 1786 under the title Baron Munchausen's Narrative of his marvellous travels and campaigns in Russia, etc. The French translation from German of Gottfried August Bürger was performed by Théophile Gautier and published by Charles Furne in Paris in 1862 with illustrations after Gustave Doré – 158 wood engravings, including a frontispiece, 1 vignette on the title, 31 full-page plates and 125 vignettes in the text). Korney Chukovsky retold the Raspe story in Russian using the Būrger-Gautier version of the text, changing the order, time, and location of events. In addition, artist Yuri Syrnev (Ю. А. Сырнев) coloured Dore's woodcuts, and the book was born (first edition in 1928). Title-page (black and yellow earth): Э. РАСПЭ | ПРИКЛЮЧЕНИЯ | {vignette} | МЮНХАУЗЕНА | С ИЛЛЮСТРАЦИЯМИ | ГУСТАВА | ДОРЭ | • | ДЛЯ | ДЕТЕЙ | ПЕРЕСКАЗАЛ К.ЧУКОВСКИЙ | • | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ДЕТСКОЙ ЛИТЕРАТУРЫ | НАРКОМПРОСА РСФСР | Москва 1945 Ленинград || Colophon: Для младшего возраста | РАСКРАСКА ВКЛЕЕК, ТИТУЛ И ОБЛОЖКА | худ. Ю. Сырнева | Издание десятое || Edition: 10th Russian edition thus. Print run: 11,000 copies. Contributors: Rudolf Erich Raspe (German, 1736 – 1794) – author. Korney Chukovsky [Корней Иванович Чуковский, Николай Корнейчуков] (Russian, 1882 – 1969) – translator. Gustave Doré (French, 1832 – 1883) – artist. Юрий Аркадьевич Сырнев (Russian, 1905 – 1943) – artist. Fictional author: Baron Munchausen [Baron Münchhausen] / Karl Friedrich Hieronymus von Münchhausen (German, 1720 – 1797). -
Photographic half-length portrait of academician Juri Lotman, with his head turned to the left, giving a lecture in front of a blackboard. Pencil-signed on the mat: 5/45 • ©Mikhail Lemkhin; on the back of the print: ink stamp ©MIKHAIL LEMKHIN, pencil inscription Mikhail Lemkhin 5/45; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811–38th AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; Copyright statement ink stamp; on the back of the mat: pencil inscription (top) ЛОТМАН, ЮРИЙ | YURI LOTMAN, (bottom) VI. Size: mat: 35.6 x 43.1 cm; window: 15.5 x 24 cm; print: 20.2 x 25.3 cm. Limited edition of 45, of which this is № 5, signed and stamped by the artist. Sitter: Juri Lotman [Юрий Михайлович Лотман] (Estonian-Jewish, 1922 – 1993). -
Photographic portrait of writer Vladimir Bukovsky with head tilted, closed eyes, and smoking a cigarette. Pencil-signed on the mat: 3/45 • Mikhail Lemkhin; on the back of the print: ink stamp ©MIKHAIL LEMKHIN, ink inscription ©mikhail Lemkhin; ink stamp: PHOTO BY: | MIKHAIL LEMKHIN | 2327 – 38th AVENUE | SAN FRANCISCO, CA 94116 | (415) 664-7677, pencil inscription 3/45 Mikhail Lemkhin; pencil inscription on the back of the mat: (top) ВЛАДИМИР БУКОВСКИЙ | VLADIMIR BUKOVSKY, (bottom) VI. Size: mat: 43.2 x 35.7 cm; window: 21.5 x 18.5 cm; print: 25.3 x 20.3 cm. Limited edition of 45, of which this is № 3, signed and stamped by the artist. Sitter: Vladimir Bukovsky [Владимир Константинович Буковский] (Russian, 1942 – 2019). Popularity: Bukovsky left the Soviet Union, where he was kept in prison for his political views, in exchange for Luis Alberto Corvalán, a Chilean communist. The event was commemorated in the following folk verse:Обменяли хулигана На Луиса Корвалана. Где б найти такую блядь, Чтоб на Брежнева сменять!
This can be translated as a Haiku:A troublemaker was exchanged for Luis Corvalán... Where to find a whore to exchange for Brezhnev?
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Photographic portrait of writer Andrei Sinyavsky, head and shoulder, turned to the left, wearing glasses. Pencil-signed on the mat: 4/45 • ©Mikhail Lemkhin; on the back of the print: Copyright statement stamp; ink stamp ©MIKHAIL LEMKHIN; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811 38TH AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; pencil inscription on the back of the mat: (top) АНДРЕЙ СИНЯВСКИЙ | ANDREI SINYAVSKY, (bottom) XXIX. Size: mat: 43.2 x 35.5 cm; window: 23.5 x 18.5 cm; print: 25.2 x 20.2 cm. Limited edition of 45, of which this is № 4, signed and stamped by the artist. Sitter: Sergei Dovlatov [Сергей Донатович Довлатов] (Russian, 1941 – 1990) -
Photographic portrait of writer Andrei Sinyavsky, head and shoulder, turned to the left, wearing glasses. Pencil-signed on the mat: 3/45 • ©Mikhail Lemkhin; on the back of the print: Copyright statement stamp; ink stamp ©MIKHAIL LEMKHIN; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811 38TH AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; pencil inscription on the back of the mat: (top) АНДРЕЙ СИНЯВСКИЙ | ANDREI SINYAVSKY, (bottom) XXIX. Sitter: Andrei Sinyavsky [Андрей Донатович Синявский] (Russian, 1925 – 1997) Size: mat: 35.6 x 43.3 cm; window: 16.5 x 23.5 cm; print: 20.2 x 25.2 cm. -
Photographic portrait of poet Joseph Brodsky, head, shoulders, and hand, three-quarters to the right, wearing glasses and with a cigarette. Pencil-signed on the mat: 1/45 • ©Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 43 x 35.5 cm; window: 24 x 19 cm. -
Photographic portrait of poet Joseph Brodsky, short half-length, turned to the left, with arms crossed on his breast. Pencil-signed on the mat: 7/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 35.7 x 43.3 cm; window: 19.5 x 23 cm; print: 20.3 x 25.3 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulders, turned slightly right, looking slightly to the right. Pencil-signed on the mat: 5/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 35.7 x 43.3 cm; window: 19.5 x 23 cm; print: 20.3 x 25.3 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulder, turned slightly right, looking to the right. Pencil-signed on the mat: 1/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 51 x 40.5 cm; window: 34.5 x 27 cm; print: 35 x 28 cm. -
Photographic portrait of poet Joseph Brodsky, head, hand, and shoulder, three-quarters to the right, wearing glasses and with a cigarette. Pencil-signed on the mat: 4/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 40.5 x 51 cm; window: 26.5 x 30 cm; print: 28 x 35.4 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulders, three-quarters to the right, wearing glasses. Pencil-signed on the mat: 1/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 40.5 x 51 cm; window: 24.5 x 35 cm; print: 27.7 x 35.4 cm. -
Photographic portrait of poet Joseph Brodsky, head, hand, and shoulder, three-quarters to the left, wearing glasses and with a cigarette. Pencil-signed on the mat: 5/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 41 x 51 cm; window: 27 x 30 cm; print: 27.7 x 35.4 cm. -
Original exhibition catalogue in wrappers, 23.6 x 16 cm, pp.: [1-4] 5-125 [3], two leaves of plates after p. 16 and 32 plates; [1-8] 9-61 [3], 16 plates; total 192 pages and 26 leaves of photographic plates, one of them in colour. For the 2nd edition of classical PPM see LIB-0775.2015 in this collection. Printer: The University Press, Oxford; Vivian Hughes Ridler (British, 1913 – 2009) Publisher: F. W. Bridges & Sons Ltd.; Association of British Manufacturers of Printers' Machinery Ltd. Authors of preface: Sir Frank Chalton Francis (British, 1901 –1988); Stanley Arthur Morison (British, 1889 – 1967); John Waynflete Carter (British, 1905 – 1975). Front wrapper: PRINTING | AND THE | MIND OF MAN (white lettering in red frame) | CATALOGUE OF THE | EXHIBITION AT | THE BRITISH MUSEUM | AND AT | EARLS COURT, LONDON | 16–27 JULY 1963 | ORGANIZED IN CONNEXION WITH THE | ELEVENTH INTERNATIONAL PRINTING MACHINERY | AND ALLIED TRADES EXHIBITION || (red lettering). Title-page: PRINTING | AND THE | MIND OF MAN (white lettering in black frame) |ASSEMBLED AT | THE BRITISH MUSEUM | AND AT | EARLS COURT | LONDON | 16–27 JULY 1963 | PUBLISHED BY | MESSRS F.W. BRIDGES & SONS LTD AND | THE ASSOCIATION OF BRITISH MANUFACTURERS OF PRINTERS' MACHINERY (PROPRIETARY) LTD | COPIES OBTAINABLE FROM THE BRITISH MUSEUM || Opposite-title: CATALOGUE OF A | DISPLAY OF | PRINTING MECHANISMS AND | PRINTED MATERIALS | ARRANGED TO ILLUSTRATE | THE HISTORY | OF | WESTERN CIVILIZATION | AND THE MEANS OF | THE MULTIPLICATION | OF | LITERARY TEXTS | SINCE THE XV CENTURY | ORGANIZED IN CONNEXION WITH THE | ELEVENTH INTERNATIONAL PRINTING MACHINERY | AND ALLIED TRADES EXHIBITION | UNDER THE TITLE OF || -
Description: Hardcover 26.5 x 19 cm, grey cloth, red lettering in kanji over black stripe to front, lettering to spine, tan endpapers, pictorial slipcase 27 x 19.5 cm; pp.: [1-6] 7-95 [96], pasted frontispiece and 79 colour illustrations with captions, within a collation. Series Masterworks of ukiyo-e, №8. ISBN: 9780870110986; 0870110985. Ref.: Worldcat Title-page (in frame): MASTERWORKS OF UKIYO-E | "THE DECADENTS” | by Jūzō Suzuki and Isaburō Oka | translation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A. || (Vertical text in kanji to the right, between rules). Artists: Utagawa Kunisada (Japanese [歌川 国貞], 1786 – 1865); Utagawa Kuniyoshi (Japanese [歌川 国芳], 1798 – 1861); Keisai Eisen [Japanese [渓斎 英泉], 1790 – 1848). Contributors: Jūzō Suzuki [鈴木重三] (Japanese, 1919 – 2010) – author. Isaburō Oka [岡畏三郎] (Japanese, 1914 –2010) – author. John Bester (British, 1927 – 2010) – translator Kunisada's fan print in this collection (exactly the same copy) [SVJP-0380.2022]:
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A double slipcase ‘box set’ of five volumes, 25.2 x 19.8 x 10.7 cm, lettered to spine: ŒUVRES CHOISIES | DE | PIERRE LOUŸS |★| APHRODITE | Illustrations de | J. A. CANTE |★| LES CHANSONS | DE BILITIS | Illustrations de | LOUIS ICART |★| LA FEMME | ET LE PANTIN | Illustrations de | J. TRAYNIER |★| LES AVENTURES DU ROI PAUSOLE | Illustrations de | BEUVILLE |★| Poëmes | Illustrations de | BERTHOMMÉ SAINT-ANDRÉ |★| VÉLIN || ; all uniformly bound in French flapped wrappers with colour vignettes and lettering to front and spine, printed on wove paper (Vélin) in Paris by Imprimerie Union and hand-coloured by Établissements Bellarde. Edition limited to 20 copies on Vélin d’Arches; 60 copies on Pur Fil du Marais, 150 copies on Pur Fil Lafuma, and 1500 copies on Vélin. This set is copy № 1467 on Vélin. 1) PIERRE LOUŸS | APHRODITE | MŒURS ANTIQUES |★| ILLUSTRATIONS EN COULEURS DE | J. A. CANTE | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [i-xi] xii-xiv [xv-xviii] 19-245 [11] ; total 256 pages (128 leaves) with 5 headpieces and 8 in-text illustrations plus 8 full-page plates after J. A. Cante (French, fl. c. 1947 – 1962); partially uncut. 2) PIERRE LOUŸS | Les Chansons | de Bilitis | TRADUITES DU GREC | ILLUSTRATIONS EN COULEURS DE | LOUIS ICART | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [i-x] xi-xix [xx] [2] 3-190 [6] ; total 216 pages (108 leaves) with 13 headpieces, one tailpiece plus 8 leaves of plates incl. frontispiece after Louis Icart (French, 1888 – 1950); partially uncut. 3) PIERRE LOUŸS | LA FEMME | ET LE PANTIN | Roman Espagnol | ILLUSTRATIONS EN COULEURS DE | J. TRAYNIER | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-14] 15-144 [8] ; total 152 pages (76 leaves) with 5 headpieces, 6 in-text illustrations plus 8 leaves of plates incl. frontispiece after Jean Traynier (French, fl. c. 1942 – 1954); partially uncut. 4) PIERRE LOUŸS | Les Aventures | du | ROI PAUSOLE | ILLUSTRATIONS EN COULEURS DE | BEUVILLE | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-12] 13-252 [4]; total 256 pages (128 leaves) with 4 section vignettes, 4 headpieces plus 12 leaves of plates after Georges Beuville (French, 1902 – 1982); partially uncut. 5) PIERRE LOUŸS | POËMES | ASTARTE • IRIS • AQUARELLES PASSIONNÉERS | HIVERNALES • LA FORÊT DES NYMPHES • STANCES | DERNIERS VERS • POËMES DIVERS | FRAGMENTS | ILLUSTRATIONS EN COULEURS DE | BERTHOMMÉ SAINT-ANDRÉ | {vignette} | ÉDITIONS | ALBIN MICHEL | PARIS ||; pp: [1-8] 9-241 [242] [6]; total 248 pages (124 leaves) with 11 headpieces plus 8 leaves of plates after Louis Berthomme Saint-André (French, 1905 – 1977); partially uncut. Author: Pierre Louÿs (French, 1870 – 1925). -
Paperback reprint on demand, 28 x 22 cm, in green malachite wrappers with yellow lettering to both covers; pp. [i-ii] iii-v[vi] 1-122 [4]. Title-page: Okhrana | The Paris Operations of | the Russian Imperial Police | Ben B. Fischer | History Staff | Center for the Study | of Intelligence | Central Intelligence Agency | 1997 || ISBN-10: 1907521992 Benjamin B. Fischer Contents. Foreword. Preface. Okhrana: The Paris Operations of the Russian Imperial Police. From Paris to Palo Alto. CIA Interest in the Okhrana Files. Origins of the Okhrana and Its Paris Office. Foreign Operations. Change and Continuity Dramatis Personae Conclusions Rita T. Kronenbitter Paris Okhrana 1885-1905. The Illustrious Career of Arkadiy Harting. The Sherlock Holmes of the Revolution. Okhrana Agent Dolin. The Okhrana's Female Agents: Part I: Russian Women. The Okhrana's Female Agents: Part II: Indigenous Recruits. Review of Edward Ellis Smith, The Young Stalin, by Harry Gelman. Commentary by Rita T. Kronenbitter. -
Hardcover, 20.5 x 13.5 cm, quarter cloth, pictorial boards, pp.: [2] 3-253 [3], ils., collated in-8vo: 1-188, total 128 leaves plus 2 leaves of colour plates. Title-page: В. САБУНАЕВ | ЗАНИМАТЕЛЬНАЯ | ИХТИОЛОГИЯ | {vignette} | ИЗДАТЕЛЬСТВО | “ДЕТСКАЯ ЛИТЕРАТУРА” | 1967. Print rub: 50,000 copies. Сабунаев, Виктор Борисович (Russian, 20th century) – author. Бианки, Елена Витальевна (Russian, 1922 – 2009) – artist. -
Hardcover volume, 22.5 x 15 cm, bound in red cloth with gilt lettering to spine, pictorial dust jacket; pp.: [i-v] vi-xiv, [1-5] 6-251 [252], total 268 pages. Title-page: Alleged sex and threatened violence | Doctor Russel, Bishop Vladimir, and the Russians in | San Francisco, 1887-1892 | TERENCE EMMONS | — | Stanford University Press | Stanford, California | 1977 || ISBN: 9780804727679, 9780804727686, 0804727678, 0804727686. OCLC Number / Unique Identifier: 35159156. Doctor Nikolai Sudzilovsky [Nicholas Russel] (Belarusian, 1850 – 1930). Bishop Vladimir (Sokolovsky-Avtonomov, Vasily Grigorievich) Архиепископ Владимир (Соколовский-Автономов, Василий Григорьевич) (Russian, 1852 – 1931) – Archbishop of the Aleutians and Alaska. -
Collection of poems. Hardcover volume, 20.7 x 13.3 cm, bound in green buckram, gilt double-fillet border, gilt frame, gilt lettering to front, gilt stars, fillets and lettering to spine, blind lettering to back, matching endpapers, pp.: [1-4] 5-637 [638] [2], total 640 pages, collated in-16mo, [1]-1116, 8 leaves of plates, 13-2116. Title-page: ПОЭТЫ | ГРУППЫ «ОБЭРИУ» | С.-ПЕТЕРБУРГСКОЕ ОТДЕЛЕНИЕ • 1994 || Opposite to t.p.: БИБЛИОТЕКА ПОЭТА | ОСНОВАНА МАКСИМОМ ГОРЬКИМ В 1931 ГОДУ | БОЛЬШАЯ СЕРИЯ | ИЗДАНИЕ | ТРЕТЬЕ | СОВЕТСКИЙ ПИСАТЕЛЬ || Print run: 3,000 copies. Contributors: Михаил Борисович Мейлах (Russian-Jewish, b. 1944) Татьяна Львовна Никольская (Russian, b. 1945) Александр Николаевич Олейников (Russian, 1936 – 2013) Владимир Ибрагимович Эрль [Владимир Иванович Горбунов] (Russian, 1947 – 2020) ОБЭРИУ (Объединение Реального Искусства) Даниил Иванович Хармс [Ювачёв] (Russian, 1905 – 1942) Александр Иванович Введенский (Russian, 1904 – 1941) Николай Алексеевич Заболоцкий (Russian, 1903 – 1958) Игорь Владимирович Бахтерев (Russian, 1908 – 1996) Николай Макарович Олейников (Russian, 1898 – 1937) Константин Константинович Вагинов [Вагенгейм] (Russian, 1899 – 1934) -
Small volume 17 x 11.5 cm, bound in tan cloth with brown lettering to front cover and spine, gilt fillets to spine, in wood-engraved pictorial dust jacket; pp.: [1-4] 5-254 [2], total 256 pages; collated in-16mo: [1]-816, total 128 leaves; wood-engraved portrait frontispiece within collation. Print run: 35,000 copies. Title-page (red and black): Райнер Мария Рильке | ЛИРИКА | Перевод с немецкого | Т. Сильман | {publisher’s device} | Издательство «Художественная литература» | Москва • 1956 • Ленинград || Contributors: Rainer Maria Rilke (German, 1875 – 1926) Тамара Исааковна Сильман (Russian-Jewish, 1909 – 1974) Владимир Григорьевич Адмони (Russian-Jewish, 1909 – 1993) -
Hardcover, 24 x 16 cm, bound in quarter black calf over marbled boards, raised bands and gilt lettering to spine, printed on Van Gelder Zonen laid paper with wide margins, bottom and fore edge untrimmed, pp. [i-viii] ix-xiv, [2] 3-89 [90], total 104 pages, two flyleaves, frontispiece in colour with captioned tissue guard, and 28 b/w plates; total 83 leaves. Title-page: A DESCRIPTIVE CATALOGUE | OF AN EXHIBITION OF | JAPANESE | FIGURE PRINTS | FROM | MORONOBU TO TOYOKUNI | BY | LOUIS V. LEDOUX | {publisher’s device} | NEW YORK | THE GROLIER CLUB | 1924 || Edition: 1st edition limited to 300 copies on Van Gelder Zonen paper in April, 2024. Exhibition from January 25 to March 3, 1923, at the Grolier club. Library of Congress Control Number: 23009175 OCLC Number: 2583847 Louis Vernon Ledoux (American, 1880 – 1948) -
Hardcover, 17.2 x 12.5 cm, brown cloth-backed pictorial paper boards, lettering to front and spine, pictorial endpapers, pp.: [1-4] 5-430 [2], total 432 pages; collated in-16mo: [1]-1216 138 1416, total 216 leaves. Print run: 65,000 copies. A real history-based fiction about doctor Nikolai Sudzilovsky [Nicholas Russel] (Belarusian, 1850 – 1930). Title-page (pictorial): АЛЕКСАНДРА | БОГДАНОВА | ЖИЗНЬ | ПОСЛЕ | СМЕРТИ | Роман || Imprint: Рецензент доктор филилогических наук Н. Г. Жулинский. Редактор В. А. Лигостов. Богданова А. И. Жизнь после смерти: Роман. — К.: Рад. письменник, 1990. — 431 с. ISBN 5-333-00201-0. Colophon: Литературно-художественное издание. БОГДАНОВА АЛЕКСАНДРА ИВАНОВНА | Жизнь после смерти. Роман. Киев, издательство «Радяньский пысьмэннык». Author: Богданова, Александра Ивановна (b. c. 1950). -
A three-volume unique copy of Louÿs’s poetical work ‘Pybrac’; edition published in 1928 by Marcel Vertès limited to 30 copies; contains 31 drypoints by Marcel Vertès, incl. frontispiece, nine full-page plates and twenty in-text vignettes; enriched with a volume of three suites of plates (first state b/w on Van Gelder paper, final state b/w on Japon nacré paper, final state hand-coloured on Van Gelder paper) plus 5 refused plates; and with a volume of one original watercolour, five ink drawings, three suites of plates (first state b/w on Van Gelder paper, final state b/w on Japon nacré paper, final state hand-coloured on Van Gelder paper) plus similar 5 refused plates, one b/w plate and one coloured plate, and a drypoint metal plate; two volumes of three are in a slipcase. Same edition in this collection: LIB-2919.2022. Details: (1) The ‘Texte’ volume, collated in-4to, 26 x 20.5 cm bound by Creuzevault (signed inside the front cover, in the bottom) in full tan morocco, blind fillets and a brown strip in the bottom to boards, double gilt fillet and a brown label along the spine, gilt-lettered vertically “PYBRAC | TEXTE”; gilt on black faux marbled endpapers, printed on watermarked Van Gelder Zonen laid paper; collated as follows: [3] blank flyleaves, [1] wrapper ‘PYBRAC’, [5] leaves with pasted original ink drawings on white paper, [1] leaf with pasted original hand-coloured ink drawings on blue paper, [1] drypoint frontispiece, [2] blank leaves, [1] half-title/limitation, [1] t.p., [2] blank leaves, 1-104 (pp. 1-78 [2]), [4] blank leaves plus nine full-page drypoint plates; total 70 leaves. Title-page: PYBRAC | ILLUSTRE DE TRENTE POINT SÈCHES | D’UN | ARTISTE INCONNU | PARIS | AUX DÉPENS D’UN AMATEUR | — | M. CM. XXVIII || Limitation: Edition limited to 30 copies; 1 copy unique on Japon Nacré with 30 original sketches, one suite in colour, two suites in black and 5 cancelled plates; 29 copies on Hollande Van Gelder, with one original watercolour, four original sketches, one suite in colour, two suites in black and 5 cancelled plates. This is copy № 12. (2) The ‘Suites’ volume, 26 x 20.5 cm, uniformly bound in quarter tan morocco over faux marbled paper, blind fillets, horizontal brown strip in the bottom, a vertical brown strip along the border, double gilt fillet and a brown label along the spine, gilt-lettered vertically “PYBRAC | SUITES”; gilt on black faux marbled endpapers; collated as follows: [3] blank flyleaves, three suites of prints: first state on Van Gelder paper, the final state on ‘Japon nacré’ paper, and hand-coloured final state on Van Gelder (31 x 3 = 93 leaves) plus [5] refused plates and [3] blank leaves; total 104 leaves. ‘Texte’ and ‘Suites’ volumes are placed in a faux marbled slipcase. (3) The ‘Suites 2’ volume, 26 x 21.5 cm, bound similarly to the ‘Suites’ volume (quarter morocco), gilt-lettered vertically “PYBRAC | SUITES 2” to spine; front cover with a hollow placement with the drypoint metal plate inside (plate #3), [3] blank wove paper leaves, [1] section title (s.t.) ‘AQUARELLE ORIGINALE’, [1] ink and crayon drawing, [1] s.t. ‘CROQUIS ORIGINAUX’, [5] ink drawings, [1] s.t. ‘PREMIER ÉTAT DES PLANCHES’, [31] plates on Van Gelder, [1] s.t. ‘SUITE EN NOIR SUR JAPON NACRÉ’, [31] plates, s.t. ‘SUITE COLORIÉE A LA MAIN’, [31] plates, [1] s.t. ‘PLANCHES REFUSÉS’, [5] plates, [1] coloured plate #13, [1] uncoloured plate #10, [3] wove paper blank leaves; total 118 leaves. Catalogue raisonné: Dutel (1920-70) № 2279 ; Fekete № 216; Nordmann (I) № 235; Vokaer 23. Ref.: honesterotica.com Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Henri Creuzevault (French, 1905 – 1971) – bookbinder. Seller's description: [ENRICHI & HORS-COMMERCE NON JUSTIFIÉ] Pierre LOUŸS - Marcel VERTÈS. Pybrac, illustré de trente pointes sèches d’un artiste inconnu. Paris, aux dépens d’un amateur, 1928. 3 volumes in-4 de 79 pages, 98 et 76 feuillets. Le volume contenant le texte est relié d'un plein chagrin havane à dos lisse, une pièce de titre en long et un filet doré à froid en bas (Creuzevault). Les deux autres volumes sont reliés à l'identiques, demi chagrin havane, dos lisse, pièce de titre en long, filets dorés sur le dos et filet doré à froid sur le bas et le long du mors. Le cuivre est placé dans le plat intérieur du volume 3, les suites dans le 2. Les deux premiers volumes sont rassemblés dans un étui. Illustré de 31 gravures originales dont 11 hors-texte par Marcel Vertès pour l’une des premières publications obscènes de Pierre Louÿs. Tirage à 30 exemplaires. La justification indique : "Il a été tiré de ce livre 30 exemplaires : 1 exemplaire unique sur Japon nacré avec trente croquis originaux, une suite en couleur, deux suites en noir et une épreuve des cinq planches refusées ; 29 exemplaires sur grand papier de Hollande Van Gelder avec une aquarelle originale, quatre croquis originaux, une suite en couleur, deux suites en noir et une épreuve des cinq planches refusées.". Exemplaire n°12 (Volume 1 Texte). Cet exemplaire est composé différemment soit : Volume 1, Texte : La couverture conservée, 5 dessins originaux à l'encre, 1 dessin sur papier bleu à l'estompe de couleur, le texte, les gravures in-texte et hors-texte. — Volume 2, Suites : les 31 planches en 3 états (1 en couleur et 2 en noir) et une épreuve des 5 planches refusées. — Volume 3, Suites 2 : 1 cuivre, 1 aquarelle, 5 dessins originaux à l'encre, 2 suites en noir, 1 suite coloriée à la main, 1 épreuve des 5 planches refusées, 1 dessin refusé à l'encre et à l'aquarelle et 1 dessin refusé à l'encre. Dutel précise : « Elle est ornée de 11 gravures originales hors-texte dont un titre et 20 gravures dans le texte par Marcel Vertès qui fut aussi l’éditeur de cet ouvrage. Il s’agit d’une des plus belles et des plus rares productions bibliophiliques de l’artiste. » Et surtout la plus rare… (Dutel 2279, pas à l’Enfer de la BnF). -
Hardcover volume, 19 x 13 cm, collated in-12mo, bound by Henri Creuzevault (signed) in full crushed brown morocco, spine with raised bands, gilt lettering “H. DE RÉGNIER | – | LA PÉCHERESSE” and “PARIS 1920” in the bottom compartment; gilt fillet to cover margin, five gilt fillets inside, marbled endpapers, bookplate of J.-P. Dutel to flyleaf, original yellow publisher’s wrappers preserved, top edge gilt, in a marbled slipcase; printed on dense wove paper (Japon). Inset: Receipt from Librairie ancienne et modern – Georges Venot (Lyon), dated April 16, 1938. Title-page / Cover: HENRI DE RÉGNIER | DE L’ACADÉMIE FRANÇAISE | – | La Pécheresse | HISTOIRE D’AMOUR | {publisher’s device} | PARIS | MERCVRE DE France | XXVI, RVE DE CONDÉ, XXVI | MCMXX || Limitation: 158 copies on Japon (№№ 1-158), 95 copies on Chine (№№ 159-253), 515 copies on Hollande (№№ 254-768), 1,650 copies on vélin pur fil de Lafuma (№№ 769-2393, and 25 copies not for sale marked A-Z. This is № 75 (on Japon), a unique copy enriched with 7 original watercolours by Serge de Solomko. Collation: 3 blank flyleaves, front wrapper, π6 (1 h.t./advert., 1 t.p./limit., 1 dedication, 3), 1-206, 212, back wrapper, spine, 3 blank flyleaves, list of illustrations pasted to recto endpaper “La Pécheresse. | 7 aquarelles de Solemko (sic.) | 57, 64, 168, 256, 289, 320, 346”, seven plates bound in as per the list. Pagination: [1-5] 6-350, ils. OCLC Number / Unique Identifier: 715077259. Contributors: Henri de Régnier (French, 1864 – 1936) – author. Auguste Gilbert de Voisins (1877 – 1939) – dedicatee. Sergueï Solomko [Сергей Сергеевич Соломко, Serge de Solomko] (Russian-French, 1867 – 1928) – artist. Henri Creuzevault (French, 1905 – 1971) – bookbinder. J.-P. Dutel description: RÉGNIER, Henri de. LA PECHERESSE. Paris, Mercure de France, 1920. In-12 (18,3 x 11,4 cm) de [1] f., 350 pp., maroquin janséniste grenat, dos à 5 nerfs, filets dorés intérieurs, tête dorée, filets dorés sur les coupes, non rogné, couverture et dos conservés, étui bordé. (Creuzevault). ÉDITION ORIGINALE. Tirage : 95 ex. sur chine. 158 ex. sur japon. 515 ex. sur hollande. UN DES 158 EXEMPLAIRES SUR JAPON. EXEMPLAIRE UNIQUE ENRICHI DE 7 AQUARELLES ORIGINALES HORS-TEXTE SIGNÉES PAR SERGE DE SOLOMKO. Sergueï Sergueïevitch Solomko « Serge de Solomko », (Saint-Petersburg, 1867- Sainte Geneviève des bois, 1928) est un illustrateur, graphiste et aquarelliste russe qui vécut en partie en France. Qualifiée d'histoire d'amour, cette œuvre d'Henri de Régnier est dédiée à Gilbert de Voisins, poète et romancier, en témoignage de fraternelle amitié. Elle est placée par son auteur sous les auspices du moraliste et critique libertin Saint-Evremond dont une citation figure en exergue du livre : « Il y a des temps où l'on pleure les plaisirs perdus, des temps où l'on pleure les péchés commis. » Et l'auteur d'incipiter comme suit : « J'ai toujours été si curieux des particularités que l'on découvre au caractère des femmes que, pas une fois, je n'ai négligé de m'instruire sur le sujet. » « (...) le point où se montre le mieux et le plus ouvertement ce que la nature les a faites, est celui de l'amour. » -
Album in-folio of 13 lithographs by Marcel Vertès, incl. title-page, each in a passe-partout 41.5 x 31.7 cm with 33.0 x 23.0 cm window, printed on wove paper sheets 38.0 x 28.0 cm and crayon-coloured by the artist; graphite pencil drawings by Marcel Vertès on the lower-right corner of each passe-partout; all in a buckram-backed flapped folder, signed ‘AT BOICHOT’, with an uncoloured title-page lithograph on front cover. Edition limited to 100 copies on Chine (№№ 1-100) and 900 on Vélin (№№ 1 to 900); this is a copy № 22 (Vélin), unique as enhanced by the artist. Double-folio leaf 41 x 31 cm with text by Pierre Mac-Orlan. These lithographs, uncoloured, were used in Pierre Mac-Orlan. Les jeux du demi-jour / avec douze lithographies de Vertès. — Paris: Les arts et le livre, 1926 [LIB-2893.2021]. Lithographed title-page: MAISONS.... | {vignette} | DOUZE LITHOGRAPHIES ORIGINALES | PAR | VERTÈS | ÉDITIONS PELLET ~ PARIS || Catalogue raisonné: Vokaer: № 5, p. 7; Nordmann (1): 423, p. 267. Contributors: Pierre Mac-Orlan (French, 1882 – 1970) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Gustave Pellet (1859 – 1919) – publisher. Thomas Boichot – bookbinder. Description by J.-P. Dutel: MAC ORLAN Pierre. VERTES Marcel. MAISONS... Douze lithographies originales. Paris, Editions Pellet, [1925]. In-folio (410 x 310 mm) de [4] ff. et 13 lithographies sous passe-partout dont un titre. Chemise en demi-soienoire, premier plat illustré de la même lithographie que celle utilisée pour le titre (AT Boichot). TIRAGE : 100 albums sur chine avant la signature gravée, chaque planche signée. 900 albums sur vélin. :Un des 900 albums sur vélin (n° 22). EXEMPLAIRE UNIQUE DANS LEQUEL LES 13 LITHOGRAPHIES ONT ÉTÉCOLORIÉES AUX CRAYONS DE COULEURS PAR VERTÈS. DE PLUS, CHAQUE PASSE-PARTOUT COMPORTE EN BAS À DROITE UN CROQUIS ORIGINAL À LA MINE DE PLOMB CORRESPONDANT À UNE VERSION PLUS LIBRE DELA LITHO. -
Description: Softcover, 28.5 x 19.5 cm, printed on laid paper watermarked “VAN GELDER ZONEN”, publisher’s original flapped cream wrappers, bookplate of J.-P. Dutel to first blank leaf, 17 leaves within the wrappers, unpaginated, plus three anonymous gouache plates, frontispiece watercolour to h.t. verso, watercolour vignette and ribbons to t.p., attributed by J.-P. Dutel to Jean Laprade (not found). Front wrapper (no vignette): VERS LIBRES | par | RAYMOND RADIGUET | Champigny | Au Panier Fleuri || Half-title: VERS LIBRES (no vignette) Half-title verso: watercolour vignette, lettered in script at the bottom: “Au ciel des Plages | Virginie….” Title-page (red and black): {ribbon} | VERS LIBRES | par | RAYMOND RADIGUET | {vignette} | Champigny | Au Panier Fleuri | {ribbon} || Edition: Limited edition of 125 copies, of which this is copy № 125. The first edition illustrated by Rojan (Feodor Rojankovsky) [LIB-2830.2021] did not state the paper maker, however, the paper is watermarked Arches. This copy is unique, lacking Rojan’s illustrations and enriched with watercolours and gouaches by anonymous artists. Later edition (1937) in this collection: LIB-2827.2021. Contributors: Raymond Radiguet (French, 1903 – 1923) – author. Description by the seller: RADIGUET Raymond. VERS LIBRES. Champigny. Au Panier Fleuri. [Paris, ca 1935]. In-8 broché. Première édition illustrée de 28 superbes compositions en couleurs par Feodor Rojankovsky dit Rojan. Tirage : 125 ex. sur vélin d’Arches. UN DES 125 EXEMPLAIRES SUR VÉLIN D’ARCHES. Exemplaire unique orné de 2 aquarelles originales dans le texte, non signées mais de Jean Laprade et enrichi de 3 gouaches anonymes hors-texte.1935 Rojan 1935 Anonym 
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Description: Hardcover, 19.3 x 15 cm, printed on thick wove paper watermarked “J. PERRIGOT MBM ARCHES (France)”, bound by Thomas Boichot (signed 'BOICHOT' on front pastedown) in silver buckram with a white floral diaper, original front wrapper preserved, top margin gilt; engraved bookplate of Roger Peyrefitte by Pierre-Yves Trémois, 1972, to front pastedown lettered “SEX | LIBRIS | ROGER | PEYREFITTE | {vignette} | Trémois | 72”; bookplate of J.-P. Dutel to binder’s flyleaf. Description by the seller: Plein papier à la Bradel, tête dorée, non rogné, premier plat de couverture conservé. (Boichot). Édition originale publiée en 1927 par René Bonnel ornée dans le titre d’une vignette gravée par Foujita. Tirage : 5 ex. sur Japon ancien. 100 ex. sur vélin d’Arches. EXEMPLAIRE UNIQUE. UN DES 100 SUR VÉLIN D’ARCHES (N°97), ENRICHI DE 8 AQUARELLES LIBRES. Provenance: Roger Peyrefitte (Ex-libris érotique gravé par Trémois). Collation: Pink front wrapper, lettered in frame “P. L. |—| PYBRAC |—| 1927”, 2 blank leaves, [1] h.t., [1] t.p. in red and black with engraved vignette by Foujita, [2] (Sur la chemise…), [2] f.t. / blank, [5] 6-98 [2 colophon/blank], 2 blank leaves, total 52 leaves plus four blanks and a wrapper. Title-page (red and black): PIERRE LOUŸS | PYBRAC | POESIES | {vignette} | CYTHÈRE | AU COQ HARDI || Edition: Limited edition of 105 copies of which this is copy № 97 on Arches paper, enhanced with eight in-text colour drawings by an anonymous artist (unique copy). Another unique copy of the same edition illustrated by an anonymous artist in this collection LIB-3130.2023. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Léonard Tsuguharu Foujita (Japanese-French, 1886 – 1968) – artist (t.p. vignette). Roger Peyrefitte (French, 1907 – 2000) – provenance. Pierre-Yves Trémois (French, 1921 – 2020) – artist (bookplate) René Bonnel (French, 1884 – 1975) – publisher. Thomas Boichot – bookbinder. -
Softcover, 26 x 16.5 cm, publisher’s grey wrappers lettered in black, unbound, in a green double slipcase; collated in-4to, 24 leaves folded in four, pp.: [8] [1] 2-174 [10], total 192 pages, ils. Title-page: CANDIDE, | OU L’OPTIMISME, | TRADUIT DE L’ALLEMAND | DE | Mr. le Docteur RALPH. | {fleuron} | — | MDCCCCXXXI || Collation: π4 1-214 222 22*4 χ2, total 96 leaves, all on laid paper but χ (Avis au relieur) on Arches wove paper (watermarked) plus frontispiece and 12 engraved plates after Jean Roy. Limited edition of 300 copies — 5 on Chine, 10 on Japon, and the rest (275) on Arches, not for sale; of which this is copy № 3, numbered and signed by the artist ‘au crayon rouge’. Catalogue raisonné: Dutel 1137. Contributors: François-Marie Arouet [Voltaire] (French, 1694 – 1778) – author. Jean Roy – artist; attributed by most to Marcel North (British-Swiss, 1909 – 1990), and by J.P. Dutel to Edy Legrand (French, 1892 – 1970). -
Description: Hardcover, in-folio, 32 x 23.5 cm, bound in dark blue morocco, boards and spine richly decorated in gilt, front cover gilt-lettered in Chinese [幽王寵褒姒], pictorial endpapers, laid paper with unicorn watermark, margins uncut, printing performed by Joh. Enschedé (Haarlem), pp. [10] 1-210 [6], total 226 pages, collated π5 1-532 χ2, first and last leaves blank, total 113 leaves plus 7 plates after Franz von Bayros, some signed; adorned with woodcut borders, frames, head- and tailpieces throughout. The binding work was done by Hübel und Denck (Leipzig) based on designs by Paul Renner. Title-page: DAS | SCHÖNE | MÄDCHEN | VON PAO | — | EIN CHINESISCHER | ROMAN VON | OTTO JULIUS BIERBAUM | — | PRACHTAUSGABE | MIT BILDERN VON BAYROS | — | Bei Joh. Enschedé en Zonen in | Haarlem gedruckt für Georg | Müllers Verlag in München || Catalogue raisonné: The amorous drawings of the Marquis von Bayros. — New York: Cythera Press, 1968. The Beautiful Maiden of Pao, pp. 153-8. Contributors: Otto Julius Bierbaum (German, 1865 – 1910) – author. Franz von Bayros (Austrian, 1866 – 1924) – artist. Johannes Enschedé (Dutch, 1708 – 1780) – printer. Joh. Enschedé (Haarlem) – printer. Hübel und Denck (Leipzig) – bookbinder. Paul Friedrich August Renner (German, 1878 – 1956) – designer. -
Description: Softcover, original blue-grey wrappers, maroon fleuron to front wrapper « P.L. {copulating couple} 1897. », 28.5 x 23 cm, in a grey double slipcase. Pp.: [1-10] 11-192 [2] [6 blanks], total 200 pages, 50 folio leaves folded in half collated in 4to, unbound, plus 16 coloured lithographs by Jean Berque; all printed on wove paper watermarked “LANA”. This is № 207 of an undisclosed number of copies. Edition enriched with a suite of 12 hand-coloured etchings after Éduard Chimot for publication in the late 1940s (Dutel 2524) on BFK Rives paper. Title-page (maroon and black): P. L. | TROIS | FILLES | DE LEUR | MÈRE | {fleuron} | A L'ENSEIGNE DU CHAT POUR CHAT | M DCCC XCVII || Catalogue raisonné: Dutel 2523, Pia 1340. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Jean Berque (French, 1896 – 1954) – artist. Édouard Chimot (French, 1880 – 1959) – artist. -
Russian translation of Louis-Sébastien Mercier. Tableau de Paris (1781). First edition, thus. Two volumes, 19.5 x 14 cm, uniformly bound in blue cloth with dark blue vignette to front cover and lettering to spine, in pictorial dust jacket; pp. vol. I: [I-VI] VII-LIII [LIV] [2] [2] 3-565 [566] [2]; collated 8vo: [I]-III8, IV4, [1]-358 364; total 312 leaves (624 pages) plus repro engraved frontispiece and 21 plates; vol 2: [1-10] 11-492 [4], collated 8vo: [1]-318; total 248 leaves (496 pages) plus 29 plates. Design by Н. В. Кузьмин. Title-page (black and red): ЛУИ-СЕБАСТЬЯН МЕРСЬЕ | КАРТИНЫ ПАРИЖА | Перевод В. А. Барбашевой | Редакция и комментарии | Е. А. Гунста | Статья Ц. Фридлянда | ТОМ ПЕРВЫЙ (ВТОРОЙ) | ACADEMIA | 1935(6) || Opposite t.p. (black and red): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | ЛУИ-СЕБАСТЬЯН МЕРСЬЕ | 1740—1814 | ACADEMIA | Москва—Ленинград || T.p. verso: LOUIS-SÉBASTIEN MERCIER | TABLEAU DE PARIS | 1781 | Супер-обложка и переплет | Н. В. Кузьмина || Print run: 5,300 copies. Catalogue raisonné: Крылов-Кичатова 747 (vol. 1), 838 (vol. 2). Contributors: Louis-Sébastien Mercier (French, 1740 – 1814) – author. Барбашева, Вера Александровна (Russian, 1875 – 1943) – translator. Гунст, Евгений Анатольевич (Russian, 1901 – 1983) – editor, comments. Фридлянд, Цви [Григорий Самойлович] (Russian-Jewish, 1897 – 1937) – author (preface). Kuzmin, Nikolai Vasilievich [Кузьмин, Николай Васильевич] (Russian, 1890 – 1987) – artist. -
Description: Hardcover, 24.5 x 20 cm, collated 4to, modern half crushed Morocco over marbled boards, raised bands, gilt fillets, fleurons, and lettering to spine, top margin gilt; pp.: [4] [1-5] 6-238 [2] [4]; 1-314, total 124 leaves, 20 in-text vignettes in colour after André Collot, b/w tail-pieces; printed on BFK Rives watermarked wove paper; original wrappers absent. Limitation: Print run of 331 copies of which this is copy № 255. Title-page (blue and black): ANDREA DE NERCIAT | FÉLICIA | OU MES FREDAINES | ORNÉ DE VINGT EAUX-FORTES | COLORIÉES A LA MAIN | PAR L'ARTISTE | PARIS | 1928 || Catalogue raisonné: Dutel (1920-1970) № 1556, p. 165. Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. André Collot (French, 1897 – 1976) – artist. Another copy of the same title with illustrations after Louis Icart in this collection: LIB-3046.2022. -
Hardcover, 20.2 x 13.6 cm, green cloth, gilt lettering to spine, in unclipped dust jacket, pp.: [1-8] 9-334 [2]. Title-page: THE HONORARY CONSUL | GRAHAM GREENE | {4 line citation} | {publisher’s device} | THE BODLEY HEAD | LONDON SYDNEY | TORONTO || © Graham Greene 1973. Printed by: William Clowes & Sons Ltd. (Beccles). Graham Greene (British, 1904 – 1991). -
Unbound volume in publisher’s wrappers, lettered in red “FELICIA | ou | mes fredaines”, in 29.7 x 23.6 cm purple and blue diaper cloth double-slipcase with a lettered label, 52 leaves folded in half, first and last blank leaves within the wrappers, pagination: [8] 1-186 [2] [4] (200 pages total); illustrated with 20 coloured etchings after watercolours by Louis Icart (signed), plates within collation, 8 b/w tail-pieces and coloured initials; the edition enriched with an original watercolour, an etched copperplate, and two suites of plates, one in black and one in sanguine. Edition printed on thick wove paper, margins untrimmed. Title-page (purple and black): ANDRÉA DE NERCIAT | Félicia | ou | Mes fredaines | ILLUSTRÉ | DE VINGT EAUX-FORTES ORIGINALES EN COULEURS | PAR | LOUIS ICART | GEORGES GUILLOT, ÉDITEUR | 7, RUE PERRONET | PARIS || Limitation: a print run of 500 copies numbered 1 to 500 plus 30 copies “exemplaires d’artiste, numbered I to XXX, of which this is number I. Catalogue raisonné:William R. Holland (1998): pp. 152-164. Ref.: [LIB-2785.2021] William R. Holland. Louis Icart: Erotica (A Schiffer book for collectors). — Atglen, PA: Schiffer Publishing Ltd., © 1998. Printed by Joseph Zichieri (text) and Manuel Robbe (etchings). Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. Louis Icart (French, 1888 – 1950) – artist. Solange et Georges Guillot, éditeurs – publisher (7, rue Perronet, Paris) Joseph Zichieri (Grench, mid-20th century) – printer. Ateliers en taille-douce de Manuel Robbe (French, 1872 – 1936) – engraver/printer. Watercolour:
Copperplate:
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Description: Hardcover, 24.5 x 16.5 cm, collated 8vo, bound in quarter green marbled sheepskin over buckram boards, publisher’s wrappers preserved. Front wrapper and title-page (red and black): LIANE DELORYS | JOUJOU | OU | LES LIBERTINAGES DU TRAVESTI | Orné de 16 héliogravures | PARIS | AUX GALANTS PASSE-TEMPS | 79, Rue de Vaugirard, 79 || Collation: [1]8 (2 blanks, h.t./advert., t.p./limit., text), 2-178 on laid paper (total 136 leaves) plus 16 photomechanical b/w plates, incl. frontispiece on thick wove paper. Pagination: [1-9] 10-269 [3], total 272 pages, ils. Limitation: a print run of 2,050 copies on vergé antique Hollande reserved for subscribers, of which this is copy № 379. Contributors: Author: Liane Delorys – pen name; the real name is unknown; according to various sources other pseudonyms of this author are: Liane Lauré, Liane de Lorys, Liane de Lauris, Lucette de Chata, and G. Donville. The latter may be a real name, though there is no information even about the gender of this person. Publisher: Aux Galants Passe-temps, i.e. Jean Fort or Jean-Marie Fort (French, fl. c. 1907 – 1839), also published under the name of ‘Collection des Orties Blanches’, ‘Bon Vieux temps’, ‘Au Cabinet du Livre’. Artist: Chéri Hérouard (French, 1881 – 1961). Printer: Darantiere (Dijon), i.e. Maurice Darantiere (French, 1882 – 1962). -
Title-page (in red on pictorial background): ПОДВИГ | ЭРМИТАЖА | ИЗДАТЕЛЬСТВО «АВРОРА» • ЛЕНИНГРАД || Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and red to front cover and spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-273 [274] [30], total 304 pages with 388 b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Layout by Liubov Rakhmilevich [Л. Рахмилевич]. Photography by Viktor Savik [В. Савик] and Leonid Bogdanov [Л. Богданов]. Design by Valery Ivanov [В. Иванов]. Russian twin edition to [LIB-3043.2022] S. Varshavsky, B. Rest. Saved for humanity: the Hermitage during the siege of Leningrad, 1941-1944. — Leningrad: Aurora Art Publishers, 1985 and [LIB-3042.2022] The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
© Aurora Art Publishers, Leningrad, 1985. Printed and bound in Finland. Title-page (in red on the pictorial background): SAVED FOR | HUMANITY | THE HERMITAGE DURING | THE SIEGE OF LENINGRAD | 1941-1944 | AURORA ART PUBLISHERS • LENINGRAD || Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and red to front cover and spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with 388 b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. Design by Valery Ivanov. A twin edition to [LIB-3042.2022] S. Varshavsky, B. Rest. The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
© Aurora Art Publishers: ISBN 0-8109-1406-9. Printed and bound in Finland. A pictorial album about the history and collections of The Hermitage museum in St. Petersburg during World War II. Title-page: in frame: THE ORDEAL | OF THE | THE SIEGE OF | LENINGRAD• | 1941 – 1944 | HERMITAGE; under the frame: Text by Sergei Varshavsky and Boris Rest | — | AURORA ART PUBLISHERS, LENINGRAD• | HARRY N. ABRAMS, INC., PUBLISHERS, NEW YORK || Description: Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and purple lettering to spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. A twin edition to [LIB-3043.2022] S. Varshavsky, B. Rest. Saved for humanity: the Hermitage during the siege of Leningrad, 1941-1944. — Leningrad: Aurora Art Publishers, 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
Mikhail Uspensky. Netsuke. Title-page: М. В. Успенский | — | НЭЦКЭ | {blank} | «Искусство» | Ленинградской отделение | 1986 || Hardcover, pictorial glossy paper, 17.2 x 12.6 cm; pp.: [2] 3-231 [232], 160 in-text b/w illustrations plus 16 leaves with 36 colour plates (pp. 233-263 unpag.) [264 colophon]; total 264 pages. Print run: 25,000 copies. Contributors: Uspensky, Mikhail [Успенский, Михаил Владимирович] (Russian, 1953 – 1997) Sisauri, Vladislav [Сисаури, Владислав Ираклиевич] (Russian, b. 1944) -
Mikhail Uspensky, Elena Varshavskaya. The netsuke and Japanese woodblock prints from the collection of S. P. Varshavsky. Printed by demand of The Hermitage Museum. Title-page (vertical bottom to top): ГОСУДАРСТВЕННЫЙ ОРДЕНА ЛЕНИНА | ЭРМИТАЖ | НЭЦКЭ | И ЯПОНСКАЯ | ГРАВЮРА | из собрания | С. П. Варшавского | КАТАЛОГ ВЫСТАВКИ | — | ЛЕНИНГРАД | “ИСКУССТВО” | ЛЕНИНГРАДСКОЕ ОТДЕЛЕНИЕ | 1983 | {vignette} || Description: Softcover, pictorial wrappers, 21.5 x 14.5 cm, pp.: [1-8] 9-42 [43-51] (b/w plates unpag.) [52] 53-76 [77-95] (b/w plates unpag.) [96] (colophon); total 96 pages plus four leaves of colour plates. Catalogue:137 entries of netsuke, 69 entries of Japanese woodblock prints. Print run: 3,000 copies. Contributors: Mikhail Uspensky [Михаил Владимирович Успенский] (Russian, 1953 – 1997) Elena Varshavsky [Елена Юрьевна Варшавская (Jewish-American, b. 1952) Vladislav Sisauri [Владислав Ираклиевич Сисаури] (Russian, b. 1944) Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). -
French and English lithography of the first half of the 19th century: Selected sheets from the collection of Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). New acquisitions at The Pushkin State Museum of Fine Arts (Moscow). Выпущено по заказу ГМИИ им. А. С. Пушкина; вступ. статьи В. А. Мишина и Ю. С. Варшавского; составитель каталога В. А. Мишин. (Produced under order of The Pushkin State Museum of Fine Arts (Moscow); introduction by V. A. Mishin and Yury Varshavsky). Softcover, glossy pictorial wrappers, 21.5 x 17 cm, 25 leaves, not paginated, frontispiece and 7 leaves of plates, 50 entries. Title-page: | — | ФРАНЦУЗСКАЯ И АНГЛИЙСКАЯ | ЛИТОГРАФИЯ | ПЕРВОЙ ПОЛОВИНЫ | XIX ВЕКА | ИЗБРАННЫЕ ЛИСТЫ ИЗ КОЛЛЕКЦИИ С.П. ВАРШАВСКОГО | — | НОВЫЕ ПОСТУПЛЕНИЯ | В ГОСУДАРСТВЕННЫЙ МУЗЕЙ | ИЗОБРАЗИТЕЛЬНЫХ | ИСКУССТВ | ИМЕНИ А. С. ПУШКИНА | {publisher’s device} | Москва | Советский художник | 1985 || -
Softcover, 21.5 x 17 cm, glossy pictorial wrappers, pp.: [2] 3-[52] [53-88] 89-90 [2]; total 92 pages, incl. 18 leaves of plates within collation, not paginated. -
An essay by Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980) about a poem Жди меня (Wait for Me, Zhdi menia) written by Konstantin Simonov [Константин Михайлович Симонов] (Russian, 1915 – 1979) in August 1941. Magazine, softcover, publisher’s wrappers, 20 x 12.5 cm, collated 16mo: [1]-916 (total 144 leaves), pp.: [2] 3-286 [2] (total 288 pages). Bimonthly (6 times a year) magazine "Вопросы литературы" (Questions of Literature, Voprosy literatury) published from 1957; circulation of 15,640 copies. Editor-in-Chief (1979-87): Мстислав Борисович Козьмин (Russian, 1920 – 1992). -
A book about the history and collections of The Hermitage museum in St. Petersburg during the October revolution of 1917. Hardcover, collated 16mo, 20,7 x 13.5 cm, grey cloth, black and blue lettering to front, blue lettering to spine, blue endpapers; collation: [1]8 2-1616 (total 248 leaves); pp.: [2] 3-493 [3] (total 496 pages) plus frontispiece. 1st edition (lifetime). Title-page: С. ВАРШАВСКИЙ | Б. РЕСТ | БИЛЕТ | НА ВСЮ | ВЕЧНОСТЬ | ПОВЕСТЬ | ОБ ЭРМИТАЖЕ | ЛЕНИЗДАТ • 1978 || Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Борис Борисович Пиотровский (Russian, 1908 – 1990). -
A book about the history and collections of The Hermitage museum in St. Petersburg during the October revolution of 1917. Paperback, 20 x 12.5 cm, 16mo, serial pictorial wrappers, blurb to rear; [1]-516 68( plates, not paginated) 7-816; pp.: [2] 3-204 [4]: 208 pages + 16 pages of plates, not paginated, 120 leaves, incl. plates. Title-page: «БМР» device // библиотека | молодого | рабочего | — | С. ВАРШАВСКИЙ | Б. РЕСТ | БИЛЕТ | НА ВСЮ | ВЕЧНОСТЬ | ПОВЕСТЬ ОБ ЭРМИТАЖЕ | В ТРЕХ ЧАСТЯХ | ЧАСТЬ ТРЕТЬЯ | ЛЕНИЗДАТ • 1986 || Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). -
A book about the history and collections of The Hermitage museum in St. Petersburg during the October revolution of 1917. Paperback, 20 x 12.5 cm, 16mo, serial pictorial wrappers, blurb to rear; [1]-716 88( plates, not paginated) 9-1016; pp.: [2] 3-260 [4]: 264 pages + 16 pages of plates, not paginated, 152 leaves, incl. plates. Library pocket and card to front wrapper verso. Ink stamp of the Hermitage museum library. Title-page: «БМР» device // библиотека | молодого | рабочего | — | С. ВАРШАВСКИЙ | Б. РЕСТ | БИЛЕТ | НА ВСЮ | ВЕЧНОСТЬ | ПОВЕСТЬ ОБ ЭРМИТАЖЕ | В ТРЕХ ЧАСТЯХ | ЧАСТИ ПЕРВАЯ И ВТОРАЯ | ЛЕНИЗДАТ • 1986 || Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). -
Description: 16mo, 20.2 x 13.5 cm, bound in blue buckram with gilt lettering to spine, in dust jacket lettered to front, spine, back, and flaps, price 13s6d net uncut; front has red letters “BGS” in the bottom right (probably stands for Book Grading Service); 1st edition. Title-page: THE | QUIET AMERICAN | by | GRAHAM GREENE | {publisher’s device} |—| WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || T.p. verso: FIRST PUBLISHED 1955 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Collation: [A]-H16; total 128 leaves. Pagination: [8] [2] 3-247 [248]; total 256 pages. Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) -
Title-page (text in frame): FRANCIS CARCO | RIEN QU'UNE | FEMME | {vignette} | EAUX-FORTES DE | CHAS LABORDE | — | PARIS — M.CM.XXV || Description: 4to, 24.5 x 20 cm, owner’s red cloth, yellow leather label with gilt lettering to spine, original wrappers bound in, woodcut bookplate “ИЗ КНИГ Ф.РОЖАНКОВСКАГО” to front pastedown; chapter titles and initials printed in pink. Collation: fep, 2 blanks before front wrapper, front wrapper with a black lettered pink label, 2 blanks, h.t., t.p., dedication, 1-204 212,2 blanks, rear wrapper, 2 blanks, rep; total 89 leaves within wrappers, plus 15 plates with tissue guards, incl. frontispiece – hand-coloured etchings by Chas [Charles] Laborde, extraneous to collation. In some copies, there are two additional plates. Pagination: [10] [1] 2-162 [2 colophon/blank] [4], total 178 pages. Limitation: Date of printing: September 15, 1925. Printer: Imprimeur Coulouma (Argenteuil) Print run: 267 copies of which 1 copy on Japon Ancien (№1), 15 on Japon Impérial (№№ 2-16), 60 on Hollande (№№ 17-76), and 200 copies on Vélin de Rives (№№ 77-276) ; this is copy № 82. Etchings printed on BFK Rives paper (embossed). Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970). Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Roger Lacourière (French, 1892 – 1966) – engraver. -
Description: exhibition catalogue, softcover terra-cotta paper with lettered black label to front and black lettering to spine, black endpapers; pp.: [1-6] 7-131 [132] plus colour frontispiece and 5 colour plates outside pagination, 190 entries with b/w in-text illustrations. Front cover (in the octagonal black label): UKIYO-E | PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD | 1680–1745 | THE ART INSTITUTE OF CHICAGO || Title-page: THE ART INSTITUTE OF CHICAGO | UKIYO-E PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD, 1680–1745 | An Exhibition in Memory of Margaret O. Gentles | November 6th–December 26th, 1971 | Catalogue by DONALD JENKINS || Foreword by Charles C. Cunningham, Tribute to Margaret O. Gentles by Jack V. Sewell. Contributors: Margaret O. Gentles (American, 1905 – 1969) Donald John Jenkins (American, b. 1931) Charles Crehore Cunningham (American, 1910 – 1979) Jack V. Sewell (American, 1923 – 2010) -
Description: In-8vo volume, 19.4 x 14 cm, bound in red cloth with gilt lettering to front cover and spine, in a pictorial dust jacket with a photo portrait of the author by Kay Bell to the rear, DJ and in-text illustrations by Maurice Sendak; pp. [i-x] xi-xvii [xviii] [2] 3-190, total 208 pages. Dust Jacket front: You Can't | Get There | From Here | {vignette} | OGDEN NASH || Title-page: OGDEN NASH | You Can't Get There | From Here | {vignettes} | DRAWINGS BY MAURICE SENDAK | Boston • LITTLE, BROWN AND COMPANY • Toronto || Edition: 1957, 8th printing; (1st edition in 1953) Contributors: Ogden Nash (American, 1902 – 1971) – author. Maurice Sendak (Jewish-American, 1928 – 2012) – artist. Kay Bell Reynal (American, 1905 – 1977) – photographer.
