//Mid-20th Century
  • Description: Hardcover 26.5 x 19 cm, grey cloth, red lettering in kanji over black stripe to front, lettering to spine, tan endpapers, pictorial slipcase 27 x 19.5 cm; pp.: [1-6] 7-95 [96], pasted frontispiece and 79 colour illustrations with captions, within a collation. Series Masterworks of ukiyo-e, №8. ISBN: 9780870110986; 0870110985. Ref.: Worldcat Title-page (in frame): MASTERWORKS OF UKIYO-E | "THE DECADENTS” | by Jūzō Suzuki and Isaburō Oka | translation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A. || (Vertical text in kanji to the right, between rules). Artists: Utagawa Kunisada (Japanese [歌川 国貞], 1786 – 1865); Utagawa Kuniyoshi (Japanese [歌川 国芳], 1798 – 1861); Keisai Eisen [Japanese [渓斎 英泉], 1790 – 1848). Contributors: Jūzō Suzuki [鈴木重三] (Japanese, 1919 – 2010) – author. Isaburō Oka [岡畏三郎] (Japanese, 1914 –2010) – author. John Bester (British, 1927 – 2010) – translator Kunisada's fan print in this collection (exactly the same copy) [SVJP-0380.2022]:
  • First MGM edition, original maroon cloth, front and spine panels stamped in gold with decorations and lettering, partially darkened, wrap-around dust-jacket, chipped and torn near the head of spine with some loss, small chip and larger closed tear to lower panel. Photoplay edition. Film tie in edition for the 1926 French silent film which does not exist at this time in a full version. The front and rear panels depict scenes from the film. Bleiler (1978), p. 161. Not in Reginald (1979; 1992). Pagination: [2] – blank / advert., [2]  – t.p. / coloph., [4] –advert.  / editor's note, [2] – advert. / blank, [13] 14-251 [252: printer's imprint] [2] – blanks, note: [first and last leaves used as front and rear paste-downs]. Dimensions: 17 x 10.7 cm. Publisher: The Readers Library Publishing Company Ltd. (London). Publishing Year: 1927 (not indicated). Description of Shapero Rare Books, London: An attractive copy from this popular series of film editions, notable for their use of actors and scenes from the film version in question on the wrap-around dust-jacket, and sometimes photographic plates. A number of the film-makers involved were exiles from the Russian Revolution of 1917. The film's art direction was by Eduardo Gosch (Russian, American, 1890 – ?), César Lacca, Alexandre Lochakoff (Russian, French, fl. 1918–1939), Vladimir Meingard and Pierre Schild [Lakka Schildknecht] (Russian, Spanish, 1897 – 1968) who recreated the atmosphere of mid-nineteenth century Tsarist Russia. “Jules Verne has written no better book than this, in fact, it is deservedly ranked as one of the most thrilling tales ever written." Leonard S. Davidow, Classic Romances of Literature, 1937.
     
  • A portfolio of nine heliogravures after Jules Pascin. Cloth-backed cardboard portfolio 420 x 335 mm with 9 heliogravures on slightly tinted india paper, each numbered in pencil and mounted into a passe-partout 410 x 318 mm. Copy № 25 out of 40 printed on india (chine) paper. Copy № 25 of 40. Title (red and black): EROTIKON | PAR | PASCIN | | BRUXELLES | MCMXXXIII || Limitation: CET | ALBUM | A ÉTÉ TIRÉ | A | QUARANTE ET UN EXEMPLAIRES | NUMÉROTÉS | DONT | UN EX. SUR PAPIER ANCIEN | & | QUARANTE EX. SUR CHINE | No (ms 25/40) || Catalogue raisonné: Dutel III № 1498. Seller's description:Neun Heliogravüren. 1933. Meist ca. 30 : 35 cm. Nummeriert. Exemplar 25/40 (Gesamtauflage 41). – Die Heliogravüren auf leicht getöntem China, jedes Blatt mit Bleistift nummeriert und in Passepartouts montiert. – Die neun Passepartouts eingelegt in zwei Büttenumschläge, einer mit Titel und dem nummerierten Auflagenvermerk, der zweite unbedruckt, ferner Büttenumschlag mit Titel in Rotdruck und Halbleinenchemise. – Die Heliogravüren erschienen 1933, drei Jahre nach Pascins Tod bei Daragnes in Paris mit der fingierten Angabe »Brüssel«. – Das berühmte Mappenwerk bildet eine der großen Seltenheiten der erotischen Kunst. Die Motive Pascins beschreibt das Bilderlexikon als »eine Art ›Boheme-Rokoko im Montmartre-Milieu‹« und lobt den Künstler: »Er ist ein außerordentlicher Zeichner, der es versteht, bei allem Zynismus, der seinen exhibitionistischen Charakter nicht verleugnet, auf diesem Kulturdünger eine neuartige Blume voll graziöser Schönheit erblühen zu lassen.« Mappe: 42 : 33,5 cm. – Der äußere Büttenumschlag mit leichtem Wasserrand. – Zwei Heliogravüren minimal stockfleckig, sonst tadellos und absolut vollständig. Dutel 1498 (mit Auflagenvarianten). – Der kalte Blick S. 198ff. – Bilderlexikon II, 718.
  • Title: Joseph Burke and Colin Caldwell | Hogarth | The Complete Engravings | Harry N. Abrams, Inc., Publishers, New York || Pagination: [1-4] 5-30 (text), unpaginated: 128 leaves of illustrations (267 plates), 16 leaves of descriptions, folding list of plates: total number of leaves 160, incl. one folding. Exterior: 34 x 24.5 cm, hardbound; original brown cloth, silver lettering to spine, pictorial DJ. Harry N. Abrams (British-American, 1905 – 1979). Joseph Terence Burke (British, 1913 – 1992). Colin Caldwell (British, 1913 – 1989).
  • Title: This Solemn | Mockery | THE ART OF LITERARY FORGERY | John Whitehead, A.L.A. | Arlington Books {device} London Pagination: [2] – h.t. / blank, [2] – t.p. / imprint, [2] –contents / acknowledgement, 1-177 [178 blank]; 4 leaves of plates (total 96 leaves). Binding: 22.2 x 14.2 cm; hardcover, aubergine cloth, silver lettering to spine, pictorial dust jacket. ISBN-10: 0851402127
  • Title page: Romeyn de Hooghe | the etcher | Contemporary portrayal of Europe 1662-1707 | {Space} | A. W. Sijthoff-Leiden | Oceana-Dobbs Ferry N.Y. | MCMLXXIII || Pagination: [1-7] 8-406 colophon, [2 blank], ils. Binding: Oblong 24.6 x 34 cm, green cloth with gilt lettering to front cover and spine, in a pictorial slipcase 25.3 x 34.1 cm. Edition: 1st edition, limited to 1,000 copies, this is copy № 97 (stamped in black ink). Contributors: Romeyn de Hooghe (Dutch, 1645 – 1708) – artist. John H. Landwehr (Dutch, 1924 – 2015) – author. Verenigde Offset-Bedrijven BV (Hardenberg) – printer.
  • Title page: JOHN LANDWEHR | ROMEYN DE HOOGHE | (1645-1708) | AS BOOK ILLUSTRATOR | A BIBLIOGRAPHY | {space} | 1970 | AMSTERDAM: VANGENDT & CO | NEW YORK: ABNER SCHRAM || Pagination: [1-6] 7-247 [248 blank], ils. Content:109 entries, concordance table and 12 pp. of indices. Binding: 27.3 x 19.7 cm, green cloth, silver lettering to spine, pictorial dust jacket. ISBN: 90 6300 467 2. Contributors: Romeyn de Hooghe (Dutch, 1645 – 1708) John Landwehr – author.

    Van Gendt & Co. (Amsterdam) – publisher.

    Abner Schram Ltd. (NY) – publisher.    
  • Hardcover volume, 20.2 x 14.5 cm, aubergine cloth, gilt lettering and publisher’s device to spine, aubergine top edge, aubergine dust jacket with gilt lettering and black fleuron to front, gilt lettering and black fleuron and publisher’s device to spine, and a captioned photographic portrait to back, blurb text to flaps, price ”35s net | in U.K. only” unclipped; pictorial endpapers. Pp.: [1-8] 9-445 [446] [2], collation: A-O16, total 224 leaves. Title-page (in oval frame): JOHN FOWLES | THE | FRENCH | LIEUTENANT'S | WOMAN | — | Every emancipation is a restoration of the human | world and of human relationships to man himself. | MARX, Zur Judenfrage (1844) | JONATHAN CAPE | THIRTY BEDFORD SQUARE | LONDON || Contributors: John Fowles (British, 1926 – 2005) – author. Herbert Jonathan Cape (British, 1879 – 1960) – publisher. Ebenezer Baylis & Son, Ltd. (f. 1858) – printer. The Trinity Press – printer.
  • Title: TASTE & TECHNIQUE | IN | BOOK-COLLECTING | A study of recent developments in | Great Britain and the | United States | BY | JOHN CARTER | SANDERS READER IN BIBLIOGRAPHY | AND SOMETIME SCHOLAR OF | KING’S COLLEGE | {space} | {publisher’s device} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1949 || Half-title: TASTE & TECHNIQUE | IN | BOOK-COLLECTING | The Sanders Lectures in Bibliography | 1947 || Pagination: [i-vi] vii-x [xi] [xii blank], 1-201 [202 blank] [2] – advert. / blank, total 12+202+2=216 pages. Collation: 8vo; π6 1-128, 136, total 108 leaves. Binding: 22.5 x 15 cm, red cloth, gilt lettering to spine, lettered dust-jacket with armorial publisher’s device in red, price-clipped. Edition: 1st edition (1948), 2nd impression, corrected (1949). Contributors: Carter, John Waynflete (British, 1905 – 1975) – author. Cambridge University Press (Cambridge) – publisher. Brooke Crutchley – printer.
  • Title: ABC | FOR | BOOK-COLLECTORS | BY | JOHN CARTER | {publisher’s device} | RUPERT HART-DAVIS | SOHO SQUARE LONDON | 1952 | [TITLE-PAGE] || Pagination: [1-6] 7-191 [192 advert.], total number of pages 192. Collation: 8vo; [A]8 B-M8, total number of leaves 96. Binding: 21 x 13.5 cm, aubergine cloth, gilt lettering to spine, pictorial endpapers; cream unclipped (15s. net) dust-jacket with the sea-green panel in a border, with a fleuron frame, black and cream lettering, and publisher’s device to front; lettering to spine and back; folded prospectus insert loose. Edition: 1st. Contributors: Carter, John Waynflete (British, 1905 – 1975) – author Hart-Davis, Sir Rupert Charles (British, 1907 – 1999); Rupert Hart-Davis Ltd. (London) – publisher. Hazell, Watson and Viney, Ltd. – printer.
  • Title-page: JOHANN WOLFGANG GOETHE | DAS TAGEBUCH | Mit handkolorierten Zeichnungen von Max Schwimmer || Description: Oblong cardboard binding 24.5 x 17.5 cm, with sanguine vignette to front cover, 28 unpaginated leaves, 24 hand-coloured etchings on verso of each leaf with text on recto, numbered edition, this is № 549, signed by the artist (pencil). Contributors: Max Schwimmer (German, 1895 – 1960) – atrist. Johann Wolfgang von Goethe (German, 1749 – 1832) – author.
  • Hardcover volume, 22.5 x 19.5 cm, collated 4to, owner’s terracotta cloth with gilt-lettered black label to spine, publisher’s wrappers preserved, pp.:3 ffl, front wrapper, 3 ffl, [2] h.t./limit, [2] t.p./blank, 1-228 [2] 3 ffl, back wrapper, 3 ffl. Collation: π3 1-314 323. (130 leaves, incl. plates). Title-page (pink and black): Bonne-fille | PAR | JEAN VIOLLIS | Illustrations de | DIGNIMONT | {vignette} | A PARIS | La Collection Originale | ÉDITIONS MORNAY | 37, BOULEVARD DU MONTPARNASSE | MCMXXVI || Illustrations: 14 full-page colour plates, incl. frontispiece and endpiece, within collation but not within pagination, verso blank, and numerous head- and tailpieces and in-text stencil-coloured (au pochoir) lithography after André Dignimont. Limitation: A print run of 628 copies for sale, of which 18 on Japon Ancien, 30 on Japon Impérial, 90 on Hollande, 490 on Rives (139-628), plus 50 copies not for sale. Printed on May 12, 1926, at l’Imprimerie Kapp (Vanves), this copy is № 380. Provenance: Feodor Rojankovsky, pictorial bookplate “ИЗ КНИГ РОЖАНКОВСКАГО” to front pastedown, ms inscription to front ffl2 top “TH. ROJANKOWSKY | 14 VIII 30” in block letters. One of the possible transliterations of Feodor Rojankovsky's name is Theodor Rojankowsky. Contributors: Jean-Henri d'Ardenne deTizac [JeanViollis] (French, 1877 – 1932) – author. André Dignimont (French, 1891 – 1965) – artist. Frédéric Emile Kapp (French, 1851-193?) – printer. Georges Mornay (French, 1876 – 1935) et Antoinette Mornay – pubishers. Feodor Rojankovsky [Rojan; Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – provenance.
  • Title page: MYSTERIES OF THE | FRENCH SECRET POLICE | by | JEAN GALTIER-BOISSIÈRE | FOUNDER AND EDITOR OF ‘CRAPOUILLOT’ | Translated by | RONALD LESLIE-MELVILLE | AUTHOR OF | ‘THE LIFE AND WORK OF SIR JOHN FIELDING’, ETC. | WITH 22 ILLUSTRATIONS | London | STANLEY PAUL & CO. LTD. || Pagination: [1-8] 9-292 [16 advert], frontis., 14 pp of ill. Collation: 8vo; [A]8 B-R8 S10 + 8 leaves of advertisement + frontispiece and 7 leaves of b/w photomechanical illustrations. Binding: Burgundy cloth, gilt lettering to spine, brown endpapers. Contributors: Galtier-Boissière, Jean (French, 1891 –  1966) – author. Leslie-Melville, Ronald (British, 1905 – 1942) – translator. Stanley Paul (London) – publisher. Mayflower Press (Plymouth), William Brendon & Son (Plymouth) – printers.
  • Softcover, 242 x 165 mm, French flapped wrappers with black and red lettering to front and spine, top edge trimmed, pages uncut, printed on wove paper watermarked BFK Rives in italic script; illustrations in colour. Title: JEAN DE LA FONTAINE | LES AMOURS | DE | PSYCHÉ ET DE CUPIDON | ÉDITION CONFORME AUX TEXTES ORIGINAUX | ÉTABLIE PAR | LOUIS PERCEAU | ET ORNÉE D’ILLUSTRATIONS EN COULEURS | PAR | CARLÈGLE | LE LIVRE DU BIBLIOPHILE | GEORGES BRIFFAUT, ÉDITEUR | 4, RUE DE FURSTENBERG, PARIS | 1932 || Limited edition: 1230 copies of which this ic copy № 247. Collated 8vo: π4 1-24 3-48 58 *58 6-168 χ2, total 134 leaves, incl. frontispiece. Pagination: [8] 1-253 [254] [6]. Colophon: Le volume des Amours de Psyché et de Cupidon de La Fontaine a été achevé d'imprimer le quinze juin mil neuf cent trente-deux sur les presses du maitre imprimeur Coulouma, a Argenteul, H. Barthélemy étant directeur. Coloris de E. Charpentier, Paris.  
  • Title: JACK KAHANE | ★ | Memoirs of a | Booklegger | [space] | {publisher’s device} | MICHAEL  JOSEPH LTD. | 26, Bloomsbury Street, London, W.C.I || Pagination: [1-6] 7-287 [288 blank]; total 288 pages. Collation: 8vo; [A]8 B-S8; total 144 leaves. Binding: 21.5 x 15 cm, by James Burn, publisher’s blue cloth, silver lettering to spine, yellow endpapers; cream dust-jacket with black and red lettering and reproduced photo portrait of the author. Contributors: Jack Kahane (British, 1887 – 1939) – author. Michael Joseph (British, 1897 – 1958); Michael Joseph Ltd. (London) – publisher. William Brendon & Son, Ltd.; Mayflower Press (Plymouth) – printer. John Dickinson & Co.; John Dickinson (British, 1782 – 1869) – paper maker. Frederick E. Kahane – dedicatee (brother of Jack).
  • Large inside-painted glass snuff bottle with a mountain landscape design, signed and sealed Wu Chen Zuo, with a serpentine stopper. Mid-20th century. Dimensions: H105 x W61 x D27 mm.
  • One of 64 wood engravings by Robert Dill after Joseph Kuhn-Régnier (French, 1873 – 1940), stencil-coloured (au pochoir technique) by Ateliers Jacomet in Paris for the 4-volume edition of Littré’s “Œuvres complètes d'Hippocrate” by Javal & Bourdeaux in 1932-34. The edition was limited to 2,335 numbered copies, 2,000 of them on Vélin teinté du Marais paper., numbered from 336 to 2,335. Contributors: Joseph Kuhn-Régnier (French, 1873 – 1940) – artist. Robert Dill – engraver. Atelier Jacomet (Paris); Daniel Jacomet (French, 1894 – 1966) – printer. Les éditions Javal & Bourdeaux (Paris) – publisher. Émile Littré (French, 1801 – 1881) – translator/ editor. Hippocrates (Greek, c. 460 – c. 370 BC) – author.
  • Title: Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints [東京国立博物館図版目録 | 浮世絵版画編] (Tōkyō Kokuritsu Hakubutsukan zuhan mokuroku | Ukiyoe hanga hen); Publisher: Tokyo National Museum [東京国立博物館] (Tōkyō Kokuritsu Hakubutsukan). Three volumes, 26.3 x 18.7 cm, uniformly bound in black cloth with white characters to front cover and spine. Title-page: ILLUSTRATED CATALOGUES OF | TOKYO NATIONAL MUSEUM | UKIYO-E PRINTS | <1 (2, 3) > | 東京国立博物館図版目録 | 浮世絵版画編 | < 上 (中, 下) > || Volume 1 [上]:  unpaginated 1 t.p., 2 colour plates, 1 contents, 70 (1-1354) – b/w plates, 1 + 48 paginated leaves (1-95 [96]) – text. Volume 2 [中]: unpaginated 1 t.p., 2 colour plates, 1 contents, 67 (1355-2493) – b/w plates + 33 paginated leaves (1-65 [66]) – text. Volume 3 [下]: unpaginated 1 t.p., 2 colour plates, 1 contents, 83 (2494-3926) – b/w plates + 35 paginated leaves (1-69 [70]) – text. Black and white photomechanical reproduction of almost four thousand woodblock prints with titles by the artist and in chronological order.