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Actor Ichikawa Danjuro VII as Soga Goro Tokimune (one of the Soga brothers). Ichikawa Ebizô V held the name of Ichikawa Danjûrô VII from the 11th lunar month of 1800 to the 2nd lunar month of 1832. Artist: Utagawa Kunisada (Toyokuni III) [歌川 国貞] (Japanese, 1786 – 1865) Publisher: Uemura Yohei (Japanese, 1750 – 1832). Date: 1830 Size: Vertical ōban Signatures/Marks: Gototei Kunisada ga. Publisher's seal: Uemura Yohei. Censor's seal: Kiwame -
Vol. 1: A | BIBLIOGRAPHICAL | Antiquarian and Picturesque | TOUR | IN THE | NORTHERN COUNTIES OF ENGLAND | AND IN | SCOTLAND. | BY THE REVEREND | THOMAS FROGNALL DIBDIN, D.D. | CHAPLAIN IN ORDINARY TO HER MAJESTY. | VOL. I. |{device} motto: DEI OMNIA PLENA | LONDON: | PRINTED FOR THE AUTHOR BY C. RICHARDS, ST. MARTIN’S LANE : | AND SOLD BY JAMES BOHN, 12 KING WILLIAM STREET, STRAND, LONDON : | LAING AND FORBES, EDINBURGH : JOHN SMITH AND SON, | GLASGOW : AND E. CHARNLEY, NEWCASTLE. | MDCCCXXXVIII.|| Pagination: ffl, frontispiece by W. Douglas after T. M. Richardson, [i-ii] t.p. / blank; [iii-iv] - dedication to Frances Mary Richardson Currer (British, 1785 – 1861) / blank, [v] vi-xv – preface, [i] ii-xxx – supplement & index, [2] – corrections / colophon, [2] list of plates, [2] – contents, [1] 2-436, bfl; 11 plates extraneous to collation (incl. frontis.), lacking one plate (facing p. 213. “Thos. Bridges…”), in-text woodcut vignettes, head- and tailpieces. Collation: 8vo; π8 a-b8 [c2] B-Z8 2A-2E8 2F2. Vol. 2: Similar title but "VOL. II." Pagination: ffl, frontispiece portrait of Hugh Stewart, Aged 84 by Robert Bell after Alison (nothing known); [2] – t.p. / blank, [2] – contents / cont., [437-8] f.t. / blank [439] 440-1090, bfl; 453/4 misprinted 449/50; lacking list of subscribers. Collation: 8vo; π2 [2F3-2F6] 2G-2Z8 3A-3Z8. Binding: By J. Leighton, Brewer Street. Later half dark brown morocco over marbled boards, raised bands with gilt fillets, gilt titling and fillets in compartments, all edges gilt, marbled endpapers. Edition: 1st edition of Dibdin’s last major work and the only edition of this title. Size: 24.5 x 15.5 cm Provenance: Lord Ronald Gower (British, 1845 – 1916); Frank Hird (British, 1873 – 1937). Catalogue raisonné: Jackson 89; Windle & Pippin A65, pp. 179–188 [LIB-2669.2021]. Artists: Abraham, [I.] Frederic Henry (British, 1790 – 1845) Carmichael, James John Wilson (British, 1800 – 1868) Geikie, Walter (British, 1795 – 1837) Harraden, Richard Bankes (British, 1778 – 1862) Hill, David Octavius (British, 1802 –1870) McLea, John Watson (British, fl.1832-1861) Nixon, James Henry (British, b. c. 1808) Reynolds, Sir Joshua (British, 1723 – 1792) Richardson, Thomas Miles (British, 1784 – 1848) Scott, J. (British, fl. 19th c.) Wilkinson, T. M. (British, fl. 19th c.) Engravers: Aikman, Alison [spouse of George Aikman?] (British, 1788 – 1865) Bell, Robert Charles (British, 1806 – 1872) Byfield, Mary (British, 1794/5 – 1871) Douglas, William (British, 1780 – 1832) Harraden, F. (British, fl. 1838) Horsburgh, John (British, 1791 –1869) Johnstone, John (British, fl. 1835 – ) Leith & Smith, Lithogrs (Edinburgh) Lizars, William Home (British, 1788 – 1859) Miller, William (British, 1796 – 1882) Penny, William (British, fl. 19th c.) Prior, Thomas Abiel (British, 1809 – 1886) Robinson, H. (British, fl. 19th c.) Smith, Charles John (British, 1803 – 1838) Thomson, James (British, 1788 – 1850) -
A young woman playing a four-string musical instrument with a bow (kokyū). Series: Assortments of Beauties Accomplishments [美人芸盡] (Bijin gei-zukushi). Utagawa Kunisada [歌川 国貞]; a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Signed: Kochoro Kunisada ga [香蝶楼 国貞画] in a red double gourd cartouche. Publisher: Ibaya Kyūbei [伊場屋久兵衛] (Japanese, 1804 – 1851); seal: Hanmoto, Kyū [板元久] (Marks 19-040 | 126e) Date seal: Bunsei 12 (1829). Censors' seal: Kiwame. Size: Fan print (uchiwa-e). -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Signed: Kunisada ga [国貞画] in a red double-gourd cartouche Publisher: Unknown (no seal). Date: c. 1832 Izzard: "... red cloth decorated with the characters Yauan, one of Ichikawa Danjūrō VII [市川団十郎] (Japanese, 1791 – 1859) poetry names, and the name of his residence in Fukagawa. The absence of publisher's emblem and censorship seals may indicate that this was a privately issued print, not for public use". Ref.: [LIB-2967.2022] Utagawa Kunisada (1786 – 1865): His world revisited / Catalogue № 17, Exhibition March 17-21, 2021. — NY: Sebastian Izzard, LLC., 2021; p. 112-3, fig. 32). Size: Fan print (aiban uchiwa-e); 235 x 295 mm. -
Series: Pictures Associated with the Iroha Syllabary [伊呂波画合]. Artist: Utagawa Kuniyoshi [歌川 國芳] (1798 – 1861). Signed: Ichiyûsai Kuniyoshi giga [一勇斎 國芳戯画] (Playfully drawn by Ichiyūsai Kuniyoshi) in a red double-gourd cartouche with a kiri-mon seal beneath. Publisher: Iseya Ichiemon [伊勢屋市右衛門] (Japanese, fl. 1823 – c. 1864); seal [辻] (Marks 16-029 | 143a). Single nanushi censor seal: Mura [村] = Murata Sahei [村田佐右衛] (VI/1842 – V/1846). Media: Fan print (uchiwa-e, 団扇絵), 231 x 296 mm. Theme: The Treasury of Loyal Retainers [仮名手本忠臣蔵] (Kanadehon Chūshingura) – an 11-act puppet play composed in 1748, based on a historical event. "Most historians now agree that there were forty-seven rōnin of Ako who attacked and killed Kira Yoshinaka (吉良 義央, 1641 – 1703) in Edo in the twelfth month of 1702, twenty-two months after their lord Asano Naganori (浅野 長矩, 1667 – 1701) had been put to death for his own failed attempt on Kira’s life". [Henry D. SMITH II. The Trouble with Terasaka: The Forty-Seventh Rōnin and the Chūshingura Imagination / Japan Review, 2004, 16:3-65]. The reader shall remember that the fictional, romantic version of the Akō incident [赤穂事件] (Akō jiken) may not (and most probably does not) reflect the historical truth of events. Uncut fan print depicting a beautiful young woman covering another woman's mouth with a blue striped cloth, possibly an obi. The picture on the wall represents the scene from the final act of The Treasury of Loyal Retainers (Kanadehon Chūshingura, Act 11) when 47 loyal retainers (rōnin) of the late lord En'ya Hangan came to the house of Kō no Moronao in order to avenge their dead master. The leader of 47 rōnin, Ōboshi Yuranosuke, divided his accomplices into several groups which attacked the Moronao mansion from different directions. To coordinate the attack and keep communication among the groups, the rōnin were signing the first syllables of their names in the hiragana syllabary. There are two major types of the ordering of the hiragana syllabary, the Gojūon one and the Iroha order (pangram poem), the latter being used here. The number of avengers exactly matches the 47 letters of that syllabary. The group entering Moronao's house from the front gate was 'chi-ri-nu-ru-wo-wa-ka'. Yoshida Sadaemon Kanesada [葦田貞右衛門兼貞] (1675 – 1703) depicted on this fan print belongs to this group. The character on the lantern hanging from Yoshida's spear reads Chū [忠] – for Chūshingura. Alternating black and white triangles on the picture frame allude to the 'signature' 47 ronin's uniform. This motif is usually described as a zigzag pattern [雁木模様] (gangi moyō), a mountain-shaped pattern [山形模様] (yamagata moyō), or a mountain road [山道] (yamamichi). The rōnin were allegedly wearing this uniform in imitation of firefighters. The government allowed the firefighters alone to gather in large groups and carry equipment akin to that of the military. Such equipment was necessary for firemen to tear down the burning buildings to stop the flames. The design can be seen in Kunimaru's fan print [SVJP-0233.2018] in this collection.Fighting Moronao's guards, the 47 rōnin entered the mansion and searched for their enemy but in vain. Finally, Yazama Jujiro Motooki [矢間重次郎元興] found the villain in the charcoal chamber and called his friends. This is the exact moment we see in the picture on the wall: Yoshida entering the charcoal chamber with a spear in his hand amid falling baskets and charcoal. Kō no Moronao was brought to justice and beheaded; his head was offered before the memorial tablet of En'ya Hangan to appease his spirit. After that, Ōboshi Yuranosuke and his 46 friends committed seppuku. They were buried at Sengakuji (泉岳寺) – a small temple near Shinagawa in Edo (Tokyo).
Utagawa Kunimaru. Chūshingura, Act 11.
Another fan print from the same series can be found at Kuniyoshi Project:
The same subject is portrayed by Kuniyoshi in the series Mirror of the True Loyalty of the Faithful Retainers [誠忠義臣鏡] (Seichû gishin kagami), publisher: Kagiya Hanjirô, c. 1851 (Kuniyoshi Project) – Yoshida Sadaemon Kanesada (葦田貞右衛門兼貞) raising his sword amid falling baskets and charcoal:
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Hardcover volume, 20.4 x 13.1 cm, quarter contemporary calf over modern brown marbled board, printed on laid paper, pp.: [i-v] vi-xii, [13] 14-259 [260] blank; collated 8vo: 1-168 172; total 130 leaves. Title-page: DES | SOCIÉTÉS SECRÈTES | EN ALLEMAGNE, | ET EN D'AUTRES CONTREES; | DE LA SECTE DES ILLUMINÉS DU TRIBUNAL | SECRET, DE L'ASSASSINAT DE KOTZEBUE, ETC. | {two lines in rules} | PARIS, | LIBRAIRIE DE GIDE, FILS, | RUE SAINT–MARC–FEYDEAU, No. 20. | 1819. || Contributors: Vincent Lombard de Langres (French, 1765 – 1830) – author. Théophile-Étienne Gide (French, 1767 – 1837) – publisher. Seller's description: [LOMBARD DE LANGRES (Vincent)]. Des Sociétés secrètes en Allemagne, et en d'autres contrées. Paris, Gide fils, 1819 ; in 8°, demi basane fauve, dos lisse orné. Reliure de l'époque. Edition originale rare. L'auteur, révolutionnaire, fut ami de Danton et de Barras. Dans son ouvrage anti maçonnique, il dévoile les doctrines des sociétés secrètes, leurs principes, leur influence dans la société. Caillet 6770. -
Hand-coloured woodcut poster on wove paper, 622 x 417 mm; black ink stamp “4859” to reverse, horizontal centrefold. In a double frame, top: LOUIS-NAPOLÉON BONAPARTE, | REPRÉSENTANT DU PEUPLE, | Président de la République française. Text under the image ; bottom left: (Déposé.— Propriété de l’Éditeur.); right: Fabrique de PELLERIN, Imprimeur-Libraire, à ÉPINAL. Jean Charles Pellerin (French, 1756 – 1836) – printer/publisher. -
Uncut fan print (uchiwa-e) with the design of kabuki actor Nakamura Utaemon IV who held the name of Nakamura Shikan II from the 11th lunar month of 1825 to the 12th lunar month of 1835, dressed in a checkered kimono, holding a pipe and surrounded by flying fireflies. Character: Nakamura Utaemon IV [中村歌右衛門] (Japanese, 1796 – 1852); other names: Nakamura Shikan II, Nakamura Tsurusuke I, Nakamura Tōtarō. Series title: Catching fireflies in the floating world [浮世蛍狩] (Ukiyo hotarugari). Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Toyokuni III (Japanese, 1786 – 1865). Signed: Kōchōrō Kunisada ga [香蝶楼国貞画] in a red cartouche. Publisher: Ibaya Kyubei [伊場屋 久兵衛] (Japanese, fl. 1804 – 1851); seal: modified Marks 19-009 | 126d. Censor's seal: Kiwame Date seal: Tenpō 2 (1831). Ref: Kunisada.de, N58. A look-alike yearlier Kunisada's design can be found at kunisada.de, ref. # N120-Z0172-410:
Actor Onoe Baikō, artist Kunisada, publisher Ibaya Kyūbei, c. 1820.
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Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a red toshidama cartouche Block carver: Yokokawa Takejirō [横川竹二郎] (Japanese, fl. 1845 – 1863); seal: Hori Take [彫竹]. Publisher: Iseya Magobei [伊勢屋孫兵衛] (Japanese, fl. c. 1794 – 1868); seal: Hanmoto, Masu [板元, 益] (Marks 19-039 | 150d). Date-aratame seal: Ansei 2 (1855). Title: Time in Fukagawa, Iyo Province (Fukagawa Iyo setsu). Ref.: [LIB-3008.2022] Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900. — Tuttle Publishing, 2010; p. 221. –> 1855 Kunisada. "Iyo Province-time at Fukagawa" (Fukagawa Iyo setsu). Fan print. Japan Ukiyo-e Museum, Matsumoto. -
Lithography on paper by Charles Fichot (French, 1817 – 1903), published in a supplement to the Illustrated London News of July 6, 1867.
The construction on the foreground is the International Exposition of 1867 (Exposition universelle d'art et d'industrie de 1867). Dimensions: Sheet: 130 x 58 cm; Image: 118 x 43 cm. -
Artist: Utagawa Kuniyoshi [歌川 國芳] (Japanese, 1798 – 1861) Publisher: British Museum provides for the title as Enkyoku-zoroi [艶曲揃] (Set of Voluptuous Melodies) and the publisher as Sanpei. Indeed, 三平 (Sanpei) was a wholesale fan shop at the end of the Edo period. However, Andreas Marks identifies the publisher’s seal as 三平 Mihei = Mikawaya Heiroku (1848-56), a member of the Fan Producing Guild (AM 11-016|325a). Block carver: Hori Take [彫竹]Signed: Ichiyosai Kuniyoshi ga in a red cartouche and sealed with paulownia (kiri mon).
Date seal and double nanushi censor seals: Fuku & Muramatsu, 1853 (Kaei 6, 2nd month).
Size: Uchiwa-e (untrimmed fan print) 229 x 294 mm.
Provenance: The Collection of Paul F. Walter, Christie's, New York, 2017, lot 338; sold together with 10 other fan prints for $27,500. Before: Christie's, New York, 1994, lot 145 ($4,830). Ref: [LIB-1693.2018] The Collection of Paul Walter. — NY: Christie's, 2017, p. 361. Ref: Israel Goldman, Catalogue 2018, № 41: "Utagawa Kuniyoshi (1797-1861) A Woman on a Terrace Dancing with a Fan. From the series Enkyoku zoroi (Collection of Charming Music). 1853. Fan print. 22.9 x 29.4 cm. Provenance: Japanese Prints, Paintings and Screens, Christie's, New York, 1994, lot 145 ($4,830); The Collection of Paul F. Walter, Christie's, New York, 2017, lot 338. Fine impress." Known prints in this series:
SVJP-0251.2018
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Hardcover, 28 x 20 cm, quarter sheepskin over marbled boards, marbled endpapers, gilt lettering to flat spine with gilt fillet bands, clipping pasted to front fep verso. Title-page: GRANIER DE CASSAGNAC — PAUL DE CASSAGNAC | ~ | HISTOIRE POPULAIRE | ILLUSTRÉE | DE | L'EMPEREUR NAPOLEON III | TOME I (II) | {publisher’s device} | PARIS | E. LACHAUD ET Cie, LIBRAIRES-ÉDITEURS | 4, PLACE DU THÉATRE-FRANÇAIS, 4 | – | Tous droits réservés || Collation: (v.1) π2 [1]-504, (v.2) π2 1-494; total 400 leaves plus albumen photograph pasted to frontispiece and 96 full-page woodcuts within collation. Pagination: [4] [1] 2-398 [2], [4] [1] 2-390 [2], ils.; total 800 pp. Contributors: Bernard Adolphe Granier de Cassagnac (French, 1806 – 1880) – father. Paul Adolphe Marie Prosper Granier de Cassagnac (French, 1843 – 1904) – son. -
Hand-coloured woodcut on wove paper, 270 x 380 mm; attached to the sheet 303 x 442 mm with pencil ms inscription to the top left corner on the reverse: “Haye le 2-3-75”. Top: "MORT DE L'EX-EMPEREUR NAPOLÉON III (le 9 janvier 1873, à Chislehurts [sic], Angleterre)." Bottom right: "Imp. Lith. CH. PINOT, éditeur. Épinal (Dépose)". Bottom left corner of the image sheet torn and manually restored. Text partially lost, starting with « d’une opération pour l’extraction de la pierre, maladie dont’ il souffrait depuis plu-… ». See Chislehurst. Charles-François Pinot (French, 1817 – 1879) – publisher/printer. -
Engraved title page: ILLUSTRATION | OF | TIME. | GEORGE CRUIKSHANK. | "THERE IS A TIME FOR ALL THINGS". | TEMPUS EDAX RERUM. | LONDON | Published May 1st 1827 by the Artist - 22 Myddelton Terrace Pentonville. - Sold by Js. Robins & Co. Ivy Lane Paternoster Row.
Oblong folio, 33.5 x 44 cm. Engraved vignette title page and six not-coloured engraved plates with multiple images showing thirty-five humorous scenes.
First edition, first issue. Uncoloured. Pristine condition.
Half-leather bound in marbled cardboard and red morocco and gild lettering and arabesque. Frontispiece and 6 plates with protective tissues.
Content:1. Time-Called & Time-Come (five sketches)
2. Behind Time (seven sketches)
3. Time Thrown Away (six sketches)
4. Hard Times [&] Term Time (five sketches)
5. Time Badly Employed (five sketches)
6. Christmas Time (seven sketches)
British Museum № 1978,U.3026.1. BM description: "Frontispiece, the title on a background of symmetrical but dilapidated and grass-grown masonry. On the summit stands a little laughing gnome, with a wide hat and a body formed of an hour-glass; Inset is an oval bordered by a serpent with its tail in its mouth (emblem of eternity), in which is an aged and all-devouring Time (bald except for a forelock), seated behind a table whose surface is the base of the design. He puts to his mouth a fork on which is speared an elephant with a castle on its back containing tiny figures with spears. In his r. hand is a spoon containing a country church. His table is covered with dishes, and at his r. hand is a sickle. The central and biggest dish is heaped with a jumble of tiny objects: crown, table, chair, wheelbarrow, picture; round the room sit little figures: a soldier, parson, lady and child, &c. The ten other dishes contain: an antique glass coach with horses and footmen; an overladen camel beside a palm-tree; ruins of a castle; a farmhouse; a shepherd and sheep; a dismantled cannon and balls, cattle, a man-of-war in full sail; a ruinous Gothic cathedral; a clump of trees (the last two are dominated by a large decanter). Below Time are two (Egyptian) pyramids. Above: 'There Is A Time For All Things'; below: 'Tempus Edax Rerum'. 1 May 1827. Etching."Bibliography:- Reid, G W, A descriptive catalogue of the works of George Cruikshank, London, 1871.
- Stephens, Frederic George; George, Mary Dorothy, Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, 11 vols, London, BMP, 1870.
- Cohn, A M, George Cruikshank, catalogue raisonné, London, 1924.
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![George Cruikshank's omnibus / edited by Laman Blanchard. – London : Tilt and Bogue, 1842. – [2], vi, [2], [2] 300 p., [22] leaves of plates : ill's.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2558.2020-6-500x500.jpeg)
Title: GEORGE CRUIKSHANK'S | OMNIBUS. | ILLUSTRATED WITH ONE HUNDRED ENGRAVINGS ON STEEL | AND WOOD. | "De omnibus rebus et quibusdam aliis." | EDITED BY LAMAN BLANCHARD, ESQ. | LONDON : | TILT AND BOGUE, FLEET STREET. | MDCCCXLII. Pagination: ffl, [2] – blanks [i, ii] – blank / engraved t.p. w/guard, [iii, iv] – t.p., colophon] [v], vi – contents, [vii, viii] – h.t. / blank, [ix] – list of etchings on steel, [x] – list of wood-cuts, [2] – blank, frontis. engraves portrait of G. Cruikshank; [1] 2-300 [2] – blanks, bfl; 22 full-page steel engravings (three not by Cruikshank) and 78 woodcuts. As per A. M. Cohn: i-ii+i-viii+1-2+1-300. Binding: 24 x 14 cm, later full red morocco by Kelly and Sons with gilt and embossed designs to covers, designs, title and year lettering to spine, facsimile in gilt of Cruikshank's signature to front cover, gilt line to inner edges, top edge gilt, marbled endpapers. Armorial bookplate of Harold A. Wernher of Luton Hoo to front pastedown. Major-General Sir Harold Augustus Wernher (1893 – 1973) – British military officer. Originally bound in green, then red cloth, this binding by Kelly and Sons (Packer, Maurice. Bookbinders of Victorian London. London: British Library, 1991 page 84). A. M. Cohn № 190, p. 65-66. Motto translation: (About all things and something more besides). -
An uncut fan print shows a young woman holding a basket on a landscape background with hills and pines under a rising sun. Haruo Shirane: "Under the luni-solar calendar, the New Year coincided with the beginning of spring, making it the most important observance of the year for the aristocracy. In the Heian period, New Year ceremonies extended from New Year’s Day (Ganjitsu) to the Day of the Rat (Nenohi), which usually fell on the seventh day of the First Month, when courtiers went out to the fields (no), pulled up small pines, and gathered new herbs (wakana) as a prayer for long life. This ritual gradually spread to the provinces and to commoners, eventually resulting in the New Year practice of the gate pine (kadomatsu), in which a pair of small pines was placed at the gate of a house. A popular Heian-period painting topic representing the First Month was “prayers on the Day of the Rat” (Nenohi no asobi), which depicted the auspicious scene of pulling up small pines in a spring field. Both young herbs and gathering young herbs, particularly at Kasuga Field, became major poetic topics for the First Month, appearing in both the spring and celebration (ga) books of the Kokinshū (Collection of Japanese Poems Old and New, ca. 905). By the Kamakura period, the observance of the Day of the Rat had been abandoned at the imperial court, but the custom of gathering and eating young greens continued as the annual ceremony known as the Seven Grasses (Nanakusa). Note: The Heian-period ritual of pulling up the roots of small pines (komatsu ) on the first Day of the Rat derives from the homonyms ne (rat) and ne (root). Pulling up roots was auspicious, since it implied lengthening the year. The rising sun (hinode) was considered an auspicious sight, particularly at the beginning of the year". [Haruo Shirane, Japan and the Culture of the Four Seasons. Nature, Literature, and the Arts. — Columbia University, NY, 2012]. Title: Gathering of the young herbs on the Day of the Rat [子の日乃若菜] (Nenohi no wakana). Series: Three elegant sources of light [風流三光の内] (fūryū sankō no uchi); meaning the sun, the moon and the stars). Artist: Utagawa Kunisada [歌川 国貞]; a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a yellow toshidama cartouche. Publisher’s seal: Izuzen (Marks: seal 06-029 | U103b) Date and double nanushi censor seals: Mera and Watanabe, Kaei 6 (1853). A similar theme can be found in Kunisadai's triptych published in about 1844 (HARA SHOBO):
豊国三代「豊歳子日若菜摘ノ図」
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Above the frame: PLAN DE PARIS EN MDCCCLIII. Below the frame: Gravé par F. DELAMARE […] PARIS. TYP. DE FIRMIN DIDOT FRÈRES, 56, RUE JACOB. […] PANICONOGRAPHIE DE GILLOT. Q. ST. MICHEL 23. Dimensions: Sheet: 37 x 52.5 cm: Image: 33 x 50 cm. Technique: Photozincography Contributors: Ferdinand Théodore Delamare (French, fl. 1850 – 1889) – engraver. Firmin Didot Frères ; Firmin Didot (French, 1764 – 1836) – publisher. Firmin Gillot (French, 1819 – 1872) – printer. -
Utagawa Kunisada [歌川 国貞]; a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a yellow toshidama cartouche. Publisher: Unknown, seal [久] Kyū (Japanese, fl. c. 1851 – 1861); (Marks 07-023 | U176a, possibly Sagamia Kyūzō). Date seal and double nanushi censor seals: Fuku & Muramatsu, Kaei 6, 2nd month (2/1853). Inscription in a red cartouche: (Purple of Edo // Purple of the Bay Capital) [江都むらさき] (Edo Murasaki), alluding to Murasaki Shikibu [紫 式部] (Japanese, c. 973/8 – c. 1014/31), the author of Genji Monogatari [源氏物語] (The Tale of Genji), a Heian period novel which was the source of a parody Nise Murasaki Inaka Genji [偐紫田舎源氏] (Fake Murasaki’s Rustic Genji) by Ryutei Tanehiko [柳亭種彦] (Japanese, 1783 – 1842). According to Horst Graebner: The actor is Ichikawa Danjūrō VIII. Ichikawa Danjūrō VIII [市川団十郎] (Japanese, 1823 – 1854); other names: Ichikawa Ebizō VI, Ichikawa Shinnosuke II. One of the series of Kunisada’s fan prints in this collection:
