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Title-page: MARCEL AYMÉ | IMAGES DE L'AMOUR | Lithographies | originales | de | Vertès (fac-simile ms) | ÉDITIONS GEORGES GUILLOT | 39 rue de Paradis à Paris || French flapped wrapper in a natural canvas double slipcase with gilt lettering to spine, 34.8 x 27.3 cm. Leaves 33 x 25.5 cm, 4 blanks at the beginning, to the second pair of leaves pasted two autograph letters signed by Marcel Aymé; [1-8] 9-119 [120] [6], last leaf blank, h.t. with inscription "En sincère hommage" signed by both Marcel Aymé and Marcel Vertès; 9 full-page chromolithographs, 6 headpieces and 2 tailpieces by Marcel Vertès, tissue-guards; in-4to, unbound. Printed on October 20, 1957. The edition is limited to 190 copies + 25 not for sale, this is copy № 1, printed on Japon Nacré paper and enriched with three additional suites of lithographs: one on Japon Nacré, one on Japon ancien, one on Hollande, plus a set of decomposition of one chromolithograph; lacking three original drawings. Contributors: Marcel Aymé (French, 1902 – 1967) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Georges Guillot – publisher. Andrée Koch – designer. Fequet et Baudier – printers, typography. Edmond et Jacques Desjobert – lithographers. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Description: One volume, 27 x 21.5 cm, collated 4to, bound in full dark crimson calf with gilt floral border, raised bands with gilt filets, gilt lettering to spine, 16 colour plates, one of them loose, and numerous woodcut tailpieces. Title-page: (black and blue): VOLTAIRE | L'INGÉNU | {VIGNETTE} | ILLUSTRATIONS DE BERTHOMMÉ SAINT-ANDRÉ | ÉDITIONS DE LA BONNE ÉTOILE | PARIS || Collation: 4to; π4 (2 blanks, h.t./limitation, t.p.), 1-184, last blank; total 76 leaves plus 16 colour plates after Louis Berthommé Saint-André and two flyleaves, first and last. Pagination: [4 blanks] [1-4] 5-143 [144] [4 blanks]; total 152 pages, ils. Limitation: Edition limited to 2,500 copies, of which this is copy № 1621. Colophon: Printed under direction of Paul Cotinaud at L’Union Typographique by Henri Leduc; photogravures executed by G. Duval and coloured by E. Vairel fils. Contributors: François Marie Arouet de Voltaire (French, 1694 – 1778) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist. -
Сборник из семи рассказов: Карты на Запад; Ответственное задание; Старт на Берлин; Корабли идут над морем; «Боевой! Так держать!»; Второй удар; Благодарит Сталин. Two identical copies LIB-3028.2022(1) and LIB-3028.2022(2). Front wrapper: C. ВАРШАВСКИЙ И Б. РЕСТ | НАД БЕРЛИНОМ | {PHOTO} | БИБЛИОТЕКА “ОГОНЕК” | №7 | ИЗДАТЕЛЬСТВО “ПРАВДА” | МОСКВА — 1942 || Title-page: C. ВАРШАВСКИЙ и Б. РЕСТ | НАД БЕРЛИНОМ | Издательство “Правда” | Москва – 1942 || Description: Brochure, 14.7 x 10.9 cm, wrappers photo vignette and black lettering, pp.: [2] 3-37 [3], total 40 pages. Print run: 150.000 copies. Contributors: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980). B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980).
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Description: softcover, 25.5 x 16.5 cm, pink French flapped wrappers with black lettering, printed on laid paper watermarked “ARCHES (France)”, with 10 plates (etchings) bound in and 1 plate (coloured etching) laid in, extraneous to collation, with tissue guards; pp.: ffl, [2] h.t., [2] t.p., 1- 151 [152] [4] colophon, blank, ffl; some pages uncut; margins untrimmed. Title-page: UN ÉTÉ A LA | CAMPAGNE | CORRESPONDANCE DE DEUX | JEUNES PARISIENNES RECUEILLIE | PAR UN AUTEUR A LA MODE | ILLUSTRÉE DE DIX EAUX-FORTES | ET D’UNE AQUARELLE ORIGINALE | {blank} | IMPRIMÉ SOUS LE MANTEAU | ET NE SE VEND NULLE PART | MCMXVIII || Limitation: a print run of 165 copies, of which this is № 129 on Arches à la forme paper. Cat. Raisonné: Dutel III № 2545, p. 397; Honesterotica. Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable) Frans de Geetere (Belgian, 1895 – 1968) – artist/engraver -
Hardcover, 22.8 x 17.6 cm, green buckram, black and red vignette and black lettering to front cover, pp.: [1-2], 3-98 [2], last page colophon; collated 8vo: 1-68 72, total 50 leaves plus 7 leaves of two-colour chromolithograph plates, incl. frontispiece, after Сергiй Адамович, extraneous to collation; b/w initials and in-text vignettes; yellow block type at the beginning and at the end of the story; purple ink library stamp to pp. 1 (t.p.) and 99: 2-а ИЗЮМСЬКА | МIСЬКА ДИТЯЧА | БIБЛIОТЕКА || in frame and ink ms number 17794. Title-page (red and black): МАРКО ВОВЧОК | Маруся | Оповідання | {vignette} | ДЕРЖАВНЕ ВИДАВНИЦТВО ДИТЯЧОЇ ЛIТЕРАТУРИ УССР | Київ | 1959 || Print run: 34,000 copies. Translation to Ukrainian from Russian. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Сергiй Адамович [Serhii Adamovych] (Ukrainin, 1922 – 1998) – artist. The French version of the Ukrainian name Маруся —> MAROUSSIA. The French version of the book: LIB-2674.2021; another copy of the Ukrainian edition (1943): LIB-3136.2023. Other variants of the author's name Марко Вовчок: Markowovzok and Marko Vovtchok. -
Publisher’s peach cloth box 555 x 410 mm with coloured lithograph on the lid, autographed with crayons "Le Cirque | 14 LITHOGRAPHIES | DE | {vignette} | Vertes"; in-folio unbound 4 pp. booklet on laid paper watermarked “Marais” and 14 loose leaves of plates on laid paper 520 x 395 mm without a watermark with coloured lithographs signed “Vertes” and numbered “195/250” in pencil; interleaved with tracing paper. Box and plates foxed. Title-page (red and black): LE | CIRQUE | 14 LITHOGRAPHIES DE | VERTÈS | PRÉSENTÉ | PAR | JEAN COCTEAU || Imprint: LES LIVES MERVEILLEUX | MONACO | Il a été tiré de cet album : | 150 Exemplaires, | destinés à | l'Amérique, | distribués bar les soins de | Arthur H. Harlow | de New-York, | & | 100 Exemplaires, | réservés à la France. | 15 Avril 1949 || Limitation: Edition limited to 250 copies (150 for USA, 100 for France); this is copy № 195 printed for France as the American copies marked “Published by Arthur H. Harlow & Co., New York. Seller’s Description: VERTÈS, Marcel (Hungarian-French, 1895-1961). Le Cirque 14 Lithographies de Vertès. Présénte par Jean Cocteau. [Monaco: Les Livres Merveilleux, 1949]. [vi] pp. With all 14 lithographs, each signed by the artist and numbered “195/250”. Text and lithographs 15 ¼ x 20 ½”. In original publisher’s peach cloth box with printed label on lid (box foxed, soiled, lightly worn; lithographs and text foxed). Still, a very good example of this lovely collection, with an introduction by Jean Cocteau (1889-1963). Catalogue Raisonné: Vokaer № 50. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Arthur H. Harlow (American, c. 1877 – 1958) – publisher. Jean Cocteau (French, 1889 – 1963) – author. -
NEWHardcover, 273 x 200 mm, original cardboard, lettering, vignette, frame to front, lettering to spine, colour plates after pp. 4, 10, 40, 64, 96, 232, and 240. Collated 8vo: π10 1-268, i.e. 218 leaves, profusely illustrated in b/w, plus 7 colour plates extraneous to collation; pp.: [i-viii] ix-xix [xx] [2] 3-414 [2]. Title-page: МАСТЕРА | СОВРЕМЕННОЙ ГРАВЮРЫ | И ГРАФИКИ | СБОРНИК МАТЕРИАЛОВ | ★ | РЕДАКЦИЯ ВЯЧ. ПОЛОНСКОГО | — | СТАТЬИ | B. AДAPЮKOBA, M. БАБЕНЧИКОВА, E. ДАНЬКО, | K. KУЗЬMИНCKOГO, Л. PO3EHTAЛЯ, A. СИДOPOBA, | K. ТИХОНОВОЙ, M. ФАБРИKAHTA, | A. ФEДOPOBA-ДАВЫДОВА | {publisher’s device} | — | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | МОСКВА — 1928 — ЛЕНИНГРАД || Imprint: Отпечатано в 1-й Образцовой типографии | Гиза. Москва, Пятницкая, 71, в количестве | 2000 экз. Х. 60. Гиз 18467. Главлит 82394. | Заказ № 467. | ★ | Обложка работы Н. И. Пискарева | макет для верстки В. В. Гольцева || Print run 2000 copies. Editor: Полонский [Гусев], Вячеслав Павлович [Polonsky, Vyacheslav] (Russian, 1886 – 1932) Contents:Предисловие Вяч. Полонского ... VIIIA. П. Остроумова-Лебедева. В. Я. Адарюкова ... 1Е. С. Кругликова. В. Я. Адарюкова ... 13М. В. Добужинский. Л. В. Розенталя ... 31С. В. Чехонин. Е. Данько ... 61Г. И. Нарбут. А. А. Сидорова ... 77Д. Н. Кардовский. К. С. Кузьминского ... 107П. А. Шиллинговский. В. Я. Адарюкова ... 135Д. И. Митрохин. М. В. Бабенчикова ... 149Ю. А. Анненков. М. В. Бабенчикова ... 167Ленинградская школа графических искусств. А. Федорова-Давыдова ... 189IIИ. Н. Павлов. В. Я. Адарюкова ... 227М. А. Добров. В. Я. Адарюкова ... 245И. И. Нивинский. В. Я. Адарюкова ... 257B. А. Фаворский. М. И. Фабриканта ... 273A. И. Кравченко. А. А. Сидорова ... 297B. А. Ватагин. К. С. Кузьминского ... 325Д. П. Штеренберг. К. С. Тихоновой ... 343Московская школа графики. А. А. Сидорова ... 357IIIБиблиография современной русской графики. А. А. Сидорова ... 405Artists:Остроумова-Лебедева, Анна Петровна [Ostroumova-Lebedeva, Anna] (Russian, 1871 – 1955) Кругликова, Елизавета Сергеевна [Kruglikova, Elizaveta] (Russian, 1865 – 1941) Добужинский, Мстислав Валерианович [Dobuzhinsky, Mstislav] (Russian-Lithuanian, 1875 – 1957) Чехонин, Сергей Васильевич [Chekhonin, Sergey] (Russian, 1878 – 1936) Нарбут, Георгий Иванович [Narbut, Heorhiy] (Ukrainian, 1886 – 1920) Кардовский, Дмитрий Николаевич [Kardovsky, Dmitry] (Russian, 1866 – 1943) Шиллинговский, Павел Александрович (Russian, 1881 – 1942) Митрохин, Дмитрий Исидорович [Mitrohin, Dmitry] (Russian, 1883 – 1973) Анненков, Юрий Павлович [Annenkov, Yury] (Russian-French, 1889 – 1974) Павлов, Иван Николаевич [Pavlov, Ivan] (Russian, 1972 – 1951) Добров, Матвей Алексеевич (Russian, 1877 – 1958) Нивинский, Игнатий Игнатьевич [Nivinski, Ignati] (Russian, 1881 – 1933) Фаворский, Владимир Андреевич [Favorsky, Vladimir] (Russian, 1886 – 1964) Кравченко, Алексей Ильич [Kravchenko, Aleksei] (Russian, 1889 – 1940) Ватагин, Василий Алексеевич [Vatagin, Vasily] (Russian, 1883 – 1969) Штеренберг, Давид Петрович [Shterenberg, David] (Ukrainian-Jewish, 1881 – 1948) -
Title (in black and red): АНРИ РОШФОР | ПРИКЛЮЧЕНИЯ МОЕЙ ЖИЗНИ | ПЕРЕВОД, ВСТУПИТЕЛЬНАЯ | СТАТЬЯ И ПРИМЕЧАНИЯ | Е. СМИРНОВА | ACADEMIA | 1933 || Opposite title: ИНОСТРАННЫЕ МЕМУАРЫ, ДНЕВНИКИ, | ПИСЬМА И МАТЕРИАЛЫ | Под редакцией И. Т. Смилги ( whited-out) | АНРИ РОШФОР | 1831—1913 | ACADEMIA | МОСКВА — ЛЕНИНГРАД || Title verso: Henri Rochefort | Les Aventures de ma vie. | Переплет и суперобложка | по рисункам М. В. Ушакова-Поскочина. Pagination: [1, 2] – publisher’s device / blank, [3, 4] – opposite title, [5, 6] – t.p. / orig. title, 7-452 [453-460], ill. Collation: [1]-288 296 + 15 plates extraneous to collation. Binding: burgundy cloth ruled blind and stamped in gilt with a lantern to cover and lettering to spine, pictorial DJ; top margin red. Catalogue raisonné: Крылов, Е. В. Кичатова. "Academia" (2004): p. 237-8. Ушаков [Ушаков-Поскочин], Максим Владимирович (Russian, 1893 – 1943) – died in NKVD labor camp. Смилга, Ивар Тенисович (Latvian-Russian, 1892 – 1937) — shot dead by NKVD firing squad. -
Title page: GRAHAM GREENE | {double rule} | Our Man | in Havana | AN ENTERTAINMENT | {citation: “And the sad man is cock of all his jests.” | — GEORGE HERBERT } | 1958 | THE VIKING PRESS • NEW YORK || Title verso: (top) COPYRIGHT © BY WILLIAM HEINEMANN LIMITED | PUBLISHED IN 1958 BY THE VIKING PRESS, INC. | 625 MADISON AVENUE, NEW YORK 22, N. Y. | (bottom) {publisher’s device} | LIBRARY OF CONGRESS CATALOGUE CARD NUMBER: 58.11735 | PRINTED IN THE U. S. A. BY | AMERICAN BOOK – STRATFORD PRESS || Pagination: [6] [1, 2] 3-273 [274]. Binding: 21 x 14 cm, publisher’s pink cloth, black lettering to spine: {double rule} | GRAHAM GREENE | Our | Man | in | Havana | VIKING | {double rule} ||; black vignette to front cover in the lower-right corner; original pictorial dust jacket designed by Bill English, unclipped, $3.50 in the upper-right corner of the front flap, advertisement “Also by Graham Greene” on the back flap. Edition: 1st American edition. Contributors: Henry Graham Greene (British, 1904 – 1991) – author. Bill English (British, b. 1931) – artist. The Viking Press, NY (1925 – 1975) – publisher. American Book-Stratford Press, Inc. – printer. -
Vol. 1: Front wrapper and title page (in red and black): CONTES | ET | NOUVELLES | DE | LA FONTAINE | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | PREMIER ET DEUXIÈME LIVRE | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [6] – advert., [2] – d.t.p., 1-164 [165-6], [4] – table, [2] – imprint / blank, [2] – blanks; total 188 pages (94 leaves) with 35 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Vol. 2: Front wrapper and title page similar to Vol. 1 but TROISIÈME, QUATRIÈME ET CINQUIÈME LIVRE under the vignette. Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [2] – d.t.p., 1-233 [234], [4] – table, [2] – colophon / blank, [2] – blanks; total 250 pages (125 leaves) with 42 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 3,000 copies, this copy is № 1 (stamped in black in vol. 1). Printed on the 10th of June, 1938 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: Two volumes 26.3 x 20.3 cm, uniformly bound in publisher’s pictorial flapped wrappers with vignettes and lettering to front wrapper and spine and publisher’s device to back wrapper. Description of the stensil (au pochoir) technique. -
Description: 17.4 x 11 cm, blue publisher’s cloth, blind device to front board, gilt lettering to spine, no DJ, pink abstract diaper endpapers, owner’s ink inscription to ffep, dated June 28, 1945. Serial t.p.: Everyman, I will go with thee, and be thy guide, | In thy most need to go by the side. | — | EVERYMAN'S LIBRARY | EDITED BY ERNEST RHYS | No. 8 | FOR YOUNG PEOPLE | TALES FROM SHAKESPEARE | BY CHARLES AND MARY LAMB | ILLUSTRATIONS BY ARTHUR | RACKHAM || Title-page: TALES FROM SHAKESPEARE | {device} | CHARLES AND MARY LAMB | LONDON: J. M. DENT & SONS LTD. | NEW YORK: E. P. DUTTON & CO. INC. || T.p verso: All rights reserved | Made in Great Britain | at The Temple Press Letchworth | for | J. M. Dent & Sons Ltd. | Aldine House Bedford St. London | First published 1807 | First published in this edition 1906 | Last reprint (reset) 1944 | [blank] | THIS BOOK IS PRODUCED IN COM- | PLETE CONFORMITY WITH THE | AUTHORIZED ECONOMY STANDARDS || Collation: 16mo; [A]-K16; total 160 leaves, 9 full-page illustrations after Arthur Rackham, within collation (text on the other side). Pagination: [i-iv] v-viii, 1-312, total 320 pages, ils. Contributors: William Shakespeare (English, 1564 – 1616) Mary Ann Lamb (British, 1764 – 1847) – author. Charles Lamb (British, 1775 – 1834) – author. Ernest Percival Rhys (British, 1859 – 1946) – editor. Arthur Rackham (British, 1867 – 1939) – artist.Temple Press, Letchworth, England – printer.
Joseph Malaby Dent (British, 1849 – 1926) – publisher. Note: “On the writing desk were two books – identical copies of Lamb’s Tales From Shakespeare. […] — Why did you choose Lamb? — It was the only book I could find in duplicate except Uncle Tom’s Cabin…” Graham Greene. Our Man in Havana. -
Description: An unbound softcover volume 23.5 x 18 cm collated in 4to, text in fac-simile manuscript printed on Japon Nacre wove paper with untrimmed outer and bottom margins, with 12 laid-in hand-coloured etchings, including the title-page, after André Collot; in red quarter morocco over marbled boards folder with gilt lettering to spine “P. L. | ~ | PETITES | SCÈNES | AMOUREUSES”, in a red faux ostrich leather clamshell box 26.7 x 21 cm. A copy without the limitation page. Title-page: {vignette in colour} | Douze douzains de Dialogues | ou | Petites scènes amoureuses | * || (text in fac-simile ms). Content: (97 dialogues, not 144), similar to Pia: Premier douzain : Dialogues des Filles nues (1, 3, 4, 5, 6) – 5 dialogues; Deuxième douzain : Dialogue[s] des Masturbées (13, 14, 15, 16, 17, 18, 19, 20, [21]) – 9 dialogues; Troisième douzain : Dialogues des Masturbées (25, 26, 27, [28], 29, 30, 31, 32, 33) – 9 dialogues; Quatrième douzain : Dialogues des Lécheuses (37, 38, 39, 40, 41, 42, 44) – 7 dialogues; Cinquième douzain : Dialogues des Phallophores (49, 50, 51, 52, 53, 54) – 6 dialogues; Sixième douzain : Dialogues des Goules (61, 62, 63, 64, 65, 65 (i.e. 66), 67, 68, 69, 70, 71) – 11 dialogues; Septième douzain : Dialogues des Amoureuses (73, 74, 75, 76, 77, 78, 79, [80]) – 8 dialogues; Huitième douzain : Dialogues des Enculées (85, 86, 87, 88, 89, 90, 91, 92, 93, 94, [95]) – 11 dialogues; Neuvième douzain : Dialogues des Chieuses (97, 98, 99, 100, 101, 102, 104) – 7 dialogues; Dixième douzain : Dialogues des Pisseuses (109, 110, 111, 112, 114) – 5 dialogues; Onzième douzain : Dialogues des Mères (121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132) – 12 dialogues; Douzième douzain : Dialogues des Enfants (134, 135, 136, 137, 138, 139, [140]) – 7 dialogues. Collation: unpaginated, unbound [1]2 [16]4; total 66 leaves plus 12 plates, incl. t.p. In reality, when compared with another copy of the same book [LIB-3144.2023], the first gathering should have consisted of four leaves: 11 blanks, 12 engraved t.p. / blank, 13 blank / limitation, 14 faux t.p. Premier Douzain Dialogues des Filles nues. Edition: This copy of "calligraphié" Douze douzains de dialogues ou petites scènes amoureuses was most probably published in Paris by Libraire Robert Télin in 1927, 100 copies on Japon Nacre as per Dutel (1920-1970) № 1427. However, per Dutel (1) the title-page lettering is all in capital letters, (2) the illustration printed on p. 545 differs from the one in my copy, (3) the number of leaves is 68, while in my copy it is 66. Another "calligraphié" edition published in c. 1940 (Dutel 1429) is bound and has 80 leaves. Dutel unequivocally attributes the drawings to André Collot. Plates in this copy are similar to the ones in a pirated copy of Scènes de péripatéticiennes / Douze douzains de dialogues [LIB-2961.2022] (Dutel № 2366). According to Pia (1978) № 358, this is a 1927 edition published in Paris by libraire Robert Télin: « 1 f. blanc, 1 f. (justification), 1 f. (titre) et 65 ff. n. ch., plus 11 gravures à l’eau-forte rehaussées de couleurs ». Pia describes the folder and the box (chemise et étui) with lettering to spine almost as in my case: “P. L. | – | Petites | scènes | amoureuses” (lower case). Per Pia, illustrations are after André Collot (French, 1897 – 1976) or Louis Berthomme Saint-André (French, 1905 – 1977). Edition limited to 100 copies numbered I – C. There is no limitation statement in my copy, which may explain why my copy has fewer leaves than per Dutel and Pia. Catalogue raisonné: Dutel (1920-1970) №№ 1427 and 1429, p. 137 and № 2366, p. 356 ; Pia (1978) 358-9, p. 199-200. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. André Collot (French, 1897 – 1976) – artist. -
Description: Hardcover, 24.5 x 20 cm, collated 4to, modern half crushed Morocco over marbled boards, raised bands, gilt fillets, fleurons, and lettering to spine, top margin gilt; pp.: [4] [1-5] 6-238 [2] [4]; 1-314, total 124 leaves, 20 in-text vignettes in colour after André Collot, b/w tail-pieces; printed on BFK Rives watermarked wove paper; original wrappers absent. Limitation: Print run of 331 copies of which this is copy № 255. Title-page (blue and black): ANDREA DE NERCIAT | FÉLICIA | OU MES FREDAINES | ORNÉ DE VINGT EAUX-FORTES | COLORIÉES A LA MAIN | PAR L'ARTISTE | PARIS | 1928 || Catalogue raisonné: Dutel (1920-1970) № 1556, p. 165. Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. André Collot (French, 1897 – 1976) – artist. Another copy of the same title with illustrations after Louis Icart in this collection: LIB-3046.2022. -
Hardcover volume, 26.6 x 21.3 cm, ¾ blue crushed morocco over marbled boards, marbled endpapers, original wrappers preserved, raised bands; wove paper, watermarked Van Gelder Zonen, unpaginated, 2 ffl, 1 front cover, 2 blanks, 1 h.t., 1 t.p., 46 leaves of text and plates (18 full-page and 14 half-page lithographs by Marcel Vertès), 1 colophon, 1 blank, 1 back cover, 2 ffl; 52 leaves within the original covers, as per Dutel. Title-page: POÉSIES | ÉROTIQUES | D' | UN | AUTE | UR CÉ | LÈBRE, | ILLUSTRÉ | ES DE TR | ENTE-DEUX | LITHOGRAPHIES | ORIGINALES | DESSINÉES | PAR UN | ARTISTE | INCON | NU | ★ | BARCELONE | ATARAZANAS (BARRIO CHINO) | L'AN I DE LA RÉPUBLIQUE | CATALANE || Limitation: A print run of 165 numbered copies, of which this is copy № 148, and 5 additional presentation copies. The text was printed by Massol, and plates were produced by Mme Duchatel. Catalogue raisonné: Dutel III № 2228 ; Nordmann II (Christie’s) № 321; Éros invaincu № 92, p. 222; Vokaer № 36, p. 16. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. René Bonnel (French, 1884 – 1975) – publisher. -
Hardcover volume, 17.2 x 13.6 cm, bound in grey cloth with colour design elements and black and gilt lettering to front cover and spine, pp: [1-4] 5-455 [456]; collated 8vo: 1-228, 23-2410, 25-288; total 228 leaves. Frontispiece and headpieces – woodcuts by Н. А. Кравченко. Bookplate “EX LIBRIS | Д. И. Ривкиной” to front pastedown. Half-title: ГОСУДАРСТВЕННОЕ | ИЗДАТЕЛЬСТВО | ХУДОЖЕСТВЕННОЙ | ЛИТЕРАТУРЫ | Москва 1963 || Title-page: А. МЮРЖЕ | СЦЕНЫ | ИЗ | ЖИЗНИ | БОГЕМЫ | {lyre} | Перевод с французского | Е. А. ГУНСТА || Title-page verso: HENRY MURGER | SCÈNES | de la | VIE DE BOHÈME | 1851 | Редактор перевода | Е. Н. БИРУКОВА | Вступительная статья | С. И. ВЕЛИКОВСКОГО | Примечания | Е. А. ГУНСТА | Художник | Н. А. КРАВЧЕНКО || Print run: 50,000 copies. Сцены из жизни богемы [Scènes de la vie de bohème]; First edition: Henry Murger. Scènes de la bohême. — Paris: M. Lévy frères, 1851 [LIB-2732.2021]. Contributors: Murger, Henri [Henry] (French, 1822 – 1861) – original text (French). Евгений Анатольевич Гунст (Russian, 1901 – 1983) – translation, commentary. Самарий Израилевич Великовский (Russian, 1931 – 1990) – foreword. Наталья Алексеевна Кравченко (Russian, 1916 – 2017) – atrist. Д. И. Ривкина – provenance. -
Hardcover volume, 20.2 x 14.5 cm, aubergine cloth, gilt lettering and publisher’s device to spine, aubergine top edge, aubergine dust jacket with gilt lettering and black fleuron to front, gilt lettering and black fleuron and publisher’s device to spine, and a captioned photographic portrait to back, blurb text to flaps, price ”35s net | in U.K. only” unclipped; pictorial endpapers. Pp.: [1-8] 9-445 [446] [2], collation: A-O16, total 224 leaves. Title-page (in oval frame): JOHN FOWLES | THE | FRENCH | LIEUTENANT'S | WOMAN | — | Every emancipation is a restoration of the human | world and of human relationships to man himself. | MARX, Zur Judenfrage (1844) | JONATHAN CAPE | THIRTY BEDFORD SQUARE | LONDON || Contributors: John Fowles (British, 1926 – 2005) – author. Herbert Jonathan Cape (British, 1879 – 1960) – publisher. Ebenezer Baylis & Son, Ltd. (f. 1858) – printer. The Trinity Press – printer. -
Title page [in black and blue]: ЭРАЗМ | РОТТЕРДАМСКИЙ | ПОХВАЛЬНОЕ СЛОВО | ГЛУПОСТИ | ПЕРЕВОД И КОММЕНТАРИИ | П. К. ГУБЕРА | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И. СМИЛГИ | {vignette} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Pagination: [1-7] 8-236 [4], in-text illustrations after Hans Holbein the Younger, title page, DJ, cloth by Л. С. Хижинский, photo reproduction of the portrait of Erasmus by Hans Holbein the Younger from The Louvre museum w/guard paper.
Collation: 8vo; [1]8 2-158, + 1 plate extraneous to collation (portrait).
Binding: 18 x 13 cm; Pictorial stamped cloth, pictorial DJ, pictorial endpapers, back board blind-stamped.
Print run: 5,300 copies.
Catalogue raisonné: Крылов-Кичатова (2004), №477, p. 221. (in 1930 section). Contributors: Desiderius Erasmus Roterodamus (Dutch, c. 1469 – 1536) – author of the original text in Latin. Hans Holbein the Younger (German, 1497/8 – 1543) – artist. Губер, Пётр Константинович (Russian, 1886 – 1941) – translator from Latin into Russian (died in GULAG) Смилга, Ивар Тенисович (Latvian-Russian, 1892 – 1937) – author, foreword (shot by a firing squad). Хижинский, Леонид Семёнович (Russian, 1896 – 1972) – artist (title page, DJ, cloth). -
Two-volume set. MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1734 — Extraits — 1755 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6], 1-345 [346], [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). MÉMOIRES | DE | JACQUES | CASANOVA | DE SEINGALT | 1755 — Extraits — 1772 | COLLIGÉS PAR | RÉNE GROOS | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D’AMATEURS | 61, BOULEVARD DE SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-337 [348] [8]; frontispiece and 15 colour plates (collotype), b/w tail-pieces and vignettes (offset). Limited edition, №2507 of 3000. Binding: original tan pictorial wrappers, in a slipcase. -
Front wrapper and title page : AVRIL – JUIN 1961 […] Numéro 35 |LE MOUVEMENT SOCIAL | Bulletin trimestriel de l'Institut français d'Histoire sociale | (Association reconnue d’utilité publique) | Le mouvement des Universités Populaires | par L. Dintzer, F. Robin et L. Grelaud | La vie de Blanqui sous le second empire | par M. Dommanget | Aperçu des fonds de l'Institut | par C. Chambelland | LES ÉDITIONS OUVRIÈRES | 12 avenue Sœur-Rosalie, Paris (13e) || Pagination : [1, 2] 3-48. Publisher’s wrappers, 24 x 16 cm. The paper by Maurice Dommanget (French, 1888 – 1976) La vie de Blanqui sous le Second Empire : de la sortie de Belle-ile à la sortie de Sainte-Pélagie (1er décembre 1857 – 12 mars 1864), pp. 30–41. -
Title page: TO BEG | I AM ASHAMED | By | SHEILA COUSINS | KITABISTAN | ALLAHABAD || Pagination:[1-4] 5-285 [286] [2], total 288 pages. Collation: 8vo; [1]8 2-188; total 144 leaves. Binding: Publisher’s red cloth, black lettering to front cover and spine, price-clipped brown and grey dust jacket, lettered front: TO BEG | I AM ASHAMED | SHEILA | COUSINS |The authentic | autobiography | of a | LONDON | PROSTITUTE | KITABISTAN ||; annotation by Diana Frederics to the back. Size: 19 x 13 cm. Edition: 1st Indian edition. Contributors: Graham Greene (British, 1904 – 1991) – author. Ronald Matthews (British, 1903 – 1967) – author. Frances V. Rummell [pseudonym Diana Fredericks] (American, 1907 – 1969) – annotation author. Kitabistan (Allahabad, India) – publisher. J. K. Sharma at the Allahabad Law Journal Press – printer. -
Title-page: ROBERT GANZO | DU DANCING | OU | LE DANSEUR SENTIMENTAL | avec un Frontispice et un Bandeau originaux | de | MARCEL VERTES | {publisher’s device} | Editions LEMARGET | 43, rue Madame, PARIS (VIe) | 1930.|| Description: 20.7 x 14.9 cm, French flapped cream wrappers with black and green lettering similar to title, lettering to spine “DU DANCING”; [1-13] incl. leaf in wrapper, 1st blank leaf, h.t. / limitation, frontispiece, t.p. / copyright, dedication to Gaston Guillot / blank, 14-106 [4] colophon / blank, and one leaf in wrapper; frontispiece and first chapter headpiece lithography by Vertès, plus inset of the same. Collation: 4to; [1,2]4 3-134 143; total 55 leaves. Printing: June 10, 1930, by Presses Modernes in Reims. Edition: 15 copies on Japon Impérial numbered I-XV, 20 colies on Hollande Van Gelder numbered XVI-XXXV, 250 copies on Vélin de Rives numbered 1-250, 20 of which reserved for the bookstore of H. Champion, and 25 presentation copies numbered A-Z. This copy is № XVI. Contributors: Robert Ganzo (French, 1898 – 1995) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Gaston Guillot (French, 1889 – 1960) – dedicatee. Editions Lemarget (Paris) – publisher. Presses Modernes (Reims) – printer. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Description: Original cream French flapped wrappers, 27.4 x 20 cm, in a white moiré double slipcase 28.5 x 21.5 cm; collated 4to, gatherings with double-page illustrations collated 6to; printed on thick wove paper watermarked “BFK RIVES”, outer and bottom margins untrimmed; paginated: [2 blanks] [1-8] 9-140 [4] [2 blanks], total 44 pages (besides the blanks in wrappers), illustrated with 12 full-page and 4 in-text drypoint plates by Georges Viglino after pencil drawings by Gaston de Sainte-Croix. Enriched with 16 leaves of plates printed in sepia on Arches teinté paper (watermarked). Title-page (in salmon and black): NOUS | DEUX | ILLUSTRE DE | SEIZE POINTES SÈCHES ORIGINALES | ÉDITIONS DU CYCLAMEN – M CM LVI || Limitation: A print run of 200 copies, of which 2 copies (A and B) on Japon Nacré + one suite of plates on Japon Impérial, 30 copies (№ 1-30) on Rives + one suite of plates on Arches, and 168 copies (№ 31-198) on Rives pur fil. This copy is № 29, on BFK Rives with a suite on Arches. Catalogue raisonné: Dutel (1920-1970) № 2055, p. 282. Contributors: Marcel Valotaire (French, 1889 – 1979) – author Gaston de Sainte-Croix (French, 1904 – 1977) – artist Georges Viglino – engraver/printer (attributed by Dutel). Jacques Vialetay – publisher (attributed by Dutel). -
Description: One volume, collated 4to, 26.2 x 18.5 x 8 cm, ¾ calf over marbled boards, gilt decorated flat spine with gilt lettering, marbled endpapers, publisher’s wrappers preserved. Title-page (red and black): LE TRÉSOR | DU | BIBLIOPHILE | ÉPOQUE ROMANTIQUE | 1801–1875 | PAR | L. CARTERET | Libraire de plusieurs Sociétés de Bibliophiles | LIVRES ILLUSTRÉS DU XIXe SIÈCLE | PARIS | L. CARTERET, ÉDITEUR | ANCIENNE LIBRAIRIE CONQUET | 5, RUE DROUOT, 5 | Novembre 1927 || Publisher's wrapper similar, in a frame Collation: front wrapper, π4 (2 blanks, h.t./limit., t.p./copyright], [1] – 894, χ2 (colophon, 1 blank), back wrapper, orig. spine, ils. within collation; total 362 leaves within wrappers; 2 leaves of modern inset bound-in between pp. 106 and 107. Pagination: [8][1-3] 4-712 [4], total 724 pages plus 4 pp inset, ils. Content: pp. 1-25 – propos; 29-600 – bibliographie; 601-603 – table ills; 605-639 – table des ouvrages cités; 641-712 – table des artistes. Printed by Imp. Lahure on November 30, 1927. Contributors: Léopold Carteret (French, 1873 – 1948) Imprimerie Générale de A. Lahure (Paris) Alexis Lahure (French, 1849 – 1928) -
Description: Hardcover 26.5 x 19 cm, grey cloth, red lettering in kanji over black stripe to front, lettering to spine, tan endpapers, pictorial slipcase 27 x 19.5 cm; pp.: [1-6] 7-95 [96], pasted frontispiece and 79 colour illustrations with captions, within a collation. Series Masterworks of ukiyo-e, №8. ISBN: 9780870110986; 0870110985. Ref.: Worldcat Title-page (in frame): MASTERWORKS OF UKIYO-E | "THE DECADENTS” | by Jūzō Suzuki and Isaburō Oka | translation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A. || (Vertical text in kanji to the right, between rules). Artists: Utagawa Kunisada (Japanese [歌川 国貞], 1786 – 1865); Utagawa Kuniyoshi (Japanese [歌川 国芳], 1798 – 1861); Keisai Eisen [Japanese [渓斎 英泉], 1790 – 1848). Contributors: Jūzō Suzuki [鈴木重三] (Japanese, 1919 – 2010) – author. Isaburō Oka [岡畏三郎] (Japanese, 1914 –2010) – author. John Bester (British, 1927 – 2010) – translator Kunisada's fan print in this collection (exactly the same copy) [SVJP-0380.2022]:
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Hardcover volume, 21.8 x 15.5 x 6 cm, bound in black cloth with blind-stamped lettering to front and gilt lettering to spine, yellow endpapers, outer margin trimmed rough, pp.: [i-xiv] h.t./blank, advert./blank,t.p./copyright, dedicat./family, family/blank, edit./blank, [1-2] f.t./blank, 3-589 [5 blanks]; 608 pp (304 leaves) total; blue ink ms to fep “…from the Pembroke College Club of New York”; in a black dust jacket with yellow and green lettering to front and spine, portrait to back, unclipped $8.95. Title-page: VLADIMIR | NABOKOV | ADA | OR ARDOR: | A FAMILY | CHRONICLE | McGraw-Hill Book Company • New York • Toronto || Nabokov, Vladimir [Набоков, Владимир Владимирович] (Russian-American, 1899 – 1977) -
Four chromolithographic plates, each sheet 180 x 150 mm; image 16 x 12.5 cm after Feodor Rojankovsky, signed “Rojan”, titles printed on the back on red (à la chasse), blue (en voyage), green (aux courses), and yellow (depuis | 1865 les plus | jolis trousseaux | ont été créés par | LA GRANDE | MAISON DE | BLANC | place de l’opera | Paris | NICE CANNES DEAUVILLE LONDRES) background. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist. -
Watercolour on wove paper, 243 x 161 mm, black ink stamp to verso: “Nachlaß O R SCHATS”. Attributed to Otto Rudolf Schatz (Austrian, 1900 – 1961). -
Title: GIACOMO CASANOVA | Chevalier de Seingalt | HISTORY OF MY LIFE | FIRST TRANSLATED INTO ENGLISH IN ACCORDANCE | WITH THE ORIGINAL FRENCH MANUSCRIPT | By Willard R. Trask | With an Introduction by the Translator | VOLUMES 1 AND 2 | A Helen and Kurt Wolff book • Harcourt, Brace & World, 1966 | NEW YORK || Stated 1st edition. Pagination: [2 blank] [i-iv] v-viii, [1, 2] 3-330 [8 blanks] + 32 ills. Two volumes in one. -
Title: THE | THIRD REPUBLIC | OF FRANCE | THE FIRST PHASE 1871–1894 | BY | GUY CHAPMAN | Sometime Professor of Modern History in the University of Leeds | LONDON | MACMILLAN & CO LTD | NEW YORK • ST. MARTIN’S PRESS | 1962 Pagination: [i-iv] v-xxii, [1] 2-433 [434 imprint]. Collation: 8vo; [A]8 B-Z8 2A-2D8 2E2 2E210. Binding: blue buckram, bronze lettering to spine, pictorial DJ. Publishing year 1963 according to worldcat. Author: Chapman, Guy Patterson (British, 1889 – 1972) -
Dust jacket: Pictorial floral ornament, lettering in a central medallion: ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ | {ACADEMIA} || Title page in black and red in a pictorial frame: ЖИЗНЬ | БЕНВЕНУТО, | СЫНА МАЭСТРО | ДЖОВАННИ | ЧЕЛЛИНИ, | ФЛОРЕНТИНЦА, | НАПИСАННАЯ | ИМ САМИМ | ВО ФЛОРЕНЦИИ |{√}| ПЕРЕВОД, ПРИМЕЧА | НИЯ И ПОСЛЕСЛОВИЕ | М. ЛОЗИНСКОГО | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | А. К. ДЖИВЕЛЕГОВА | ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Frontispiece: ПАМЯТНИКИ | ХУДОЖЕСТВЕННОГО | И ОБЩЕСТВЕННОГО | БЫТА |{√}| ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ |{√}| ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Title verso: LA VITA DI BENVENUTO DI Mo GIOVANNI | CELLINI FIORENTINO | scritta per lui medesimo in Firenze | […] | Рисунки титулов, переплета и супер-обложки И. Ф. Реберга |[…]| 6 – 10 тысяча || Pagination: [1-5] 6-735 [736], 30 photomechanical plates (incl. portrait) Collation : [1]8 2-468 + 15 leaves of plates extraneous to collation, total 383 leaves. Binding: publisher’s burgundy cloth, gilt-stamped to front, blind-stamped to back board, gilt lettering to spine, pictorial DJ. Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): №473, p. 220 (in 1932 section). Contributors: Benvenuto Cellini (Italian, 1500 – 1571) – author. Алексей Карпович Дживелегов (Russian, 1875 – 1952) – editor. Михаил Леонидович Лозинский (Russian, 1886 – 1955) – translator. Иван Фёдорович Рерберг (Russian, 1892 – 1957) – artist. -
Seventeen drypoint prints in purple plus one original ink sketch by Marcel Vertés (French, 1895 – 1961) – illustrations to the book by Pierre Louÿs Trois filles de leur mère, in a paper folder. Front : DIX-SEPT POINTES SÈCHES | D'UN ARTISTE INCONNU | POUR | TROIS FILLES | DE | LEUR MÈRE | {space} | AUX DÉPENS D'UN AMATEUR | NON MIS DANS LE COMMERCE || Pencil manuscript Vertés under “ARTISTE”, autograph vignette above “AMATEUR”, erased dedication inscription above “DÉPENS” À L’AMI [erased] X. Back: JUSTIFICATION DU TIRAGE | 17 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTENANT | UNE SUITE DES DIX-SEPT POINTES SÈCHES EN | NOIR : UNE SUITE EN COULEURS COLORIÉE PAR | L’ARTISTE ; UN DESSIN ORIGINAL ET SA PLANCHE | DE CUIVRE ; DIX-SEPT CROQUIS ORIGINAUX | MARQUÉS A à Q. | 50 EXEMPLAIRES SUR VÉLIN D’ARCHES CONTE- | NANT UNE SUITE DES DIX-SEPT POINTES | SÈCHES ET TROIS CROQUIS ORIGINAUX | NUMÉROTÉS DE 1 à 50. | {space} | EXEMPLAIRE № {by hand} H. C. || Size : folder 28 x 17.5 cm; sketch 26.6 x 17.6 cm; prints 27.5 x 19 cm. Printed on wove paper with MBM watermark (Arches MBM Paper). Bookplate pasted to the makeshift extra folder with title: “EX-LIBRIS | Jacques | Crepineau”. Provenance: Jacques Crepineau (French, 1932 – 2017). Description by seller: [CURIOSA - VERTÈS (Marcel)]. Dix-sept pointes sèches d'un artiste inconnu pour Trois filles de leur mère. S.l. : Aux dépens d'un amateur, [1927]. — In-8, en feuilles. Dutel 2517*. Rare suite de 17 pointes-sèches libres réalisées par Marcel VERTÈS, probablement publiée par Marcel Cotinaud. Elle était destinée à accompagner l'édition originale de Trois filles de leur mère de Pierre Louÿs publiée un an plus tôt. Tirage à 67 exemplaires sur vélin d'Arches. Les épreuves sont tirées en violet. Exemplaire sans le feuillet de titre, ni celui de la justification. Il comprend un croquis original de l'artiste, non signé, ayant servi d'étude pour l'une des planches. Selon les tirages, chaque exemplaire devrait comprendre 17 croquis pour les 17 premiers, ou 3 pour les 50 autres, non n'en avons ici qu'un seul. Envoi de Vertès sur la couverture, accompagné d'un dessin original. Le nom du destinataire a été effacé. Manque la chemise et l'étui. Description by DUTEL v.3, p. 389, № 2517: In-4 (28 x 19) de 2 ff., 17 pointes sèches, étui, chemise. … publiée en 1927 probablement par Marcel Cotinaud (SV : publisher of Vertés was Paul Cotinaud)… Les planches sont tirées en violet (SV : like this one). Tirage : 17 ex. …avec une suite coloriée par l’artiste, un dessin, un cuivre et 17 croquis. 50 ex. … avec 3 croquis. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes -
Title-page: COLETTE | L'INGÉNUE | LIBERTINE | ILLUSTRÉ DE VINGT POINTES SÈCHES ORIGINALES EN COULEURS | DE P.-E. BÉCAT | GEORGES GUILLOT, ÉDITEUR | 7, RUE PERRONET | PARIS (VIIe) || French flapped wrapper in a blue double slipcase with dark blue and gilt lettering to spine, 29.5 x 24 x 8 cm, in-folio, leaves 28.5 x 22.5 cm, unbound, with 20 coloured drypoint engravings, with tissue-guards, with 77 initials and tailpieces by Marie Monnier. Limited edition of 420 copies, of which this is copy № XXVII, one of 45 copies marked with Roman numbers and reserved for the artist and collaborators. Printed on November 1st, 1947. Pagination: [16] 1-215 [216] [6], 238 pages (119 leaves) total, incl. plates. Moderate foxing. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) Paul-Émile Bécat (French, 1885 – 1960) Marie Monnier (French, 1894 – 1976) Solange et Georges Guillot – publishers. Georges Girard – printer, typography. Manuel Robbe – printer, drypoint engravings. -
Description: one volume in French flapped wrappers 25.3 x 19 cm, lettered “MUSSET” to front, 5 gatherings of 4 and one of 6 leaves, 26 leaves total, pp.: [4] [2] 3-43 [44] [4], total 52 pages, incl. those in wrappers, unbound; plus coloured and uncoloured suites of 12 lithographs, in a paper folder; in a cardboard tan slipcase 2.8 x 19.3 cm. Artist unknown, publisher unknown, published at the end of 1940s (per J.-P. Dutel). Illustrations are a loose interpretation of original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition ((1926 re-print LIB-3135.2023). Limitation: Edition limited to 250 copies printed on Vélin Chiffon numbered 1 -250 and 24 copies marked by letters A to Z. This is copy № 246, with two suites of plates, one coloured and one b/w. Catalogue raisonné: Dutel (1920-1970) № 1657, p. 189. Alfred de Musset (French, 1810 – 1857) – author. -
Description: softcover, 16.5 x 13 cm, in wrappers, white lettering on blue panel to front: “C. ВАРШАВСКИЙ Б. РЕСТ | СЫН | ОТЕЧЕСТВА | — | ВОЕНМОРИЗДАТ 1942”. Pagination: [2] 3-71 [72]; collated 8vo: [1]-48 54, total 36 leaves. Title-page: СМЕРТЬ НЕМЕЦКИМ ОККУПАНТАМ! | БИБЛИОТЕКА КРАСНОФЛОТЦА | C. ВАРШАВСКИЙ, Б. РЕСТ | СЫН | ОТЕЧЕСТВА | {publisher’s device} |—| ВОЕННО-МОРСКОЕ ИЗДАТЕЛЬСТВО НКВМФ СОЮЗА ССР | МОСКВА • 1942 || Another copy: LIB-3083.2022. Contributors: Сергей Петрович Варшавский [Sergei Varshavsky] (Russian-Jewish, 1906 – 1980) – author. Б. Рест (Юлий Исаакович Шапиро (Russian-Jewish, 1907 – 1984) – author. -
Lavishly illustrated manuscript bound in brown cloth with a red cloth border, 12.3 x 7.5 x 1.6 cm, green marbled endpapers with the inscription “Mein | Kampf” to free leaf, front pastedown with a pocket; written with blue ink and drawn with colour crayons on checkered notepaper with rounded corners, unpaginated, 104 leaves total. Frontispiece: ☆ | AMOUR | {two cupids and a heart pierced with an arrow, sunbeams} | VOLUPTE | IVRESSE || Title-page: FOLIES | D'AMOUR | PAR | • Roger Cotteret • | {raising sun and sunbeams} | row of dots || A copy of the whole manuscript is presented here. -
Paperback, 21.3 x 14.5 cm, publisher’s grey and black wrappers with black and grey lettering, respectively; pp. [1-4] 5-151 [1], 152 pages total; collated 8vo: 1-98 104, 76 leaves total. Title-page: В. ПРОПП | МОРФОЛОГИЯ СКАЗКИ | «ACADEMIA» | ЛЕНИНГРАД | 1928 || Frontispiece: ГОСУДАРСТВЕННЫЙ ИНСТИТУТ ИСТОРИИ ИСКУССТВ | ВОПРОСЫ ПОЭТИКИ | НЕПЕРИОДИЧЕСКАЯ СЕРИЯ, ИЗДАВАЕМАЯ | ОТДЕЛОМ СЛОВЕСНЫХ ИСКУССТВ | ВЫПУСК XII | «ACADEMIA» | ЛЕНИНГРАД | 1928 || English title: [LIB-1615.2018] V. Propp. Morphology of the Folktale. — Austin: University of Texas Press, 1979. Print run: 1,600 copies. Catalogue raisonné: Крылов-Кичатова № 328, p. 199. Contributors: Владимир Яковлевич Пропп [Vladimir Propp] (Russian, 1895 – 1970) See also [LIB-1710.2019] (circulation copy) В. Я. Пропп. Исторические корни волшебной сказки (2-е изд.) — Л.: Изд-во ЛГУ, 1986 and (first edition) [LIB-3184.2023] В. Я. Пропп. Исторические корни волшебной сказки. — Л.: Изд-во Ленинградского ун-та, 1946.
