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Mid-20th Century
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Henri Rollin. L’apocalypse de notre temps / Les dessous de la propagande allemande d’après des documents inédits. — Paris: Gallimard, 1939.
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Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.
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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].
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Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.
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Graham Greene. Travels with my aunt: a novel. — London: Bodley Head, 1969.
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Graham Greene. The third man. — New York: The Viking Press, 1950.
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Graham Greene. The third man, and, The fallen idol. — London: Heinemann, 1950.
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Graham Greene. The Quiet American. — London: William Heinemann Ltd., 1955.
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Graham Greene. The Honorary Consul. — London: Bodley Head, 1973.
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Graham Greene. The end of the affair. — London: Heinemann, 1951.
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Graham Greene. The Comedians. — London: Bodley Head, 1966.
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Graham Greene. Our man in Havana: An entertainment. — New York: The Viking Press, 1958.
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Graham Greene. Our man in Havana: An entertainment. — London: Heinemann, 1958.
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Graham Greene. Our man in Havana: An entertainment / UNCORRECTED PROOF COPY. — London: Heinemann, 1958.
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Graham Greene. A sort of life. — London: The Bodley Head, 1971.
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Graham Greene. A burnt out case. — London: Heinemann, 1961.
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Graham Greene and Carol Reed. The third man / Film script. — New York: Simon and Schuster, 1968.
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Graham Greene and Carol Reed. The third man / Film script. — London: Lorrimer, 1969.
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Giacomo Casanova. History of my life / Translated by Willard R. Trask. — New York: A Helen and Kurt Wolff book; Harcourt, Brace & World, 1966.
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Georges-Armand Masson. Tableau de la mode / illustré | de 21 gravures et de 11 lithographies en couleurs par Marcel Vertès (Tableaux Contemporains № 6). — Paris: Nouvelle Revue Française, 1926.
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Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.
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Georges Huisman. Eloge de Marcel Vertès / Orné de gravures originales. — Paris: Manuel Bruker, 1951.
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Gabriel Soulages. Le Malheureux Petit Voyage / Illustrations de Maurice Leroy. — Paris : Éditions du Charme, 1942.
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Freundinnen / drawings by Mitja Leytho, c. 1930.
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Fredson Bowers. Principles of Bibliographical Description. — Princeton, NJ: Princeton University Press, 1949.
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Fred Astaire signed studio photograph, c. 1936.
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Frank Cieciorka. With liberty and justice for all / c. 1967.
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Francis Carco. Rue Pigalle / Lithographies en couleurs de Vertès. — Paris: B. Grasset, 1927.
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Francis Carco. L’amour vénal / Pointes sèches de Vertès. — Paris: s.n., 1926.
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Fornicon by Tomi Ungerer. — NY: Grove Press, 1969©.
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Feodor Rojankovsky. La Grande Maison de Blanc. Four plates, advertisement, 1929.
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Ernest Hemingway. Across the river and into the trees. — New York : Charles Scribner’s Sons, 1950.
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Ernest Hemingway. A moveable feast. — New York : Charles Scribner’s Sons, [1964].
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Eric D. Butler. The International Jew : The Truth About “The Protocols of Zion”. [— Adelaide: R. M. Osborne Limited, 1939].
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Épices: Réflexions sur quelques à-côtés de l’amour destinées à des personnes expérimentées. — s.l.: Groupe de bibliophiles, c. 1955. [Enriched with a suite of 1950].
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Émile Zola. Nana / Illustré de 30 gravures originales en couleurs de Marcel Vertès. — Paris: Javal et Bourdeaux, 1933.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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Daisy Fellowes. Les dimanches de la comtesse de Narbonne / Illustrations de Marcel Vertès. — Éditions de France: Paris, [1935].
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Crébillon fils. Le sopha, conte moral / Illustrations de Carlègle. — Paris: Éditions Mornay, 1933.
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Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.
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Correspondance de Madame Gourdan, dite La Comtesse / illustrations de Paul-Émile Bécat. — Paris: Bibliothèque des curieux, 1954.
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Contes libertins du dix-huitième siècle / Présentés par Edmond Pilon, trente-deux illustrations en couleurs de A. Calbet. — Paris: Le Vasseur & Cie, 1936.
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Complexes: 40 dessins de Vertès, préface de Pierre Mac-Orlan. — Monte-Carlo: André Sauret, 1948.
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Colette. La vagabonde / Lithographies en couleurs de Marcel Vertès. — Paris: La cité des livres, 1927.
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Colette. L’ingénue libertine / illustré de vingt pointes sèches originales en couleurs de P.-E. Bécat. — Paris: Georges Guillot, 1947.
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Colette. Claudine à l’école. – Claudine à Paris. – Claudine en ménage. – Claudine s’en va / Illustrée par Renée Ringel (4 volumes, Collection “Leurs Chefs-d’Oeuvre”). — [s.l.]: Aux Éditions Terres Latines, c. 1950.
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Colette, Willy. L’ingénue libertine / Eaux-fortes de Louis Icart. — Paris: Éditions Excelsior, 1926.
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Claude Shannon, Warren Weaver. The Mathematical Theory of Communication. — Urbana (IL): The University of Illinois Press, 1949.
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Choderlos de Laclos. Les Liaisons dangereuses, ou lettres recueillies dans une société et publiées pour l’instruction de quelques autres / Avec des figures de S. Sauvage (2 volumes) — Paris: chez l’artiste, 1930.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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Charles & Mary Lamb. Tales From Shakespeare / Edited by E. Rhys, illustrations by A. Rackham (No. 8 of Everyman’s Library). — London: J. M. Dent & Sons Ltd.; NY: E. P. Dutton & Co. Inc., 1944.
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Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.
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