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Mid-20th Century
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A. de M. [Alfred de Musset]: Gamiani, ou deux nuits d’excès. — Vrais Amateurs Romantiques [Paris: Henri Pasquinelli, c. 1940].
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Illustré par Louis Icart. — Paris: Georges Guillot, 1947. [№ I, enriched].
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Orné de vingt eaux-fortes coloriées à la main par l’artiste [André Collot]. — Paris: s.n., 1928.
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Alfred de Musset. Gamiani ou deux nuits d’excès. — s.l.: Au dépens des deux cent cinquante amis de l’époque romantique, s.d. [late 1940s].
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Alfred Machard. Printemps sexuels… L’épopée au faubourg / Lithographies de Jean Auscher. — Paris : Éditions M.-P. Trémois, 1928.
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Algernon Charles Swinburne. Lucretia Borgia: The chronicle of Tebaldeo Tebaldei; Renaissance Period / Commentary and notes by R. Hughes; Engravings by R. Stone. — London: The Golden Cockerel Press, 1942.
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Andréa de Nerciat. La matinée libertine ou les moments bien employés / Pointes sèches et dessins de Jean-Gilles Legendre [Gaston Trilleau]. — Paris: s.n. [Maurice Duflou], 1928.
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Andréa de Nerciat. Le diable au corps. — Alençon: s.n., 1930.
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Andréa de Nerciat. Le doctorat impromptu / Illustré d’eaux-fortes originales par André Collot. — Paris: La Tradition, 1936.
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Andrew Loomis. Drawing the head and hands & Figure drawing for all it’s worth (box set). — London: Titan Books, 2011.
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Andrew Loomis. Drawing the head and hands. — New York: The Viking Press, 1958.
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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.
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Arthur M. Hind. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue / 3 volumes. — Cambridge: The University Press, 1952, 1954, 1964.
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Audrey Hepburn personally owned photo from “War and Peace”, c. 1956.
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Ayn Rand. Atlas shrugged. — NY: Random house, [1957].
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Ayn Rand. The Fountainhead. — NY, Indianapolis: The Bobbs–Merrill Company, ©1943.
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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.
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Bonne à tout faire / illustrations by Mario Tauzin. — Éric Losfeld, late 1950s.
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