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Home/Collection/Mid-20th Century
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  • Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.

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  • Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].

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  • Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.

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  • Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • Henri Rollin. L'apocalypse de notre temps / Les dessous de la propagande allemande d'après des documents inédits. — NRF [Nouvelle Revue Française], — Paris: Gallimard, 1939. — Series: Problémes et documents. pp.: [1-9] 10-567 [9].

    Henri Rollin. L’apocalypse de notre temps / Les dessous de la propagande allemande d’après des documents inédits. — Paris: Gallimard, 1939.

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  • Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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  • Illustration for Littré’s “Œuvres complétes d’Hippocrate” after Joseph Kuhn-Régnier, 1932–34.

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  • Inside-painted glass snuff bottle with design of a mountain landscape, signed and sealed

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  • Jack Kahane. Memoirs of a booklegger. — London: Michael Joseph Ltd., 1939.

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  • Jean de La Fontaine. Les amours de Psyché et de Cupidon / Établie par Louis Perceau et ornée d’illustrations en couleurs par Carlègle. — Paris: Georges Briffaut, 1932.

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  • Jean Galtier-Boissière. Mysteries of the French secret police / translated by Ronald Leslie-Melville. — London: Stanley Paul, [1938].

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  • Jean Viollis. Bonne-fille / Illustrations de André Dignimont (La Collection Originale). — Paris: Éditions Mornay, 1926.

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  • Johann Wolfgang Goethe. Das Tagebuch / Mit handkolorierten Zeichnungen von Max Schwimmer. — Leipzig: Nachrichtenamt der Stadt, [1947].

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  • John Carter. ABC for book-collectors, by John Carter. — London: R. Hart-Davis, 1952.

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  • John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.

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  • John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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  • John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.

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  • John Landwehr. Romeyn de Hooghe the etcher: Contemporary portrayal of Europe, 1662-1707. – Leiden: A. W. Sijthoff; Dobbs Ferry, N.Y.: Oceana, 1973.

    John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.

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  • John Whitehead. This solemn mockery: The art of literary forgery. Arlington Books, London, 1973. ISBN-10: 0851402127

    John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.

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  • Joseph Burke and Colin Caldwell. Hogarth: The Complete Engravings. – Harry N. Abrams, Inc., Publishers, New York, [1968].

    Joseph Burke, Colin Caldwell. Hogarth: The Complete Engravings. – NY: Harry N. Abrams, Inc., [1968].

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  • Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.

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  • Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927]. — pp.: [1-13] 14-251 [252: printer's imprint] [253-256: blank], note: [note: first and last leaves used as front and rear paste-downs].

    Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927].

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  • Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Konrad Lorenz. On aggression / translated by Marjorie Latzke, foreword by Sir Julian Huxley. — London: Methuen, 1966.

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  • Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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    L’Académie des Dames: Vingt attitudes par Albert Marquet. — NY: Sixty-Ninth Avenue [i.e. Paris: s.n., ca. 1950)

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  • L’école des biches ou mœurs des petites dames de ce temps / Schem. — S.l.: s.n., 1939.

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  • Laurence Sterne. A sentimental journey through France and Italy / Illustrated by Mahlon Blaine. —NY: Three Sirens Press, [1930].

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  • Le Marquis de Sade. Les 120 journées de Sodome. Anonymous pen and ink drawings after André Collot, c. 1935.

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  • Le Mouvement social : bulletin trimestriel de l’Institut français d’histoire sociale; N° 35, Avril – Juin, 1961. — Paris: Les Éditions ouvrières, 1961 // Maurice Dommanget. La vie de Blanqui sous le Second Empire, pp. 30 – 41.

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  • Le roman de godemichet / illustrée par un maître du genre [Jean Reschofsky]. — Paris: amis de l’auteur, 1948.

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  • Le Théâtre de la Nature. — Bruxelles, c. 1938.

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  • Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932.

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