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Mid-20th Century
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A. de M. [Alfred de Musset]: Gamiani, ou deux nuits d’excès. — Vrais Amateurs Romantiques [Paris: Henri Pasquinelli, c. 1940].
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Illustré par Louis Icart. — Paris: Georges Guillot, 1947. [№ I, enriched].
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Orné de vingt eaux-fortes coloriées à la main par l’artiste [André Collot]. — Paris: s.n., 1928.
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Alfred de Musset. Gamiani ou deux nuits d’excès. — s.l.: Au dépens des deux cent cinquante amis de l’époque romantique, s.d. [late 1940s].
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Alfred Machard. Printemps sexuels… L’épopée au faubourg / Lithographies de Jean Auscher. — Paris : Éditions M.-P. Trémois, 1928.
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Algernon Charles Swinburne. Lucretia Borgia: The chronicle of Tebaldeo Tebaldei; Renaissance Period / Commentary and notes by R. Hughes; Engravings by R. Stone. — London: The Golden Cockerel Press, 1942.
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Andréa de Nerciat. La matinée libertine ou les moments bien employés / Pointes sèches et dessins de Jean-Gilles Legendre [Gaston Trilleau]. — Paris: s.n. [Maurice Duflou], 1928.
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Andréa de Nerciat. Le diable au corps. — Alençon: s.n., 1930.
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Andréa de Nerciat. Le doctorat impromptu / Illustré d’eaux-fortes originales par André Collot. — Paris: La Tradition, 1936.
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Andrew Loomis. Drawing the head and hands & Figure drawing for all it’s worth (box set). — London: Titan Books, 2011.
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Andrew Loomis. Drawing the head and hands. — New York: The Viking Press, 1958.
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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.
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Arthur M. Hind. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue / 3 volumes. — Cambridge: The University Press, 1952, 1954, 1964.
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Audrey Hepburn personally owned photo from “War and Peace”, c. 1956.
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Ayn Rand. Atlas shrugged. — NY: Random house, [1957].
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Ayn Rand. The Fountainhead. — NY, Indianapolis: The Bobbs–Merrill Company, ©1943.
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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.
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Bonne à tout faire / illustrations by Mario Tauzin. — Éric Losfeld, late 1950s.
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C. J. Dorat. Les Baisers; Mois de Mai, poème / Compositions originales de Brunelleschi. — [Paris]: Eddis, 1947.
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C. Варшавский, Б. Рест. Над Берлином // Библиотека «Огонек», №7. — М.: Правда, 1942.
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C. Варшавский, Б. Рест. Сын отечества (Библиотека краснофлотца) [autograph]. — М.: Военмориздат, 1942.
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C. Варшавский, Б. Рест. Сын отечества (Библиотека краснофлотца). — М.: Военмориздат, 1942.
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C. Варшавский. Упадочное искусство Запада перед судом русских художников-реалистов. — Л.-М.: Искусство, 1949.
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Chansons de salles de garde / Internat Quartier Latin: À l’enseigne des trois orfèvres. — [s.l.: s.n., c. 1948].
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Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.
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Charles & Mary Lamb. Tales From Shakespeare / Edited by E. Rhys, illustrations by A. Rackham (No. 8 of Everyman’s Library). — London: J. M. Dent & Sons Ltd.; NY: E. P. Dutton & Co. Inc., 1944.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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Choderlos de Laclos. Les Liaisons dangereuses, ou lettres recueillies dans une société et publiées pour l’instruction de quelques autres / Avec des figures de S. Sauvage (2 volumes) — Paris: chez l’artiste, 1930.
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Claude Shannon, Warren Weaver. The Mathematical Theory of Communication. — Urbana (IL): The University of Illinois Press, 1949.
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Colette, Willy. L’ingénue libertine / Eaux-fortes de Louis Icart. — Paris: Éditions Excelsior, 1926.
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Colette. Claudine à l’école. – Claudine à Paris. – Claudine en ménage. – Claudine s’en va / Illustrée par Renée Ringel (4 volumes, Collection “Leurs Chefs-d’Oeuvre”). — [s.l.]: Aux Éditions Terres Latines, c. 1950.
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Colette. L’ingénue libertine / illustré de vingt pointes sèches originales en couleurs de P.-E. Bécat. — Paris: Georges Guillot, 1947.
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Colette. La vagabonde / Lithographies en couleurs de Marcel Vertès. — Paris: La cité des livres, 1927.
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Complexes: 40 dessins de Vertès, préface de Pierre Mac-Orlan. — Monte-Carlo: André Sauret, 1948.
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Contes libertins du dix-huitième siècle / Présentés par Edmond Pilon, trente-deux illustrations en couleurs de A. Calbet. — Paris: Le Vasseur & Cie, 1936.
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Correspondance de Madame Gourdan, dite La Comtesse / illustrations de Paul-Émile Bécat. — Paris: Bibliothèque des curieux, 1954.
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